Re: MIDI output: Possible to change PPQ?

On Sun, Dec 22, 2013 at 12:58 AM, Carl Peterson wrote: > On Sun, Dec 22, 2013 at 12:47 AM, James Harkins wrote: >> I was just searching, without success, for a way to change the number of >> pulses-per-quarter in MIDI output. The default, 384, handles double >> divisions and triplets, but quintup

Re: MIDI output: Possible to change PPQ?

On Sun, Dec 22, 2013 at 12:47 AM, James Harkins wrote: > I was just searching, without success, for a way to change the number of > pulses-per-quarter in MIDI output. The default, 384, handles double > divisions and triplets, but quintuplets are inexact. I would rather use 480 > for this particula

Re: [Feature Request] \compressFullBarRests improvement(s)

>> Here’s my request: I would love it if \compressFullBarRests actually did >> what it says it does… ;) > > FWIW, I agree with Kieren. If I saw a part with some multimeasure > rests broken for no obvious reason, e.g. > > { \compressFullBarRests \mark \default R1*2 R1*2 \mark \default R1*2 } > >

Re: Alternative notation for guitar 7th chords

Here is the file. Convert-ly upgraded the syntax but something happened in an internal fine that made a large part of it that changed the way accidentals look not work, so I commented that part out. I'm not familiar with pop notation, so if there's anything that needs to change let me know. On Su

MIDI output: Possible to change PPQ?

I was just searching, without success, for a way to change the number of pulses-per-quarter in MIDI output. The default, 384, handles double divisions and triplets, but quintuplets are inexact. I would rather use 480 for this particular file. The section in the notation reference on the \midi

Re: Alternative notation for guitar 7th chords

I didn't see it in the LSR and the version of pop-chord.ly I found was written for 2.11.52, so it might not work perfectly. Give me a moment and I'll attach one that works with 2.17.95 On Sat, Dec 21, 2013 at 10:06 PM, Tim McNamara wrote: > The easiest thing is using the pop-chords.ly alternati

Re: 3x repeats

In many contexts it's preferable to write it out instead of using percent repeats. If it's a long passage then it's frequently written pretty much like you had it except with the x3 at the repeat sign. On Sat, Dec 21, 2013 at 9:31 PM, Mark Stephen Mrotek wrote: > Xavier Noria, > > > > Look at >

Re: [Feature Request] \compressFullBarRests improvement(s)

I agree entirely with James that the input looks good as is. Only tangentially related, does the placement of the first mark bother anyone else? I feel like it would look better after rather than over the clef. On Sat, Dec 21, 2013 at 9:42 PM, James Harkins wrote: > James Harkins gmail.com> wr

Re: Unwanted fretboard repeat

2013/12/22 Amreg > Le 21/12/2013 19:31, Federico Bruni a écrit : > > 2013/12/20 Amreg mailto:am@free.fr>> >> >> >> Example below (tested in 2.16, but should behave the same in 2.17.x) : >> >> >> No, it works as you expect on 2.17.x >> > > Ok, thank you for the answer, I've just to get an

Question about parallel git repos of source/output files

I have a question for the git experts on the list. I've migrated my current collection of lilypond projects to a git repository so that I can migrate the source files among my various workstations and use versioning as part of my editing process (so that I can theoretically keep track of my changes

Re: Alternative notation for guitar 7th chords

The easiest thing is using the pop-chords.ly alternatives to the default chordname style, using \include. I think it is available in the snippet repository. Or you can write your own chordname exceptions, the procedure for which should be in the Notation reference. > On Dec 21, 2013, at 8:4

Alternative notation for guitar 7th chords

Hi Lilyponders, Typesetting my masterpiece is drawing to completion, and one fine point of typesetting remains. \chordmode { c1:7 } typesets the 7 as a superscript. I'd like to know how the 7 can be typeset on the baseline, like the m of a minor chord. I couldn't find any tweak that does that

Re: [Feature Request] \compressFullBarRests improvement(s)

James Harkins gmail.com> writes: > FWIW, I agree with Kieren. If I saw a part with some multimeasure rests > broken for no obvious reason, e.g. > > { \compressFullBarRests \mark \default R1*2 R1*2 \mark \default R1*2 } > > I would think the publisher was insane or incompetent. I'm surprised thi

Re: How to create proper horizontal offsets?

