Re: suppress page break with bookparts

r example: \version "2.24.4" \bookpart { \score { { c'4 4 4 4 } } \score { { d'4 4 4 4 } } } -- Knute Snortum

Re: Problems with alternate endings

On Thu, Oct 3, 2024 at 10:28 AM Knute Snortum wrote: > > On Thu, Oct 3, 2024 at 7:28 AM Cameron Hall wrote: > >> >> What about this case where the slur is only on the very last note of >> the first ending? >> >> %%% BEGIN EXAMPLE %%% >> \

Re: Problems with alternate endings

-- Knute Snortum On Thu, Oct 3, 2024 at 7:28 AM Cameron Hall wrote: > > What about this case where the slur is only on the very last note of > the first ending? > > %%% BEGIN EXAMPLE %%% > \version "2.24.4" > \fixed c'' { > r2 r4 g,( > \repea

Re: suppress page break with bookparts

On Wed, Oct 2, 2024 at 7:10 AM Walt North wrote: > I have some use cases where I may want to change one or more \paper block > values for some system lines. I tried \bookpart but that is forcing page > breaks. > >- Is there anyway to suppress the page break? > > Try \no

Re: Changing the shape of a tie in a chord

t; \once \override TieColumn.positioning-done = ##t > q2. > } > Thanks, that works perfectly! -- Knute Snortum

Re: Problems with alternate endings

On Mon, Sep 30, 2024 at 2:31 PM Cameron Hall wrote: > On Mon, 30 Sep 2024 12:45:25 -0700 > Knute Snortum wrote: > > > On Mon, Sep 30, 2024 at 11:54 AM Cameron Hall > > wrote: > > > > > However, I still can't get the slur to work. > > > > >

Changing the shape of a tie in a chord

relative { 4 q2. 4 q2. } %%% -- Knute Snortum

Re: Problems with alternate endings

On Mon, Sep 30, 2024 at 11:54 AM Cameron Hall wrote: > However, I still can't get the slur to work. > I don't know the answer for the repeats, but use a \repeatTie for the partial slur in the second ending: a8\repeatTie r16 b( c' d' | % 2nd ending -- Knute Snortum

Re: Beaming error

d, I get beams subdivided into groups of four and further into groups > of two. What am I doing wrong? > > Best, > Richard > > > Since you're using 2.25, the syntax is easier: https://lilypond.org/doc/v2.25/Documentation/notation/setting-automatic-beam-behavior \version "2.25.17" \language "english" { \set subdivideBeams = ##t \set minimumBeamSubdivisionInterval = \musicLength 8 \tuplet 3/2 { c'16 16 16 } \repeat unfold 4 c'32 \repeat unfold 8 c'32 \repeat unfold 4 c'32 \tuplet 3/2 { c'16 16 16 } c'8 \repeat unfold 4 c'32 } -- Knute Snortum

How to shape the second tie after tieWaitForNote = ##t?

) | } %%% So my question is, how do I change the shape of the second tie after a tieWaitForNote = ##t? -- Knute Snortum

Re: Vertical positions of slurs and accents

-- Knute Snortum On Fri, Sep 27, 2024 at 8:14 AM David Sumbler wrote: > > > On Fri, 2024-09-27 at 07:54 -0700, Knute Snortum wrote: > > > On Fri, Sep 27, 2024 at 7:42 AM David Sumbler wrote: > > How do I persuade Lilypond to position all accent marks inside slurs

Re: Vertical positions of slurs and accents

and turns too. You could do them one by one with: \tweak avoid-slur = #'inside Post a MWE for us to work with and we'll give you a better answer. -- Knute Snortum

Re: Poor formatting when using partCombine and quoteDuring

4 e d f } \score { << \new Staff \flute \new Staff \clarinet >> } %%% -- Knute Snortum

A variation on issues #34: grace notes and \stemNeutral

e note". This is probably not different enough to post back to the #34 issues page (which has a lot of discussion) but I thought I'd post it here as it took me a little while to figure out. -- Knute Snortum

