BEST DJ IN THE WORLD (Mills)
Amen Jeff! It always bugs the hell out of me when the
self-elected party revolutionary leader stands up at
the show and starts yelling at people to start dancing.
If he/she needs other people to dance for them to fell
comfortable with dancing themselves, maybe they s
> what if it was DJ T-1000 commanding everyone to dance...as he usually
does.
> I think I would obey because he is a bad mother f*ucker!
Third Reich N' Roll?
.o0O}seeklektek{O0o.
PROTECTED];
313@hyperreal.org
Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills)
Amen Jeff! It always bugs the hell out of me when the
self-elected party revolutionary leader stands up at
the show and starts yelling at people to start dancing.
If he/she needs other people to dance for them to
[EMAIL PROTECTED]
> Sent: 04 November 2002 16:21
> To: 313 Detroit
> Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills)
>
>
> I had a feeling my 'sleep house' would get me into trouble.
>
> ;)
>
> I am just so frustrated that here in Australia house
> pr
n't think of any 313 sleep housers.
> From: "Jonny McIntosh" <[EMAIL PROTECTED]>
> Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills)
> Date: 05/11/2002 2:16:38
> To: "313 Detroit" <313@hyperreal.org>
>
> Personally, I like to get the dan
please just take this off list
mk02
- Original Message -
From: "Robert Taylor" <[EMAIL PROTECTED]>
To: "'Mxyzptlk'" <[EMAIL PROTECTED]>; "Robert Taylor"
<[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Monday, November 04,
EMAIL PROTECTED]
Sent: Monday, November 04, 2002 5:10 PM
To: Robert Taylor
Cc: 313@hyperreal.org
Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills)
At 09:55 AM 11/4/2002, you wrote:
>Quite the opposite, fella, you've just outed yourself as a pompous fool who
>can't pass a day
At 09:55 AM 11/4/2002, you wrote:
Quite the opposite, fella, you've just outed yourself as a pompous fool who
can't pass a day without pondering the significance of his own belly-button
and reaching for the thesaurus.
Or else you have doubly-demonstrated my case and your own insecurity.
Go one
> This is true, Toby. But, I must say that if Mills
> didn't enjoy being watched, he could very well conceal
> himself like Hawtin does at his plastic parties. So
> this leads me to personally believe that Mills enjoys
> the attention of people wtching his skills...
mills has been leaving the st
4:51 PM
To: Robert Taylor; 313 Detroit
Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills)
At 09:37 AM 11/4/2002, Robert Taylor wrote:
>F*** ART, LET'S DANCE. I didn't get to the end of that piece I almost fell
>asleep trying to get to grips with its faux-intellectual weightiness
At 09:37 AM 11/4/2002, Robert Taylor wrote:
F*** ART, LET'S DANCE. I didn't get to the end of that piece I almost fell
asleep trying to get to grips with its faux-intellectual weightiness.
Don't be so pretentious ferchrisakes it's dance music!
Thanks for making my case for me.
Monday, November 04, 2002 3:53 PM
To: Toby Frith; Cyclone Wehner; 313 Detroit
Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills)
While I respect your opinion and understand that your comments are made in
the context of this discussion (and also that dance music is ostensibly
made for dancing),
And I'll quickly add I don't always get to do what I like, so don't kick my
head in if I don't have you climbing walls ;)
> ... Johnny Mcintosh will be appearing at Public Life, London on 16
November,
> in Slices #3, dedicated to all forms of house.
>
> :o)
> >
> >
> >Personally, I like to get the
... Johnny Mcintosh will be appearing at Public Life, London on 16 November,
in Slices #3, dedicated to all forms of house.
:o)
>-Original Message-
>From: Jonny McIntosh [mailto:[EMAIL PROTECTED]
>Sent: Monday, November 04, 2002 3:17 PM
>To: 313 Detroit
>Subject: Re: (313)
I can't really articulate what I want to say, because it will mean going
into that whole artist/DJ argument which I can't be arsed with.
