-- Original Message --
From: [EMAIL PROTECTED]
>Ooooh.
>
>that looks like fighting talk to me P. he's slagging your acid men!
>
>Come on, lets have it. Its friday.
i was just playing devils advocate, its tough to argue against
mu
head too, but hey, when I was 17 thats pretty much all I did!
- Original Message -
From: "Placid" <[EMAIL PROTECTED]>
To: "Stewart Caig" <[EMAIL PROTECTED]>; "313" <313@hyperreal.org>
Sent: Friday, May 06, 2005 4:03 PM
Subject: Re: (313) Ha
nope. always used 303's off the mains.
Thomas D. Cox, Jr. wrote:
-- Original Message --
From: "/0" <[EMAIL PROTECTED]>
if you remove and replace the batteries in a 303, it will
randomly generate
a pattern. 303s have volitile memories.
a
-- Original Message --
From: "/0" <[EMAIL PROTECTED]>
>if you remove and replace the batteries in a 303, it will
randomly generate
>a pattern. 303s have volitile memories.
>
>a _lot_ of the acid record producers used this "trick" to come up
with
>strange
the tb-303 is a pita to program
- Original Message - From: "Placid" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Friday, May 06, 2005 10:52 AM
Subject: Re: (313) Hardcore u no the score (was rob hall etc)
not quite sure why anyone
m: "Placid" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Friday, May 06, 2005 10:52 AM
Subject: Re: (313) Hardcore u no the score (was rob hall etc)
not quite sure why anyone would want to take the battery out of the 303
(would lose all t
>if you say so. probably took a little more talent to rip some
>samples than it did to take the batteries out of the 303 and put
>em back in and then spin a couple knobs.
Ooooh.
that looks like fighting talk to me P. he's slagging your acid men!
Come on, lets have it
for me, when i heard charlie for the 1st time..(i was in the zap club,
at a tonka party) it was the beginning of the end.
my beloved house was being dirtied by this horrible breakbeat, sampled
disposable music...
for many, it was the start of something fresh and unique, their own
stamp, a uk
> > C'mon let's face it, hardcore, whether it was 'ardkore, or happy was a
> > big pile of sh*t and had the musical content of a cheese sandwich.
Yeah but most the hardcore stuff from back then was never meant to stand the
test of time and have any great musical merit. It was largley made by peop
not quite sure why anyone would want to take the battery out of the 303
(would lose all their patterns) but i'm sure there is a certain amount
of knowledge and dexterity involved in roland battery removal.
p
Thomas D. Cox, Jr. wrote:
-- Original Message
-- Original Message --
From: Placid <[EMAIL PROTECTED]>
>C'mon let's face it, hardcore, whether it was 'ardkore, or happy
was a
>big pile of sh*t and had the musical content of a cheese sandwich.
if you say so. probably took a little more talent to rip so
-- Original Message --
From: "Stewart Caig" <[EMAIL PROTECTED]>
>The MC's at raves circa late 89 were using the phrase hardcore
back then,
>but the phrase happy hardcore hadnt been invented at that point
as far as I
>knew of. I remember aroun d the time that
> C'mon let's face it, hardcore, whether it was 'ardkore, or happy was a
> big pile of sh*t and had the musical content of a cheese sandwich.
As does most house and techno.
But it's true that the good/bad releases ratio in hardcore is very very low
(and I know what I'm talking about, because I u
nail firmly hit on head there
-Original Message-
From: Placid [mailto:[EMAIL PROTECTED]
Sent: 06 May 2005 15:24
To: 313@hyperreal.org
Subject: Re: (313) Hardcore u no the score (was rob hall etc)
C'mon let's face it, hardcore, whether it was 'ardkore, or happy was a
b
C'mon let's face it, hardcore, whether it was 'ardkore, or happy was a
big pile of sh*t and had the musical content of a cheese sandwich.
p
Thomas D. Cox, Jr. wrote:
-- Original Message --
From: robin <[EMAIL PROTECTED]>
i find the use of the term
-- Original Message --
From: robin <[EMAIL PROTECTED]>
>i find the use of the term 'happy' when used with hardcore a bit
wierd
>here.
>
>wasn't it just 'hardcore'?
>
>i thought the 'happy' came later, along with 160bpm four to the
floor
>instead of breaks
ut every
week that I started hearing the term 'happy hardcore'.
- Original Message -
From: "fab." <[EMAIL PROTECTED]>
To: "313 Org" <313@hyperreal.org>
Sent: Friday, May 06, 2005 12:32 PM
Subject: Re: (313) Hardcore u no the score (was rob hall e
The score?
"Here you go mate, 5 pink callies, a bit of billy and I'll throw in a glowstick
for free."
The callies turn out to be paracetamol dipped in food dye, the billy turns out
to be glucose and the glowstick leaks toxic gloop into your trouser pocket...
aaah, the good old days!
I'm g
Indeed, it's a bit tricky really isn't it? I guess by hardcore I meant to
include happy hardcore, not quite sure who begat whom though...
You wrote:
>
> i find the use of the term 'happy' when used with hardcore a bit wierd
> here.
>
> wasn't it just 'hardcore'?
>
> i thought the 'happy' ca
t the gabber, rotterdam
variety that came out later on
fab.
- Original Message -
From: "robin" <[EMAIL PROTECTED]>
To: "Dan Bean" <[EMAIL PROTECTED]>
Cc: "313 Org" <313@hyperreal.org>
Sent: Friday, May 06, 2005 12:53 PM
Subject: Re: (313)
We'll we all started out from that ground, one way or another, so i
don't mind talking about our 'history'
-Oorspronkelijk bericht-
Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Verzonden: vrijdag 6 mei 2005 13:23
Aan: 313@hyperreal.org
Onderwerp: FW: (313) Hardcore u no the score (w
Hardcore u no the score
the things is, i didn't know the score, i wasn't even aware i should
have been counting anything.
Who was playing, why was a score kept, was there any literature on the
score,who won,what was second prize, or indeed, what do you get if you
know the score.Were you lef
i find the use of the term 'happy' when used with hardcore a bit wierd
here.
wasn't it just 'hardcore'?
i thought the 'happy' came later, along with 160bpm four to the floor
instead of breaks
could be wrong tho as what i know as hardcore lost me when i became
more interested in house musi
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