On 21/11/06, Cesar Penagos <[EMAIL PROTECTED]> wrote:
Hi Lilyponders!
I wan to advice you that is an excellent video of the art of manual
engraving in You Toube; you have to take a look of this excellent work.
You can see it, at:
http://youtube.com/watch?v=Q8adEIMzbso
Note the second comm
I may participate a bit if a project is started and there is no software
difficulty (I do not own my own PC, I work with Windows+Cygwin, I am not
administrator and I do not fully control the firewall...).
Fred
Jean-marc LEGRAND a écrit :
Hi all !
Two years have passed, and I'm still wonde
You need a TeX installation and on top of that you need a fresh version
of texinfo, to be able to get the HTML
version. However, it's probably tricky to process the documentation
using the Makefiles in the LilyPond source
code directory structure, without building also the software
(which involv
Are you sure that the example worked in version 2.8?
I tried to process the code you sent with 2.8 and got an error message saying
ERROR: Unbound variable: trillflat
so I guess that it's only the error message that has changed.
Another option is that you had a line with something like
trillflat
In addition to the answers you have already received, it should be
noted that this instruction in the manual is obsolete for version
2.10. A better way to access a Unicode character by number is
\markup \char ##x2014
/Mats
Quoting Johan Vromans <[EMAIL PROTECTED]>:
Hi,
According to the doc
[Quoting Mats Bengtsson, on November 20 2006, 12:01, in "Re: Beaming strategy"]
> If you look into printed scores from your bookshelf, I wouldn't
> be surprised if you found that they mostly use the same typesetting
> practice as LilyPond does.
>From my bookshelf, I estimate 2/3 of the books are
Am 20. November 2006, 11:50 Uhr (-0600) schrieb Trevor Bača:
>
> Additionally, as of the 2.9 series there's a \newSpacingSection
> command available that might be useful if the spacing characteristics
> of the piece change for a define period of time. The 2.10 NEWS file
> gives an example.
Thanks
Walter,
thanks for reply. When I first seen the Analysis Bracket I didnt realized
its strength. But I need to tweek some properties (direction,
bracket-flare). I am a lilypond beginner and dont know, where I have to \set
them. Can you give me short example?
I will have a further look at the
If you look into printed scores from your bookshelf, I wouldn't
be surprised if you found that they mostly use the same typesetting
practice as LilyPond does. Note that 16th notes and quicker are
split into 4 beams per measure in common time, it's only 8th notes
that are grouped into 2 beams per m
I try to typeset the word "There's", with a decent apostrophe. This
would lead to
save your LilyPond file in utf-8 format and write
%
\relative c' { c d c e g c2. }
\addlyrics { There's a beau -- ti -- ful text }
%=
--
Martial
First of all --- thanks for the help on the hairpintobarline question; my reply
on that message doesn't seem to have gone through. I thought I had installed the
most current LilyPond version, but clearly not :doh:.
I've now installed LilyPond 2.10, and I seem to be getting problems with the
\tempo
Chris Capoccia spamcop.net> writes:
>
> the tin whistle fingering tips might be helpful:
> http://comments.gmane.org/gmane.comp.gnu.lilypond.general/3651
>
using the idea from the tin whistle fingering discussion, i was able to come up
with something that i think will work well:
\paper {
#
Greetings -
I'm running LilyPond 2.10.0.1, according to the Properties of
lilypond.exe, under Windows XP Pro V2002, SP2.
When I upgraded from 2.8.4.1, and ran convert.ly on my files, I got an
error on the following:
Begin snippet
%\version "2.8.4.1"
\version "2.10.0"
\include "english.ly"
If you want to save some typing, you can define macros for these
patterns, like
fingerD = \markup{\column{◍ ● ● }}
and then use them like d16^\fingerD
/Mats
Quoting Chris Capoccia <[EMAIL PROTECTED]>:
Chris Capoccia spamcop.net> writes:
the tin whistle fingering tips might be helpful:
Hi,
According to the docs (10.1.4):
To use a Unicode escape sequence, use
#(ly:export (ly:wide-char->utf-8 #x2014))
Stupid question: How can I use this to get a particular unicode
character into a string (e.g. lyric)?
Thanks for any examples,
-- Johan
On Monday 20 November 2006 18:40, Bob Kline wrote:
> Erik Sandberg wrote:
> > The problem above, is that { } have different meanings in different
> > places: Usually { } means sequential music, but the { } after \score are
> > special: it starts with a _single_ music expression, followed by option
[Quoting John Mandereau, on November 20 2006, 09:40, in "Re: Beaming strategy"]
> Johan Vromans wrote:
> [...]
