Hi Dean,
A USB 2 (!) hub would certainly do it.
I do not know whether you have an airport extreme basestation.
In that case you could even share your laser printer with multiple
macs of pc
using the USB port of the airport without loosing onze of your mac
ports...
Jan.
Op 22-okt-05, om 05
Owain Sutton wrote:
Ahhh, the delights of the nonstandard key signature. One of the most
user-unfriendly features of Finale... ::deep breath:: ...
First of all, I'd start by installing the Accidentals font from here:
http://www.hindson.com.au/wordpress/index.php/free-fonts-available-for-down
Matthew Hindson Fastmail Account wrote:
Wow Owain, that's amazing. Thanks for that - do you mind if I include
these instructions in the Accidentals font documentation?
I don't mind at all - help yourself :)
Owain
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At 8:31 PM -0700 10/21/05, Dean M. Estabrook wrote:
>So, now that I wish to run 2 printers with my iMac G5, which has
>only one vacant USB port, is it ok to run both printers through a
>hub, or does that create some sort of problem of which I am presently
>unaware?
Hubs are an easy alternative t
John Bell wrote:
I'm afraid not, unless you have Auto Save on (and it sounds as if you
don't).
I have also had FinMac 2006 unexpectedly quit when I went to print a
file, in fact I have the impression this is the most common trigger for
an unexpected quit. Not entirely unexpected in fact.
bill wrote:
Hi gang,
Chuck got it right concerning "Update Layout" (command-\ on a Mac).
Being a casual lurker, I must admit that this forum is the best I've
seen, and those who read the postings here are being given first class
advice for free. Bravo!
However, after listening to you all
Noel Stoutenburg wrote:
Dean M. Estabrook wrote:
So, now that I wish to run 2 printers with my iMac G5, which has
only one vacant USB port, is it ok to run both printers through a
hub, or does that create some sort of problem of which I am presently
unaware?
In the worst case, one of
Carlberg Jones wrote:
At 8:31 PM -0700 10/21/05, Dean M. Estabrook wrote:
So, now that I wish to run 2 printers with my iMac G5, which has
only one vacant USB port, is it ok to run both printers through a
hub, or does that create some sort of problem of which I am presently
unaware?
Hubs
Thank you very much you both.
I think this font will work well.
I cound't do this:
In the Key Signature tool, choose "Nonstandard.." instead of
major/minor. Choose 'linear key format' selected, click 'next' twice.
Click on 'KeyMap', and change to 24 diatonic steps for quartertones, or
48 for 8t
Bernardo G. Barros wrote:
Thank you very much you both.
I think this font will work well.
I cound't do this:
In the Key Signature tool, choose "Nonstandard.." instead of
major/minor. Choose 'linear key format' selected, click 'next' twice.
Click on 'KeyMap', and change to 24 diatonic steps f
It worked!! I just couldn't save as a Library yet...
On 10/22/05, Owain Sutton <[EMAIL PROTECTED]> wrote:
Bernardo G. Barros wrote:>> Thank you very much you both.> I think this font will work well.>> I cound't do this:> In the Key Signature tool, choose "Nonstandard.." instead of
> major/minor.
On Oct 22, 2005, at 1:00 AM, Owain Sutton wrote:
Ahhh, the delights of the nonstandard key signature. One of the most
user-unfriendly features of Finale... ::deep breath:: ...
(fantastically detailed description of work method snipped)
Owain, you are the MAN!
I haven't tried your method
Bill Duncan,
Glad to see you on the list, where I can publicly buttonhole you and
ask you outright: Any chance of you coming up with a chord suffix font
like your brilliant, ingenious ChordSuf, but that matches more closely
with the JazzFont, to replace the inadequate JazzCord? I, for one,
wo
At 10:10 PM -0400 10/21/05, Raymond Horton wrote:
Very useful advice, Keith!
I try to teach high school trombone and euphonium players to read
all clefs and as many transpositions as practical, too. For example
- F horn transposition can be very useful for a euphonium or
trombone player. If
Hola Noel,
In my experience page density for printed music should be close to 8% on
average for orchestral music parts.
So expect to print about 2/3 of the rated page count of the toner.
[Note: You can measure density using Photoshop, selecting all and applying
the average plug-in. The level of g
Ok ..well, for some reason, when I try to utilize either printer via
the hub, they do not function. When I plug either in directly, they
function fine. It is a Belkin powered bus. I think I don't understand.
