Jack Campin escreveu:
>
> > 5. Line terminators
[...]
> BBEdit Lite does the same (and the full version of BBEdit also manages
> site uploading for you). But the problem isn't with text processors,
> it's with brainless transfer agents that don't convert terminators in
> text files properly. I
Jack Campin writes:
>But the problem isn't with text processors,it's with brainless
>transfer agents that don't convert terminators in
>text files properly.
>
I have a bunch of files that I've transferred between Unix and Dos, and
edited on both, so they have some line endings from each. (And
> 3. Separated or intermingled voice lines.
> This is a rather messy problem we ought to discuss at length here at
> abcusers. It's not an issue specially related to Susato, though.
Well it is, sort of. The point of my reformatting of your source
was that for music in Susato's idiom - metrical d
Frank Nordberg wrote:
>5. Line terminators
>
>RJP wrote:
>> This file has terminated lines...
>
>I'm afraid that problem is a bit beyond me. As far as I know, SaintEdit
>is the only Macintosh text processor that allows you to specify line
>terminators, and I don't fancy opening each and every Mu
Hallo,
Frank Nordberg wrote:
> Oh well, here's my summary:
(...)
> 4. P: field
(...)
> I don't think many ABC applications supports things like
> P: Reprise
Barfly and abc2ps do accept the P:field in the body as a simple text
string above the bar if there is no P:field in the header (BarFly open
Seems the typo devil worked overtime on my previous posting. Don't know
what came over me.
Sorry for mis-spelling your name, John. And sorry for all the other
weird typos too.
One of them really needs a clarification. The barring example should be:
>
> M:C|
> L:1/4
> c-|c/B/c/d/ ec|cc/d/ e/c/d/
Thanks to everybody who responded to my Susato posting - and especially
to Phil who sent me a really usfeul error reprort privately.
I'm sorry I haven't been able to participate much myself in the
discussion(s) I triggered, but it seems you've managed quite nicely
without me, so I guess it didn't
James Allwright writes:
| abc2midi should handle all the variants of the end-of-line marker correctly.
| However, sometimes a chain of automatic conversions will produce 2 end-of-line
| markers for each line. Could it be that this is what happened in this
| case ?
That's good to hear.
abc2midi should handle all the variants of the end-of-line marker correctly.
However, sometimes a chain of automatic conversions will produce 2 end-of-line
markers for each line. Could it be that this is what happened in this
case ?
James Allwright
On Tue 04 Sep 2001 at 08:40PM +, John Cha
[voice alignment in ABC source]
> how are you doing with beamed music ? Most the traditional music
> I am dealing with is made up from 1/8 and 1/16 notes. The beams
> contain a lot of the rhythmical information.
It is an absolute bugger that there isn't a portable something-other-
than-code-32 sp
RJP writes:
| On 03,Sep/01 8:30 pm, you wrote:
| > Just like to tell everybody at abcusers that I've just posted a complete
| > ABC edition of Tielman Susato's "Danserye" at
| > http://www.musicaviva.com/abc/tunes/susato-tielman/susato-1551.abc
|
| This file has terminated lines I have
On 03,Sep/01 8:30 pm, you wrote:
> Just like to tell everybody at abcusers that I've just posted a complete
> ABC edition of Tielman Susato's "Danserye" at
> http://www.musicaviva.com/abc/tunes/susato-tielman/susato-1551.abc
This file has terminated lines I have fixed it using the KDE binary
ed
Jack Campin wrote:
> >Simon Wascher wrote:
> > I would find it much better to write the music voice after voice. It
> > is not really possible to read the four voices in parallel in the abc
> > text anyway
>
> Not unless the source is laid out helpfully, but for this sort of
> music it can be q
Laura writes:
| > "John" == John Chambers <[EMAIL PROTECTED]> writes:
| John> Making "^#"A work is trivial with abc2ps. You find the code that
| John> parses such quoted chord symbols, and have it ignore an initial
| John> circumflex. This is one line of C. I'v
John Chambers wrote:
>
>
Hello,
> Simon Wascher schrieb:
(...)