> > However (as you can see from my other posting) I'm stull puzzled why
> > this is not default behaviour.
>
> According to the number of scores I've read, beaming eights into
> 4-groups
Hi Lilyponders!
I wan to advice you that is an excellent video of the art of manual
engraving in You Toube; you have to take a look of this excellent work.
You can see it, at:
http://youtube.com/watch?v=Q8adEIMzbso
Saludos!!
--
Atentamente;
César Penagos
Tel:Of:(502)2253-7181, 2253-3826
> "Cesar Penagos" <[EMAIL PROTECTED]> writes:
>
> > I wan to advice you that is an excellent video of the art of manual
> > engraving in You Toube; you have to take a look of this excellent work.
> > You can see it, at:
> > http://youtube.com/watch?v=Q8adEIMzbso
>
> Impressive!
Here the Ger
The documentation is written using texinfo + lilypond-book and is
included in the source code of LilyPond.
/Mats
Quoting Ole Hesprich <[EMAIL PROTECTED]>:
Hi @ all!
A translation of the lilypond manual, maybe not only into french, seems
to be interesting to think about it. Of course I would
Hi all !
Two years have passed, and I'm still wondering if a french translation of
Lilypond Docs wouldn't be
a good thing (well, for french users, I think...). Here's my previous mail on
this question, and
Mat's answer was quite wise (I was just discovering Lilypond)
:http://www.mail-archive
Mats Bengtsson wrote:
> The documentation is written using texinfo + lilypond-book and is
> included in the source code of LilyPond.
Any hint to what is needed do compile it? LaTeX? And what's about a
change-log of the documentation files?
Ole
___
John Mandereau ([EMAIL PROTECTED]) has already started a french
translation of the tutorial, which appears automatically if the site detects
your computer uses french. You can contact him using the french user forum :
[EMAIL PROTECTED]
Frédéric Chiasson
2006/11/21, Mats Bengtsson <[EMAIL PROTEC
"Cesar Penagos" <[EMAIL PROTECTED]> writes:
> I wan to advice you that is an excellent video of the art of manual
> engraving in You Toube; you have to take a look of this excellent work.
> You can see it, at:
> http://youtube.com/watch?v=Q8adEIMzbso
Impressive! But did I miss something impor
Erik Sandberg wrote:
> Hm, maybe it's the \clef bass; you could try to move it to where the music
> starts. (not tested; it's just a guess)
Thanks for the guess, but that didn't work: it just prints the empty
staff with a G clef.
--
Bob Kline
http://www.rksystems.com
mailto:[EMAIL PROTECTED]
On 11/20/06 2:32 PM, "Helge Kruse" <[EMAIL PROTECTED]> wrote:
> Walter,
>
> thanks for reply. When I first seen the Analysis Bracket I didnt realized
> its strength. But I need to tweek some properties (direction,
> bracket-flare). I am a lilypond beginner and dont know, where I have to \set
> th
Le mardi 21 novembre 2006 à 16:50 +0100, Jean-marc LEGRAND a écrit :
> Hi all !
>
> Two years have passed, and I'm still wondering if a french translation of
> Lilypond Docs wouldn't be
> a good thing (well, for french users, I think...). Here's my previous mail on
> this question, and
> Mat's
Mats Bengtsson <[EMAIL PROTECTED]> writes:
> In addition to the answers you have already received, it should be
> noted that this instruction in the manual is obsolete for version
> 2.10. A better way to access a Unicode character by number is
> \markup \char ##x2014
Hurray! Thanks.
-- Johan
_
Mats Bengtsson <[EMAIL PROTECTED]> writes:
> Or maybe rather
> There´s a ...
> or whatever apostrophe you prefer.
Not this one, this is a acute accent ;-).
> Otherwise, you can search the mailing list archives, to find out
> how to get rid of the extra whitespace when concatenating markups.
You
On Tue, Nov 21, 2006 at 08:59:39PM +0100, Werner LEMBERG wrote:
> Here the German version, with a much better resolution:
>
> http://www.henle.de/video/vollversion/Notenstich_D.wmv
Note that you can't directly fetch this, since they check the
referer. But you can find it from Henle's "download"
"Joseph Haig" <[EMAIL PROTECTED]> writes:
> Is it possible to have nested slurs of different types? For example,
> on the following:
>
> e8 fis g4
>
> to have "\slurSolid e8( fis) g4" and "\slurDotted e8( fis g4)" at the
> same time, with the solid slur inside the dotted one?