Dean
On Oct 22, 2005, at 3:45 AM, dhbailey wrote:
Carlberg Jones wrote:
At 8:
John Bell wrote:
There are a number of grey (or gray) areas in the field of
instrumental transpositions. For instance, when I write a harmonic for
double bass, I notate it at actual pitch in the treble clef. For all I
know, this may be an out-of-date convention and I should be damned
like S
On Oct 21, 2005, at 6:04 PM, Noel Stoutenburg wrote:
I hypothesize that music is perhaps only 20 to 40 percent as dense as
text, that is, where a standard page of a text document might be five
percent density, that a page of music might be only one or two, and
therefore, the number of pages o
Lon Price wrote:
As a woodwind player, the only practical reason that I can see for
writing the bass clef for bass clar. is the avoidance of a lot of
ledger lines. As a clarinet player, I'm used to seeing 3 ledger
lines below the staff, and 4 above. With the modern bass clar.'s
abilit
On Oct 21, 2005, at 8:30 PM, Chuck Israels wrote:
if your work was meaningful to you, and had your own inner logic
driving it, it should be possible to reconstruct it. You can't get
the time back, but you can take advantage of the problem to reexamine
your work.
I would like to second t
Perhaps a bad hub or a bad cable.
I have two printers and a bunch of other stuff running off a hub. Works
fine!
Dean M. Estabrook wrote:
Ok ..well, for some reason, when I try to utilize either printer via
the hub, they do not function. When I plug either in directly, they
function fine. It
On Oct 21, 2005, at 9:26 PM, keith helgesen wrote:
Some years ago, as a high school band teacher, I required my two bass
clari
players to read transposed Bass Clari parts (up 9th) and *concert
pitch*
bass clef. ...
It may not be standard practice, but I have yet to find a downside to
it!
On Oct 22, 2005, at 12:22 AM, John Bell wrote:
when I write a harmonic for double bass, I notate it at actual pitch
in the treble clef. For all I know, this may be an out-of-date
convention
It is. Use treble clef with the octave transposition. At the very
least, notate harmonics and non-har
On Oct 22, 2005, at 10:38 AM, Andrew Stiller wrote:On Oct 21, 2005, at 8:30 PM, Chuck Israels wrote: if your work was meaningful to you, and had your own inner logic driving it, it should be possible to reconstruct it. You can't get the time back, but you can take advantage of the problem to reex
Eric Dannewitz wrote:
But why not run BOTH printers off the USB hub? Hubs are like
$10...it would make a lot more sense.
I don't know that there is a good reason not to use a USB hub; but my
failure to imagine such a good reason does not mean that such a reason
may not exist unde
On 21 Oct 2005 at 22:40, bill wrote:
>
> On Oct 21, 2005, at 7:52 PM, David W. Fenton wrote:
>
> > On 21 Oct 2005 at 18:09, bill wrote:
> >
> >> I'm
> >> still on 2k5 and the Update Layout issue should not be an issue
> >> since it was never a problem since Fin 98 (ish) up until recently.
> >>
On Oct 22, 2005, at 1:33 PM, Raymond Horton wrote:
it really reeks havoc with the score spacing.
Since I know from your recent posts that you are the kind of guy who
hates to use the wrong homophone, I'm sure you won't take it badly when
I point out that you probably meant to say "wreaks."
On 21 Oct 2005 at 22:40, bill wrote:
I feel really stupid: My Automatic Update in 2k5 upgrade was
unchecked after many years of assuming that upgrading to the next
"invaluable" version of Finale would preserve previous and relevant
settings.
This option is set the same as always in my ver
Christopher Smith wrote:
On Oct 22, 2005, at 1:33 PM, Raymond Horton wrote:
it really reeks havoc with the score spacing.
Since I know from your recent posts that you are the kind of guy who
hates to use the wrong homophone, I'm sure you won't take it badly when
I point out that you prob
I hope this is not a dumb question.
Beat 1, bass staff: upper voice is a whole note middle C ; lower voice is b
flat below middle C, stem down. Later upper voice is half note and later
upper voice is quarter note. In what order should the three characters be
placed? I could not find this addre
Hi Christopher,
I would be happy to except that MakeMusic would have to sanction it because
of their copyright issues. I have had problems with them in the past, and
they have absolutely no interest (that I know of) in the work I have done
with my chord font set. Possibly you and other interest
On Oct 22, 2005, at 3:26 PM, D. Keneth Fowler wrote:
I hope this is not a dumb question.
Beat 1, bass staff: upper voice is a whole note middle C ; lower voice
is b flat below middle C, stem down. Later upper voice is half note
and later upper voice is quarter note. In what order should the
Bill,
I'll get right on it. Others who rant and rave at JazzCord's flaws,
omissions and hair-pulling workarounds, feel free to join in!
