Hi Urs,
Yes, a small example always helps. I should have included one to begin with.
The snippet here shows how the up/down behaviour is the default, but when you
go into voices the ties are unidirectional. All this is correct, I now
understand. What I was wanting was to be able to override
Hi Andrew,
this helps a lot to see the problem - and the solution ;-)
Setting \voiceOne and \voiceTwo (and your polyphony construct does so
implicitly) takes a number of property and sets them to the proper
direction, with proper meaning what is right for default polyphonic music.
In a case
Hi Calixte,
On Apr 28, 2015, at 4:11 AM, Calixte Faure calixte.fa...@gmail.com wrote:
Hi Paul,
Thanks a lot for snippet!
Here’s an example with words and autoBeamOff. The idea is to have both
traditional and modern vocal engraving with a unique source.
music = {
\time 2/4
|
Am 28.04.2015 um 12:18 schrieb Werner LEMBERG:
On my openSuSE GNU/Linux box, I get different results.
Given font name: Emmentaler-13
Determined font file: /usr/share/fonts/TTF/mplus-1c-medium.ttf
Actual font in that file: mplus-1c-medium
Given font is present: #f
Given font name:
That benlemon link is a real lemon - does the purported site actually exist?
regards
Peter Gentry
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On Tue, 28 Apr 2015, Urs Liska wrote:
Could you please post the end of the output of running with --verbose?
This *reminds* me of a problem I recently had that was/is related to a change
in Ghostscript handling.
Could be? Lilypond 2.19.18 fails to compile also, if I run it in Fedora 22
Trevor Abraham,
Thank you for your excellent suggestions. By comparing my code to yours,
also realize the fundamental error of my ways. I had
\new Voice { Music with note }
{ Music with rest }
but I should have had
{ Music with note }
\new Voice { Music with rest }
Apparently, this
On 4/28/15 3:20 PM, James Worlton jworl...@gmail.com wrote:
I don't see a way to make the key-cancellation and key-signature
simultaneous.
I wouldn't expect there to be a way to make them simultaneous. The
cancellation *should* show up before the new key signature, IMO.
Thanks,
Carl
On Tue, Apr 28, 2015 at 1:43 PM, Urs Liska u...@openlilylib.org wrote:
Am 28.04.2015 um 20:16 schrieb David Nalesnik:
Hi Urs,
On Tue, Apr 28, 2015 at 11:38 AM, Urs Liska u...@openlilylib.org wrote:
Am 28.04.2015 um 18:14 schrieb Urs Liska:
Am 28.04.2015 um 17:53 schrieb Urs Liska:
Hi Carl,
1. follow exactly the grob/glyph outline (i.e., not just a rectangle/box,
as currently implemented);
2. include a parameter to set the thickness of the outline; and
3. include a parameter to determine whether the whiteout was filled
throughout, or allowed ³holes² inside (as per the
Hi Steven,
Putting the parens on separate lines as one might do with C braces is normally
not done in the LISP/Scheme/Racket world. Any proper editor can do paren
matching, including Frescobaldi. Frescobaldi can format Scheme fairly well.
Emacs of course has various modes for Scheme which make
(Sorry, sent to Carl only by mistake.)
On Tue, Apr 28, 2015 at 5:55 PM, Carl Sorensen c_soren...@byu.edu wrote:
On 4/28/15 3:20 PM, James Worlton jworl...@gmail.com wrote:
I don't see a way to make the key-cancellation and key-signature
simultaneous.
I wouldn't expect there to be a way to
Hi James,
I don't see a way to make the key-cancellation and key-signature
simultaneous.
The following (hacky!) code seems to work for me:
\version 2.19.18
musicA = {
\key c \major
\repeat unfold 2 { c'4 c' c' c' }
\key des \major
des'1
}
musicB = {
\key fis \major
\repeat
Hi Steven,
On Tue, Apr 28, 2015 at 5:40 PM, Steven Weber pant...@hotmail.com wrote:
I finally managed to hack together highlighting code for key signatures
that does what I want (ignores the initial key signature, and only
highlights key signatures at the beginning of the line if it was
Am 28.04.2015 um 23:03 schrieb Noeck:
1. Can I use the same tweak at several points in time? Or do I have to
add and \editionMod every time.
In a recent list post (by Urs, I think) I saw an \editionModList command
to do this.
