Thanx, Thomas
I might have set speedy tool to open automatically when selected.
If so, I can understand the reason of the trouble.
I will try later at home (because engaged in job with any relation
with Finale).
Thank you again.
>The reason the speedy entry frame opens at the second measure form
> From: [EMAIL PROTECTED]
> Reply-To: finale@shsu.edu
> Date: Tue, 27 Nov 2007 12:00:29 -0600
> To: finale@shsu.edu
> Subject: Finale Digest, Vol 52, Issue 30
>
> How about the "rolled up sheet music in the bell of the bassoon" low
> A? I've seen it on saxophone as well, though it doesn't work as
On Tue, November 27, 2007 10:42 pm, Chuck Israels wrote:
> I'd write Jim Bruce - head of customer support.
It's not customer support that matters; they can say anything in an
attempt to placate restless customers. They can say anything to the CEO,
too. But getting the attention of top-level office
I'd write Jim Bruce - head of customer support.
[EMAIL PROTECTED]
It's his job to be responsive.
BTW, the file finally gave in to the spinning beach ball of death,
but I have a (badly formatted, but legible) pdf made just before the
ultimate crash, and I am going to assign the student who f
On Tue, November 27, 2007 7:56 pm, [EMAIL PROTECTED] wrote:
> There's another factor at work here: in all matters that could conceivably
> be
> construed as being conflictual in some way, no matter how tangentially,
> now
> or at some point in the infinite future, *all* attorneys will always tell
>
In a message dated 11/27/2007 2:38:36 PM Pacific Standard Time,
[EMAIL PROTECTED] writes:
> On Tue, November 27, 2007 2:29 pm, Jari Williamsson wrote:
> >Just curious: how can you tell that it was ignored?
>
> No answer at all after seven weeks, for starters.
>
> None of the remarks visibly add
Ah, thanks. That sounds excellent ... you'll never be able to deal
with a "small" screen again. Congrats.
Dean
On Nov 26, 2007, at 9:16 PM, Chuck Israels wrote:
Hi Dean,
Nearly $1700 with an academic discount. There are refurbished ones
on Apple's site from time to time for a few dollars
On Tue, November 27, 2007 2:29 pm, Jari Williamsson wrote:
> Just curious: how can you tell that it was ignored?
No answer at all after seven weeks, for starters.
None of the remarks visibly addressed, including putting an active Finale
person on this list.
But not answering a letter addressed t
In the past, MakeMusic has often released a Finale update in
December. Since we are getting close to that time, I was wondering if
I would do better if I put my hopes in something with more potential,
such as Godot, or the Chicago Cubs.
"It's not the despair, Laura. I can take the despair. It'
Dennis Bathory-Kitsz wrote:
Speaking of bugs, my lovely letter on lovely bond paper with a lovely
stamp and lovely envelope to the CEO of MakeMusic on October 6th was met
with the exact reaction predicted on this list: It was completely ignored.
Just curious: how can you tell that it was ignor
Wow. A first. I'm stunned. I gotta lie down now.
J D Thomas
ThomaStudios
On Nov 27, 2007, at 11:33 AM, Jari Williamsson wrote:
ThomaStudios wrote:
Beware, all you're probably going to get is "we couldn't reproduce
the problem here..."
If you had followed the thread just a few weeks ag
Whoops -- forgot to add that when you create your tuplet, you'll want
to set the number and bracket to not show.
Aaron.
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ThomaStudios wrote:
Beware, all you're probably going to get is "we couldn't reproduce the
problem here..."
If you had followed the thread just a few weeks ago, you'd know that
they have been able to reproduce the problem.
Best regards,
Jari Williamsson
Martin Banner wrote:
In 4/4 time, in a piano part, I want to have two 1/2 note tremolos
(beats 1 and 2, between g and d, and beats 3 and 4, between c and a).
How do I create two eighth notes tied, but without the blackened in
notes, so they each last two beats each? Would I be better off visual
I've been a professional musician since 1964, playing and arranging/
composing.
i adapt my work to suit who I I am arranging/composing for.
In this case 1 pro and 2 amateur tpts. and , as I said, this is
virtually a sight reading job.
Being a sax/ flt. / clt player i know that saxes are happ
Follow these steps for creating a 1/2 note tremolo:
1) enter two 32nd notes with beams describing the trill. (i.e. between e and
g)
2) make them a tuplet (two 32 notes in the space of two quarters) without
bracket or number showing
3) change the black note heads to half note heads
4) if you wan
At 10:21 AM 11/27/2007, Martin Banner wrote:
>In 4/4 time, in a piano part, I want to have two 1/2 note tremolos
>(beats 1 and 2, between g and d, and beats 3 and 4, between c and a).
