Re: [ur-records] Question???

2000-07-05 Thread xx xx
: where is Mercenary ??? show up man! From: JavierDrada [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] To: 313 313@hyperreal.org Subject: [ur-records] Question??? Date: Tue, 4 Jul 2000 07:26:11 -0500 How come certain trends on 313 are so easy to follow while others are just ignored, why I ask

Re: [313] Re: [ur-records] Question???

2000-07-05 Thread Derek
: JavierDrada [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] To: 313 313@hyperreal.org Subject: [ur-records] Question??? Date: Tue, 4 Jul 2000 07:26:11 -0500 How come certain trends on 313 are so easy to follow while others are just ignored, why I ask this is because I know that there are more people

RE: [313] Re: [ur-records] Question???

2000-07-05 Thread johno
-To: [EMAIL PROTECTED] To: 313 313@hyperreal.org Subject: [ur-records] Question??? Date: Tue, 4 Jul 2000 07:26:11 -0500 How come certain trends on 313 are so easy to follow while others are just ignored, why I ask this is because I know that there are more people on this list that get

Re: [313] Re: [ur-records] Question???

2000-07-05 Thread Tom Robbins
All of this to say that I very much would like to do reviews on the (few) records I receive, but I simply don't have the time for it. Some of the guys on the list are full-time journalists for music magazines and that's a different story. Not sure about that, Johno. I'm a full-time journo (not

Re: [313] Re: [ur-records] Question???

2000-07-05 Thread Javier Drada
504.553.5628 tel 504.553.5627 fax Keepin' it real, keepin' it UNDERGROUND..Underground Committee.com Original Message Follows From: xx xx [EMAIL PROTECTED] To: [EMAIL PROTECTED], 313@hyperreal.org Subject: [313] Re: [ur-records] Question??? Date: Wed, 05 Jul 2000 12:06:12 GMT H'm

RE: [313] Re: [ur-records] Question-ps

2000-07-05 Thread Diana Potts
], 313@hyperreal.org Subject: RE: [313] Re: [ur-records] Question??? Date: Wed, 5 Jul 2000 14:50:03 +0200 Derek wrote: Now, as for people who get records because they work at a magazine or something, thats a different story. These people should DEFINANTLY make their voices heard. I totally agree

RE: [313] Re: [ur-records] Question???

2000-07-05 Thread johno
Hi Diana, I hear you sister! Getting reviews published is hell esp. when you're only writing them as part of your hobby. The staff writers always go first. So if you do ten reviews, about two get in. And, oh yes, I know the syndrome of people promising you promo's and never sending them. Even

Re: [313] Re: [ur-records] Question???

2000-07-05 Thread Javier Drada
The fact of the matter is that no one is really making any money, Let's talk about the Underground for a minute, The Artist, the labels, the journalist not one of them makes a dime compared to the big Corporate Headz that found a new market and and exploited the crap out of it. I hope you are

Re: [313] Re: [ur-records] Question???

2000-07-05 Thread Javier Drada
and feelings can never be replaced by the $$. j.d. Original Message Follows From: Cyclone Wehner [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: Re: [313] Re: [ur-records] Question??? Date: Thu, 06 Jul 2000 04:27:21 +0900 The fact of the matter is that no one is really making any

Re: [313] Re: [ur-records] Question???

2000-07-05 Thread Diana Potts
The fact is there is NO money in music journalism, j.d. id have to agree here too. Though, there is a way to make money off of journalism...but not enough to fully live on a decent scale unless you are senior editor or something of higher stature..and even then its not a glamorous life.

Re: [313] Re: [ur-records] Question???

2000-07-05 Thread FRED MCMURRY
Re: The fact of the matter is that no one is really making any money, Let's talk about the Underground for a minute, The Artist, the labels, the journalist not one of them makes a dime compared to the big Corporate Headz that found a new market and and exploited the crap out of it. The