2. What do the letters mean in edition.Staff.A?
A numbering? How
Kieren MacMillan wrote
No: I want a black grob with a white outline (“padding”), for “layering”
purposes.
I see. That makes sense. Sorry I can't be of more help.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/a-proper-whiteout-function-tp175593p175643.html
Sent from
On Wed, Apr 29, 2015 at 08:02:08AM +1000, Nick Payne wrote:
I notice that the notation.pdf that I downloaded for 2.19.19 is about half
the size of its predecessors - 17.2Mb vs 30.8Mb for the 2.19.18 notation
manual. I downloaded it twice to verify and got the same size each time. On
a quick
Hi,
Forgive my ignorance, but could you just set the color of the grob to white?
No: I want a black grob with a white outline (“padding”), for “layering”
purposes.
For reference, this is what happens with the current whiteout function:
I’m hoping to avoid the “boxy” look, which I find
Hi Joram,
Is this the right place to ask?
Yes… especially if Jan-Peter picks up the thread. =)
So far I have this structure (simplified) and ~30 \editionMods:
\score {
\new PianoStaff
\new Staff = md
\with { \consists \editionEngraver edition }
\new Voice \RHand
\new
On 4/28/15 8:57 AM, Kieren MacMillan kieren_macmil...@sympatico.ca
wrote:
Hi all,
What would be involved in making a real stencil whiteout function which
could be applicable to all grobs?
For it to Do The Right Thing, I imagine it should:
1. follow exactly the grob/glyph outline (i.e., not
2015-04-29 1:10 GMT+02:00 James Worlton jworl...@gmail.com:
(Sorry, sent to Carl only by mistake.)
On Tue, Apr 28, 2015 at 5:55 PM, Carl Sorensen c_soren...@byu.edu wrote:
On 4/28/15 3:20 PM, James Worlton jworl...@gmail.com wrote:
I don't see a way to make the key-cancellation and
Is there a co-operative effort forming on this? I'm pretty much a
novice ponder (and not even that on Lisp/Scheme ... I know-a nothing)
but a reasonable technician and a fairly experienced technical
writer/editor and I'd be happy to join in.
reply-to address is valid.
--
Henry Law
2015-04-28 13:00 GMT+02:00 Peter Gentry peter.gen...@sunscales.co.uk:
That benlemon link is a real lemon - does the purported site actually
exist?
domain is renewed:
Domain Name:BENLEMON.ME
Domain Create Date:06-Apr-2013 21:39:21 UTC
Domain Last Updated Date:07-Apr-2015 02:42:27 UTC
Domain
Jean-Charles Malahieude-2 wrote
Here is what I do, thanks to Thomas Morley, and it works like a charm.
Cheers,
Jean-Charles
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Andrew,
On Tue, Apr 28, 2015 at 4:46 AM, Andrew Bernard andrew.bern...@gmail.com
wrote:
Hi Urs and David,
Thanks so much. Yes, my chords are in voices so the slurs all face the
same direction accordingly. I was completely unaware of this aspect of
engraving. I had better study more scores
Am 28.04.2015 um 13:58 schrieb David Nalesnik:
Andrew,
On Tue, Apr 28, 2015 at 4:46 AM, Andrew Bernard
andrew.bern...@gmail.com mailto:andrew.bern...@gmail.com wrote:
Hi Urs and David,
Thanks so much. Yes, my chords are in voices so the slurs all face
the same direction
Am 28.04.2015 um 13:00 schrieb Peter Gentry:
That benlemon link is a real lemon - does the purported site actually
exist?
That's strange - I had actually looked at that page before pasting the
URL into the email post.
Urs
regards
Peter Gentry**
On Tue, 28 Apr 2015 10:32:29 +0200
Thomas Morley thomasmorle...@gmail.com wrote:
2015-04-28 10:18 GMT+02:00 Urs Liska u...@openlilylib.org:
Am 28.04.2015 um 10:16 schrieb Thomas Morley:
-
WaltDisneyScript
Should I type rofl or :(((
Probably a rude complaint towards the Ubuntu
On 2015-04-28 12:18, Werner LEMBERG wrote:
On my openSuSE GNU/Linux box, I get different results.
Given font name: Emmentaler-13
Determined font file: /usr/share/fonts/TTF/mplus-1c-medium.ttf
Actual font in that file: mplus-1c-medium
Given font is present: #f
Given font name:
I'll be in Hohenems from Thursday to Sunday this week.