Re: Lead sheet capo chords in brackets

rdName.font-size = #-3 \override Parentheses.font-size = #2 \override ChordName.style = #'american \parenthesizeAllchords \basicchords } %==== -- Knute Snortum

Re: Manual page-breaking

- this is the important part >> \layout {} } %%% -- Knute Snortum

Re: Accent too close to note with acciaccatura and slur

On Sat, Sep 21, 2024 at 11:25 AM wrote: > Knute, > > > > Is positioning the accent above the note permissible? > > > > \fixed c' { \acciaccatura { f8 } e4^>^( f4) } > That's one way to do it... -- Knute Snortum

Accent too close to note with acciaccatura and slur

ust the accent's Y-offset, but is there a better way to deal with this? Should I create a bug report for this? -- Knute Snortum

Re: What am I doing wrong?

gestions? > Just to double check, you entered the full path to LilyPond, PLUS lilypond.exe? -- Knute Snortum

Re: where are the file created?

you're not used to using the Command Prompt in Windows, it's not going to be easy. We might need to chat away from the mailing list if you really want to do it. -- Knute Snortum

Re: where are the file created?

but not with Frescobaldi (version 3.3.0, from git, Ubuntu 24.04). -- Knute Snortum

Re: Simple ternary da capo structure

On Tue, Sep 17, 2024 at 12:11 PM Xavier Scheuer wrote: > On Tue, 17 Sept 2024 at 17:03, Knute Snortum wrote: > > > > Here's what I came up with: > > Hello, > > Actually there is a property for the fine bar type. > \set Score.fineBarType = "||" &g

Re: Simple ternary da capo structure

ats ... and added a few notes, changed the "volta" to "segno", and added the bar numbers. In the future, post what you've tried at least so we know what you're looking for. -- Knute Snortum

Re: Bad bar check warning with two voices, appoggiatura, and articulate

On Mon, Sep 16, 2024 at 2:14 PM Knute Snortum wrote: > > On Mon, Sep 16, 2024 at 12:15 PM David Kastrup wrote: > >> >> In my book, an appoggiatura is executed at least with the written >> duration, and here you take 3/16 of time from 1/8. How is that supposed >

Re: Bad bar check warning with two voices, appoggiatura, and articulate

right that I need an acciaccatura. Thank you for looking into it. -- Knute Snortum

Bad bar check warning with two voices, appoggiatura, and articulate

% } \include "articulate.ly" \score { \articulate << \new Staff \rightHand >> \midi {} } %%% This may be related to the problems with creating the MIDI output of an appoggiatura with articulate. -- Knute Snortum

Re: Does Frescobaldi Have a User Community

uot;acceptable" options within Frescobaldi, do allow those > options. > Hmm... I didn't have any problems with this code: \version "2.24.4" \book { \bookOutputName "/home/xxx/tmp/foo" \score { \relative { c''4 d e f } } } -- Knute Snortum

Re: Does Frescobaldi Have a User Community

> I couldn't find any reference to adding directives to the LilyPond > command line for Frescobaldi. > Have you tried custom engraving? (LilyPond menu -> Engrave (custom)). > Is there a separate community for Frescobaldi, or is this the community > for all things LilyPond? > A lot of people post about Frescobaldi here and I think that's okay. There is a Google Group for Frescobaldi (frescoba...@googlegroups.com) but I don't know how closely that's watched. -- Knute Snortum

Re: shared notes across piano staff

-- Knute Snortum On Wed, Sep 11, 2024 at 9:40 AM Robert Garrigos wrote: > Hi, > > I have this piano excerpt I’m trying to reproduce: > > [image: Cursor_and_CP_Schum_47_pdf.jpeg] > and I have this code: > > \score { > << > \new PianoStaff > <<

Re: Text input size

e Zoom button only works on the > Music panel). > It looks like under Edit -> Preferences -> Fonts and Colors, at the bottom is a font size. Try that. -- Knute Snortum

