Dear Lute Friends,
My lute contribution at the end of this year is a mini series of two pieces
from Austria, (A) an "Aria Composee del' Empereur Joseph" by Joseph I, Holy
Roman Emperor, and (B) the "Tombeau pur l' Empereur Joseph" by Laufensteiner
or Weichenberger.
Part A. "Aria Composee del' Emp
Dear Lute Friends,
Similar to previous years, I have compiled an audio-CD "Edition 2013"
of those baroque lute pieces I amateur played and recorded this year.
Similar to the 2011 and 2012 editions, the CD contains also pieces not
recorded before. For me, recording is one way to mon
Dear Ralf,
My idea was to prepare copies of manuscripts to avoid any legal issue.
Eventually I was too careful.
Yours, Bernhard
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Ralf Bachmann
Gesendet: Freitag, 5. Juli 2013 22:02
A
Dear Ralf and lute friends,
Can anyone tell me whether or not it is legal to place manuscript scans in
its original form into data bases such as SRIBD? When I request a scan from
any library I normally have to sign a declaration that the scan is for
private use only (publication of manuscripts in
Dear Luca,
I have no knowledge of a lute with a golden rose, BUT I have knowledge of
two lutes with heraldic double-head eagle in the rose. Any interest in this?
Bernhard
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Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Luca Manass
Thank you Ralf,
for your hint to Dr. Emil Vogel and the web page. I am too have this book
since and play from it from time to time. Actually it was one of my very
first tabulature books.
Bernhard
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Dear Lute Friends,
Over the last few days I have released six 'dilettante' recordings with
pieces originally composed for baroque lute by Rochus C. Berhandtzky.
According to my knowledge, this lutenist and composer Rochus Behandtky (c.
1660 - † ?) is widely unknown and has not been realised as ma
Dear Lute Friends,
Between Christmas and New Year I recorded with my Zoom recorder my
amateur interpretations of all the pieces in "Sous Dorien Mode" from
Denis Gaultier's famous baroque lute manuscript "La Rhetorique des
Dieux". I started this work by hand-copying all pieces of th
Dear Ed,
I was there in Bremen.
Best regards from Vienna,
Bernhard
- - - - - - - - - - - - -
Bernhard Fischer
Dilletante de la musique pour le luth
A-1150 Vienna, Austria
Mail: fischer...@aon.at
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu
Dear lute friends,
According to your requests / suggestions I have made my (hand-written) copy
of the "Baroque lute manuscript of Johann Gotthard Peyer" (Vienna 1672,
MS18826) available on the internet.
http://de.scribd.com/doc/111288966/The-baroque-lute-manuscript-of-Johann-Got
thard-Peyer-Vienn
Dear lute friends,
For my recordings I have copied the MS 18826 from Vienna. Within the next
days (when I return from current business trip) I'll make the copy available
to all of you on SCRIBD. I am having also a PDF-copy of the original
manuscript for private use / circulation
Best regards
Dear lute friends,
The Austrian National Library owns a baroque lute manuscript
hand-written by the composer Johann Gotthard Peyer. From 1672 to 1678
Johann Gotthard Peyer was chaplain of the Imperial Court's orchestra in
Vienna/Austria. According to records his annual salary was 2
Dear friends,
Over last weekend I recorded an experimental series of three pieces:
Allemande ou Tombeau de Mezangeau by Ennemond (Vieux) Gaultier,
Sarabande by Denise (Jeune) Gaultier and Fantasies (Fantasia) by Denise
(Jeune) Gaultier.
In 1680, Perrine published his book "Piec
Dear friends,
Thanks to Rainer, earlier this summer I came across David Kellner's
compositions "XVI. Auserlesene Lauten-Stuecke" (Hamburg, 1747). In
August, I discussed the Phantasia in a-minor with Joachim and Luciano.
Thank you. Yesterday I made a first attempt to record the Phan
Dear Stephan,
You should donate it to a gallery of music library or a lute society.