If anyone is around I'd be happy about a chat.
And maybe to see anyone at one of the nowadays rare occasions performing
publicly.
Albeit not in the main concert programme I'll appear twice at the
Schubertiade Hohenems (at least partially
Ah yes I have seen Benjamins videos before. I think they are an excellent
introduction to Lilypond with Frescobaldi and have been
eagerly waiting for the promised advanced ones.
_
From: Federico Bruni [mailto:fedel...@gmail.com]
Sent: Tuesday, April 28, 2015 12:07 PM
To: Peter
On Tue, Apr 28, 2015 at 6:58 AM, David Nalesnik david.nales...@gmail.com
wrote:
Andrew,
On Tue, Apr 28, 2015 at 4:46 AM, Andrew Bernard andrew.bern...@gmail.com
wrote:
Hi Urs and David,
Thanks so much. Yes, my chords are in voices so the slurs all face the
same direction accordingly. I
I finally managed to hack together highlighting code for key signatures that
does what I want (ignores the initial key signature, and only highlights key
signatures at the beginning of the line if it was broken across the line).
But, my code feels.inelegant. In particular, I'm using a global
Am 29.04.2015 um 00:40 schrieb Steven Weber:
And apologies for the formatting. Scheme and I do not get along.
Counting parens drives me crazy, so I format it like I do any other
language that uses braces instead of parens (expect lots and lots of
extra white space!)
Here’s an excellent
Kieren MacMillan wrote
What would be involved in making a real stencil whiteout function which
could be applicable to all grobs?
For it to Do The Right Thing™, I imagine it should:
1. follow exactly the grob/glyph outline (i.e., not just a rectangle/box,
as currently implemented);
2.
Message: 4
Date: Tue, 28 Apr 2015 19:46:29 +1000
From: Andrew Bernard andrew.bern...@gmail.com
To: Urs Liska u...@openlilylib.org, lilypond-user@gnu.org, David
Nalesnik david.nales...@gmail.com
Subject: Re: Tie engraver
Hi Urs and David,
Thanks so much. Yes, my chords are in
On Mon, Apr 27, 2015 at 6:13 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Joram,
On Mon, Apr 27, 2015 at 5:30 PM, Noeck noeck.marb...@gmx.de wrote:
There is something which has to be fixed, though. All clefs get
colored,
Can this be avoided (even at the cost of not
I might be able to with Finale Notepad.
--
Phil Holmes
- Original Message -
From: Stefan Thomas
To: lilypond-user
Sent: Tuesday, April 28, 2015 4:39 PM
Subject: converting an old finale file
Dear community,
I have 2 very old finale-filee of two of my pieces and I'm
Dear community,
I have 2 very old finale-filee of two of my pieces and I'm searching for
someone, who could convert it to musicxml.
Is there someone around, who could do it for me?
Thanks,
Stefan
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I have line as a markup.. every time the spacing changes I have to adjust
the line. is there a way for it to follow (till the end) of the the note
region?
Thanks
Stephen
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Am 28.04.2015 um 12:18 schrieb Werner LEMBERG:
On my openSuSE GNU/Linux box, I get different results.
Given font name: Emmentaler-13
Determined font file: /usr/share/fonts/TTF/mplus-1c-medium.ttf
Actual font in that file: mplus-1c-medium
Given font is present: #f
Given font name:
Hi Stephen,
On Tue, Apr 28, 2015 at 9:57 AM, Stephen MacNeil classicalja...@gmail.com
wrote:
I have line as a markup.. every time the spacing changes I have to adjust
the line. is there a way for it to follow (till the end) of the the note
region?
Please provide a short code example showing
Ok sorry
say i have
line = \markup {
\raise #1
\draw-line #'(4 . 0)
}
\relative c' {
c8^\line d e f
c2^\line d e
}
I want the line to adjust the spacing to always be on top/below the other
note. I know I can manually do this but I was wondering if there is a way
to have it do it on its
Am 28.04.2015 um 13:36 schrieb Alexander Kobel:
BTW, on my Debian stable, I get:
~/test % fc-match FOOBAR
Vera.ttf: Bitstream Vera Sans Roman
~/test % fc-list --version
fontconfig version 2.9.0
Sorry if I ask stupid questions, but:
fc-match gives a list of
- file name (without path)
- font
Am 28.04.2015 um 16:50 schrieb Cynthia Karl:
Message: 6
Date: Tue, 28 Apr 2015 09:48:51 +0200
From: Urs Liska u...@openlilylib.org
To: Werner LEMBERG w...@gnu.org
Subject: Re: How to determine if a font is a fallback font?