Eluze gmail.com> writes: > > hi Marten > > maybe my explanations were to short > > I send you an example code of what I mean (using your approach with cued > notes, but simplified to one consecutive voice) test1.ly > > > if somet

Re: [Feature Request] \compressFullBarRests improvement(s)

Kieren MacMillan sympatico.ca> writes: > Hello all, > > Consider this snippet: > > \version "2.17.97" > > theMusic = { > \compressFullBarRests > R1*2 > R1*2 > } > > \score { > \theMusic > } > > Here’s my request: I would love it if \compressFullBarRests actually did what it says it d

RE: 3x repeats

Xavier Noria, Look at http://www.lilypond.org/doc/v2.16/Documentation/notation/short-repeats Mark From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Xavier Noria Sent: Saturday, December 21, 2013 6:25 PM T

3x repeats

Is this idiomatic notation for repeating those two bars three times? <>___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: musicxml2ly bug: Fails on empty node

On Dec 21, 2013 5:56 PM, "pls" wrote: > > On 21.12.2013, at 09:14, James Harkins wrote: >> I just found that it doesn't handle the case of an XML document where the title node exists, but is empty. I've uploaded a zip archive of two musicxml documents. > > we fixed this bug some time ago. See: ht

Re: calling all opera/musical engravers

Hi Jean-Charles, Thanks for the response. > Have you looked at Nicolas Sceaux's works (http://nicolas.sceaux.free.fr/)? Yes… but I’ll do so again. > Lily took care of everything. That’s good to know — Lily’s all I’ve been using to date (except for the odd “academic” paper). > For Bach, thank

Re: opera/musical engravers

Hi Jay, > I am finished with my latest opera "The Map” Congratulations! > we're starting a kickstarter proposal in January or Feb. Good luck — keep us updated on your progress. > I did not use lily -book That seems to be the consensus. (I’ve only used -book for “academic” purposes, e.g., pap

Re: [Feature Request] \compressFullBarRests improvement(s)

Hi David, > "split points" would require a different signaling/wait framework. While I appreciate the ingenuity here… ;) Consider if this is how auto-beaming were implemented — yuck. Instead, we have \noBeam to break any automatic beam. Why not do the same here? i.e., Make \compressFullBarRest

Re: Odp: hotrizontal spacing question

karol wrote > Seems that \override NoteHead.extra-spacing-height = #'(-inf.0 . +inf.0) > is the right solution. interesting - do you have experiences with this in more complex situations (polyphonic, more than one staff...) Eluze -- View this message in context: http://lilypond.1069038.n5.nab

Re: [Feature Request] \compressFullBarRests improvement(s)

Kieren MacMillan writes: > Hi David, > >> Well, you would not count. Instead you'd say something like >> >> \R-until \atMark 8 >> or >> \R-until \atmeasure 80 > > Ah! I could see that being a *very* elegant solution for that problem. > > However, if one suddenly added, post-hoc, a “split point”

Re: Spanner.center.text property?

Hi Kieren, On Sat, Dec 21, 2013 at 5:06 PM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hi David, > > > I don't have time to work this out at the moment > > Fair enough! > I do have time for a simple demo, which just involves changing a variable definition and adding a argument f

Re: Spanner.center.text property?

Hi David, > I don't have time to work this out at the moment Fair enough! > but possibly you could adapt an analysis bracket. Or for another hacky > solution, you could mess with a MeasureCounter stencil, like I did here Thanks — I’ll make an attempt. > Maybe what you're wanting should get i

Re: [Feature Request] \compressFullBarRests improvement(s)

Hi David, > Well, you would not count. Instead you'd say something like > > \R-until \atMark 8 > or > \R-until \atmeasure 80 Ah! I could see that being a *very* elegant solution for that problem. However, if one suddenly added, post-hoc, a “split point” in the [shared] global music, would it

Re: [Feature Request] \compressFullBarRests improvement(s)

Kieren MacMillan writes: > Hi David, > >> I have quite a few orchestra parts where multimeasure rest streaks of >> several lengths are _not_ conflated. Basically, each such rest stands >> for a recognizable unit. > > I’ll look at Gould to see what her recommendations are. > > In any case, whethe

Re: [Feature Request] \compressFullBarRests improvement(s)

I agree that in that case it should be fully compressed, but not in the first example. On Sat, Dec 21, 2013 at 5:39 PM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hi Alex, > > > Two separate ones. As an orchestral performer those breaks are often > used to signify the beginnings

Re: How to create proper horizontal offsets?

