Friends,
Some of you may be more aware of us than I was.
Back in January I observed on the Finale website, an updated "Finale
Viewer", and wrote:
Friends,
So, while looking on the Finale website for something else, I found
that the Finale Viewer is back, promoted as "...the easy, fast, and
Raymond Horton wrote:
I'll be here all week, folks. Don't forget to tip your waiters.
How many degrees, and in what direction?
cd
--
http://www.livejournal.com/users/dershem/#
http://members.cox.net/dershem
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Finale mailing list
Finale@shsu.edu
Mariposa Symphony Orchestra wrote:
...a very intriguing claim of an 1818 (!) "first official resident
symphony orchestra," founded by the Society of St Cecilia in
Louisville, KY (Ray Horton - any knowledge of that group?)
Just how old do you think I am?
I'll be here all week, folks. Don'
Who's putting it on in St. Louis? Do they have a resident early music
(=Telemann era) group?
Aaron J. Rabushka
[EMAIL PROTECTED]
http://users.waymark.net/arabushk
- Original Message -
From: "Kim Patrick Clow" <[EMAIL PROTECTED]>
To:
Sent: Monday, May 28, 2007 4:13 PM
Subject: Re: [Finale]
Are there any special Valentine's Day performances scheduled? Sounds like a
lovers' concerto par excellence!
Aaron J. Rabushka
[EMAIL PROTECTED]
http://users.waymark.net/arabushk
- Original Message -
From: "Kim Patrick Clow" <[EMAIL PROTECTED]>
To:
Sent: Monday, May 28, 2007 9:18 AM
Subj
Easy! Theodore Thomas founded his own orchestra in 1862 in New York and
toured regularly beginning in 1869 - primarily in the summers, but not
exclusively in that season. In addition to New York, they regularly toured to
(among other locations) Boston, Philadelphia, St. Louis, Milwaukee, Chi
At 1:24 PM -0700 5/28/07, Mariposa Symphony Orchestra wrote:
Oh, John (Howell) -- you wily arbitrator, you!
I have absolutely no disagreement with your logic, rationalizations
or concepts.It all makes sense to me; I'll even hide raised
eyebrows resulting from the omission of touring orches
Have mercy! Just think of the possibilities.
Dean
On May 28, 2007, at 2:05 PM, Mariposa Symphony Orchestra wrote:
Dean Estabrook wrote:
begging the issue, I know.>
And Les replies: Well, sure he did.Which makes sense in light
of the (alleged) exchange in which Lenny said to Ned Rorem:
Darcy ... good point. I almost quake to say this, but, Shenker (I
know, I know) would have it that the bottom note of the first perfect
fifth you can find starting from the bottom up, would define the
tonal center (lacking that, the top note of the first perfect
fourth). But, practically s
I really don't think this works for more highly chromatic music. If I
play every chromatic pitch on the piano simultaneously (with the aid
of a 2x4, natch), where's the discernible tonal center?
Cheers,
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 28 May 2007, at 3:56 PM, Dean M. Estab
Dean Estabrook wrote:
And Les replies: Well, sure he did.Which makes sense in light of the
(alleged) exchange in which Lenny said to Ned Rorem: "The trouble with you and
me, Ned, is that we want everyone in the world to personally love us, and of
course that's impossible: you just don't m
On May 28, 2007, at 3:24 PM, David W. Fenton wrote:
On 28 May 2007 at 9:01, Christopher Smith wrote:
The other weakness that you point out, that he chose his examples
based on their adherence to his theories and ranked the "masters"
according to who fit into his analysis the best, well that's
On May 28, 2007, at 2:53 PM, John Howell wrote:
My, my, my, this has certainly been the week for arguing semantics,
rather passionately, over arguing reality!! We've established that
"tonal" has at least 3 different meanings to different people, and
that those meanings are mutually excl
On May 28, 2007, at 10:00 AM, Andrew Stiller wrote:
On May 26, 2007, at 6:10 PM, Phil Daley wrote:
Snip
Whoa! Don't go off the deep end. First of all, notice the dates: I
was talking about those active in roughly the first half of the
20th c., and not all of them. The best estimate I have
Oh, John (Howell) -- you wily arbitrator, you!
I have absolutely no disagreement with your logic, rationalizations or
concepts.It all makes sense to me; I'll even hide raised eyebrows
resulting from the omission of touring orchestras (even those in existence
for many years with extensive c
On 5/28/07, Andrew Stiller <[EMAIL PROTECTED]> wrote:
Sounds absolutely fascinating! Please let us know if and when any
recording is released.
The St Louis concert will be recorded and available for purchase as a
podcast. The Telemann E Major Concerto for the same ensemble of solo
instrument
Ok, ok ... forget for a sec that I cited the SOB. I still aver that
when one finds a vertical aggregate with a fifth or it's inversion in
it, therein lies a discernible tonal center. The last data I heard
relating to this phenomena, from musicological studies world wide,
proposed the th
On 28 May 2007 at 9:01, Christopher Smith wrote:
> Schenker is much maligned (by, among others, you) but like Freud, he
> wasn't so much right or precise as revolutionary. He opened some
> doors and changed the way we (well, I) thought about music. Sure he
> was weak on some things, but I think
On 28 May 2007 at 9:01, Christopher Smith wrote:
> The other weakness that you point out, that he chose his examples
> based on their adherence to his theories and ranked the "masters"
> according to who fit into his analysis the best, well that's just
> stupidity
Did Schenker actually do that
Andrew Stiller wrote:
[snip]
it.* It is still possible, of course, for an American to express disdain
of classical music--but there's no pat expression to do it with anymore.