Am 28.04.2015 um 09:38 schrieb Werner LEMBERG:
Is there a function to
is this correct?
(#'(,num))
(#'(,str))
thanks
Stephen
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On Wed, 29 Apr 2015 13:55:07 +1000
Nick Payne nick.pa...@internode.on.net wrote:
Needs Adobe Reader - I haven't found a 3rd party PDF viewer that can
cope with PDF portfolios.
In that case, no thanks.
-- Johan
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I've created a fully indexed portfolio of the 2.19.19 PDF docs. You can
get it from
https://www.dropbox.com/s/zn2zw53rka31oqa/lilydoc-2.19.19.pdf?dl=0 (38Mb).
Needs Adobe Reader - I haven't found a 3rd party PDF viewer that can
cope with PDF portfolios.
Nick
On Tue, 28 Apr 2015, tisimst wrote:
Oh, and I also uploaded a recently engraved score snippet from a Haydn
Sonata that you've just got to see that showcases the font. It's on the
Haydn font page http://fonts.openlilylib.org/haydn/ .
Looks good! At first I thought I was looking at a scanned
Am 29.04.2015 um 00:02 schrieb Nick Payne:
I notice that the notation.pdf that I downloaded for 2.19.19 is about
half the size of its predecessors - 17.2Mb vs 30.8Mb for the 2.19.18
notation manual. I downloaded it twice to verify and got the same size
each time. On a quick check of the file
Hi Ming,On Apr 28, 2015, at 4:51 PM, MING TSANG tsan...@rogers.com wrote:Thank you for the jianpu8.ly.I test run with v2.19.19 and I got the following error.Starting lilypond-windows.exe 2.19.19 [7-speech+jianpu_8.ly]...Processing `K:/LILY_POND/7-speech/7-speech+jianpu_8.ly'Parsing...Interpreting
On Apr 29, 2015, at 12:54 AM, Paul Morris p...@paulwmorris.com wrote:
Luckily it was not hard to fix. Attached is a new version.
Well, I spoke too soon… so here’s another version that should work.
-Paul
jianpu8b.ly
Description: Binary data
___
Hi Joram,
only a few comments as I don't have enough experience yet.
Am 29.04.2015 um 03:09 schrieb Kieren MacMillan:
Hi Joram,
Is this the right place to ask?
Yes… especially if Jan-Peter picks up the thread. =)
Yes. We don't have an openlilylib-user list and will probably never
have,
Am 28.04.2015 um 17:53 schrieb Urs Liska:
I think I have found something.
After some experimenting with a copy of font-config-get-font-file and
trying different approaches I could guess from the documentations
available I found that replacing an item in the FcPatternGetString
call this
Hello Stefan,
I have Finale 2014 installed and can to that provided it is able to open your
file.
Funny story:
I recently scanned a PDF file with PhotoScore Ultimate and exported as XML,
gave very poor score contents.
Imported that XML into Finale and re-exported as XML, the result was what
Am 28.04.2015 um 18:14 schrieb Urs Liska:
Am 28.04.2015 um 17:53 schrieb Urs Liska:
I think I have found something.
After some experimenting with a copy of font-config-get-font-file and
trying different approaches I could guess from the documentations
available I found that replacing an
Hi David and Ming,On Apr 25, 2015, at 6:18 PM, Paul Morris p...@paulwmorris.com wrote:However, I see now that really a different approach is needed. Basically whole notes and half notes should be converted into the equivalent number of quarter notes, with the first one displayed as a number and
tisimst wrote
All Haydn users,
I just discovered that I had a little bug in the font that messes up the
spacing when using the \tied-lyric markup function (i.e., it introduced
too
much space between the tied text). This has been fixed and an updated set
of fonts (v1.1) has been uploaded to
All Haydn users,
I just discovered that I had a little bug in the font that messes up the
spacing when using the \tied-lyric markup function (i.e., it introduced too
much space between the tied text). This has been fixed and an updated set
of fonts (v1.1) has been uploaded to
Hello all,
The following code creates the image attached. The problem is that I can't
figure out how to vertically align the cancellation in the lower staff
with the new key signature in the upper staff. I've tried the snippet at
http://lsr.di.unimi.it/LSR/Snippet?id=541 (included in the code)
Am 28.04.2015 um 21:59 schrieb Martin Tarenskeen:
On Tue, 28 Apr 2015, Urs Liska wrote:
Could you please post the end of the output of running with --verbose?
