Randolph Peters wrote:
I don't believe this is a feature, because previous versions didn't
behave this way
Previous versions had _different_ behaviour for single-click and
drag-enclose. The old click method made even less sense, for example
(describing how it used to work in the old Finale v
On Nov 22, 2007, at 12:12 AM, Randolph Peters wrote:
I don't know why I haven't seen this before, but in Finale 2007
(and probably 2008) if you use the macro method to apply
articulations, the articulations get attached to notes in every
layer instead of just the layer you are working on.
On Nov 21, 2007, at 5:57 AM, Christopher Smith wrote:
Barry Manilow (over)uses the previous tonic to become the new
leading tone when he modulates up a semitone, which is widely
considered to be tasteless these days.
Really? That's tasteless? It seems perfectly fine to me. Rather
ordin
Anything I might say about the accidentals question has already been
said by someone ... but am I the only one who was bothered that, in
the measure in question, the music is unevenly spaced? The space
between beat 1 and 2 is distractingly larger than the space between
beat 2 and 3. Distr
On Nov 22, 2007, at 8:01 AM, Mark D Lew wrote:
On Nov 21, 2007, at 5:57 AM, Christopher Smith wrote:
Barry Manilow (over)uses the previous tonic to become the new
leading tone when he modulates up a semitone, which is widely
considered to be tasteless these days.
Really? That's tasteles
The reason the speedy entry frame opens at the second measure form
the left could be that you might have the speed entry frame appearing
automatically when selecting that tool. That can be changed in
Speedy Options. Do you have that set that way? If so, the frame is
automatically appear
Is this bug well known or reproducible on other systems?
it's not a bug, has worked this way for many versions
Not only does this happen in 2007-08 but also 2005-06 and probably
before. It has worked this way for as long as I remember, and yes,
it is a mighty pain in pre-2008 versions.
to
On Nov 22, 2007, at 10:20 AM, shirling & neueweise wrote:
However, in 2008 (I haven't checked 2007) the articulations in the
suppled default files are much smarter, as there is a new setting
to flip them to the correct side when they are applied to layers.
If you are in a jazz or commerci
At 5:01 AM -0800 11/22/07, Mark D Lew wrote:
On Nov 21, 2007, at 5:57 AM, Christopher Smith wrote:
Barry Manilow (over)uses the previous tonic to
become the new leading tone when he modulates
up a semitone, which is widely considered to be
tasteless these days.
Really? That's tasteless? I
Accent always above the note, unless there are two voices, in which
case I would want the auto-note/stem side positioning to kick in. I
can't have it both ways, apparently, unless I use two different
accents, which is what I did BEFORE auto flipping in 2008. So I am
no farther ahead in jazz s
Barry Manilow uses the half-step up modulation on the last chorus in
practically every tune. It's true there's nothing inherently wrong
with that device, but when it becomes a crutch, an easy way to give a
boost to the end of every single tune, it gets real old real fast.
Stevie Wonder ofte
On Nov 22, 2007, at 1:02 PM, Darcy James Argue wrote:
Barry Manilow uses the half-step up modulation on the last chorus
in practically every tune. It's true there's nothing inherently
wrong with that device, but when it becomes a crutch, an easy way
to give a boost to the end of every sing
Randolph Peters wrote:
To elaborate: In the articulation tool, hold down, say, number 1
(staccato for me), draw a box around some notes, including notes in
other layers, and let go. All the notes in all the layers get
staccatos.
Jari Williamsson replied:
...which is AFAIK how it has been sinc
Mark D Lew wrote:
On Nov 21, 2007, at 5:57 AM, Christopher Smith wrote:
Barry Manilow (over)uses the previous tonic to become the new leading
tone when he modulates up a semitone, which is widely considered to be
tasteless these days.
Really? That's tasteless? It seems perfectly fine to me
On Nov 22, 2007, at 12:39 PM, shirling & neueweise wrote:
Accent always above the note, unless there are two voices, in
which case I would want the auto-note/stem side positioning to
kick in. I can't have it both ways, apparently, unless I use two
different accents, which is what I did B
On Nov 22, 2007, at 5:32 AM, Christopher Smith wrote:
Heh, heh! It's overused, and anything overused gets old and by
extension, tasteless.
Well, I'm out of touch with just about every music community now, so
I have no idea what's overdone. I can only judge things in isolation
based on m
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