> | $ Example: P:[Einleitung][1.][1.][2.][2.][1.][Ausgang]
John Chambers wrote:
> Less messy would be to just use either of:
> $ Example: P:Einleitung,1,1,2,2,1,Ausgang
> $ Example: P:Einleitung 1 1 2 2 1 Ausgang
>
> T
> "John" == John Chambers <[EMAIL PROTECTED]> writes:
John> Making "^#"A work is trivial with abc2ps. You find the code that
John> parses such quoted chord symbols, and have it ignore an initial
John> circumflex. This is one line of C. I've done this in my abc2ps clone.
Laura Conrad asks:
| > "Phil" == Phil Taylor <[EMAIL PROTECTED]> writes:
|
| >> I usually use "#"A or "b"A to show editorial accidentals.
|
| Phil> Yes. Perhaps "^#" would be better.
|
| Are there any abc2ps variants that have implemented this feature?
Well, abc2ps has acce
Simon Wascher schrieb:
| Why do'nt you use the P:field within the tune body for the "Reprise"
| text?
...
| To my personal understanding I always wonder why someone created a field
| that organizes the playing order and does not allow the usual part and
| playing order terms to be used w
> I would find it much better to write the music voice after voice. It
> is not really possible to read the four voices in parallel in the abc
> text anyway
Not unless the source is laid out helpfully, but for this sort of
music it can be quite easily. I haven't changed a note in Frank's
transc
Simon Wascher wrote:
>
> Frank Nordberg wrote:
> >
> > Just like to tell everybody at abcusers that I've just posted a complete
> > ABC edition of Tielman Susato's "Danserye"
>
> Hey great, thats really nice.
Thanks :-)
>
> > My transcriptions raises a few interesting questions regarding
>
> "Phil" == Phil Taylor <[EMAIL PROTECTED]> writes:
>> I usually use "#"A or "b"A to show editorial accidentals.
Phil> Yes. Perhaps "^#" would be better.
Are there any abc2ps variants that have implemented this feature?
>> I still find that programmers should enable voice afte
> "Simon" == Simon Wascher <[EMAIL PROTECTED]> writes:
Simon> I would find it much better to write the music voice after
Simon> voice. It is not really possible to read the four voices
Simon> in paralell in the abc text anyway and it is complicate to
Simon> extract parts for
Hello,
Phil Taylor wrote:
> Simon Wascher wrote:
> >I would find it much better to write the
> >music voice after voice. (...)
> I disagree. Writing the abc line by line preserves the original
> music layout in the abc,
Not necessarily, especially not if the original layout is no score but
sing
Simon Wascher wrote:
>Frank Nordberg wrote:
>>
>> Just like to tell everybody at abcusers that I've just posted a complete
>> ABC edition of Tielman Susato's "Danserye"
>
>Hey great, thats really nice.
It is indeed - thank you Frank.
>> My transcriptions raises a few interesting questions regard
Hello again,
Frank Nordberg wrote:
> http://www.musicaviva.com/abc/tunes/susato-tielman/susato-1551.abc
> My transcriptions raises a few interesting questions regarding
> ABC-versions of early music. Should we add barlines? How do we disern
> between original and editorial accidentals? etc. etc.
Frank Nordberg wrote:
>
> Just like to tell everybody at abcusers that I've just posted a complete
> ABC edition of Tielman Susato's "Danserye"
Hey great, thats really nice.
> My transcriptions raises a few interesting questions regarding
> ABC-versions of early music. Should we add barlines?
Just like to tell everybody at abcusers that I've just posted a complete
ABC edition of Tielman Susato's "Danserye" at
http://www.musicaviva.com/abc/tunes/susato-tielman/susato-1551.abc
As usual this is a temporary, abcusers only URL - valid until I've had
time to add the music to the main body of
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