Am 07.01.2014 07:08, schrieb Ed Faulk:
I'm trying to make the font size for the chord names smaller.
Hi Ed,
you need to override the ChordName font-size in some layout block:
\override ChordName #'font-size = #-1
Or if you use 2.18:
\override ChordName.font-size = -1
You can adjust the
Am 06.01.2014 23:41, schrieb Werner LEMBERG:
I'd like to make a survey on how you are working with Git.
Do you use the command line exclusively, or a GUI (which one(s))?
Or a GUI for certain tasks and the command line for others?
I use git on the command line only. However, I use the
op 07-01-14 08:40, Johan Vromans schreef:
Wilbert Berendsen wbs...@xs4all.nl writes:
a first release of the command-line ly tool with the Python ly library
is out:
Yay!
Given a (section of) .ly with barchecks and line number comments, e.g.
d16 c8.~ c4 r2 | % 9
\bar ||
R1 |
David O'Donnell wrote Tuesday, January 07, 2014 1:27 AM
I frequently work with scores with lyrics and continually encounter this
problem, especially when engraving a transcription of plainchant. A lyric
syllable of a longer length will push the other notes in the melisma to the
right,
Hi Joram,
I'm not an expert in the topic, but I hope I can still shed some light
on the issue. AFAIU this depends on how the font is shipped, and I am
not aware of a proper fallback solution that will work in all cases.
If the designer ships all fonts of a family (probably in a single .otf
or
Hi Alexander,
thanks for your explanations! This sounds very reasonable to me. So it
seems that this is a bit uncomfortable for the user but the right thing
to do, given the fonts on my machine.
Thanks!
Joram
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hi,
On Mon, Jan 6, 2014 at 6:42 PM, Noeck noeck.marb...@gmx.de wrote:
Hi,
when looking at this snippet: http://lsr.dsi.unimi.it/LSR/Snippet?id=292
I have the following question:
Why is \context Staff allowed here? How can I fill bass figures in a Staff?
I thought I need a \new
- Original Message -
From: Joshua Nichols
To: Mailinglist lilypond-user
Sent: Tuesday, January 07, 2014 4:29 AM
Subject: On features planned for 2.20 and Documentations on Contemporary
Music
So I check the documentation for the dev version, and I notice
that there are a few ideas for
Phil Holmes m...@philholmes.net writes:
From: Joshua Nichols
To: Mailinglist lilypond-user
So I check the documentation for the dev version, and I notice
that there are a few ideas for the next release. Any ideas not
mentioned via documentation?
I don't know of any planning that is done
David Kastrup d...@gnu.org writes:
Johan Vromans jvrom...@squirrel.nl writes:
Wilbert Berendsen wbs...@xs4all.nl writes:
Given a (section of) .ly with barchecks and line number comments, e.g.
d16 c8.~ c4 r2 | % 9
\bar ||
R1 | % 10
R1 | % 10
R1 | % 12
e4 e8
Hi,
Can I change the midi instrument for the Chordnames, guitar instead of
piano?
Now i've
chordsPart = \new ChordNames \chordNames
Regards,
\r
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Hi Josh,
I was wondering if any examples of contemporary notation were ever going to
be put in the documentation. I know there is a spot for that, and when I've
checked back several stable versions, and alas... nothing.
As others have pointed out, we [the community] need to step up and fill
rosea grammostola rosea.grammost...@gmail.com writes:
Hi,
Can I change the midi instrument for the Chordnames, guitar instead of
piano?
Now i've
chordsPart = \new ChordNames \chordNames
chordsPart = \new ChordNames \with { midiInstrument = guitar } \chordNames
--
David Kastrup
Is it possible to change tempo for a certain part of the score and make
that also audible in the midi file?
In the template there is:
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 100 4)
}
}
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rosea grammostola rosea.grammost...@gmail.com writes:
Is it possible to change tempo for a certain part of the score and make
that also audible in the midi file?
In the template there is:
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 100 4)
}
}
I'd rather
Have you tried \tempo?
\score {
{
\tempo 4 = 120
c''4 c'' c'' c''
\tempo 4 = 40
c''4 c'' c'' c''
}
\layout {}
\midi {}
}
--
Phil Holmes
- Original Message -
From: rosea grammostola
To: lilypond-user
Sent: Tuesday, January 07, 2014 11:44 AM
Subject: tempo changes (midi)
Is it
Ok thx. You just have to put it in the score of one instrument, or do you
need to put it in all the parts of the instruments playing at the same time?
On Tue, Jan 7, 2014 at 1:02 PM, Phil Holmes m...@philholmes.net wrote:
Have you tried \tempo?
\score {
{
\tempo 4 = 120
c''4 c'' c'' c''
Why not try it and find out?