Marten Visser wrote > Eluze > > gmail.com> writes: > > >> when you transpose from as to c in the middle staff position the stem >> direction changes - this is producing the warning about clashes. >> >> if you put the as in a voice with clear settings (\voiceOne,...) opposite > to >> that in

Re: [Feature Request] \compressFullBarRests improvement(s)

Hi David, > I have quite a few orchestra parts where multimeasure rest streaks of > several lengths are _not_ conflated. Basically, each such rest stands > for a recognizable unit. I’ll look at Gould to see what her recommendations are. In any case, whether or not a best practice is known, the

Re: [Feature Request] \compressFullBarRests improvement(s)

Hi Alex, > Two separate ones. As an orchestral performer those breaks are often used to > signify the beginnings of sections to make counting easier, so if I'm resting > and there are 8 bars of one theme followed by 8 of another, I find it much > easier to keep my place when it's 8 and 8 instea

Re: [Feature Request] \compressFullBarRests improvement(s)

Kieren MacMillan writes: > Having just engraved nearly 25 minutes of music resulting in 57 > different individual parts, I can tell you that this issue inspired > quite a bit of reduced efficiency, increased hackery, and even some > loud swearing. =) > > Thoughts? I have quite a few orchestra p

Re: [Feature Request] \compressFullBarRests improvement(s)

Two separate ones. As an orchestral performer those breaks are often used to signify the beginnings of sections to make counting easier, so if I'm resting and there are 8 bars of one theme followed by 8 of another, I find it much easier to keep my place when it's 8 and 8 instead of 16. Alex On S

Re: [Feature Request] \compressFullBarRests improvement(s)

Hi Alex, > I don't see what's wrong with the output, that's exactly what I would expect > it to be. Does your output show a single four-measure MMR (which I would both want and expect it to be), or two two-measure MMRs (which is undesirable, primarily because it's distracting to the performer)

Re: [Feature Request] \compressFullBarRests improvement(s)

I don't see what's wrong with the output, that's exactly what I would expect it to be. On Sat, Dec 21, 2013 at 4:09 PM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hello all, > > Consider this snippet: > > \version "2.17.97" > > theMusic = { > \compressFullBarRests > R1*2 >

Re: smallCaps and accented letters

> I noticed in a score that I've recently typeset that smallCaps doesn't > support accented characters (which is indeed written in the manual). ... > For now, is there a workaround? I don't remember how I found this (possibly through searching through the mailing list archives, because that's how

Re: LyricHyphen hara-kiri

Hi David, > If you're not accidentally using the older version of the function, I have no > idea what could be going on. Apparently I was — sorry. =\ Every compressed string looks great now. Thanks! >> 2. If “foo-bar" happens over a barline, it probably shouldn’t be compressed; >> at the ver

Re: LyricHyphen hara-kiri

Kieren, On Sat, Dec 21, 2013 at 3:26 PM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > I think [to begin with] there are two separate issues to consider here: > > 1. In m.28, it’s clear that “foo bar” has not become one Pango string, > which it apparently has on the downbeat of m.2

Re: LyricHyphen hara-kiri

Kieren, On Sat, Dec 21, 2013 at 2:30 PM, David Nalesnik wrote: > Kieren, > > On Sat, Dec 21, 2013 at 2:18 PM, Kieren MacMillan < > kieren_macmil...@sympatico.ca> wrote: > > >> >> Clearly, there’s a gap in several measures, right? >> > > Yup. > > >> >> However, now that I look at the output again

[Feature Request] \compressFullBarRests improvement(s)

Hello all, Consider this snippet: \version "2.17.97" theMusic = { \compressFullBarRests R1*2 R1*2 } \score { \theMusic } Here’s my request: I would love it if \compressFullBarRests actually did what it says it does… ;) See

Re: LyricHyphen hara-kiri

Kieren, On Sat, Dec 21, 2013 at 2:18 PM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > > Clearly, there’s a gap in several measures, right? > Yup. > > However, now that I look at the output again, there are no gaps to be > found — i.e., it apparently works as advertised/expected/

Re: LyricHyphen hara-kiri

Hi all, This slightly altered snippet shows another problem with the fix/workaround: it doesn’t make “compressed” words into a [false] melisma automatically, as it clearly should — see, for example, when “foobar” appears on a single note. \version "2.19" #(define (hack threshold) (lambda (gro

Re: LyricHyphen hara-kiri

Hi all,Just compiled Mike's most recent foo.ly file again, and there [again] appear to be gaps in the output:What do others see when they compile it?Thanks,Kieren.___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/

Re: LyricHyphen hara-kiri

Hi David,I'm curious--how is Mike's solution not adequate as a workaround?You know what’s weird? I looked at it and found gaps in some of the “foobar”s — exactly what this fix/workaround is supposed to eliminate — so I took a screenshot and sent it to Mike:Clearly, there’s a gap in several measures

