At 7:04 PM -0400 6/17/03, timothy price wrote:
>
[...]
And inevitably (oops, in- ev- it- a- bly) you will ...
Actually, it's "in-ev-i-ta-bly" (:>)
--Richard
But a singer would sing, "I-ne-vi-ta-bly"
Irrelevant, IMHO.
Singers who read English will know how to pronounce it properly, and
t
At 6:12 PM -0400 6/17/03, ch_orcino wrote:
I have a minor problem. I haven't been able to figure out how to notate:
dotted quarter = 80.
Related problem: I also have been trying to figure out how to notate: dotted
quarter/sixteenth = eighth note/eighth rest/ eighth note triplet (as
commonly done on
Thanks to all that caught the mistake.
YES I did mean dotted eight - sixteenth = eighth note-eighth rest-eighth
note as a triplet. Swing eighths.
Len
My web site: www.littlebearmusic.com
"It is better to put aside the quest for immediate usefulness, in order to pursue
without distraction, the k
On 17 Jun 2003 at 19:59, Daniel Dorff wrote:
> My thanks to those who recommended Spam Assassin a few days ago. It's
> filtering out about 80% of my incoming spam, and the only false
> positives are mass commercial mailings from businesses whose promos I
> do want.
SpamAssassin is not catching
On 18 Jun 2003 at 6:56, Rodney Waterman wrote:
> I get a little uneasy when scholars strip music to the bone and claim to
> have pigeon-holed it. . . .
I don't know of any scholars who do that kind of thing.
Scholars look at the way music is put together for the same reason we
look at the way
Pardon the OT -
My thanks to those who recommended Spam Assassin a few days
ago. It's filtering out about 80% of my incoming spam, and the only false
positives are mass commercial mailings from businesses whose promos I do
want.
However, I can't figure out how to lower the cutoff thresho
For what it's worth, the standard among American publishers, also put in
writing in a brochure on notation produced by the Music Publishers'
Association, is to follow dictionary hyphenation.
On one hand that's the long and short of it, but some words are hyphenated
differently from one dictionary
>
>> [...]
>> And inevitably (oops, in- ev- it- a- bly) you will ...
>
> Actually, it's "in-ev-i-ta-bly" (:>)
>
> --Richard
>
But a singer would sing, "I-ne-vi-ta-bly"
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I have a minor problem. I haven't been able to figure out how to notate:
dotted quarter = 80.
Related problem: I also have been trying to figure out how to notate: dotted
quarter/sixteenth = eighth note/eighth rest/ eighth note triplet (as
commonly done on jazz charts to indicate swing).
I've ch
Re Strawberry fileds
Correction - should be F-G-Ab-D (Noth-ing is real) over an E7 chord - it IS
before 7am here in Oz!
Rodney
Date: Wed, 18 Jun 2003 06:56:34 +1000
To: [EMAIL PROTECTED]
From: Rodney Waterman <[EMAIL PROTECTED]>
Subject: Re: OT: Alan Pollack's Beatles Page
I get a little uneasy
I get a little uneasy when scholars strip music to the bone and claim to
have pigeon-holed it. For me, its the same with all music. I used to get
furious back in the old days at the music faculty (Melbourne) when my
professor stripped Mozart down bar by bar, note by note, chord by chord and
smu
At 10:06 AM 06/17/03, Richard Huggins wrote:
>Count me as one of those latter ones who wants to follow "official"
>hy-phen-a-tion, so as to have a literate publication. A composer could, I
>presume, specify something different for, in his view, anyway, interpretive
>reasons or some other reason, b
In the hands and mind of a good chorister it would be:
een-eh-vih-tah-blee for proper pronunciation. That's reaching back to
the hey days of the Shawnee Press style of including pronunciation
below the lyrics in their choral pieces. It was a wonderful learning
tool for inexperienced singers.
T
O great collective wisdom:
Does anyone know where I could find the sizes of various characters in
Maestro font, such as clefs? For example, how many EVPUs across is a
24-point treble clef, or a bass clef, or a sharp symbol, etc.?
-
Brad Beyenhof
[EMAIL PROTECTED]
___
At 10:06 AM 6/17/03 -0500, Richard Huggins wrote:
>Actually, it's "in-ev-i-ta-bly" (:>)
Only in the fogie dictionary brigade. If you're under Gen X age, it's in-
uh- vi(glottal stop) - a - bly
:) :) :)
Dennis
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> From: "David H. Bailey" <[EMAIL PROTECTED]>
>[...]
> For some people, hyphenation which follows pronunciation and rhythm
> works fine, whether or not it goes contrary to dictionary hyphenation.
> For other people, any hyphenation in the wrong place indicates ignorance.
Count me as one of those
As this thread has gotten way off from the original discussion of the Apple
iTunes store, I thought a subject change was in order.
on 6/17/03 5:25 AM, David H. Bailey at [EMAIL PROTECTED]
wrote:
> I would venture even further to say that the envelope is constantly
> being pushed, but with the tot
At 10:14 AM +0200 6/17/03, Pierre Bailleul wrote:
Hi all,
I'm working on a contrabass part.
In several slurred passages, I have to input bowing indications,
slurs, articulations and fingerings on down stem notes.
1 Do you think that the right vertical input above the note is at
first articulatio
Hyphenation is one of those things that for some provide a clue as to
the intelligence of the publisher/composer/engraver.
For some people, hyphenation which follows pronunciation and rhythm
works fine, whether or not it goes contrary to dictionary hyphenation.
For other people, any hyphenation
I would venture even further to say that the envelope is constantly
being pushed, but with the totally fragmented FM radio market, the
non-existant AM radio market, and the total lack of variety shows on TV,
no single person has any clue as to the broader picture of "rock" music
unless he/she e
Hi all,
I'm working on a contrabass part.
In several slurred passages, I have to input bowing indications,
slurs, articulations and fingerings on down stem notes.
1 Do you think that the right vertical input above the note
is at first articulation then fingering inside slurs and
bowing out
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