On Wednesday, July 17, 2002, at 06:33 PM, David W. Fenton wrote:
Please, give me a reference somewhere on the web for the ASCII
codes for Ctrl-a-z and Ctrl-A-Z. Ctrl-0-9 is optional.
And I mean *ASCII* codes, not ANSI or keyboard scan codes.
Hello David,
Try:
Johannes Gebauer writes:
The project I am working on we haven't decided on certain things like the
fonts to use for clefs, meter, etc.
I want to show the client several versions, while also going on with the
work. So for each combination I saved a doc settings library. Now I can
switch
I am writing a piece for alto recorder solo. In the middle the performer
cups the right hand over the windway/fipple (to form a secondary sound
chamber) and continues to play with the left hand only. The cupping of the
hand has the effect of changing the tone quality and all of the notes sound
There is not, to my knowledge.
Johannes Gebauer wrote:
Is there a way to change the position setting of all measure number regions
in a file?
Johannes
--
David H. Bailey
[EMAIL PROTECTED]
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On Wednesday, July 17, 2002, at 11:08 PM, Harold Steinhardt wrote:
Finale is a music notation program that can do midi. It's
strength is notation...
The Enigma file format is a database and Finale is a sequencer
in the sense that it organizes the data into what are called
frames and then
Harold Steinhardt wrote:
[snip]
Finale is a music notation program that can do midi. It's strength
is notation. When you want fine detail over notation, use Finale.
Logic is an example of a music sequencing program that can do notation.
It's strength is sequencing. When you want fine
That's fine for ctrl-A, but he did also ask for the ascii codes for
ctrl-a, which ISN'T defined. And it seems that ctrl-a is already
system-defined so as not to be useable for individual program use -- on
Windows machines it means select all.
Philip Aker wrote:
On Wednesday, July 17, 2002,
On 18.07.2002 12:35 Uhr, David H. Bailey wrote
That's fine for ctrl-A, but he did also ask for the ascii codes for
ctrl-a, which ISN'T defined. And it seems that ctrl-a is already
system-defined so as not to be useable for individual program use -- on
Windows machines it means select all.
On 18.07.2002 10:21 Uhr, Jari Williamsson wrote
As far as I can see I cannot do a similar thing with Forza, unless I have
documents with the relevant settings, and then I have to select the right
elements for each change.
Unless I misunderstood something, you just save the documents you
At 06:41 PM 7/18/02 +1000, Rodney Waterman wrote:
Is there a standard way of indicating the consistent 20 bars of semitone
pitch drop?
Among the many options, I would choose from these two:
1. If there is only one passage like this, redundantly indicate with a text
expression and a dashed line,
At 6:31 AM -0400 7/18/02, David H. Bailey wrote:
What the right tool IS, how that is concept defined by various
people, and whether or not tools can change.
And it is this last question (whether or not tools can or should
change) that is at issue here --
[big, bit clip]
But even if you
On 18 Jul 2002, at 1:08, Harold Steinhardt wrote:
What set me off, was my perceived insistence of others who feel, in
the composing process, that a complete midi playback with every element
accounted for is needed for their proofing purposes.
Well, no one in this discussion, so far as I have
On 18 Jul 2002, at 0:13, Philip Aker wrote:
On Wednesday, July 17, 2002, at 06:33 PM, David W. Fenton wrote:
Please, give me a reference somewhere on the web for the ASCII
codes for Ctrl-a-z and Ctrl-A-Z. Ctrl-0-9 is optional.
And I mean *ASCII* codes, not ANSI or keyboard scan
On 17 Jul 2002, at 18:50, Robert Patterson wrote:
On Wed, 17 July 2002, David W. Fenton wrote
Ctrl-a has an ASCII code? What exactly is its ASCII code?
I refuse to bore the list with further discussion of ascii codes. My
recollection is that all the ctrl-letter combos have well-defined
On 18.07.2002 18:19 Uhr, David W. Fenton wrote
That's the tip of the iceberg, Johannes, and why I was having some
difficulty understanding Robert's whole point in the first place.
