At 4/1/2006 08:44 PM, David W. Fenton wrote:
>But the requirement Phil is placing on these pieces is completely
>arbitrary and if applied honestly would eliminate a lot of the works
>he considers to be music.
I agree that improvisation is not notatable.
But, if an entire piece is improvisation,
On Apr 2, 2006, at 8:37 AM, Phil Daley wrote:
At 4/1/2006 08:44 PM, David W. Fenton wrote:
>But the requirement Phil is placing on these pieces is completely
>arbitrary and if applied honestly would eliminate a lot of the works
>he considers to be music.
I agree that improvisation is not nota
At 5:54 PM -0500 4/1/06, Darcy James Argue wrote:
On 01 Apr 2006, at 5:40 PM, Peter Taylor wrote:
But isn't that the point? They decided to promote their music
themselves on MySpace Music presumably because the record companies
couldn't recognise they had any prospect as moneyspinners (but I
At 8:37 AM -0400 4/2/06, Phil Daley wrote:
But, if an entire piece is improvisation, it is not music, it is
performance art.
Oh darn, there goes Cage and everything aleatoric. And all good
dixieland bands. And here they thought they were playing music!
(Who knows what Cage thought!)
I t
On Apr 1, 2006, at 7:44 PM, David W. Fenton wrote:
I thought he asked if different ensembles would sound the same
playing from the score. Given that no two identical percussion
instruments sound precisely the same, I'd say that it's unlikely that
any two performances of Ionisation would sound i
In a message dated 4/2/06 1:02:26 PM, [EMAIL PROTECTED] writes:
<< From: Stephen Peters <[EMAIL PROTECTED]>
[EMAIL PROTECTED] writes:
> The Music Man had "rap-like" passages (i.e. parts of "You've Got
> Trouble") which led to fully pitched-tone cadences as the climax...
Not all. "Rock Island", the
On Apr 2, 2006, at 7:34 AM, Christopher Smith wrote:
I must confess that Mark's earlier observation – saying "this is not
music" is really saying "I don't like this music" – is starting to
sound more and more true.
Actually I observed only that that's the case for some people. My
larger poi
And there go all classical improvisations from Bach over Mozart,
Beethoven, Brahms, even E. T. A. Hoffmann, and of course myself
improvising...;-)
Oh my god! I played a t the church today and did four improvisations.
And I thought it was music...?
This is ridiculous! Improvisation (in a good
Sibelius claims it is. I think what has to be done is to save the Finale
files in ~.etf format. Finale files stored in ~.mus format are not
readable by S~, as I recall.
Earlier versions of Sibelius would read both formats but ETF works better;
.mus files tend to have errors that prevent good
Raymond Horton wrote:
I sent her one Fin2005 file, and she wrote back "My home computer
said I could not open it because I did not have Anastasia font."
Noel Stoutenburg wrote:
Hmmm. Did you use a font named Anastasia in your file? If so, she
will have to obtain a copy to be able to pro
Thanks to Richard and Noel for advice on this issue. It sounds like a
2003 in ETF format will be the safest way, (short of a Sibelius upgrade)
to transmit to a Sibelius 2.1 user.
Raymond Horton
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[EMAIL PROTECTED] wrote:
In a message dated 4/2/06 1:02:26 PM, [EMAIL PROTECTED] writes:
<< From: Stephen Peters <[EMAIL PROTECTED]>
[EMAIL PROTECTED] writes:
The Music Man had "rap-like" passages (i.e. parts of "You've Got
Trouble") which led to fully pitched-tone cadences as the climax...
Ernst Toch wrote a choral piece I "sang" as a teenager that had no
pitches. Some of the words were (please excuse my ignorance of
German spelling, Johannes and others): Popocatepetl ist nicht in
Canada, zunder in Mexico, Mexico, Mexico.
Whatever else it was, I remain under the impression t
At 5:38 PM -0700 4/2/06, Chuck Israels wrote:
Ernst Toch wrote a choral piece I "sang" as a teenager that had no
pitches. Some of the words were (please excuse my ignorance of
German spelling, Johannes and others): Popocatepetl ist nicht in
Canada, zunder in Mexico, Mexico, Mexico.
That woul
Hi Raymond,
As Noel suggested, the problem here is version skew. Sibelius 2.1
supports import up through Finale 2002 using ETF files.
Recordare's file translation services help with this type of "can't
get there from here" problem. We would use Dolet 3 for Finale to
export a MusicXML file from Fi
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