--
Phil Holmes
- Original Message -
From: rosea grammostola
To: Phil Holmes
Cc: lilypond-user
Sent: Tuesday, January 07, 2014 12:15 PM
Subject: Re: tempo changes (midi)
Ok thx. You just have to put it in the score of one instrument, or do
Am 06.01.2014 13:53, schrieb Urs Liska:
Hi all Git users,
I'd like to make a survey on how you are working with Git.
Thank you all for your feedback!
It was very interesting and inspiring for me.
Due to its sheer number I can't reply to all opinions individually.
Maybe I'll come back to
Hello all,
I’ve got a text-only context (TextLine) which contains script information
(dialogue, stage directions, etc.) in my music dramas. This context is the
uppermost context in most of my scores.
I would like to add a little padding ABOVE this context in all systems — but
NOT add padding
On Tue, Jan 7, 2014 at 2:27 PM, Urs Liska u...@openlilylib.org wrote:
As a follow-up question I'd be interested in whether people use other
version control systems beside Git. If you use more than one, a short
comparison would be of general interest I think.
i use svn, that's what i know
Am 07.01.2014 14:38, schrieb Simon Bailey:
On Tue, Jan 7, 2014 at 2:27 PM, Urs Liska u...@openlilylib.org
mailto:u...@openlilylib.org wrote:
As a follow-up question I'd be interested in whether people use
other version control systems beside Git. If you use more than one,
a short
so, my follow up question: why use git as a single user?
I always use git, event git-svn for svn repos.
Comparing to CVS and SVN, I see these advantages:
- easy branching
- I am a heavy user of git rebase
- being able to commit, branch, diff etc. without internet connection
that way I can
Hi,
I just recognized that this snippet does not work as-is in 2.18.0 (and
2.17.x for x large enough), but gives -inf.0 as X-offsets if no
punctuation prefixes a syllable. IIUC empty text-markups now return
empty instead of point stencils these days, and the width computation
for the
Begin forwarded message:
From: Finale makemu...@email.makemusic.com
Subject: Start creating with Finale 2014 today
Date: January 7, 2014 at 5:14:27 PM GMT+2
To: mike...@stanfordalumni.org
Reply-To: Finale
support-b6k8aa6a2hmr65au18v5mb91thh...@email.makemusic.com
Finale 2014 includes
Am 07.01.2014 16:48, schrieb Mike Solomon:
Begin forwarded message:
*From: *Finale makemu...@email.makemusic.com
mailto:makemu...@email.makemusic.com
*Subject: **Start creating with Finale 2014 today*
*Date: *January 7, 2014 at 5:14:27 PM GMT+2
*To: *mike...@stanfordalumni.org
Own the future engraving music... who will believe this crap?
:-o
Francois
2014/1/7, Urs Liska u...@openlilylib.org:
Am 07.01.2014 16:48, schrieb Mike Solomon:
Begin forwarded message:
*From: *Finale makemu...@email.makemusic.com
mailto:makemu...@email.makemusic.com
*Subject: **Start
On Jan 7, 2014, at 10:00 AM, Francois Planiol alicuota...@gmail.com wrote:
Own the future engraving music... who will believe this crap?
:-o
Lots of people. It’s not a conscious belief, more of an unconscious one.
That’s the goal of marketing. It’s too bad that Finale output tends to look
Tim McNamara tim...@bitstream.net writes:
On Jan 7, 2014, at 10:00 AM, Francois Planiol alicuota...@gmail.com wrote:
Own the future engraving music... who will believe this crap?
:-o
Lots of people. It’s not a conscious belief, more of an unconscious
one. That’s the goal of marketing.
Hi all,
recently we discussed about comparing LilyPond's performance with that
of competing programs
(http://lists.gnu.org/archive/html/lilypond-user/2013-11/msg00323.html),
and I've finally managed to set something up.
It's a Github repository along with a kind of Contributor's Guide:
I just meant, if you want to own the future (its written own) dont
try at all with engraving music. Be the boss of the FMI, of Monsanto,
of Oil-illimited maybe.
I dont know musicians that are so fool that they want to own the
future. We just want to do what we love, the best we can and buy some
Figured bass can be displayed using the FiguredBass context, or in most
staff contexts.
Hi Simon,
thanks for the explanation!
This means bass figures should be associated to the staff this way to
enhance the flexibility? I take this as such.
Cheers,
Joram
Francois Planiol alicuota...@gmail.com writes:
Own the future engraving music... who will believe this crap?
I don't see that it's inaccurate even though somewhat self-evident. At
least for me, the universe refuses write access to anything but the
future.
--
David Kastrup
Most guitar books contain fretboards for chords only. Isn't that a broad
application?