Re: Inconsistent crescendo endings (and kate weirdness)

ct. Any ideas why? > Crescendos will end at the bar line unless you explicitly tell it not to. %%% \version "2.24.4" \relative { c''4 c\< c c | d\! d-\tweak to-barline ##f \< d d | e\! e e e | } %%% -- Knute Snortum

Re: OMET ceasing operation

Sorry to see it go. -- Knute Snortum On Sun, Aug 25, 2024 at 5:39 PM Mike Blackstock wrote: > OMET (Online Music Engraving Tools , https://ide.omet.ca), an online > front-end to lilypond, will cease operation after on or shortly after > August 28th. > > Thanks to all wh

Re: Inquiry on Adjusting Vertical Spacing Between Systems in Automatically Wrapped Lines

you to complete a small working example for us, or you may just figure it out yourself! -- Knute Snortum

Re: Alternative small note in brackets?

u might start with overriding the notehead font size: \version "2.24.4" % small note head snh = \single \override NoteHead.font-size = -2 \etc { 4 } -- Knute Snortum

Re: spacing between staves, globally

} tromboneAPart = \new Staff \with { instrumentName = "I" } { \clef bass \tromboneA } tromboneBPart = \new Staff \with { instrumentName = "II" } { \clef bass \tromboneB } \score { \new GrandStaff << \tromboneAPart \tromboneBPart >> } %%% -- Knute Snortum

Re: How to lengthen stems in beamed groups

do I tell LilyPond what length the shortest >> stem in a beamed group should be? (I tried playing >> with Stem.details.beamed-minimum-free-lengths, but its behavior seemed >> chaotic.) And is there a better way to control stem lengths in beamed >> groups? >> >&g

Re: How to get C(add9)???

On Sun, Jun 30, 2024 at 4:42 AM Mats-Olof Liljegren wrote: > Hi! > > Lilypond version ”2.25.17” error(?): > Using: 1-\markup { \super "add9" } > Gives med C9 = C E G Bb D' > Solution??? > Attached is some code with a few examples of creating chord exc

Re: "correct" key for the Clarinet solo from the Mozart Clarinet Concerto, 2nd movement, tanscribed for Piano.

-- do you want to change the entire concerto from A to C? If so, I would put the second movement in F. Up to you. -- Knute Snortum

Re: "correct" key for the Clarinet solo from the Mozart Clarinet Concerto, 2nd movement, tanscribed for Piano.

in A: https://imslp.org/wiki/Clarinet_Concerto_in_A_major%2C_K.622_(Mozart%2C_Wolfgang_Amadeus) -- Knute Snortum

How to lengthen stems in beamed groups

t (stem-lengths-better.png). My questions are these: How do I tell LilyPond what length the shortest stem in a beamed group should be? (I tried playing with Stem.details.beamed-minimum-free-lengths, but its behavior seemed chaotic.) And is there a better way to control stem lengths in beamed groups? -

Re: Vertically align objects of same class?

t to use lyricsMode. %%% \version "2.24.3" music = \relative c'' { c4 c' c,, c'\break g g' g,, g' } text = { s4_"I" s_"II" s_"III" s_"IV" s_"A" s_"B" s_"C" s_"D" } << \new Staff \music \new Dynamics \text >> %%% -- Knute Snortum

LSR down?

The LSR looks like it's down. I don't know who is responsible for it so I thought I'd just post here. -- Knute Snortum

Re: Accidental placement with dense chord

t; > Maybe it breaks the rules, but it looks easy to read to me. > It looks good to me, and it helps that the chord before it is also shifted in this way (see attached). Thanks! -- Knute Snortum

Accidental placement with dense chord

nd D) is my own stab at it. I have two questions: which looks better, A, B, C, or D? And is there a better way to manipulate the accidental placements other than forcing the X-offsets? -- Knute Snortum \version "2.24.3" \language "english" \relative { \mark A << {