Re: LyricHyphen hara-kiri

Hi Kieren, On Sat, Dec 21, 2013 at 1:19 PM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hello all, > > I’ve been asking around to see if anyone can work on Lyric bounties (e.g., > GSoC stuff, plus other features). > > This one — LyricHyphen hara-kiri — was one that Mike S. suggest

Re: Two voices, two clefs, one staff

On Sat, Dec 21, 2013 at 11:27 AM, Nathan wrote: > \grace s8 > \clef treble > s16 > [...] Oops, the treble clef should come after the spacer rest. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/lis

Re: Two voices, two clefs, one staff

On Sat, Dec 21, 2013 at 9:50 AM, Michael Rivers wrote: > > I'm typesetting the song "La Flûte enchantée" by Ravel. There's a bit in the > piano part with notes from both bass and treble clefs displayed > simultaneously (see jpgs). I thought I'd seen everything, but this has me > stumped. Can anybo

Re: WAS: SostenutoPedalLineSpanner and texts

Hi David, > (This brings back bad memories of typesetting my composition dissertation > with Finale…) Don’t remind me! > My question would be: is there any reason why the part combiner shouldn't > create spanners? +1 Kieren. ___ lilypond-user mailin

Re: emacs point-and-click on OSX

2013/12/20 Kevin Patrick Barry > I assume it needs this guile to run and can't find it, so I changed > the file to point to one I found in the LilyPond.app > (/Applications/LilyPond.app/Contents/Resources/bin/guile), and now I > get another error when I try to click on a link: > ERROR: In procedu

Re:emacs point-and-click on OSX

> (Oops, replied only to David...) > > Guile hasn?t been installed on my Mac (except as part of Lilypond). That > is, the command guile didn?t work. I tried sudo port install guile, and it > put a binary of version 1.8.8 in /opt/local/bin. Perhaps try that out. Thanks for the suggestion. I install

Two voices, two clefs, one staff

I'm typesetting the song "La Flûte enchantée" by Ravel. There's a bit in the piano part with notes from both bass and treble clefs displayed simultaneously (see jpgs). I thought I'd seen everything, but this has me stumped. Can anybody help? Here's what I've got so far: \version "2.16.2" global =

Re: How to create proper horizontal offsets?

Eluze gmail.com> writes: > when you transpose from as to c in the middle staff position the stem > direction changes - this is producing the warning about clashes. > > if you put the as in a voice with clear settings (\voiceOne,...) opposite to > that in the cued voice there will be no more c

WAS: SostenutoPedalLineSpanner and texts

Hi, This question came in reference to a workaround given for repeating texts on a broken pedal line: On Fri, Dec 20, 2013 at 1:42 AM, Simon Bailey wrote: > >> Could this be adapted to solve this problem: >> http://lists.gnu.org/archive/html/lilypond-user/2013-12/msg00839.html ? >> I'd be willin

Re: Odp: hotrizontal spacing question

If you mean this: { \override SpacingSpanner #'uniform-stretching = ##t \set Score.proportionalNotationDuration = #(ly:make-moment 1/200) \clef bass \times 4/6 { c16 e16 a,16 b,16 g,16 e16 } \times 4/6 { c16 e16 g,16 b,16 g,16 e16 } \times 4/6 { c16 e16 g,16 b,16 g,16 e16 } \times 4/6

Re: Appending coda on last line

2013/12/21 Thomas Morley > which version do you use? > Could you provide a minimal exmple of your score-setup? > I.e.: > > I have a complete example. I tried to make it as small as possible. But therere are 120 lines. Probably this makes it easier to show my idea. At least it's complete and compi

Re: Odp: hotrizontal spacing question

karol wrote > Unfortunately "uniform-stretching" doesn't work here. and it's also recommended there to use proportionalNotationDuration = #(ly:make-moment 1/200) % choose your number! to improve the results! Eluze -- View this message in context: http://lilypond.1069038.n5.nabble.com/hotrizo

Re: How to create proper horizontal offsets?

Marten Visser wrote > Hi all, > > Yesterday, I asked how a custom slur should be coded so that it gets > transposed properly. This was answered immediately, thanks to David > Nalesnik. > > There's another related problem I run into when transposing scores, namely > horizontal offsets. In songs

Re: musicxml2ly bug: Fails on empty node

On 21.12.2013, at 10:58, Urs Liska wrote: > What would be the necessary approach to port your -dev work back to main > LilyPond's musicxml2ly? Nothing special. It's a git repository. I simply haven't had the time (and probably won't in the near future) to prepare small documented patches and

Re: How to transpose a custom slur

Hi David, David Nalesnik gmail.com> writes: > > Hi again, > On Fri, Dec 20, 2013 at 6:08 PM, David Nalesnik gmail.com> wrote: > > Sorry, goofed the syntax... > >  should be >   \shape Slur #'((0 . 0.25) (1.5 . 1) (0 . 1) (0 . 0.5)) > Thanks for your quick answer. Your second syntax works,

How to create proper horizontal offsets?