Normally, copper engravings of this size, even copies of well-known
paintings by famous painters reproduced by copper plates, make between 100
and 500 EURO in an auction today. However, I do not know what a "Liebha
Dear James,
Welcome at the baroque lute club. My name is Bernhard (alias "Viennalute" at
YouTube). I am living in Vienna. I am 100% amateur. I assume that you try as
intensive as we all to play the baroque lute. My first 11c lute came from
Markneukirchen/Germany, my better 13c lute has been build
--Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von wi...@cs.helsinki.fi
Gesendet: Donnerstag, 12. April 2012 09:34
An: Bernhard Fischer
Cc: 'Baroque Lute Net'; vihu...@cs.dartmouth.edu
Betreff: [BAROQUE-LUTE] Re: Mouton's "
the Saizenay
279153 (p. 114) does that, and uses special markings to that: "g." and
"p.". What (French?) words could those mean?
Best,
Arto
On 12/04/12 09:45, Bernhard Fischer wrote:
> Dear Arto,
>
> This Mouton Prelude is well known and included in lute sc
Dear Arto,
This Mouton Prelude is well known and included in lute school books as
teaching material / example. It is included in several historic manuscripts
in various versions, with and without dissection the bass course. For your
kind information I attach my hand-written copy of this piece from
Dear lute friends,
in the foreword of Christian Meyer's book "Sources Manuscrites en
Tabulature" for Theorbe and Lute, Vol. III/1 for Austria (1997) he
noted at time of printing "... it has been impossible up to now to
identify or locate several manuscripts, e.g. MS 3102 and MS 10.
Dear Arto,
The Courante d:g: L'Homocide is also included in the Vienna manuscript MS
17706. I attach the PDF copy.
>From the piece exist so many copies in manuscripts all over the world: La
Belle Homicide (#15) (Contrepartie: D-B4230 / 48v - GB-Ob617 / 28 (Mouton)
or D-B4230 / 49v (Bentle) 1. A-E
ienna? Why not meet sooner or later?
Kind regards,
Bernhard Fischer
biotechconsult...@aon.at
Vienna, Austria
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Edgar Aichinger
Gesendet: Montag, 13. Februar 2012 11:56
An: ba
ienna? Why not meet sooner or later?
Kind regards,
Bernhard Fischer
biotechconsult...@aon.at
Vienna, Austria
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Edgar Aichinger
Gesendet: Montag, 13. Februar 2012 11:56
An: ba
Dear Arto,
Congratulation to your new lute and nice sound.
Bernhard
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von wikla
Gesendet: Freitag, 28. Oktober 2011 19:01
An: baroque-lute@cs.dartmouth.edu
Betreff: [BAROQUE-LUTE] I got an
Dear Arto,
There are many more pieces from G Pinel.
Please go to my scribd page
http://www.scribd.com/doc/49523267/Selected-Pieces-for-Baroque-Lute-Manuscri
pt-MS-641-Schwerin-Germany
I deposited my hand written copy of the MS 641 from Schwerin (Germany). Some
30 years ago I discovered this ma
Dear lutenists,
Esaia Reusner's famous compositions "Neue Lauten-Fruechte" (Berlin,
1676) and "Hundert Geistliche Melodien Evangelischer Lieder" (Berlin,
1676) are widely recognised as brilliant landmarks in baroque lute
history. The printed version of "Neue Lauten-Fruechte" contai
Dear Peter, I can assure you that your database is of enormous value to all
of us. Bernhard.
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Peter Steur
Gesendet: Mittwoch, 8. Juni 2011 11:06
An: Baroque Lute
Betreff: [BAROQUE-LUT
ould you please advise me how to do
> this. And how to deposition it at YouTube. Would I need specific
> equipment?
>
> Kind regards,
> Bernhard
>
> -Ursprüngliche Nachricht-
> Von: wikla [mailto:wi...@cs.helsinki.fi]
> Gesendet: Mittwoch, 13. Oktober 2010 10:0
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