Re: Spontini experiences

I would guess that some people might have different formatting schemes and just want the indentation done, but that's not a very high priority for me personally. I just use the format tool, so it might make sense to only implement that in your software. -- Knute Snortum On Fri, Jun 14,

Re: Spontini experiences

If we re-indent, it will look like this: { c''4 4 4 4} But if we format, it will look like this: { c''4 4 4 4 } -- Knute Snortum

Re: Two adjacent clefs

, but then this should > essentially boil down to setting > > initialClefChange = ##t > Thank you for this. One question: is the second clef the size of a "change clef" ? The reason I chose LSR 792 over 956 is the size of the second clef. -- Knute Snortum

Re: Two adjacent clefs

that they don't notice it's two bass clefs), ... > The situation of having an initial clef, then changing it to another clef, is not uncommon in piano music. Recall Chopin's prelude in e flat minor, opus 28, number 14 (attached). -- Knute Snortum

Re: Two adjacent clefs

t where due.) All you do is include it in your LilyPond source and write \trebleToBass or \bassToTreble and you have what you want. -- Knute Snortum force-initial-clef.ily Description: Binary data

Re: Creating otvaves with cue notes as the bottom note

I like the addStacc func; I will definitely use that! But I need the top note of the octave normal size and the bottom one cue sized. Your script seems to cue-size both notes in the octaves. Still, thanks for your contribution! It was a way of doing it I hadn't thought of. -- Knute Sn

Creating otvaves with cue notes as the bottom note

recursion, so is that even possible?) If anyone has the time to create a function for me that creates octaves with a cue-sized note as the bottom note, I would be very grateful. If not, well, copy and paste works! Thanks, -- Knute Snortum

Re: Unexpected suffix in chordmode

:13 g1:11+.13 } << \new ChordNames \theMusic \new Voice \theMusic >> %%% -- Knute Snortum

Re: base 4/4 sheet with tab for guitare

On Mon, May 27, 2024 at 6:24 PM Jean-Christophe Énée < jean-christo...@blues-softwares.net> wrote: > > how can i have hightligth syntax on gedit ? > Does it have to be GEdit? There is syntax highlighting in other editors like Frescobaldi, VSCode, vim. -- Knute Snortum

Re: base 4/4 sheet with tab for guitare

On Mon, May 27, 2024 at 5:52 PM Jean-Christophe Énée < jean-christo...@blues-softwares.net> wrote: > hi > > how add tab ? > Use \new TabStaff instead of \new Staff -- Knute Snortum

Re: base 4/4 sheet with tab for guitare

a github repository -- if that's what you're doing -- but you don't have to do that. I'm not sure what you mean by "import hacklily". You can type code into hacklily or copy and paste it. -- Knute Snortum

Re: base 4/4 sheet with tab for guitare

is will get you close: https://lilypond.org/doc/v2.24/Documentation/snippets/templates#templates_003a-single-staff-template-with-notes_002c-lyrics_002c-chords-and-frets Then instead of \new Staff, write \new TabStaff. -- Knute Snortum

Re: Unexpected suffix in chordmode

-- Knute Snortum On Sat, May 25, 2024 at 2:18 PM Nikita Borisenko wrote: > Hi Everyone, > > Can anyone please advise why the following snippet outputs G9.13 instead > of just the G13 chord name? > I don't know "why", but this is how you would get just a 1

Re: how to remove marks automatically

ata :32 > } > > You could try something like this: /\\mark\s*\\markup\s*\{\s*\\box\s\{\s*\w+\s*\}\s*\}/gm -- Knute Snortum

Re: jump to coda inside repeat with alternative

Frescobaldi as your editor, you can make it a snippet, or several snippets. -- Knute Snortum

Re: jump to coda inside repeat with alternative

2.24.3" { c''4 4 4 4 \stopStaff s1 \once \set Staff.forceClef = ##t \startStaff c''4 4 4 4 } %%% -- Knute Snortum

Re: Centered number of bars of multi-measure rest in piano staff?