Hi all, Yesterday, I asked how a custom slur should be coded so that it gets transposed properly. This was answered immediately, thanks to David Nalesnik. There's another related problem I run into when transposing scores, namely horizontal offsets. In songs this is encountered frequently beca

Re: Appending coda on last line

2013/12/21 Helge Kruse : > Thomas Morley googlemail.com> writes: > >> some time ago I wrote the snippet below. It's a little bit hackish and >> would need some redesign/improvement for which I currently do not have >> the time. >> But for now it should work. >> > > Thomas, this is a long time ago.

Re: SostenutoPedalLineSpanner and texts

On 20 Dec 2013, at 22:55, David Nalesnik wrote: > > Oops, mistakenly sent this only to the OP... once again, thanks, David! this is perfect. :) regards, sb <> ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo

Fwd: emacs point-and-click on OSX

On 21 December 2013 23:57, David Kastrup wrote: > Kevin Patrick Barry writes: > > >> Once Mac Ports is installed, the following: > >> > >> sudo port install xpdf > >> > >> does install xpdf and all necessary stuff. > > > > Thanks for this. I am getting closer, but still no cigar. Xpdf is > > wo

Re: emacs point-and-click on OSX

Kevin Patrick Barry writes: >> Once Mac Ports is installed, the following: >> >> sudo port install xpdf >> >> does install xpdf and all necessary stuff. > > Thanks for this. I am getting closer, but still no cigar. Xpdf is > working, and it is, I think, calling the lilypond-invoke-editor script

Re: Guitar-Schubert

Wow, nice, thank you very much indeed. grtz, Bart http://www.bartart3d.be/ On facebook On Twitter On Identi.ca On Google+

Re: Guitar-Schubert

2013/12/21 Mario Moles > Schubert for guitar ansemble! > > http://mariomoles.altervista.org/schubert/ > > > Thanks for sharing! I'll propose it to my guitar ensemble. Why don't you add it to Mutopia? I see that the license you chose is compliant with mutopia policy. http://www.mutopiaproject.or

Guitar-Schubert

Schubert for guitar ansemble! http://mariomoles.altervista.org/schubert/ oiram/bin/selom Da ognuno secondo le proprie capacità ad ognuno secondo i propri bisogni. MIB-kernellinux-tester http://mariomoles.altervista.org/[1] Linux[2] MIB[3] Lilypond[4] Frescobaldi[5] Rosegarden[6] [1] h

Re: Appending coda on last line

Helge Kruse writes: > Thomas Morley googlemail.com> writes: > >> some time ago I wrote the snippet below. It's a little bit hackish and >> would need some redesign/improvement for which I currently do not have >> the time. >> But for now it should work. >> > > Thomas, this is a long time ago. B

Re: smallCaps and accented letters

2013/12/20 Yann > > Hello everybody :) > > I noticed in a score that I've recently typeset that smallCaps doesn't > support accented characters (which is indeed written in the manual). > > Is there a plan to extend smallCaps to support accented letters in future > versions ? > For now, is there a

Re: musicxml2ly bug: Fails on empty node

Am 21.12.2013 10:56, schrieb pls: These files are not minimal examples and contain loads of faulty xml markup. I attached a tiny example to show that musicxml2ly-dev (but not musicxml2ly) can handle empty work-title nodes. What would be the necessary approach to port your -dev work back to ma

Re: musicxml2ly bug: Fails on empty node

On 21.12.2013, at 09:14, James Harkins wrote:In case anybody is working on musicxml2ly:I just found that it doesn't handle the case of an XML document where the title node exists, but is empty. I've uploaded a zip archive of two musicxml documents.Hi James,we fixed this bug s

Re: Odp: hotrizontal spacing question

Unfortunately "uniform-stretching" doesn't work here. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Appending coda on last line

Thomas Morley googlemail.com> writes: > some time ago I wrote the snippet below. It's a little bit hackish and > would need some redesign/improvement for which I currently do not have > the time. > But for now it should work. > Thomas, this is a long time ago. But I just need something similar

musicxml2ly bug: Fails on empty node

In case anybody is working on musicxml2ly: I just found that it doesn't handle the case of an XML document where the title node exists, but is empty. I've uploaded a zip archive of two musicxml documents. http://ubuntuone.com/0iNRBh17UxPJWlVJikFYVD ** 13-1220-li-xuanyi.xml -- The original fi