Or, with an l.v. cymbal on the last note, "ba doom shh"
Cheers,
- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
Brooklyn, NY
On 09 Sep 2006, at 9:12 PM, Chuck Israels wrote:
Ba da Boom? :)
Chuck
On Sep 9, 2006, at 6:06 PM, Matthew Hindson Fastmail acct wrote:
I'm s
Hmmn, Someone must have designed it that way on the basis of
tradition and consensus.
I can certainly accept that possibility. I will ask Jessica to find
out what the standard practice is for the staff arrangers in the Army
Field Band, and I'll probably defer to what they normally use, sin
This is interesting. I have never considered putting choir anyplace
except at the bottom, like an orchestra without strings. I'm interested
to hear your reasons for other positions.
Out of curiosity, I opened a new score in Sibelius using a concert band
template and then added a choir. Sibeliu
That's certainly true. Those of us in the back could go for several days
without those fussy reeds. They're far too concerned with silly things
like notes and intonation. :)
Richard Smith
www.rgsmithmusic.com
Carl Dershem wrote:
Well, anything that keeps the woodwinds at a distance from the
Chuck Israels wrote:
Ba da Boom? :)
Chuck
On Sep 9, 2006, at 6:06 PM, Matthew Hindson Fastmail acct wrote:
I'm sure the wisdom of this list can help me here:
Is there a name for the drum kit cliche that typically (used to)
close off the final chord of soft jazz/lounge pieces? It sort of
Ba da Boom? :)
Chuck
On Sep 9, 2006, at 6:06 PM, Matthew Hindson Fastmail acct wrote:
I'm sure the wisdom of this list can help me here:
Is there a name for the drum kit cliche that typically (used to)
close off the final chord of soft jazz/lounge pieces? It sort of
sounds like a triple
I'm sure the wisdom of this list can help me here:
Is there a name for the drum kit cliche that typically (used to) close
off the final chord of soft jazz/lounge pieces? It sort of sounds like
a triplet down the toms down to the kick drum/snare.
Thanks for any help,
Matthew
Christopher Smith wrote:
Either top or bottom seems to be common - strict classical procedure
calls for the choir to be placed above the strings in the orchestra,
which would most probably translate as at the bottom of a concert band
score. But there seem to be variants in score order these day
John Howell wrote:
In my own band/chorus scores I lay the page out:
Woodwinds
Chorus
Brass
Percussion
for no particular reason and with no particular precedent except that it
works well for me.
Well, anything that keeps the woodwinds at a distance from the brass
can't be all
At 11:51 AM -0700 9/9/06, Chuck Israels wrote:
I'm working on a piece for choir and concert band What should be
the score order relationship of the choir to the band? Choir at the
top?
There must be a precedent for this, but I don't know what it is.
TIA,
Chuck
The precedent is orchestral
Hi Christopher,
This is for the Soldier's Chorus and the Army Field Band. Jessica is
leaving her job singing with them at the end of the Fall tour, and
they've asked her for two folk song arrangements that they will be
performing on this tour. One is for the choir, ww quintet and piano,
Either top or bottom seems to be common - strict classical procedure
calls for the choir to be placed above the strings in the orchestra,
which would most probably translate as at the bottom of a concert
band score. But there seem to be variants in score order these days,
especially in conc
Dean,
That would have been my choice too.
Thanks,
chuck
On Sep 9, 2006, at 12:06 PM, Dean M. Estabrook wrote:
The stuff I have done for choir + band, has had the choir at the
top and a reduced band score under that. I don't know if that's
SOP or not.
Dean
On Sep 9, 2006, at 11:51 AM,
The stuff I have done for choir + band, has had the choir at the top
and a reduced band score under that. I don't know if that's SOP or not.
Dean
On Sep 9, 2006, at 11:51 AM, Chuck Israels wrote:
I'm working on a piece for choir and concert band What should be
the score order relationship
I'm working on a piece for choir and concert band What should be the
score order relationship of the choir to the band? Choir at the top?
There must be a precedent for this, but I don't know what it is.
TIA,
Chuck
Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360
On Sep 9, 2006, at 10:49 AM, [EMAIL PROTECTED] wrote:
The problem I'm having with making triplets occurs
when I enter them in speedy entry. The spacing or
duration is somehow thrown off when I enter a triplet
consisting of a quarter note to an eighth note. There
must be an easy fix for this.
The problem I'm having with making triplets occurs
when I enter them in speedy entry. The spacing or
duration is somehow thrown off when I enter a triplet
consisting of a quarter note to an eighth note. There
must be an easy fix for this.
___
Fina
Just came across what I think is a bug in FinMac2k7 with the Special
Tools>Double/Split Stem Tool and would like to know if anybody else
can confirm this or has a work around?
I tested it in a clean copy of the Maestro Default file that shipped
with the app. In 4/4 time CMaj I input a bar of 4
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