Why do you need to replace quickeys, it works great.
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r the moment. Does anyone have any insight into why
this is the case, and perhaps how to work around it?
Kind regards,
Simon Troup.
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bout mid 2005 I consider every year a bonus :)
Simon
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Does anyone know how you set a preset for the time signature contextual
menu?
I've got a time signature pattern that I need to use over and over again
that isn't in there 7/8 (4+3) then 7/8 (4+3) then 2/8. It would be really
handy to have 7/8 (4+3) in that list.
Kind regards,
S
Something to do with:
http://www.telerik.com/
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No Problem David.
Problem solved, they have a 30 day trial of the new version!
Music XML export from Sibelius to Finale is actually saving me time these
days - who'd have thought. Previously it has been absolutely tragic for tab.
Simon
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They're on tour and can't access the files for a week.
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Kind regards,
Simon Troup
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I used to get symptoms like this occasionally when I switched to a much
lighter grade of paper. Have you changed your paper stock recently?
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ve forgotten what to do to revert back in the
event you run into problems.
Simon Troup
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Doesn't look like it.
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If you open it in illustrator, does it have an enormous amount of tracking
set to it?
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Hi Barbara
Try the ellipsis (alt-semicolon on mac). That's what I see when I try to
edit that font.
Simon
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Hey Allen
yeah the code seems to need an ellipsis (alt+colon) to call the menu
"Tranpose...". Took me a while even to figure out that particular piece of
voodoo!
Simon
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VAT Reg
Hi Jan
thanks for the input, those sort of commands don't appear to work on the
mac otherwise that would be a good workaround in my situation.
Simon
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*&q
;Utilities/Transpose…"
click radio "Up"
click radio "Diatonically"
pop-up "second"
press "ok"
//
So far everything works up until click radio "up", which doesn't trigger.
Thanks for reading (if you got this far!).
Simon
I presume this is someone's side project, someone making an app from out of
copyright classical music, something like Project Gutenberg for example.
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*&q
Sorry, that was my advice. I would try to agree to trial a small piece of
the work first on a fixed budget hourly rate so that both parties could see
what they're getting, and how long it would take, before committing to
anything larger.
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You'd have to contact the guy for more info before you could possibly quote
for that work.
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*"If you can twang it, we can engrave it. Seriously, we can
e odd!) contact <
taxavoi...@wanadoo.fr>. I should add that this is a query that came out of
the blue, and not someone I've ever worked for.
Simon Troup
-
Dear Sirs,
Would you please build up an estimate for some of my clients.
They are aiming at converting into optical mus
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re
for it so many
times, and I'm super-glad that it's still with us.
Of course there remains much to do, I'm not ignoring that, but I'm
heartened by the new message and the presence of some familiar team
members. I think your analogy sums it up very well Giovanni.
Very please to see Michael Johnson's name in that list.
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*This
Not generally a Mac thing. I just updated to Mac Fin 2014d today on OSX
10.9.5 without any issues. First impressions are that it seems faster.
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*"If you can
On 28 November 2014 at 11:35, Steve Parker wrote:
> Music is not an extreme sport where the ‘real men’ don’t use safety kit…..
Well said that man!
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*&quo
erspective
it's the perfect lightweight audio editor, and replaced audacity.
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I'd be tempted at $500, that sounds a lot more reasonable.
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On 15 October 2014 22:40, Lee Actor wrote:
> Herman Miller Aeron
900 quid for a chair! I'd expect a hover chair for that kind of money...
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*"If
It is interesting, although overall I thought it looked very conservative.
Is that a reflection of the radio station?
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*"If you can twang it, we can e
Nothing wrong with a good beginners book - writing them is quite an art
demanding an empathy for how things are experienced by someone without any
of the advantages of your own experience.
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I've been informed the publisher now has sufficient interest.
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Damn Jef, you turned it into a thread... lol
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if it's
about finale I'd rather it was a credit to our community.
Simon
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.com and I'll put you in
touch.
Simon Troup
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a musicXML file to save alongside everything else, but that's not
my speciality - just trying to think how you might best future proof
everything.
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*"If
By which you are confirming ongoing development of Finale?
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*This emai
Clearly, unless it's even more insidious than that, 85%, tenor clef, sharp
key sigs...
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Sorry just noticed your comment about 85%, curiously I'm working at a staff
reduction of 85% too, I wonder if this is a voodoo number responsible for a
bug under various conditions. Then again, it could just be a coincidence -
enormous conspiracy theories start this way...
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file where selecting the contextual menu using
the handle on the TOP stave in the group would work but none of the others
would, trying to issue the "Hide empty staves" command from any other
handle would fail. Or maybe there are certain conditions related to this
that I'm not familiar with?!
Hi Richard
Strangely enough I had something very similar about 20 minutes ago, and was
able to do it only by clicking on the top handle of the group. Are you
clicking on the lowest handle in the group that you are trying to hide? Not
seen this before today.
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http
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re
Haven't seen the Halstan one before, fascinating.