< \new Staff \compressMMRests \musicOne \new Staff \compressMMRests \musicTwo >> %%% The key points are omitting the multi measure rest number in the right hand and moving the number up in the left. -- Knute Snortum

Re: Removing the change clef in a first ending (volta 1)

On Tue, May 21, 2024 at 11:28 AM Xavier Scheuer wrote: > On Tue, 21 May 2024 at 19:42, Knute Snortum wrote: > > > > It's probably easier to see in the MWE and screen shot I've attached. > So is there a way to get rid of the bass change clef indicator in the first &g

Re: Moving dynamics onto the staff

solution is just to put the dynamic mark in the staff, as you stated. -- Knute Snortum

Removing the change clef in a first ending (volta 1)

r to see in the MWE and screen shot I've attached. So is there a way to get rid of the bass change clef indicator in the first ending? All input is very much appreciated. -- Knute Snortum \version "2.24.3" \relative { \repeat volta 2 { \repeat unfold 4 { c'4 c c c }

Re: Moving dynamics onto the staff

ride DynamicLineSpanner.Y-offset = 7 s1\f } \score { \new PianoStaff << \new Staff \rightHand \new Dynamics \dynamics \new Staff \leftHand >> } -- Knute Snortum

Re: Moving dynamics onto the staff

of dynamics. In this case, there's only > one dynamic in the DynamicLineSpanner, but this still applies. > Thank you for taking the time to explain that to me. -- Knute Snortum

Moving dynamics onto the staff

ld overriding the dynamic line spanner's outside-staff-priority change where the forte goes? Isn't it DynamicText? If anyone can clear this up for me, I would be very appreciative. -- Knute Snortum

Re: Disable all padding and collision around markup

have the spacing engine > ignore the TextScript). However, it might be just as easy — or maybe > even easier? — to simply tweak the X-offset and Y-offset rather than > using extra-offset: > The extra-offset happens late in the rendering process, so the other grobs can't adjust to its movement like they do with X- and Y-offset. -- Knute Snortum

Re: Polytempo barlines

e > \remove "Forbid_line_break_engraver" > } > } > } > You may want to add... \layout { \enablePolymeter } ...to your input file. Have a look at: https://lilypond.org/doc/v2.24/Documentation/notation/displaying-rhythms#polymetric-notation -- Knute Snortum

Re: Showing fingering on top of slurs

ng the avoid-slur property to the fingering: \version "2.24.0" \language "english" \relative { \override Staff.Fingering.layer = 2 % fingering should overwrite slurs \override Staff.Fingering.avoid-slur = #'ignore r4 r8 -1-3( 16-2-4 -1-5-2-4-3-5) } https://lilypond.org/doc/v2.24/Documentation/internals/slur -- Knute Snortum

Re: Tie between staves of a PianoStaff

quot;down" \voiceOne b4) \change Staff = "up" s4 % 2 } Also, just for future reference, if you just have one slur or tie (or other things like fematas) to change up or down, you can use the direction indicators: b2_( % slur down b2^( % slur up -- Knute Snortum

Re: Tie between staves of a PianoStaff

is that one voice will overlap the other as the two voices will render simultaneously. Putting these two ideas together gives you the ability to tie across staves. If the tie does not look the way you want it to, you can control its shape with the shape command, which looks like this: \shape

Re: Re[4]: Frescobaldi?

throughout the codebase to allow for easier maintenance and plugin > development. > > Thoughts? ♥ > I'm an intermediate-level python programmer but I might be able to help with busy work like typing and documenting functions, with some feedback. Anything to give back to a project that I use all the time! -- Knute Snortum

Re: aftergrace consistently close to the next bar line

a fraction right after the \afterGrace command to indicate how far the afterGrace notes should be from the base note. The closer the fraction is to 1, the farther the grace note. So try something like: \afterGrace 15/16 gis' \glissando {\once \hide Stem \parenthesize eih4} -- Knute Snortum

Re: \after … \beforeLast?

o to-barline property (that I'm aware of) so a construction like this: \version "2.24.3" \relative { c''4\sustainOn c c c <>\sustainOff | c4\sustainOn c c c <>\sustainOff | \break c4\sustainOn c c c <>\sustainOff | } ... means you will get a combined sustainOff/sustainOn at the first beat of the second and third measures and an error from the last <>sustainOff in the code. -- Knute Snortum

Re: \after … \beforeLast?

