Darcy James Argue wrote:
I think Apple's already happy with the (primitive) notation capabilities
in GarageBand. It is what it is.
Where MakeMusic and Apple could *really* help each other would be in
improving the notation capabilities in Logic. Now that Avid owns
Sibelius, MM needs to develo
Darcy ... I didn't catch it in the tutorial, does it explain how to
save the presets on the Ambiance Reverb?
Dean
On Feb 22, 2007, at 11:46 PM, Darcy James Argue wrote:
Hi Johannes,
The default Mixer setting is determined by Finale. I believe it
used to be lower when using GPO instrument
I answered my own question--deadlines do that!
In 2007, I exported to MusicXML. In 2006, I re-created the meter
structure of the piece in a new document and imported the XML into
another new 2006 document. In 2006 I used the Mass Mover to drag the
parts to the appropriate staves from the XML docu
Second that ... the tutorial has saved me many hours of work. I find
that the master volume on the mixer works best at no more than about
64.
Dean
On Feb 22, 2007, at 7:58 PM, Darcy James Argue wrote:
Hi Leigh,
In both Finale 2006 and 2007, there is a Mixer (Window -> Mixer),
where you
bject: Re: [Finale] FinMac 2007c Playback Level Too High
Please: can we all arrange to have a sit down meeting with Gary,
whomever
is the power at MakeMusic, and a rep from NI and testify to what is
need
to propel this method of composing and creating "digital
realizations" to
the
They are well aware of the issue on both sides.
From: [EMAIL PROTECTED]
Sent: Fri 23-Feb-07 9:49
To: finale@shsu.edu
Subject: Re: [Finale] FinMac 2007c Playback Level Too High
Please: can we all arrange to have a sit down meeting with Gary, whomever
is the power at MakeMusic, and a rep from
I never took 2K6 off the machine, and I didn't uninstall 2K7 as I intend
to start installing the revs until I can get it to work well, but there's
no way to rescue your 2K7 docs and get them to open in Fin 2K6, as far as
I know. I don't think saving in 2K7 as an ETF file will work either.
Anyone ha
Johannes: I have to agree; it was a unenlightened suggestion; as you say,
more living room stuff is not what's needed, but a serious professional
high end FUNCTIONING system would be brilliant and without equal.
> On 23.02.2007 [EMAIL PROTECTED] wrote:
>> (I already told MakeMusic they should star
Darcy,
Thanks for the reminder about the Mixer window and your tutorial. It's
clearly time to re-read it. Pulling down the Master did the trick.
Vern,
Your suggestions were also helpful. I'm not going for total realism,
just renderings of sketches for myself and my musicians.
I was very glad to
On 23.02.2007 [EMAIL PROTECTED] wrote:
(I already told MakeMusic they should start a partnership with
Apple to provide a notation interface for GarageBand and increase the
Finale user base by zillions. This would also challenge Garritan & NI to
work harder with MM to stay in the game.)
I reall
I think Apple's already happy with the (primitive) notation
capabilities in GarageBand. It is what it is.
Where MakeMusic and Apple could *really* help each other would be in
improving the notation capabilities in Logic. Now that Avid owns
Sibelius, MM needs to develop similar partnerships.
Please: can we all arrange to have a sit down meeting with Gary, whomever
is the power at MakeMusic, and a rep from NI and testify to what is need
to propel this method of composing and creating "digital realizations" to
the absolute top of the mountain? The potential is astounding, and much
can be
As I have been doing almost nothing with Finale for the past year but
trying to get a handle on the Garritan/Finale experience, here's my take.
(Yes; there is a master fader on the Mixer; see under the View menu) A lot
of the problem I found with balance and levels is in the creation of the
Finale
On 23 Feb 2007, at 6:14 AM, dhbailey wrote:
Another way I have found to prevent clipping in GPO is to simply
lower the output volume on my soundcard by using the speaker icon
in the systray. It's always visible and easy to adjust.
That's not generally an effective way to solve the problem.
Darcy James Argue wrote:
[snip]>
However, this is one area where Finale is actually currently much better
than Sibelius. It would be nice to see MM try to widen their lead in the
areas where they have a lead, rather than always trying to play catch-up.
[snip]
Yes, indeed. GPO for Sibelius is
Hi Johannes,
I basically agree, and this is something I've been trying to impress
upon Tom and Gary. But their vision of the typical GPO customer is
very different from yours and mine. The library is beloved by
sequencer-based tweakers because it's inexpensive and highly
customizable. At
On 23.02.2007 Darcy James Argue wrote:
The default Mixer setting is determined by Finale. I believe it used to be lower when
using GPO instruments (in Fin2006a and up), but for some reason it got set back to
"101" again for Finale 2007, which is much too high. Strictly speaking, this is
a Fina
Hi Johannes,
The default Mixer setting is determined by Finale. I believe it used
to be lower when using GPO instruments (in Fin2006a and up), but for
some reason it got set back to "101" again for Finale 2007, which is
much too high. Strictly speaking, this is a Finale problem, not a
Gar
On 23.02.2007 Darcy James Argue wrote:
In both Finale 2006 and 2007, there is a Mixer (Window -> Mixer), where you can
(and should) reduce the Master volume so GPO doesn't clip.
Just a friendly reminder that this is one of the tips I give in my Garritan Instruments
tutorial, called "GPOHP Tuto
Hi Leigh,
In both Finale 2006 and 2007, there is a Mixer (Window -> Mixer),
where you can (and should) reduce the Master volume so GPO doesn't clip.
Just a friendly reminder that this is one of the tips I give in my
Garritan Instruments tutorial, called "GPOHP Tutorial
Supplement.pdf", an
Hello All,
I've got a piece using the viola from full GPO and trombone, bass and
piano from JABB. When I play back the piece, the sections where the
music is the loundest (the viola and trombone are fff), the result is
too loud and I get clipping distortion.
Is there anything like a master fader
21 matches
Mail list logo