For many people, simply calling it "classical music" is enough. No need
for a separate pejorative term.
--
David H
At 10:28 AM -0700 5/28/07, Mariposa Symphony Orchestra wrote:
Andrew: I simply do not buy the premise that (and pardon my
simplification of my perception of your premise) if an orchestra
didn't offer regular series of concerts and stay in existence
for.how many years? 10? 20? 100? then it
On May 28, 2007, at 12:46 PM, Andrew Stiller wrote:
On May 28, 2007, at 7:28 AM, Ken Moore wrote:
"Dean M. Estabrook" <[EMAIL PROTECTED]> wrote:
If you have a perfect fifth, or perfect fourth in a vertical
aggregate, you have, according to Schenker, a tonal center present.
That's one
Andrew --
It's not a matter of disingenuousness - or my not comprehending your comment; I
certainly did. This thread arose out of the comments I made regarding
dissemination of serious music in this country in the 19th century.You may
reinvent the criteria for what is and what is not an or
At 11:51 AM 5/28/2007, Bob Shuster wrote:
>I've been trying to no avail to print a score to large (tabloid -
>11x17) paper from Finale. I've tried adjusting the page setup, tried
>all sorts of stuff in the print dialog, tried all sorts of settings
>with my printer - all to no avail.
There are ac
On May 26, 2007, at 6:10 PM, Phil Daley wrote:
At 12:41 PM 5/26/2007, Andrew Stiller wrote:
>IMO the cultural shift has been in the opposite direction. The
>fundamental antipathy among ordinary Americans toward classical music
>has its origins in the country's founding. In the 18th c., almost
On May 28, 2007, at 9:18 AM, Kim Patrick Clow wrote:
If you are attending the Boston Early Music Festival, I would like to
invite you to the world premiere of an edition I've prepared:
Christoph Graupner's Ouverture in A Major for flute d'amore, oboe
d'amore, and viola d'amore, strings and cont
Bob Shuster wrote:
I've been trying to no avail to print a score to large (tabloid - 11x17)
paper from Finale. I've tried adjusting the page setup, tried all sorts
of stuff in the print dialog, tried all sorts of settings with my
printer - all to no avail.
Setup is MacPro (Intel) running OS
On May 28, 2007, at 7:28 AM, Ken Moore wrote:
"Dean M. Estabrook" <[EMAIL PROTECTED]> wrote:
If you have a perfect fifth, or perfect fourth in a vertical
aggregate, you have, according to Schenker, a tonal center present.
That's one authority who carries little weight with me. Schenker w
On May 27, 2007, at 3:00 PM, Mariposa Symphony Orchestra wrote:
I was responding to Andrew's statement that there was no American symphony orchestras in the mid-late 19th c.except for the
NY Phil and Theodore Thomas's touring outfit.> Period! No
exceptions were made for permanency or le
I've been trying to no avail to print a score to large (tabloid -
11x17) paper from Finale. I've tried adjusting the page setup, tried
all sorts of stuff in the print dialog, tried all sorts of settings
with my printer - all to no avail.
Setup is MacPro (Intel) running OS X 10.4.9 & Finale
Good Morning:
If you are attending the Boston Early Music Festival, I would like to
invite you to the world premiere of an edition I've prepared:
Christoph Graupner's Ouverture in A Major for flute d'amore, oboe
d'amore, and viola d'amore, strings and continuo. Concerto Antico will
be performing
On May 28, 2007, at 7:28 AM, Ken Moore wrote:
"Dean M. Estabrook" <[EMAIL PROTECTED]> wrote:
I perceive that there is a hang up on this thread, that we gotta
have a leading tone present to qualify for tonality. Tonality can
also be established by just plain harmonies or single chords. If
At 11:49 PM 5/26/2007, Christopher Smith wrote:
>
>On May 26, 2007, at 5:53 PM, Phil Daley wrote:
>
>> Rock music is non-tonal? That's news to me. Doesn't it do 1-4-5-1?
>
>Not too much of it these days. I guess you don't put on a radio very
>often (not that I blame you for that) but I have a t
"Dean M. Estabrook" <[EMAIL PROTECTED]> wrote:
I perceive that there is a hang up on this thread,
that we gotta have a leading tone present to qualify
for tonality. Tonality can also be established by just
plain harmonies or single chords. If you have a
perfect fifth, or perfect fourth in a
et que tu cliques sur n'importe quel titre, tu
as ensuite pour chaque titre une ou plusieurs
pages en PDF.
oui... pas très intéressant... ça ne donne pas
vraiment d'idée de ce que le logiciel peut faire.
Crissq'ça coule de coolitude!
eh ben, tu l'as, l'affaire! m'a't'montrer n'affaire,
There are few major publishers among the list,
besides the Centre de musique baroque de
Versailles ... On the CMBV's own site, there are
hundreds of sample pages available.
dennis, où as-tu trouvé les exemples? je n'y trouve rien.
--
** upcoming event, CMBV's editions are set with berlioz
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