On Thu, May 2, 2024 at 1:10 PM Pierre-Luc Gauthier wrote: > > { > > s2...\< s16\! | > > } > > ...that I do it almost automatically. > > Try that in 12/8 :-) > { \time 12/8 s1*23/16\< s16\! | % ?? } Yeah, I see your point. ;) -- Knute Snortum

Re: \after … \beforeLast?

On Thu, May 2, 2024 at 10:31 AM Pierre-Luc Gauthier < p.luc.gauth...@gmail.com> wrote: > Le jeu. 2 mai 2024, à 13 h 08, Knute Snortum a écrit > : > > Perhaps I'm not getting the need for this command as you could using an > empty chord at the end of the r

Re: \after … \beforeLast?

nd as you could using an empty chord at the end of the repeat to do the same thing: { <>(\< \after 2 \> \repeat unfold 8 {e''16 d''} <>)\!| } Maybe there are other situations where \beforeLast would be useful? -- Knute Snortum

Re: slurs problem with voices

On Wed, May 1, 2024 at 10:55 PM Robert Garrigos wrote: > Oh this is a bit embarrassing, such a basic error….. sorry, I never > realized that the parenthesis needs to be right after the first note. > Nothing to be embarrassed about. It takes some getting used to. -- Knute Snortum

Re: slurs problem with voices

er* the note. So if you want to slur from note a to note b, you write: a( b) The above slur will start on the note a and end on the note b. -- Knute Snortum

Re: Frescobaldi?

dy even attempted the > Qt 6 migration. > > Yes, if the current state continues, Frescobaldi will ultimately die a > natural death. Sorry that I cannot exactly bring an optimistic message > here. > If there is busy work that needs to be done on the project, I can do that, but I also don't own a Mac. -- Knute Snortum

Re: slur cross staves

ightHand = \relative { \set tieWaitForNote = ##t \shape #'((-5 . -7.5) (-4 . 0) (0 . 0) (0 . 0)) Slur \grace { c'4~^( g'~ c~) } 1 } leftHand = \relative { \clef bass \set tieWaitForNote = ##t \grace { f,4~ c'~ a'~ s4 * 3 } 1 } \score { \new PianoStaff << \new Staff = "upper" \rightHand \new Staff = "lower" \leftHand >> } -- Knute Snortum

Re: GraceSpacing on Staff

On Fri, Apr 26, 2024 at 10:02 AM Leo Correia de Verdier < leo.correia.de.verd...@gmail.com> wrote: > s4*3 after the grace notes (within the grace group) in the lower staff. > This is probably better than what I posted. -- Knute Snortum

Re: explicit arpeggio

t \grace { c'4~ g'~ c~ } 1 } leftHand = \relative { \clef bass \set tieWaitForNote = ##t \grace { f,4~ c'~ a'~ \staffUp \hideNotes \shiftOff c g' c } \unHideNotes \staffDown 1 } \score { \new PianoStaff << \new Staff = "upper" \rightHand \new Staff = "lower" \leftHand >> } -- Knute Snortum

Re: Lyrics and Barchecks

nt: #(define ly:expect-warning-times (lambda args (for-each (lambda _ (apply ly:expect-warning (cdr args))) (iota (car args) You might use it like this: #(ly:expect-warning-times 4 "bar check failed") -- Knute Snortum

Re: Force LilyPond to show same time signature again

{ \clef bass \time 3/4 \repeat unfold 6 { c8 } \time 3/4 \repeat unfold 6 { c8 } \time 3/4 \repeat unfold 6 { c8 } } \score { \new GrandStaff << \new Staff = "upper" \rightHand \new Staff = "lower" \leftHand >> } -- Knute Snortum

