The year I called the No Snow Ball in the SF Bay Area, Hillbillies from Mars
agreed to include I Saw Mommy Kissing Santa Claus as one tune in a set. I sang
it after dancers got their flow going, and it went great.
I like Alan's idea of including not only holiday tunes but bad holiday puns as
Another great whole-oval dance, along with Gang of Four, is the ever-popular
Fairport Harbour by Paul Balliet. Advanced dancers can add in a cool trick in
that one: suggest that in the B, gents have time to rollaway your partner
before passing through the set (with lady on the left -
I also have a Shure Beta 58A wireless handheld. When I was first looking, the
audio expert at the music store suggested Sennheiser. I tried them both out
with their speakers, and we found it fascinating to realize that while the
Sennheiser worked beautifully with his male voice, the Shure
What a great story. And the dance looks really useable and fun too: I'll try
it out early on at my next dance.
I love the idea of naming it "Clearwater Pete-ronella"; what better than a pun
to immortalize the event? Ha!
Tina
---
>Hi All:
>
>
>
>Faced with a largely
sight Now!"
>
> From: Dorcas Hand <hand...@tekkmail.com>
>To: Tina Fields <tfiel...@yahoo.com>; Caller's discussion list
><call...@sharedweight.net>
>Sent: Saturday, July 6, 2013 2:06 PM
>Subject: RE: [Callers] Coconut Cream Pie: easy
dancers. Would
you post your version?
Tina
>
> From: Mac Mckeever <mac...@ymail.com>
>To: Tina Fields <tfiel...@yahoo.com>; Caller's discussion list
><call...@sharedweight.net>
>Sent: Saturday, July 6, 2013 2:05 PM
>Subj
Hi everyone,
I had the pleasure of calling Lynn Ackerson's 4x4 "Coconut Cream Pie" for the
first time last night. It was, forgive me, easy as pie for everyone to get -
which I suppose was her reason for writing it as it's a simplified version of
Apple Pie Quadrille. (It was also perfect for an
On Aug 5, 2012, at 10:00 AM, : Kalia Kliban
>
>
> Hi all,
>
> I've just joined up and wanted to say hello. I'm a new contra caller
> but longtime English caller from Sebastopol, CA, about an hour's drive
> north of San Francisco. I saw a few familiar names as I was
Beth said,
>>>"I "teach" people to listen to me during the first dance. I start with a
>>>big
>>>circle. I teach the group the following: Walk to the left, walk to the
>>>right,
>>>go into the center 3 steps, come back and do-si-do. After that I start the
>>>music and call hash of those. I
"Let us know how it goes!" Alan Winston requested, after so many of you kindly
expounded on your favorite ONS dances that are not mixers.
So here's the report:
The "Me and My Cowboy" Girl Scout father-daughter dance was unlike anything
else
I'd ever called before. The hall was packed with
To add to the history that Bree offered, the last time Honor Among Thieves was
posted on this most excellent list (by John McIntire), Alan Winston took it
further back yet. So the whole story, as I can put it together from what
everyone has said, is as follows:
Alan said that the 'chase'
Joy Greenwolfe said,
<>
Hash calling squares... holy bologna, Joy, it is so great to see your growth as
a caller since we first met a few years back! Witnessing this in each other is
yet another real joy of this list.
Thanks for the idea, and the details you provided about how you pulled
This is such a rich topic, key for making the dances inclusive and fun. John,
thanks for opening it up. It would make a great hands-on workshop at a dance
camp.
In the meantime, I've not heard two terms you used. What are:
* a "Lindy Anchor" (on Lines Forward & Back)
* A "North Country
Everyone: Thank you SO much for all of the dances, suggestions, and tips from
your own experience!
This list rocks.
Tina
Hi o esteemed community of callers -
I'm going to call a big father-daughter dance for the Girl Scouts next month.
(It's called "Me and My Cowboy; how cute is that?!) In preparing, I realize
that
most of the supremely easy dances I know are mixers. While this is usually
great, these girls are
Alan responded to Chrissy's call,
"The vast majority of modern contra dances don't have particular tunes
associated with them, although certainly some of the tunes which get used for
contra have lyrics."