Understood - but what needs to be said here is that there is artifice
involved in any performance - and being a DJ of any and every ilk still
involves a
Personally, I like to get the dancers dancing and the 'spotters 'spotting: I
like having the whooping, screaming, yelling, jacking, climbing the walls
AND the googly eyed "what's he doing?!? What's that record?!" You don't have
to dance to recognise that it's a pretty similar achievement: everyone
troit <313@hyperreal.org>
Sent: Monday, November 04, 2002 3:53 PM
Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills)
> While I respect your opinion and understand that your comments are made in
> the context of this discussion (and also that dance music is ostensibly
> made for dancing), I
Amen Jeff! It always bugs the hell out of me when the
self-elected party revolutionary leader stands up at
the show and starts yelling at people to start dancing.
If he/she needs other people to dance for them to fell
comfortable with dancing themselves, maybe they should
get drunk or something.
While I respect your opinion and understand that your comments are made in
the context of this discussion (and also that dance music is ostensibly
made for dancing), I have to say that I find the notion that someone gets
to say how *I* need to react to something else in the sense that I can be
]; 313@hyperreal.org
Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills)
This is true, Toby. But, I must say that if Mills
didn't enjoy being watched, he could very well conceal
himself like Hawtin does at his plastic parties. So
this leads me to personally believe that Mills enjoys
the attenti
hnson" <[EMAIL PROTECTED]>
> Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills)
> Date: 05/11/2002 1:14:26
> To: [EMAIL PROTECTED]
> CC: [EMAIL PROTECTED], 313@hyperreal.org
>
> This is true, Toby. But, I must say that if Mills
> didn't enjoy being watched, he coul
x27;s very mono. It's not so much
deep
> house as sleep
> house.
> >
> > All this reminds me of a recent interview Chuck D
> gave here when he
> lamented
> > that today's pop producers and recording artists
> leave out the mistakes in
> a
> > reco
banks of motionless people looking at them spin
some records?
- Original Message -
From: Cyclone Wehner <[EMAIL PROTECTED]>
To: 313 Detroit <313@hyperreal.org>
Sent: Monday, November 04, 2002 1:46 PM
Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills)
> Actually, J
[EMAIL PROTECTED]
> Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills)
> Date: 02/11/2002 21:44:50
> To: [EMAIL PROTECTED]
> CC: 313@hyperreal.org, [EMAIL PROTECTED] ("Pryor, Ryan N")
>
>
> live at the liquid room is laden with errors. it is a classic set. but it
&
-- Original Message --
From: "Pryor, Ryan N" <[EMAIL PROTECTED]>
>Too an extent, but when I said "nearly identical", I wasn't
kidding. These
>sets are so similar it's not even funny. Playing what you know
"works" and
>what blows away the crowd is great, but
[Pryor, Ryan N]:
>His 'Live @ Liquid Room Tokyo' and 'Live in Germany' sets are nearly
>identical. While the mixing on these performances is immaculate, And
>highly entertaining, I find it kind of discouraging that someone would
practice a
>set and then continually play it over and over without sha
- Original Message -
From: "Pryor, Ryan N" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Saturday, November 02, 2002 3:19 AM
Subject: (313) 100 BEST DJ IN THE WORLD (Mills)
> "mills is a terrible DJ. he just pics good tracks and has a bag of
tricks."
>
> Not too sure about the "terri
live at the liquid room is laden with errors. it is a classic set. but it
has at least 5 big mistakes. for a recorded mix that is a lot. mills is a
sloppy dj. but he can get away with it because of his record selection.
He can get away with it because he's so damn quick. When a DJ works the
decks
live at the liquid room is laden with errors. it is a classic set. but it has
at least 5 big mistakes. for a recorded mix that is a lot. mills is a sloppy
dj. but he can get away with it because of his record selection.
Pryor, Ryan N" <[EMAIL PROTECTED]> wrote:
>"mills is a terrible DJ. he j
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