Not trying to push anyone to add this in, I'm a developer myself and may
uptake the task - but I am just wondering if it technically should be a
feature or not.
--
View this message in context:
The universe refuses write access to anything but the future.
Excellent observation. Had me laughing. Advertising is really an
unpleasant science or dark art if you prefer. The really clever
outfits get that stuff right. And the rest at best they are amusing.
My all time favorite is the Akron
I would like to participate, but know nothing much about git and that
part does not particularly interest me as at the moment it does not
seem apparent git would be to learn other than for this particular
effort.
Shane
On Tue, Jan 7, 2014 at 11:15 AM, Urs Liska u...@openlilylib.org wrote:
Hi
I am throwing together a response to the article someone linked to in this
thread, would anyone like to fact-check it when I am through?
On Tue, Jan 7, 2014 at 1:05 PM, Shane Brandes sh...@grayskies.net wrote:
The universe refuses write access to anything but the future.
Excellent
dak wrote
Tim McNamara lt;
timmcn@
gt; writes:
On Jan 7, 2014, at 10:00 AM, Francois Planiol lt;
alicuota618@
gt; wrote:
Own the future engraving music... who will believe this crap?
:-o
Lots of people. It’s not a conscious belief, more of an unconscious
one. That’s the goal of
Am 07.01.2014 19:51, schrieb SoundsFromSound:
David, that was a great little story that I hadn't heard before.:) Perhaps
I'll steal it for later...
Although it already _was_ a stolen story. He tried to camouflage that by
modifying it: In reality it had been three hairdressers.
Urs Liska u...@openlilylib.org writes:
Am 07.01.2014 19:51, schrieb SoundsFromSound:
David, that was a great little story that I hadn't heard before.:) Perhaps
I'll steal it for later...
Although it already _was_ a stolen story. He tried to camouflage that
by modifying it: In reality it
Thanks to Kieren, David, and Phil for your responses. Kieren, that was a
fantastic snippet.
I guess I would be willing to help, but I have no where to begin to start
that process. I would love to come up with some documentation on
contemporary music, but it seems that LilyPond does convential
Il 07/01/2014 20:23, David Kastrup ha scritto:
Urs Liska u...@openlilylib.org writes:
Although it already _was_ a stolen story. He tried to camouflage that
by modifying it: In reality it had been three hairdressers.
When I stole it, it was most definitely tailors.
I knew this as a story
Hi all,
I try to answer my own mail after having searched the internet for answers:
1. Is there a world wide standard for staff sizes?
No.
2. Are Rastral Staff Sizes always the same? I once found a different
list of rastral sizes. The differences are on the level of 2%, but I
wonder if
Joshua Nichols josh.d.nich...@gmail.com schrieb:
Thanks to Kieren, David, and Phil for your responses. Kieren, that was
a
fantastic snippet.
I guess I would be willing to help, but I have no where to begin to
start
that process. I would love to come up with some documentation on
contemporary
On Tue, 7 Jan 2014, Urs Liska wrote:
c)
Who is registered in forums or mailing lists of other programs and could pass
the link to the repo there in order to attract participants from there?
As also discussed we don't organize this as a contest but as an opportunity
for mutual analysis.
I
On 1/7/14 10:53 AM, vigrond devitt...@gmail.com wrote:
Most guitar books contain fretboards for chords only. Isn't that a broad
application?
most guitar books that I see have a melody line and a fretboard context.
There is no connection between the notes and the fretboards. That's the
way
Hi all, is there a way to add the string name at the beginning of a guitar
tablature from the first string to the sixth? Quite useful with open
tunings.
Many thanks
Fulvio
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lilypond-user@gnu.org
On 2014-01-07 11:44, rosea grammostola wrote:
Is it possible to change tempo for a certain part of the score and make
that also audible in the midi file?
In the template there is:
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 100 4)
}
}
I find it easier
Hi all, is there a way to add the string name at the beginning of a guitar
tablature from the first string to the sixth? Quite useful with open tunings.
Many thanks
Fulvio
Does this help?
\set TabStaff.instrumentName = \markup { \override #'(baseline-skip . 1.5)
\column \fontsize
Maybe something like a Wiki where you can also upload scanned images?
I like that idea! I see stuff all the time, I'll start collecting image
files. Who should be in charge of setting up the wiki? (I wouldn't mind)
IC,
Josh
On Tue, Jan 7, 2014 at 2:54 PM, Urs Liska u...@openlilylib.org
On Tue, Jan 07, 2014 at 09:06:58AM +0100, Noeck wrote:
Am 07.01.2014 07:08, schrieb Ed Faulk:
I'm trying to make the font size for the chord names smaller.
you need to override the ChordName font-size in some layout block
It can also be done in the \with clause of the ChordNames
context,
I want to postion To Coda and the coda symbol on a single line above a note
like this
http://tomrudolph.berkleemusicblogs.com/files/2012/12/Wayfaringall1.png
a4.^To Coda\coda
prints the text and symbol on separate lines. Is there a quick and easy way
to modify this?