Along with the commonly played Southern tunes with lyrics that Jeff mentioned,
I'll add a
Back in Feb 2008, Jean Francis said:
"I am looking for some dances with push-back or ricochet heys. I have only
found
one... Heard of another called Tapsalterrie, but can't find."
As it so happens, I was searching the list for discussion about how to teach
that very dance! So here it is:
I really like Jo's insight from Nils about how simple alterations can open our
repertoire.
Thanks for that!
Tina
Jo Mortland said,
<<>>
On 9/20/2010 7:32 AM, Jeanette Mill wrote:
> I have a question for everyone about medleys - where, when and how do you find
> them most effective when incorporated in a program? Tips for teaching? Any
>other
> comments?
Several tidbits I've learned from experience:
* I think medleys are
Hi folks -
No, I'm not yowling for help. :-)
I've been doing reciprocal dance trades with an English caller. She wants to
call the contradance "Bees in the Shower." A search shows its author as Jim
Kitch. Do any of you know how it goes?
Thanks!
Tina
***
Living in the Bay Area, it's expected that most folks will drool over the
newest
computer technology. I've managed to resist the iPad -- until also hitting on
the idea that Rich Goss mentioned:
What a fun question.
This is not "real" singing, but because I sang for years before learning to
call, I often find myself matching the pitch of my voice to the key the band is
playing in. At first, this happened subconsciously. Dancers have commented on
how they find that 'singing' pleasing,
Thank you, everyone, for the spirited discussion and the resources.
I totally agree that calling WITH a band is the way to go - in fact, when I was
asked if I could do without, I was taken aback for awhile. But I also agree
with
Chrissy: if the choice comes down to (A) calling a ONS dance to
Hi all -
Have any of you called for a dance without a band? I've gotten a query about
calling a barn dance, but their budget is teeny tiny, so they asked if I could
call to CDs. I know this is quite possible; my dad used to call square dances
to
records, but those records were specifically
David, thank you *so much* for taking the time to create these syllabi. The
RPDLW archives are one of the most valuable calling resources I've found (along
with this list - thanks also to Chris & co.!!)
Tina
This dance looks like a lot of fun, and I'm going to try it.
At first glance (without working it through via Smurf toys), it looks to me
like the first turn of the wave makes folks face the "wrong way" up or down the
set, with the Ladies Al-L 1/2 in the A2 turning them back in the direction of
Hi Andy (and everyone) -
Last fall, I was asked by a woman to surprise her man on their 1st anniv of
dating -- at the dance where they met! -- by calling a sweetheart dance in
their honor. (They did want gypsies &/or Mad Robin, sorry... but just to add to
the valentine theme dance list, here
Hi folks -
Great thread; very useful.
Along these same lines, I've been wanting to add singing squares to my
contradance eve repertoire, but keep finding either ones too difficult for
contradancers to easily enjoy, OR ones aimed at boy scout groups, which they'd
likely find dull or too
Tough situation, particularly for programmers, holding the balance between an
excellent dance with skilled talent and fostering the future of the dance
through new callers and musicians.
I know that I benefited from taking it slowly: I sought out training and called
over a full year of guest
As one of those callers with 3-4 years' experience, I agree with others who've
called for unusual formations like triplets and chestnuts. They're pretty hard
to figure out on your own, and local dances will only want them if a caller
already has them down cold.
I also would benefit from
Your workshop sounds great, Barbara! Congrats.
One tidbit that I might add from my own experience as a gleeful gender-swapper
during dances:
Barbara Groh said, "There was a little confusion, of course, as folks forgot
which
side to be on after a swing and were not able to use visual cues of
OMG, Wendy, I *love* your hip-hop contra!! How fun is that? This new fusion of
the old dances with new tunes & moves has a lot of juice, and potential to keep
the dance alive by intriguing the young folks in particular.
Have you seen the video of Youth Dance Week's late night dancing to
Re: diagramming dances, Jerome suggested some terrific web flash, then wrote,
> And of course, there's always salt and pepper shakers
then Alan responded,
> I like coins. (Different denominations for different numbers - pennies,
nickels, dimes, quarters tells you who's who in a square,
Here's one I co-wrote. It's been danced and refined a number of times. I'd
still like constructive or enjoyable feedback.