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Lol, Christopher, yes, the "Window Of Shame".
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I think all that's required is an "Horizontal offset for chords with
alterations" setting.
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*"If you can twang it, we can engrave it. Serious
for those I use most
often. You'll probably find my posts about it in the Finale forums by
searching for "Chord Suffix Kerning" or similar. Then again, maybe this has
been updated, or there's a better way to do it, so I'm very interested to
see what anyone else has to say a
Thanks everyone. A kind soul has provided me with everything I need.
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*T
place any characters used with something more
appropriate.
Regards
Simon Troup
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*"If you can twang it, we can engrave it. Seriously, we can. No... really!"*
You can't do this in snow leopard (see
http://kb2.adobe.com/cps/509/cpsid_50981.html), but in leopard you
should be able to set your default printer to Adobe PDF (if you have
acrobat) then use a finalescript batch print to just print an entire
file or all open documents.
On 13 August 2011 01:23, R
arge bounding box that is
front of the element you are trying to select, may be selected
instead.
Furthermore, finale EPS files have all their objects grouped, so you
will have to select an item and then OBJECT > UNGROUP so that you can
work with each element.
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Digital Music Art
n see why this has to be done.
If anyone knows what has become of Jari, or how I may contact him (as
email does not seem to be getting through) I would be grateful if you
would contact me off list.
Regards
Simon Troup
Digital Music Art
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350 each, you can get far cheaper if you don't
need the HiRes. Anyone thinking of going for rotation would do well to
put them on a shortlist.
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Digital Music Art
Chat with other Finale users at finaleirc.com
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he music with new text?
When I was working for Music Sales (one of largest music publishers in
Europe) their popular music folios had a maximum of 3 lines of lyrics
before the rest were dumped out to "Block Lyrics". That seems to work
well for repetitive pop mu
rit in many of your
posts, the tone of many is totally inexcusable. You sometimes defend
your right to be so rude by saying that people can filter you -
personally I think you should start filtering yourself by moderating
your behaviour to something approaching common decency.
--
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Dig
e this was a joke, I put it down to "TMI" for a
while. I think it's because I'm not used to seeing that sort of thing
posted in here.
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Digital Music Art
Real-time Finale discussion - http://www.finaleirc.com
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acs. While the company did not give a firm date for the
>> release of the update, they did say that Finale is typically
>> updated on an annual basis. The most recent version of Finale was
>> released on July 25, 2005.
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Digital Music Art
Real-time Finale
lt of all the very closely knit
clustering.
It would be interesting to get an official response as to why this is
the case.
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ion that
would provide this?
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orking on it" then I don't know what is.
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umber from 1 to
>2, and the down-arrow to lower it from 1 to 0.
I don't have a problem with it, I just always click the wrong arrow once
at the beginning of each edit (not using it everyday). I was just
wondering if it's one of those things that no-one ever complained about
bec
t, and that should be at the top - it is back to front.
I understand your idea of higher numbered blocks, but I'm struggling to
think of any real world analogies where it's actually used, and it's use
in Finale is very much the exception to the rule.
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Digital Music Art
statement, but I can
>tell you this. We've been researching it and exploring it, and the
>initial experiments are looking promising. You can expect a more
>official statement from Bill in the future.
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Digital Music Art
Real-time Finale discus
out 3 or
4 EVPU our of alignment vertically which is annoying, it's a taste thing
but prehaps it'll work for you.
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x27;s the way it feels it ought to be whenever I'm in there!
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re and it's
good for the archive, but I don't have a great deal of time at the
moment to go into step by step explanations (big project on!) but you're
welcome to pick my brains on stuff like this if I'm about.
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Real-time Finale discussion - htt
blishes with me to turn off
>engraver slurs before beginning their work.
I don't use them, I like to use my own judegement about what looks good
in a given situation, and most of the time the best starting point seems
to be with engraver slurs off.
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Digital Music Art
nale Cut Pro or Logic.
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lution in the manual only to find, when a solution has ben pointed
out here, that I'm looking for the wrong terms or expressions.
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learning curve.
Finale's greatest weaknesses IMHO are it's learning curve (being
addressed), it's failure to address known issues and, partly as result
of its own depth, a complex GUI and myriad of finicky (and much needed!)
preferences that utterly bamboozle new users.
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>If you're on Mac, then I have no clue and hopefully Mac users will jump
>in and help.
I'm on Mac 2006b and I see both those buttons.
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tor does have that Finale doesn't is a really good
scriptable export suite. I run my EPS files through Illustrator using an
AppleScript adapted from one found in "Adobe Illustrator Scripting" by
Ethan Wilde. You can do a similar thing in Windows using VBScript IIRC.
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>One more question: is there any way to import certain of my old macros into
>this new version of QuicKeys (X3)?
I doubt it, but You could try sending one over and I'll see what happens
- just don't send any "erase entire hard drive" macros :)
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Digital M
X1 was shaky, it
was the CE team simply trying to release something that worked and keep
themselves in business IMHO, but that's all in the past, X2 and X3 I've
found invaluable, like many, I get a massive productivity boost from the
simple shortcuts, and in particular from lengthy multi-step
er two menus.