>How do I create two eighth notes tied, but without the blackened in
>notes, so they each last two beats each? Wou
Martin,
I thought one did this (at least in the old days, before TG Tools
made it easier), by entering 4 half notes in the measure (the g-d
pair and the c-a pair) allowing extra beats in the measure and
selecting "distribute notes evenly across the measure" in Measure
Attributes. Then th
There is the Heimlich method of double high Bb on trombone, which
is also hard on the teeth...
8-)
Christopher
The trombonist's teeth, or the listener's?
Chuck
Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com
In 4/4 time, in a piano part, I want to have two 1/2 note tremolos
(beats 1 and 2, between g and d, and beats 3 and 4, between c and a).
How do I create two eighth notes tied, but without the blackened in
notes, so they each last two beats each? Would I be better off visually
if I do two 32nd n
On 27-Nov-07, at 11:27 AM, John Howell wrote:
At 3:01 AM -0500 11/27/07, Darcy James Argue wrote:
I actually call for that bell-on-leg low-A on soprano on one of my
pieces. It's maybe a little harder on soprano but with practice
it's eminently doable.
Maybe so, but like the high F# on rec
At 3:01 AM -0500 11/27/07, Darcy James Argue wrote:
I actually call for that bell-on-leg low-A on soprano on one of my
pieces. It's maybe a little harder on soprano but with practice it's
eminently doable.
Maybe so, but like the high F# on recorder in Brandenburg 4, you have
to be careful of
At 7:46 AM + 11/27/07, Stan Lord wrote:
I am under the impression that trumpets would prefer flats.
Like other urban legends of this kind (strings prefer sharps; flutes
can't play in multiple flats; don't use the lowest notes on a sax or
oboe) this kind of impression applies strongly to
On Tue, November 27, 2007 6:55 am, Christopher Smith wrote:
> Dennis B.K. had another post on the subject that I thought I kept,
> but I can't find it. He had a intermediate step that saved some
> material and seemed more secure, but it is lost now. Dennis?
I have used several desperate measures o
Beware, all you're probably going to get is "we couldn't reproduce
the problem here..."
I guess my cynicism is showing, eh?
J D Thomas
ThomaStudios
On Nov 27, 2007, at 3:57 AM, Christopher Smith wrote:
Could you send this file on to MakeMusic?
Christopher Smith wrote:
Could you send this file on to MakeMusic?
Dennis already have done so.
Best regards,
Jari Williamsson
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On Nov 27, 2007, at 6:48 AM, Jari Williamsson wrote:
Johannes Gebauer wrote:
I haven't had a chance to check this, but I just had an occurrence
of the problem where suddenly certain measures won't space
correctly, they don't seem to get a beat chart. In this particular
case the measure ha
On Nov 27, 2007, at 12:24 AM, Chuck Israels wrote:
Hello all,
I seem to remember that there was some advice (maybe from
Chistopher) about dealing with corrupted files. I am working on a
piece that has been entered into one of my templates (template OK
to start with) from another person'
Johannes Gebauer wrote:
I haven't had a chance to check this, but I just had an occurrence of
the problem where suddenly certain measures won't space correctly, they
don't seem to get a beat chart. In this particular case the measure had
previously been a mm-rest. Although the music did display
On Nov 27, 2007, at 2:46 AM, Stan Lord wrote:
Thank you all for your replies. Due to time constraint I have not
investigated yet.
I am under the impression that trumpets would prefer flats. The
piece will be rehearsed twice, then the performance later ( ie.
Wednesday 28th)
so I wan
keith wrote:
Recent thread re piccolo range prompted local discussion on saxes.
Most modern bari saxes now have low A as standard, but what about sopranos,
altos and tenors?
A friend of mine, nice alto player and fair soprano player, is currently
bemoaning the lack of low A on her sopra
I haven't had a chance to check this, but I just had an occurrence of
the problem where suddenly certain measures won't space correctly, they
don't seem to get a beat chart. In this particular case the measure had
previously been a mm-rest. Although the music did display in page view,
it seems
You are a cruel man ;-)
Darcy James Argue wrote:
I actually call for that bell-on-leg low-A on soprano on one of my
pieces. It's maybe a little harder on soprano but with practice it's
eminently doable.
___
Finale mailing list
Finale@shsu.edu
http
I actually call for that bell-on-leg low-A on soprano on one of my
pieces. It's maybe a little harder on soprano but with practice it's
eminently doable.
Cheers,
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 27 Nov 2007, at 2:52 AM, Eric Dannewitz wrote:
If she really wants the low A t
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