(I'm currently using
a4.^\markup{To Coda\musicglyph #scripts.coda}
On Tue, Jan 7, 2014 at 8:34 PM, muggle rauy...@aucklanduni.ac.nz wrote:
I want to postion To Coda and the coda symbol on a single line above a
note
like this
http://tomrudolph.berkleemusicblogs.com/files/2012/12/Wayfaringall1.png
a4.^To
I'm interested and have access to both LillyPond (of course) and Sibelius.
On Tue, Jan 7, 2014 at 11:15 AM, Urs Liska u...@openlilylib.org wrote:
Hi all,
recently we discussed about comparing LilyPond's performance with that of
competing programs
Could you give an example?
On Tue, Jan 7, 2014 at 8:29 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hello all,
I’ve got a text-only context (TextLine) which contains script information
(dialogue, stage directions, etc.) in my music dramas. This context is the
uppermost
This works, but is there a way to vertically align the coda symbol so that it
looks nicer?
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Position-of-text-and-symbol-above-note-tp157390p157394.html
Sent from the User mailing list archive at Nabble.com.
This should do the trick.
a4.^\markup{\vcenter To Coda\musicglyph #scripts.coda}
On Tue, Jan 7, 2014 at 8:59 PM, muggle rauy...@aucklanduni.ac.nz wrote:
This works, but is there a way to vertically align the coda symbol so that
it
looks nicer?
--
View this message in context:
Or from the computer-based point of view: Is anything wrong with
choosing a staff size of 19.1?
From the computer-based view, no. From the typography-based view, yes.
Something as small as that won't likely make a difference, but the further
from its intended size you force a glyph the worse it
Genius.
Thanks.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Position-of-text-and-symbol-above-note-tp157390p157397.html
Sent from the User mailing list archive at Nabble.com.
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Shouldn't this be the default output? Looking at hand-engraved examples,
such as this
liedhttp://javanese.imslp.info/files/imglnks/usimg/1/18/IMSLP16170-SchubertD489_Der_Wanderer_1st_version_called_Der_Ungluckliche.pdf,
words tend to be centered ignoring punctuation (measures 8 and 14), or
It depends. It can be easier to read when they are all below the staff.
On Tue, Jan 7, 2014 at 12:12 PM, Noeck noeck.marb...@gmx.de wrote:
Figured bass can be displayed using the FiguredBass context, or in most
staff contexts.
Hi Simon,
thanks for the explanation!
This means bass
How likely is the content to change? You could make that in LaTeX and
include it in LaTeX from an eps file, but even as I'm typing it that seems
like a very clunky way of doing things to me... I'll sleep on it and see if
I can come up with anything.
On Sat, Jan 4, 2014 at 2:54 PM, Kieren
This isn't directly related to LilyPond, but I have a question for people
on the mailing list. it seems like several people on this mailing list get
payed to engrave music. How did you get started with those jobs?
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The Frescobaldi website says to post feature requests here.
https://github.com/wbsoft/frescobaldi/issues
On Sun, Jan 5, 2014 at 2:12 PM, Fulvio Turra fulvio.tu...@gmail.com wrote:
Federico hit the point. I forgot to mention in my first message that
Frescobaldi is the editor I use and a custom
In books, recto (odd) pages have larger left margin and versos have larger
right margins. Does anyone know why LilyPond reverses it?
On Sat, Jan 4, 2014 at 1:23 PM, Carl Peterson carlopeter...@gmail.comwrote:
On Sat, Jan 4, 2014 at 12:52 PM, Speldosa l4rs...@gmail.com wrote:
I would like to
Hi Alex,
In books, recto (odd) pages have larger left margin and versos have larger
right margins.
There really isn’t a standard.
In Robert Bringhurst’s [amazing] typography book, there are lots of examples
where left-hand (even) pages have larger left margins and right-hand (odd)
pages
-- Forwarded message --
Date: Tue, 7 Jan 2014 22:45:12 -
From: David Webber d...@musical.demon.co.uk
Reply-To: abcus...@yahoogroups.com
To: abcus...@yahoogroups.com
Subject: Re: [abcusers] Engraving challenges (fwd)
From: Martin Tarenskeen
I've prepared a first
Frescobaldi's musicxml export is still in an early stage of development so
I will not try to mail a list with all things that fail or don't work yet.
But I do want to report two little things.
1. It does not seem to know that Lilypond uses a default of 4/4
when no timesignature is given.
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