None of my usual tricks seems to work here, does anyone else get the
same thing? Does anyone have a solution?
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t;to have slipped through.
About the installer problem.
The symptom was loss of preferences if I remember. Now, most beta
testers will test in a fresh install, not in their regular account,
NOD's are full of disclaimers against data loss. Just goes to show the
testers aren't all n
th no lines - which is blank
>space if you put nothing in it or hide things in it. >>
>
>That is exactly what I meant. I just tried it and it worked perfectly.
>Thank you very much!
You're very welcome. I use them all the time if the coda is just a
couple of bars, to me they&
h no lines - which is blank
space if you put nothing in it or hide things in it.
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>Wouldn't it be nice, when you made an enharmonic change (using "9") in
>speedy entry, if Finale could remember that preference for at least the
>rest of the measure?
>
>- Bob
Excellent idea from my perspective. Maybe an option.
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Digital Music Ar
happens and I am at the end of the document.
>I try somewhere else: after clicking on a measure to change the time
>sign, the change is applied two measure later.
>Strange, isn't it?
Hi Eric
Can't reproduce that here at all.
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>test
Works
Quiet isn't it!
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>> It's not a 'government service', but a public limited company whose
>> majority owner is the British Government.
>
>It's called the "Royal Mail" and it's not considered a government
>service?
You're right, I can probably rename my
"government services", from passports
>to self-service photocopies in libraries, that aren't free.
.. exactly, after all, we have to pay for the privelege of posty leaving
our parcels in the wheelie bin when you're out, now why is it posty
thinks that's a good hid
t postcodes in the UK
cover about a dozen houses only.
If you have a specific address I think you can look up its postcode at
<http://www.royalmail.com/>
Hope that's a starter at least!
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Digital Music Art
Real-time Finale
-drag and constrain
it's movement with shift.
Both are a bit of a kludge, there ought to be a way to move a note up or
down diatonically. Of course this is where someone tells me how to do it
and I die of embarrassment.
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ason I don't think that setting always gets it right?!
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>As to the point above, tho, I find it hard to believe. 1st-gen. iMacs
>were the first to have no floppy drive. If they can't burn data to a
>CD, then they can't copy to removable media at all!
My First gen imac didn't burn, and it wasn't one of the first off the
>>Simon Troup écrit:
>>>My s/h HP 5SI MX came with a duplexer and it works great, I've done
>>>loads of double sided copies with no problems.
>>
>>What kind of A3 paper do you use?
>>
>>Dennis
>
>I'm just using generic Logic 300 80g
>Simon Troup écrit:
>>My s/h HP 5SI MX came with a duplexer and it works great, I've done
>>loads of double sided copies with no problems.
>
>What kind of A3 paper do you use?
>
>Dennis
I'm just using generic Logic 300 80gsm for proofing of 12 x 9 concert
size
ough,
so, working from home, I try not to use it at night!
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re
>official statement from Bill in the future.
>
>--Allen
Allen,
thanks, that's really very much appreciated, and very comforting to
hear. To be honest, I wasn't expecting you to answer, but it's great
that you did!
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Digital Music Art
Real-tim
>Yep. It's a great way to get a "clean machine" to test out a
>configuration problem...
Allan! You can't just drop in and answer THAT bit of the thread?! :)
How's MacIntelFin coming along?
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>I used to know how to enlarge and make "bold" the numbers in 1st and 2nd
>time bars.
Hi Keith
In 2005b it's ...
Options > Document Options > Fonts > Text > Ending Repeat
... sorry don't have 2001 to hand.
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worth the extra cash?
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wo about the simple beauty of MacOS, maybe it's not the
fastest or most tweakable system, but it sure is slick!).
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ke an argument to pretend that one day it might, as I doubt it
ever will.
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>I
>can accept cost as an objection, but not disc space, and not the
>nebulous objection quoted above.
Nebulous objection?
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l anti-windows, I've used it in the past. What I'm
definitely against though is the hassle of running 2 OS or 2 OS and an
emulator.
--
Simon Troup
Digital Music Art
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and made me wonder if
MacOS could be issued as a 30 day trial that worked on any x86 machine,
but if you wanted to use it beyond that you'd have to buy Mac hardware.
--
Simon Troup
Digital Music Art
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htt
t;
>> I was not talking about the Windows emulation here, I was talking
>> about Rosetta. We already know that Rosetta will not be fully
>> compatible. Apple announced that Rosetta will emulate a G3. I have
>> software, particularly Altvierb, which has been announced to no
>
... layout, paper handling and paper feed are the main ones you need to
look at, and can quite easily override settings that you may have made
elsewhere.
--
Simon Troup
Digital Music Art
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ct - users could drop the product
as they see no future in it, when a speedy announcement clarifying the
fact that they're busy squirrelling away on a port would in fact create
a buzz of excitement ...
--
Simon Troup
Digital Music Art
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