t now -- except:
Playback now crashes the program -- crashes before the file is finished being
processed for human playback. I tried saving as audio, and I get the "spinning pizza
of death," necessitating a force-quit.
Is this something anyone else has experience
e there is paying attention, and thinks this is big
enough problem to have resources applied to it.
David Froom
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ngs I
mentioned above, especially when these workarounds cost me time, I feel
cheated by you. Finale 2004 for Mac feels and acts like a beta version.
PLEASE GET THESE THINGS FIXED AS SOON AS YOU CAN. It is clearly in Finale's
long-term survival interest that you address these issues NOW.
D
ng with my MIDI keyboard. But it seems not to have a flip enharmonic
option! Without this (for non-tonal music), MIDI entry is pretty useless.
Am I missing something?
David Froom
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Keyboard Shortcuts part of the online
manual, under the subheadings "To Program a Time Signature Metatool" and "To
Use a Time Signature Metatool."
David Froom
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t looks to be one thing prints as another.
What is going on here?
David Froom
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. If I turn the "feature" off, I need only
adjust the endpoint (in most cases).
David Froom
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u are reading this, could you consider updating your cautionary
accidentals plug in for Mac 2004? It always worked flawlessly.
David Froom
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teps that could help, I will share them with
> you.
>
> Thank you for your feedback.
>
> Thierry
> Technical Support Representative
> MakeMusic!, Inc.
> Coda Music Technologies
David Froom
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On 01.03.2004 19:55 Uhr, David Froom wrote
>
>> I'm working on
>> a large orchestral piece, and am about 60 measures into it (the file is now
>> at about 135mb).
>
> Eh, are you sure about the size? If you are correct about the file size then
> something is def
> I recently learned (sort of) how to use percussion maps myself with
> FinMac2k4. I was trying to convert regular percussion staves to
> mapped ones and came up with a process that works more or less.
> Luckily, you can start from scratch. Finale's choices for the
> positions I believe are based
eason). Does anyone have any ideas about how I can speed up Finale?
Automatic Spacing and Automatic Update Layout are both off. I'm working on
a large orchestral piece, and am about 60 measures into it (the file is now
at about 135mb).
Thanks for any and all suggestions,
D
at disappear
automatically if I put in a clef?
Thanking you all in advance,
David Froom
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Or has this been done, and I just haven't heard
about it -- or it is too difficult to do?
(By the way -- don't you guys love the way spell check suggests interesting
words? My spell check offers, for Sibelius, "libelous" -- what a hoot!).
David Froom
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D]
The business is called: Printing Press, Inc. (in Leonardtown MD).
David Froom
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er
to computer for editing-out of applause and blank spaces.
Any ideas? Specific equipment recommendations?
Thanks in advance,
David Froom
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able
to finish any projects in 2004 until they fix the EPS export.
David Froom
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ng, but it will handle
only the later version. Fortunately, there are also sites that have
uncompressed sound fonts.
I understand -- but haven't figured out how it works -- that Quicktime will
allow substitution of sound fonts for its sounds. If someone knows how this
works, I would be happy to le
unreliability or complications of adapters.
I use such a setup with a Jetdirect card that I put in my HP5000. Even
wireless, through a router, I can print to this printer from any of the
three computers on my little home network (two wireless with OSX, plus an
old desktop my kids use with OS9).
David
d recalc -- and I am ready to go.
Thanks,
David Froom
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he old driver is the only option, does anyone
have that lying around?
Thank you,
David Froom
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t there. Or, for maximum quality, do
two files -- one in a good sequencer, the other in Finale (for printout
only), and send the sequencer's output to Reason.
No matter what you do, it will still sound vaguely like a midi file. One
way some folks get around this is to layer live soloist
andard that it would naturally have been followed in autograph manuscript
by as important and savvy a composer as Haydn. And it shows that modern
practice is expected to such an extent (and considered such a minor
alteration of the autograph) that it can be applied without comment.
David Froom
_
(just under $300) is
worth it -- and definitely NOT as expensive as a bank of hardware modules.
There is a demo version. Check it out (www.propellerheads.se).
David Froom
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esign,
especially regarding matters of reading older Pagemaker files?
David Froom
> On 25.03.2003 22:44 Uhr, Paul Hayden wrote
>
>> If you have a multimovement work that you want to print out in
>> booklet form (2-up, duplexed, folded and stapled), I assume that
>> _all_
ation isn't broad enough . . .
Anyway, does anyone know if there are real rules about this?
Thank you,
David Froom
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have set up a default file that has these settings, and they
are fine when I open that file. However, when I use the setup wizard, it
gives me Finale's choices for these things.
Any help would be greatly appreciated.
David Froom
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you to render your MIDI file as an aif or wav file. Academic pricing is
around $200, street pricing maybe $100-150 more than that.
David Froom
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ral color (not
white), 12x18. They can get a large size that cut down to 12x18 with little
or no waste.
David Froom
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easily,
move things around easily. In fact, tempo markings with mixed fonts are
very easy to create here -- and you can still assign a MIDI meaning to them
as well.
It does seem silly and counterintuitive, when mixing fonts, to have to
create a text-only expression in the shape designer.
t length contiguous stretches of music or for
single notes -- don't switch quickly back and forth between these, or
between one of them and loco. If, though, as you say, the work has one
staff's worth of music virtually ALWAYS in the highest two octaves of the
piano, I guess I would use
rformer or Digital Performer? My interest, as a teacher
and user, is in more-or-less pure MIDI sequencing (I use Spark,
SoundDesignerII, and ProTools for digital editing).
Thank you all in advance,
David Froom
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t;stands 1-6" on the top part
and "stands 7-9" on the bottom part
Or whatever divisi by stands that would produce the desired effect. This
would, at least, obviate confusion.
David Froom
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lot of discussion about a rather banal piece, especially
one that makes so many of us switch radio stations when it comes on!
David Froom
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nding cadence. In C major, it would be the chord
sequence above (I-V-vi-iii-IV-I) followed by a the half cadence IV-V.
Thus, if you are looking for a common regular movement chord progression in
the Pachelbel canon, you won't really find it, since this is based on
ould." I hear that
DSL is a pretty complicated and finicky thing. Maybe someone else could
help with this giving more than educated guesses.
David Froom
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efore, OSX is rather more different from OS 9 than 9 was from 8,
7, even 6. It took me a couple of tries to get used to it, but know, I'm
chomping at the bit to move completely beyond 9 booting, even classic
applications. And I'm one of those guys who typically sticks with old
systems
On 4/19/02 5:03 AM, "[EMAIL PROTECTED]"
<[EMAIL PROTECTED]> wrote:
> On 19.04.2002 2:16 Uhr, David Froom wrote
>
>> Andrew -- Johannes's advice that, for now, you simply boot in System 9 is
>> probably the best advice. And if you can, you might prefer 9
ew system, with some user interface
similarities.
Andrew -- Johannes's advice that, for now, you simply boot in System 9 is
probably the best advice. And if you can, you might prefer 9.1 over 9.2. I
have discovered that Quick Time music prog
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