The address is [EMAIL PROTECTED]
Christopher
On Oct 22, 2005, at 3:48 PM, bill wrote:
Hi Christopher,
I would be happy to except that MakeMusic would ha
One thing I actually like about the Jazz Font chords are the inclusion
of using triangle shapes for Major chords and dashes for minor chords. I
haven't seen these in the examples I've seen of ChordSuf font.
Christopher Smith wrote:
Bill,
I'll get right on it. Others who rant and rave at JazzC
I saw a newspaper(Ausie!)headline recently- *New Orleans batons down the
hatches*
Gawd- I hate that!!
Cheers K- in OZ
Keith Helgesen.
Director of Music, Canberra City Band.
Ph: (02) 62910787. Band Mob. 0439-620587
Private Mob 0417-042171
-Original Message-
From: [EMAIL PROTECTED] [mailto
keith helgesen wrote:
I saw a newspaper(Ausie!)headline recently- *New Orleans batons down the
hatches*
And some folks say the disaster relief wasn't well conducted.
;)
cd
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Eric,
They are all there. Bill's chord font can be customized to suit the
needs of many different styles. I am a big fan of the ChordSuf font,
the softened slashes, and the rhythmic notation that are part of the
look of this set. I'd be sorry to do without them.
I don't use the Jazz fo
Maybe they meant "Batten Rouge" :-)
Chuck
On Oct 22, 2005, at 1:21 PM, keith helgesen wrote:
I saw a newspaper(Ausie!)headline recently- *New Orleans batons
down the
hatches*
Gawd- I hate that!!
Cheers K- in OZ
Keith Helgesen.
Director of Music, Canberra City Band.
Ph: (02) 62910787. Band
While the spacing may really have reeked, and havoc may actually have
been wrought, the saying in this case is usually, "wreck havoc", for
which I sfaik the correct past tense is "wrecked havoc".
Carl Dershem wrote:
Christopher Smith wrote:
On Oct 22, 2005, at 1:33 PM, Raymond Horton wrote
Thanks, Christopher, for your reply to my question. And thanks for the
updates on more recent versions of Finale.
Ken
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Argh!
Keith Helgesen.
Director of Music, Canberra City Band.
Ph: (02) 62910787. Band Mob. 0439-620587
Private Mob 0417-042171
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Carl Dershem
Sent: Sunday, 23 October 2005 6:33 AM
To: finale@shsu.edu
Subjec
I take back my previous comment. I see that his font indeed does have
slashes and triangles...
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Robert Patterson wrote:
While the spacing may really have reeked, and havoc may actually have
been wrought, the saying in this case is usually, "wreck havoc", for
which I sfaik the correct past tense is "wrecked havoc".
Not according to the OED or Webster.
Wreak v.t. [ME wreken, from AS wrea
On Oct 22, 2005, at 4:47 PM, Robert Patterson wrote:
While the spacing may really have reeked, and havoc may actually have
been wrought, the saying in this case is usually, "wreck havoc", for
which I sfaik the correct past tense is "wrecked havoc".
While I easily found dictionary entries f
On Oct 22, 2005, at 2:22 PM, Christopher Smith wrote: the _expression_ "wreck havoc" doesn't make a lot of sense to me.Nor to me. Sounds like a double negative. If you "wreck havoc," do you restore order?Chuck Chuck Israels 230 North Garden Terrace Bellingham, WA 98225-5836 phone (360) 671-3402 f
On Oct 22, 2005, at 5:27 PM, Chuck Israels wrote:
On Oct 22, 2005, at 2:22 PM, Christopher Smith wrote:
the expression "wreck havoc" doesn't make a lot of sense to me.
Nor to me. Sounds like a double negative. If you "wreck havoc," do
you restore order?
Heh heh. Kind of like "Is y
Nothing cures a headache better than Asprin!- (therefore use nothing?)
Cheers K in OZ
Keith Helgesen.
Director of Music, Canberra City Band.
Ph: (02) 62910787. Band Mob. 0439-620587
Private Mob 0417-042171
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Okay, so I looked a little further into this.
First, googling "wreck havoc" yields countless examples, including many
by seemingly professional writers. So, irrespective of its "correctness"
it is definitely in the lexicon.
Second, my dictionary, Websters New Collegiate 1981, allows "wreck
h
I will definitely do so...
On 10/22/05 3:29 AM, "dhbailey" <[EMAIL PROTECTED]> wrote:
> John Bell wrote:
>
>> I'm afraid not, unless you have Auto Save on (and it sounds as if you
>> don't).
>>
>> I have also had FinMac 2006 unexpectedly quit when I went to print a
>> file, in fact I have the
On 10/21/05 10:24 PM, "Noel Stoutenburg" <[EMAIL PROTECTED]> wrote:
> Brennon Bortz wrote:
>
>> After opening a new default document and entering notes in Speedy Entry in
>> Scroll View, I switch to Page View and suddenly notes have veered off the
>> edges of the page on nearly every staff. Appl
I have done so
John
On 23 Oct 2005, at 00:11, Brennon Bortz wrote:
I will definitely do so...