Grape-Stompin’ Peasant
duple
improper contra
by Tina Fields & Jim Marcolina,
Two questions for Dave Colestock's dances, which look like fun:
A Sizzlin' Seattle has the Gents Allemande 1-1/2 - with which hand? Left?
Men in Plaid has a Gent's Chain. With which hand is this typically done? Gents
pull by R as ladies do, or by L? I just called a dance this weekend with this
I really like Greg MacKenzie's question,
>>The real question is: What is your purpose? And what is the purpose of the
>> majority of those who attend? Are you trying to "preserve a tradition," to
>> "open folks to other dance traditions," or simply "to offer an open
>> community social dance
A band asked me to call Sasha as we prepared for their monthly barn dance.
Seems it was a favorite of that dance community. So I learned it for them and
indeed, everyone was laughing and whooping it up. But warning: I then thought,
how fun! Let's bring this dance into my home contra community
B & Sw option duly noted, Joyce. Also it seems like this is a dance that's far
better run short; sort of an intermezzo.
I've noticed that due to its very novelty (goofiness), Carmen's Contra can
really perk up a hall full of dancers who are getting tired or who've been
thinking too much
machine-leave message)
>
>
> --- On Mon, 11/17/08, Richard Allen Fischer
> <richardallenfisc...@verizon.net> wrote:
>
> > From: Richard Allen Fischer
> <richardallenfisc...@verizon.net>
> > Subject: Re: [Callers] Carmen's Garments
> > To: tfiel...@
Hi callers -
I've been calling this goofy, fun dance that I learned while dancing as
"Carmen's Scarf." I want to ascribe it correctly. When I looked online, I found
references to (w/o the dance) for a Carmen's Scarf by Paul Balliet and a
Carmen's Hat by Kathy Anderson. Do any of you know which
Hi folks -
I agree with most of the answers thus far, that dance attendees should indeed
pay up according to ability, regardless of what specific part of the activity
they're most drawn to (dancing, watching the caller, listening to the band, the
brownies at the break...)
But I must say I
I have "Cure for the Claps" down as written by the inimitable Bob Isaacs.
Tina Fields
> Date: Sun, 28 Sep 2008 23:00:04 GMT
> From: "crunchym...@juno.com"
> <crunchym...@juno.com>
> Subject: Re: [Callers] Another Name That Dance
>
skills to continually grow?
Sorry for the length of this post and the woe is me tone.
But I figured some detail might help in this case, and Im
really feeling at a loss.
Thank you, comrades, for any insight you might offer.
Tina Fields
Waltz Mixer. This way, dancers get to
first practice smooth, slow, graceful rolls, then later
with the contra they get to rant and roar with them. I've
found that a really a fun combo.
Tina Fields
Message: 2
List-Post: callers@lists.sharedweight.net
Date: 09 May 2008 18:45:56 -0400
From
Hi folks -
Like a couple of you who've posted, I too have little
"tortilla feet" - short and wide, women's 6-1/2 D. I do
wear kids' shoes sometimes; that's excellent advice. But
the best shoes I've found for contradancing are Capezio's
Dansneakers. They are ugly to look at, but so comfortable
might
be burdened
with.
I encourage all of you with higher degrees to persist in
your pursuit
of this marvelous tradition.
Just a thought,
Greg McKenzie
****
At 10:04 AM 5/9/2008, Tina Fields wrote:
>Hi everyone -
>
>In a conversation with Lynn Ackerson a couple of weeks
ago,
>it
Hi folks -
Along with details of her own degree, Martha also mentioned
others:
"Well, let's see - here in San Diego, I've got a Ph.D. in
molecular
biology, another caller is a Professor of Dance at SDSU,
another
caller is a post-doc at UCSD, another caller has a Ph.D.
and runs the
electron
Hey Sue (and other community dance callers),
Would you mind posting the content of some of these dances
here? The quadrille sounds very interesting. I've been
asked to call a couple of barn dances too, and keep seeing
references to these dances, but don't have access to the
books they're printed
Hi folks -
You might recall that I was looking for the dance Oddville
(Ad Vielle) by Erik Weberg. Karen Fontana asked me to post
it here when I found it.
Well, thanks to your collective knowledge, I was able to
write to Erik directly. He sent back a very kind response
stating that he's now
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