There is no hidden goldmine of unused keystroke combinations lurking in
ASCII, waiting to be exploited for use
On Thu, 18 July 2002, David W. Fenton wrote
In any event, I think that having the entire alphanumeric keyboard
available to you is quite enough metatools.
Sez you, who is currently laboring in the Fin97 dark ages unable even to access
(as I recall) all the numerics. The comment reflects
On Wed, 17 Jul 2002, David W. Fenton wrote:
Please, give me a reference somewhere on the web for the ASCII codes for
Ctrl-a-z and Ctrl-A-Z. Ctrl-0-9 is optional.
And I mean *ASCII* codes, not ANSI or keyboard scan codes.
Hmmm... Strictly speaking, ASCII codes are 7-bit values in the range
On 16 Jul 2002, at 20:03, Matthew Hindson wrote:
* more intelligent handling of accidentals within a single bar - e.g. if a
note is enharmonically changed to F# from Gb within a bar, subsequent Gb/F#s
within the bar should default to the F#.
And not just within the bar, I would say. In the
I write:
David's advice is right on the money. Define the action and give it a name
(there's no standard that I know of), but be sure to specify a half-step.
I just tried it and I can get anything from a quarter-step to a whole-step.
And I'm afraid I can't hear a noticeable difference in tone
Andrew Stiller wrote:
And not just within the bar, I would say. In the example given, if I
type a Gb as the last note in the bar, hit 9 and then [equals] to
change it to F# and add a tie, then Finale certainly should be made
smart enough to recognize that a Gb typed at the beginning of the
on 7/18/02 11:19 AM, David W. Fenton at [EMAIL PROTECTED] wrote:
On 18 Jul 2002, at 1:08, Harold Steinhardt wrote:
What set me off, was my perceived insistence of others who feel, in
the composing process, that a complete midi playback with every element
accounted for is needed for their
On 18 Jul 2002, at 19:34, Doug Auwarter wrote:
on 7/18/02 11:19 AM, David W. Fenton at [EMAIL PROTECTED] wrote:
On 18 Jul 2002, at 1:08, Harold Steinhardt wrote:
What set me off, was my perceived insistence of others who feel, in
the composing process, that a complete midi playback
On 18 Jul 2002, at 1:08, Harold Steinhardt wrote:
What set me off, was my perceived insistence of others who feel, in
the composing process, that a complete midi playback with every element
accounted for is needed for their proofing purposes.
Well, no one in this discussion, so far as
Sorry it came across as snippy, but Harold came across *to me* as
colossally arrogant and condescending.
So, I brought my own baggage, too.
Duly noted.
But I assume the readers of my posts are sufficiently attentive to
be
able to judge for themselves whether what I've said is credible or
le 7/18/02 6:48 PM, John Bell à [EMAIL PROTECTED] a écrit :
The same argument applies to the original suggestion regarding notes
within a bar. It seems to me quite possible that an F# could be
followed in the same bar by a Gb.
And I surely don't want Finale to behave like some Microsoft
Johannes Gebauer wrote:
...
--Add an option to the Engraver's slurs to allow the user to set the angle
of the slur going from one system to the next.
Can you explain exactly how you want this to work? My Engraver slurs
requests are dealt with separately, and I'd really like to know exactly
Thanks Dennis and others who commented. I am having fun exploring various
options - con sordino a mano and senza sordino a mano (... a mano
destra?) with explanatory text block annotation and broken line bracket is
one option.
Getting quick and helpful comments from the List, as one composes,
markdlew wrote:
At 11:36 AM 07/17/02, Steven Powell wrote:
--Fix lyrics tool so that hyphenated words which cross systems have a hyphen
on the bottom system. (Finale currently leaves blank space on the bottom
system--I've never seen published music in which this is acceptable)
Oh yeah,
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