RE: (313) Re : (313) Frankie Bones

2006-03-06 Thread Michael . Elliot-Knight
but most of them don't go this far out of their way to self-promote in a nearly-fictional manner. pounded that nail in all the way Tristan I know DJs always fluff themselves up with I've played beside so-and-so (like they're good buddies) but to make the claims that FB does - well, it's

Re: (313) Re : (313) Frankie Bones

2006-03-06 Thread Michael . Elliot-Knight
cc Subject Re: (313) Re : (313) Frankie Bones

Re: (313) Re : (313) Frankie Bones, r.i.p.

2006-03-06 Thread seek
- Original Message - From: Michael.Elliot-Knight You should be his publicist. Give it a rest. seek It sounds like what you're saying is that it's ok for him to shoot his mouth and fabricate additional influences that aren't owed to him because of everything he *has* done. MEK

Re: (313) Re : (313) Frankie Bones (fwd)

2006-03-06 Thread Derek Plaslaiko.
Subject Re: (313) Re : (313) Frankie Bones - Original Message - From: Tristan Watkins I mean, how many people outside of the mid-Atlantic would actually go see him if he were playing

Re: (313) Frankie Bones

2006-03-04 Thread Michael . Elliot-Knight
I encourage everyone to go to Bones' website and read his bio http://www.frankiebones.com/index1.htm It starts out - Frankie Bones, quite simply, the most influential artist in American electronic dance music history. It gets funnier from there. See how he claims to be one of NYC's first

(313) Re : (313) Frankie Bones

2006-03-04 Thread Poivrenoir
I feel like the more I argue in favor of Frankie Bones the more I look like I wish I was the next room mate. But when you say Frankie Bones is a regional hero and certainly goes out of his way to attribute more than that to himself. Do you mean the region called the US and Europe? I mean what

Re: (313) Frankie Bones

2006-03-04 Thread seek
- Original Message - From: Tristan Watkins Beyond that, he hasn't made much of a mark on the rest of the world in the last 10-15 years unless I've missed it. To sing his praises is like yelling about how Donald Glaude was one of the most important DJs in Seattle in the early-mid '90s.

RE: (313) Re : (313) Frankie Bones

2006-03-04 Thread Tristan Watkins
-Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 04 March 2006 04:08 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: (313) Re : (313) Frankie Bones I think the Bones remarks, that is what he makes, are exxagerated, I believe I spelled that wrong

RE: (313) Frankie Bones

2006-03-04 Thread Tristan Watkins
-Original Message- From: seek [mailto:[EMAIL PROTECTED] Sent: 04 March 2006 12:20 To: 313@hyperreal.org Subject: Re: (313) Frankie Bones Frankie isn't a god, and his site definitely fluffs up his resume, but he certainly was an important figure in dance music in the 80s, well

Re: (313) Frankie Bones

2006-03-04 Thread Stewart Caig
From my perspective as a young kid on the late 80s, early 90s rave scene in the UK. Frankie Bones was very much a name we respected and always looked out for. I admit his music hasnt exactly aged well, but tracks like his bones breaks stuff, the loony tunes stuff he did with Lenny Dee, your

Re: (313) Re : (313) Frankie Bones

2006-03-04 Thread seek
- Original Message - From: Tristan Watkins I mean, how many people outside of the mid-Atlantic would actually go see him if he were playing in your city tonight? How many people still follow his music? I honestly don't know because he's never mattered to me in either sense, but I'm

Re: (313) Frankie Bones' thugs in harmony

2006-03-04 Thread seek
- Original Message - From: Tristan Watkins -Original Message- From: seek He made great tracks and remixes with Tommy Musto, and his own tracks - eg. the Bonesbreaks series - were in the crates of every dj worth their salt. And that's in the mid/late 80s, and not 'techno'