You could use the f
On 11/20/06, Orm Finnendahl <[EMAIL PROTECTED]> wrote:
Hi,
sorry to bug the list with all these questions, but the score needs to
get finished urgently. At least I'm advancing, having finished one
line of a violin solo piece (5 bars) today in just 10 hours continous
work ;-) Contemporary music n
Hi @ all!
A translation of the lilypond manual, maybe not only into french, seems
to be interesting to think about it. Of course I would like to have a
manual in German :-)
But just a few more questions to the technical side of a possible
translation: is there a "source-code" for the manual from
On 11/20/06, Joe Neeman <[EMAIL PROTECTED]> wrote:
On 11/20/06, Trevor Bača <[EMAIL PROTECTED]> wrote:
> Hi,
>
> This is a page breaker question.
>
> This snippet houses explicit page breaks in a dedicated voice; it also
> has a tuplet that should break across the line:
This example will not wor
One hackers solution would be to create a white rectangle using
a text script with \markup{\whiteout{...}} (I haven't thought of the
details). If you are lucky, this rectangle
will be typeset after (i.e. on top of) the hairpin.
/Mats
Quoting Trevor Bača <[EMAIL PROTECTED]>:
On 11/20/06, Orm
Martial <[EMAIL PROTECTED]> writes:
> \addlyrics { \markup {"a" #(ly:export (ly:wide-char->utf-8 #x2014))"b"}}
Aha! So the trick is to use \markup.
I try to typeset the word "There's", with a decent apostrophe. This
would lead to
\markup {"There"#(ly:export (ly:wide-char->utf-8 #x2019))"s"}
Hi,
This is a page breaker question.
This snippet houses explicit page breaks in a dedicated voice; it also
has a tuplet that should break across the line:
%%% BEGIN EX 1 %%%
\version "2.10.0"
\layout {
indent = #0
ragged-right = ##t
}
\new Staff <<
\new Voice {
s1 \noBreak
s
Yes, I am myself a "2-2-2-2-maniac" too. :)
By the way, I wonder if this beaming tradition has once had any
justification. Whatever, Music notation is still (and must keep)
evolving, isnt'it ?
Thank you for opening this discussion.
2006/11/20, Martial <[EMAIL PROTECTED]>:
> That may be a good
Johan Vromans wrote:
[...]
> However (as you can see from my other posting) I'm stull puzzled why
> this is not default behaviour.
According to the number of scores I've read, beaming eights into
4-groups in 4/4 time is an engraving tradition, that's why LilyPond does
the same.
Cheers,
--
John M
On 11/6/06, Orm Finnendahl <[EMAIL PROTECTED]> wrote:
Am 06. November 2006, 13:09 Uhr (+0100) schrieb Mats Bengtsson:
> Just as any other context property, you can set it with \set. Example:
>
> \relative c'{
> c d e f g f e d
> \set Score.proportionalNotationDuration = #(ly:make-moment 1 64 )
Hi,
I finally found a way to avoid the collision of the accidentals by
moving the notes in different voices, shifting the notehead and making
the stem invisible in one of the voices and moving the accidental with
tweaking the extra-offset property of the accidental.
Now the moved accidental colli
Isn't the simple answer to your problems that you read the wrong
version of the manual? As far as I can see, you use version 2.6
and if I read the manual correctly for that version, you should use
\override Score.RemoveEmptyVerticalGroup #'remove-first = ##t
If you want to keep this setting in th
Just had my first real chance to work with the new version of Lilypondtool
and the anniversary edition of Lilypond. Congrats to both of you. Making
music with this combination just keeps getting better and better. I don't
think I'll "mouse" another arrangement ever again. I've been doing this
so
Mats Bengtsson ee.kth.se> writes:
>
> If you want to save some typing, you can define macros for these
> patterns, like
> fingerD = \markup{\column{◍ ● ● }}
>
> and then use them like d16^\fingerD
>
>/Mats
>
i like the idea of using a macro, but there is more space in the vertical
direct
Jean-marc LEGRAND a écrit :
>
>
>
> Hi all !
>
> Two years have passed, and I'm still wondering if a french translation of
> Lilypond Docs wouldn't be
> a good thing (well, for french users, I think...). Here's my previous mail on
> this question, and
> Mat's answer was quite wise (I was just
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