On Jun 24, 2006, at 8:50 PM, Darcy James Argue wrote:
Right -- F6/9#11) is the most concise non-compound chord notation.
Hi, Everyone... I just have one more question about this chord! I'm
just curious why it wouldn't be referred to as an F2/6(#4) or F2/
#4/6...?
Thanks!
Jacki
On Jun 26, 2006, at 8:14 PM, Jacki Barineau wrote:
On Jun 24, 2006, at 8:50 PM, Darcy James Argue wrote:
Right -- F6/9#11) is the most concise non-compound chord notation.
Hi, Everyone... I just have one more question about this chord! I'm
just curious why it wouldn't be referred to as
On Jun 26, 2006, at 8:47 PM, Christopher Smith wrote:
The short answer: just because. (shrug)
LOL - makes sense :)
Okay - next problem! I'm trying to put F6/9(#11) above the staff,
but it keeps changing it to F6/E!! I made sure simplify spelling
is off and I even went in to edit the
Jacki Barineau wrote:
On Jun 26, 2006, at 8:47 PM, Christopher Smith wrote:
The short answer: just because. (shrug)
LOL - makes sense :)
Okay - next problem! I'm trying to put F6/9(#11) above the staff, but
it keeps changing it to F6/E!! I made sure simplify spelling is off
and I
On Jun 26, 2006, at 9:42 PM, Jacki Barineau wrote:
On Jun 26, 2006, at 8:47 PM, Christopher Smith wrote:
The short answer: just because. (shrug)
LOL - makes sense :)
Okay - next problem! I'm trying to put F6/9(#11) above the staff, but
it keeps changing it to F6/E!! I made sure
Thanks! That worked great - though tedius :)
On Jun 26, 2006, at 10:04 PM, Christopher Smith wrote:
On Jun 26, 2006, at 9:42 PM, Jacki Barineau wrote:
On Jun 26, 2006, at 8:47 PM, Christopher Smith wrote:
The short answer: just because. (shrug)
LOL - makes sense :)
Okay - next
Jacki Barineau / 2006/06/26 / 08:14 PM wrote:
Hi, Everyone... I just have one more question about this chord! I'm
just curious why it wouldn't be referred to as an F2/6(#4) or F2/
#4/6...?
Sorry, but it is _not_ just because. There are reasons. In fact,
theory is to pick the best
Jacki Barineau / 2006/06/24 / 09:54 PM wrote:
Thanks, Everyone, for the responses! I'm learning a lot here! Okay,
so which would be better to use - the compound GoverF or the
F6/9#11 - I mean which would a musician understand better, and which
would be the music theory correct way of
At 10:19 PM -0400 6/24/06, Darcy James Argue wrote:
If the specific triadic G-over-F voicing is crucial, and it's above
slash marks, G-over-F is your best bet. If the precise arrangement
of notes in the voicing can be left to the discretion of the player,
or if it's just a label above a piano
At 3:07 AM -0500 6/25/06, Dennis W. Manasco wrote:
Specifying the target instrument and musical genre
Oops -- meant to erase the musical genre part before I sent. That
should have been pretty evident from the subject line.
Sorry,
-=-Dennis
___
Jacki Barineau wrote:
On Jun 24, 2006, at 8:50 PM, Darcy James Argue wrote:
Right -- F6/9#11) is the most concise non-compound chord notation.
Thanks, Everyone, for the responses! I'm learning a lot here! Okay, so
which would be better to use - the compound GoverF or the F6/9#11 - I
On Jun 25, 2006, at 4:07 AM, Dennis W. Manasco wrote:
At 10:19 PM -0400 6/24/06, Darcy James Argue wrote:
If the specific triadic G-over-F voicing is crucial, and it's above
slash marks, G-over-F is your best bet. If the precise arrangement of
notes in the voicing can be left to the
On Jun 24, 2006, at 10:19 PM, Darcy James Argue wrote:
Both are correct. What you write depends on the context: is this
chord symbol just a label above a fully written-out piano part, or
is it above slash marks?
If the specific triadic G-over-F voicing is crucial, and it's above
slash
On Jun 25, 2006, at 4:07 AM, Dennis W. Manasco wrote:
I think that most keyboard players (of which I am minimally one)
would recognize either notation, but would assume that you were
asking specifically for a particular voicing (F chord in the bass
and G chord in the treble) with the
Hi, Everyone!
Okay - I've got another jazz chord I'm trying to figure out. It's
basically a G chord in the treble (G-B-D) with an F chord in the bass
(F-A-C). Is this some sort of F13#4? Or what would you call this?!
It definitely has the F flavor to it. It is in the key of G (Em)
F13#11
Jerry
On 24-Jun-06, at 5:37 PM, Jacki Barineau wrote:
Hi, Everyone!
Okay - I've got another jazz chord I'm trying to figure out. It's
basically a G chord in the treble (G-B-D) with an F chord in the bass
(F-A-C). Is this some sort of F13#4? Or what would you call this?!
It
It's functionally a FMA13(#11), with the major seventh omitted from
the voicing. You didn't say what key the piece is in, but it's
probably a I or IV chord.
The clearest nomenclature is a compound chord:
G
—
F
(Make sure you have under root selected in Finale.)
You could also write
No, Jerry. There's no Eb, so there's no way it can function as a
dominant 13th chord. Plus, it resolves right into a straight FMA7,
meaning the extensions (9, #11, 13) are just decorating the FMA7
sonority.
- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
Brooklyn, NY
On
On 24 Jun 2006, at 5:51 PM, Darcy James Argue wrote:
It's functionally a FMA13(#11), with the major seventh omitted from
the voicing. You didn't say what key the piece is in, but it's
probably a I or IV chord.
Ooops... I notice you *did* say the piece was in either G maj. or E
min. So
F13#11
Jerry
In an F13#11, would you net an E flat in the chord. The chord in
question is an G triad over an F triad.
Bob Florence
On 24-Jun-06, at 5:37 PM, Jacki Barineau wrote:
Hi, Everyone!
Okay - I've got another jazz chord I'm trying to figure out. It's
basically a G chord in
Or F6/9(#11) is another pretty common symbol for that chord.
Definitely not F13(#11), as it is missing the essential Eb.
Christopher
On Jun 24, 2006, at 5:51 PM, Darcy James Argue wrote:
It's functionally a FMA13(#11), with the major seventh omitted from
the voicing. You didn't say what
Right -- F6/9#11) is the most concise non-compound chord notation.
- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
Brooklyn, NY
On 24 Jun 2006, at 8:07 PM, Christopher Smith wrote:
Or F6/9(#11) is another pretty common symbol for that chord.
Definitely not F13(#11), as it
On Jun 24, 2006, at 8:50 PM, Darcy James Argue wrote:
Right -- F6/9#11) is the most concise non-compound chord notation.
Thanks, Everyone, for the responses! I'm learning a lot here! Okay,
so which would be better to use - the compound GoverF or the
F6/9#11 - I mean which would a
Jackie,
Both are correct. What you write depends on the context: is this
chord symbol just a label above a fully written-out piano part, or is
it above slash marks?
If the specific triadic G-over-F voicing is crucial, and it's above
slash marks, G-over-F is your best bet. If the precise
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