This *reminds* me of a problem I recently had that was/is related to a
change in Ghostscript handling.
Could be? Lilypond 2.19.18
Paul,
Thank you for the jianpu8.ly.I test run with v2.19.19 and I got the following
error.
Starting lilypond-windows.exe 2.19.19 [7-speech+jianpu_8.ly]...Processing
`K:/LILY_POND/7-speech/7-speech+jianpu_8.ly'Parsing...Interpreting
music...C:/Users/Tsang/Dropbox/LP_includes/jianpu8.ly:248:30:
I notice that the notation.pdf that I downloaded for 2.19.19 is about
half the size of its predecessors - 17.2Mb vs 30.8Mb for the 2.19.18
notation manual. I downloaded it twice to verify and got the same size
each time. On a quick check of the file I didn't find anything obviously
missing.
Hi,
I just tried the edition engraver on a more complex (real life) score
and I have some questions. Is this the right place to ask?
So far I have this structure (simplified) and ~30 \editionMods:
\score {
\new PianoStaff
\new Staff = md
\with { \consists \editionEngraver edition }
On Apr 28, 2015, at 13:37 , padovani zepadovani.li...@gmail.com wrote:
Hi,
But the code below one gives me an error if I compile with -dbackend=svg
[snip]
(I'm using 2.19.19 on OSX 10.9.5.)
PDF output doesn’t even work for me on OSX 10.10.3:
GNU LilyPond 2.19.19
Processing
Am 28.04.2015 um 10:28 schrieb Thomas Morley:
But that shouldn't make a difference. At least we can't accept that it makes
a difference.
What is the result of ly:ttf-ps-name when you pass it the full path to a
real emmentaler file (I can't see where they are on your system of course)?
Is there a function to retrieve the font name from a given file
name? It would be a viable approach if I could compare the result
of that request with the original font name.
For TTFs and TTCs (either with TrueType outlines or embedded CFFs) you
can use `ly:ttf-ps-name'.
Looking into
2015-04-28 9:23 GMT+02:00 Urs Liska u...@openlilylib.org:
Hi all,
#(ly:font-config-get-font-file Emmentaler-13)
gives me the full path to the font file used by the Emmentaler-13 font. If
I use a non-existent font name, say
#(ly:font-config-get-font-file SomeFont)
I get a reference to
Hi Paul,
Thanks a lot for snippet!
Here’s an example with words and autoBeamOff. The idea is to have both
traditional and modern vocal engraving with a unique source.
music = {
\time 2/4
| c'8[ d'] e' f'
| g'[ a'] b' c''
}
words = {
la li lo
la li lo
}
{\autoBeamOff \music}
Am 28.04.2015 um 10:16 schrieb Thomas Morley:
-
WaltDisneyScript
Should I type rofl or :(((
Probably a rude complaint towards the Ubuntu maintainers ;-)
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2015-04-28 10:16 GMT+02:00 Urs Liska u...@openlilylib.org:
Am 28.04.2015 um 10:12 schrieb Thomas Morley:
2015-04-28 9:48 GMT+02:00 Urs Liska u...@openlilylib.org:
Am 28.04.2015 um 09:38 schrieb Werner LEMBERG:
Is there a function to retrieve the font name from a given file
name? It
Am 28.04.2015 um 10:55 schrieb Alexander Kobel:
On 2015-04-28 10:16, Urs Liska wrote:
Am 28.04.2015 um 10:12 schrieb Thomas Morley:
2015-04-28 9:48 GMT+02:00 Urs Liska u...@openlilylib.org:
Am 28.04.2015 um 09:38 schrieb Werner LEMBERG:
For TTFs and TTCs (either with TrueType outlines or
Am 28.04.2015 um 03:44 schrieb Paul Morris:
Calixte Faure wrote
Traditionally, vocal scores are written without beams, except for melisma.
But modern scores tend to keep beams everywhere and put slurs to indicate
melisma.