Re: Force LilyPond to show same time signature again

On Sat, Apr 20, 2024 at 3:02 PM Hajo Baess wrote: > I have messed around with this little lab specimen here, and I have > found a solution, but it is weird. You obviously (after having scaled > some rhythm just once) have to explicitly unscale the rhythm e v e r y > time you want it to appear in

Re: Force LilyPond to show same time signature again

s where tiny examples (https://lilypond.org/tiny-examples.html) are important. Build an example of the problem with as little other stuff as possible. It's difficult sometimes, but it will sometimes lead you to an answer, and it certainly helps anyone trying to assist you. -- Knute Snortum -- Knute Snortum -- Knute Snortum -- Knute Snortum

Re: Force LilyPond to show same time signature again

you could put this at the top of your file: stopTimeSignature = \omit Score.TimeSignature startTimeSignature = \undo \omit Score.TimeSignature Then you could use \stopTimeSignature \startTimeSignature in your file. -- Knute Snortum

Re: Force LilyPond to show same time signature again

I'm misunderstanding, just repeating the \time should do it: \version "2.24.3" \score { \new Staff { \relative { \time 4/4 \repeat unfold 8 { c'8 } | \time 4/4 \repeat unfold 8 { c8 } | } } } -- Knute Snortum

Re: Delayed turns etc

Here are my answers. Other people may have better suggestions. On Tue, Apr 16, 2024 at 2:27 PM Peter Mayes wrote: > 1. I would like the \trill in bar 2 and the ten(uto) in bar 6 to be below > the slurs, and not above. > Getting the trill under (inside) the slur is easy: % Trill under slur wi

Re: Multiple parts on the same stems

27;2 | s1 | s2 f2 | } tamTam = \relative { \voiceTwo \override NoteHead.style = #'cross \stemDown s1 | s2 e2 | s1 | s2 e2 | } -- Knute Snortum

Re: Vertically Repositioning \tempo Output

e overcrowding disappeared. > > Thank you for the inspiration! > > Peter A > > > On 4/14/24 21:16, Knute Snortum wrote: > > On Sun, Apr 14, 2024 at 2:37 PM PMA > wrote: > > > Hi List -- > > One of my several \tempo commands is printing its line too f

Re: Vertically Repositioning \tempo Output

he right direction? > It's hard to know how to help you if you don't have a tiny example ( https://lilypond.org/tiny-examples.html). For instance, I was able to affect the Y-offset of a metronome mark with this code: \version "2.24.3" { \tweak MetronomeMark.Y-offset 5 \tempo "Allegro" c''1 } -- Knute Snortum

Re: Installing 2.24.1

cobaldi? Why? > There is a web page that deals with command-line installation, if that's what you want: https://lilypond.org/doc/v2.24/Documentation/learning/command-line-setup -- Knute Snortum

Re: Conflicting \section and \grace?

roblem: melody = \relative c' { c1 \section % play with (un)commenting \grace { s8 } R1 c } -- Knute Snortum

Cyclic dependency error with change staff and trillSpan

ter the afterGrace, plus the trillSpan for the error to show. Any ideas on how to fix this? -- Knute Snortum

Re: Tie an afterGrace note produces warning

On Fri, Mar 22, 2024 at 8:38 AM Aaron Hill wrote: > > > \version "2.25.13" > > \relative { >\afterGrace c''4\trill { b16 \set tieWaitForNote = ##t c~ } c4 > } > > Works great! Thanks. -- Knute Snortum

Tie an afterGrace note produces warning

erminated tie \afterGrace c''4\trill { b16 c ~ } c4 Is there any way around this, as I need this for my current project? -- Knute Snortum

Re: repeating chords with just the duration

On Sun, Mar 17, 2024 at 1:43 PM Carl Sorensen wrote: > Use q to repeat chords. > Of course. Thanks. -- Knute Snortum

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