On 10/22/05 3:29 AM, "dhbailey"
<[EMAIL PROTECTED]> wrote:
John Bell wrote:
I'm afraid not, unless you have Auto Save on (and it sounds as if
you
don't).
I have also had FinMac 2006 une
Hi Bill,
I don't think Chris meant that he wanted you to copy JazzChord
exactly -- which would might involve copyright issues (although I
don't know -- there are obviously lots of font knock-off versions out
there). I think he just meant that he would be interested in a
handwritten-looki
Brennon,
You'll figure this out pretty quickly.
You might want to turn off "Maintain System Locks" unless you have
already done some page layout work that you don't want to lose. In
my case, I save this part of my work until I have the whole piece
done in scroll view. (That's just the wa
Christopher Smith wrote:
While I easily found dictionary entries for "wreak havoc", "play
havoc" and "cry havoc", I didn't find one for "wreck havoc." In fact,
given the definition of havoc (mayhem, destruction, etc.) the
expression "wreck havoc" doesn't make a lot of sense to me.
Do you hav
On 22 Oct 2005, at 7:17 PM, Brennon Bortz wrote:
In the meantime, I can tell you that
"Reflow Measures Across Systems (Maintain System Locks)" is
selected, but
"Automatic Update Layout" is not. All the emails I've read have me
thoroughly confused...should this be checked or not?
Checked.
Brennon Bortz wrote:
In the meantime, I can tell you that "Reflow Measures Across Systems (Maintain
System Locks)" is selected,
OK. Check to see if there is an option for "reflow measures across
systems, (remove system locks):, and try that instead. Truth to tell,
at first I though that it
keith helgesen wrote:
I saw a newspaper(Ausie!)headline recently- *New Orleans batons down the
hatches*
Yes, well, given that a "baton" is a stick, presumably with the
capability of knocking something down (if only a beat), and given the
damage and havoc wrought in New Orleans, I'm not sure
Noel, Brennon,
I strongly recommend _not_ selecting this setting (reflow+remove
locks), _especially_ not if "Automatic Update Layout" is on. It makes
it impossible to lock systems -- they will be unlocked immediately by
"Auto Update Layout."
If you need to manually remove system locks, yo
Noel Stoutenburg wrote:
keith helgesen wrote:
I saw a newspaper(Ausie!)headline recently- *New Orleans batons down the
hatches*
Yes, well, given that a "baton" is a stick, presumably with the
capability of knocking something down (if only a beat), and given the
damage and havoc wrought in
On Oct 22, 2005, at 11:53 AM, David W. Fenton wrote:
Well, I definitely disagree with that. I certainly think, as I just
said, that it's a bug (or a poorly designed feature) that changes
settings when you upgrade over top of an existing installation, but I
would *not* want to use a Finale that l
On Oct 22, 2005, at 5:37 PM, Darcy James Argue wrote:
What are the
disadvantages, if any, of checking this?
If you have a very slow computer, Finale may become slightly more
sluggish. But it's really not an issue on any computer with a 1 GHz
processor or faster.
It's not only about speed.
On Oct 22, 2005, at 12:13 PM, Carl Dershem wrote:
PS - one I hear more and more often is "wreaked" where they really
should say "wrought".
There is nothing wrong with "wreaked". "Wrought" is a past tense of
the verb "work" in its old-fashioned, transitive sense (as in, "God
works miracles"
On Oct 22, 2005, at 12:04 PM, Christopher Smith wrote:
Other substitutions I see all the time are "affect" and "effect", as
in "he effected a change that affected everyone," and "wet" for
"whet", as in "we can whet our appetites with a bite of cheese, and
then we can wet our fingers in the fi
Hi Mark,
Nothing needs to "bounces around" with Automatic Update Layout on, so
long as you choose the appropriate Update Layout settings for your
work (like, for instance, "Reflow only within systems"). The
advantage to leaving Update Layout on is that you are never caught
looking at mea
Thanks. I remember thinking that was probably wrong when I typed it,
but left it, counting on my spell checker to help me out. It left me hi
and drei, of course, since "reek" is correctly spelled - merely the
wrong word.
(I obviously need to watch my P's and Q's on this list after my earl
Hi Darcy and others,
No one I know uses or likes the Jazz fonts, so I had no idea that there
was so much interest in this. Is it possible for you or someone to
send me a pdf scan of what you think is ideal? Also, Chuck Israels and
Greg Hamilton expressed interest in a jazz articulation font
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