Is it possible to have both output with one source, without complicating
Hi,
This code compiles on .ps /.svg backends without problems:
%code 1
\score {
\new Staff {
\time 2/4
c2_\markup {
\override #'(font-name . Helvetica)
here it works
}
}
}
%end code 1
But the code below one gives me an error if I compile with -dbackend=svg
%code2
\score {
\new Staff {
Hi Urs,
On Tue, Apr 28, 2015 at 11:38 AM, Urs Liska u...@openlilylib.org wrote:
Am 28.04.2015 um 18:14 schrieb Urs Liska:
Am 28.04.2015 um 17:53 schrieb Urs Liska:
I think I have found something.
After some experimenting with a copy of font-config-get-font-file and
trying different
Am 28.04.2015 um 20:16 schrieb David Nalesnik:
Hi Urs,
On Tue, Apr 28, 2015 at 11:38 AM, Urs Liska u...@openlilylib.org
mailto:u...@openlilylib.org wrote:
Am 28.04.2015 um 18:14 schrieb Urs Liska:
Am 28.04.2015 um 17:53 schrieb Urs Liska:
I think I have found
I think I have found something. [...]
Looks promising! Thanks for working on that. Note that I can help
with FreeType details, but not with FontConfig issues. However, the
maintainers on fontconfig's e-mail list are very responsive in case
you have difficulties.
Werner
PS: I suggest
david Paul:
This morning I run a ly file with jianpu6b.ly and I notice the lyrics is not
lining vertically to the note for 3 - - and 2 - (bar 1 % 2)please refer to .png
David, any progress about missing underline for 8th-note and 16th-note in my
previous email?
Immanuel,Ming.
On
Hi All,
I'm not sure if this is the place to post about recent versions and
possible bugs. I get the following error when trying to compile a MWE:
Starting lilypond 2.19.20 [Untitled]...
Processing `/tmp/frescobaldi-NJlynW/tmpIzKobr/document.ly'
Parsing...
Interpreting music...
Preprocessing
Could you please post the end of the output of running with --verbose?
This *reminds* me of a problem I recently had that was/is related to a
change in Ghostscript handling.
Am 28.04.2015 um 21:03 schrieb N. Andrew Walsh:
Hi All,
I'm not sure if this is the place to post about recent
Hi all,
#(ly:font-config-get-font-file Emmentaler-13)
gives me the full path to the font file used by the Emmentaler-13
font. If I use a non-existent font name, say
#(ly:font-config-get-font-file SomeFont)
I get a reference to emmentaler-11.otf, which is obviously used as
fallback font by
Le 28/04/2015 10:03, ArnoldTheresius a écrit :
Hello,
if the first-page-number is different than 1, then the page-links in the PDF
(i.e. TOC, \page-link, \label \page-ref) lead you to the wrong page.
E.g. first-page-number = 3; then a link to page 4 will lead you to the 4th
page, but this is
On my openSuSE GNU/Linux box, I get different results.
Given font name: Emmentaler-13
Determined font file: /usr/share/fonts/TTF/mplus-1c-medium.ttf
Actual font in that file: mplus-1c-medium
Given font is present: #f
Given font name: Emmentaler-13
Determined font file:
What is the result of ly:ttf-ps-name when you pass it the full path
to a real emmentaler file (I can't see where they are on your
system of course)?
#(display
(ly:font-config-get-font-file
/home/harm/lilydevel/usr/share/lilypond/current/fonts/otf/emmentaler-13.otf))
On 2015-04-28 10:16, Urs Liska wrote:
Am 28.04.2015 um 10:12 schrieb Thomas Morley:
2015-04-28 9:48 GMT+02:00 Urs Liska u...@openlilylib.org:
Am 28.04.2015 um 09:38 schrieb Werner LEMBERG:
For TTFs and TTCs (either with TrueType outlines or embedded CFFs) you
can use `ly:ttf-ps-name'.
[...]
On 2015-04-28 10:51, Werner LEMBERG wrote:
What is the result of ly:ttf-ps-name when you pass it the full path
to a real emmentaler file (I can't see where they are on your
system of course)?
#(display
(ly:font-config-get-font-file
Hi Urs and David,
Thanks so much. Yes, my chords are in voices so the slurs all face the same
direction accordingly. I was completely unaware of this aspect of engraving. I
had better study more scores and order that copy of Behind Bars!
But then the question becomes transformed - can you tell
On 2015-04-28 11:45, Urs Liska wrote:
Am 28.04.2015 um 11:41 schrieb Werner LEMBERG:
family Alegreya
Alegreya:style=Regular
snip/
family DejaVu Sans
DejaVu Sans:style=Book
snip/
family Emmentaler-11
Emmentaler\-11:style=11
[...]
Hmm...
No `hmm' here :-) Lilypond adds its own font
family Alegreya
Alegreya:style=Regular
snip/
family DejaVu Sans
DejaVu Sans:style=Book
snip/
family Emmentaler-11
Emmentaler\-11:style=11
[...]
Hmm...
No `hmm' here :-) Lilypond adds its own font directories to the list
of directories searched by fontconfig.
Werner
Am 28.04.2015 um 11:41 schrieb Werner LEMBERG:
family Alegreya
Alegreya:style=Regular
snip/
family DejaVu Sans
DejaVu Sans:style=Book
snip/
family Emmentaler-11
Emmentaler\-11:style=11
[...]
Hmm...
No `hmm' here :-) Lilypond adds its own font directories to the list
of directories
--verbose gives me:
$ lilypond --verbose transkription\ kayser\ 1.\ messe\ c-dur.ly
Log level set to 287
GNU LilyPond 2.19.20
Relocation: from
Hello,
if the first-page-number is different than 1, then the page-links in the PDF
(i.e. TOC, \page-link, \label \page-ref) lead you to the wrong page.
E.g. first-page-number = 3; then a link to page 4 will lead you to the 4th
page, but this is page 6.
(done with Lilypond 2.18.2 on Windows, both
Am 28.04.2015 um 09:38 schrieb Werner LEMBERG:
Is there a function to retrieve the font name from a given file
name? It would be a viable approach if I could compare the result
of that request with the original font name.
For TTFs and TTCs (either with TrueType outlines or embedded CFFs) you
Am 28.04.2015 um 10:07 schrieb Thomas Morley:
2015-04-28 9:23 GMT+02:00 Urs Liska u...@openlilylib.org:
Hi all,
#(ly:font-config-get-font-file Emmentaler-13)
gives me the full path to the font file used by the Emmentaler-13 font. If
I use a non-existent font name, say
2015-04-28 9:48 GMT+02:00 Urs Liska u...@openlilylib.org:
Am 28.04.2015 um 09:38 schrieb Werner LEMBERG:
Is there a function to retrieve the font name from a given file
name? It would be a viable approach if I could compare the result
of that request with the original font name.
For TTFs
Am 28.04.2015 um 10:12 schrieb Thomas Morley:
2015-04-28 9:48 GMT+02:00 Urs Liska u...@openlilylib.org:
Am 28.04.2015 um 09:38 schrieb Werner LEMBERG:
Is there a function to retrieve the font name from a given file
name? It would be a viable approach if I could compare the result
of that
2015-04-28 10:12 GMT+02:00 Urs Liska u...@openlilylib.org:
Am 28.04.2015 um 10:07 schrieb Thomas Morley:
2015-04-28 9:23 GMT+02:00 Urs Liska u...@openlilylib.org:
Hi all,
#(ly:font-config-get-font-file Emmentaler-13)
gives me the full path to the font file used by the Emmentaler-13
2015-04-28 10:18 GMT+02:00 Urs Liska u...@openlilylib.org:
Am 28.04.2015 um 10:16 schrieb Thomas Morley:
-
WaltDisneyScript
Should I type rofl or :(((
Probably a rude complaint towards the Ubuntu maintainers ;-)
I told you, it's an outdated system.
I really should upgarde or use another
Message: 6
Date: Tue, 28 Apr 2015 09:48:51 +0200
From: Urs Liska u...@openlilylib.org
To: Werner LEMBERG w...@gnu.org
Subject: Re: How to determine if a font is a fallback font?
Am 28.04.2015 um 09:38 schrieb Werner LEMBERG:
Is there a function to retrieve the font name from a given file
Hi all,
What would be involved in making a real stencil whiteout function which could
be applicable to all grobs?
For it to Do The Right Thing™, I imagine it should:
1. follow exactly the grob/glyph outline (i.e., not just a rectangle/box, as
currently implemented);
2. include a parameter to
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