Re: [OT] Vivi, the Virtual Violinist, plays LilyPond music

the constraints that are necessitated by that physical problem. -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: help with particular notation...

that notation means. It could be a comma (breath mark), a quaver rest, or some sort of articulation. At least tell us the meter of the music. -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: XML2Liliypond conversion

At 19:38 on 22 Jun 2010, Patrick Schmidt wrote: Correct me if I'm wrong but I don't think that musicxml2ly can read .capx-files. It can handle .xml and .mxl-files, though. This looks as though it might be helpful: http://bjungmann.privat.t-online.de/CapXMLSkripte.htm#CapToMusic -- Mark

Re: multi-tempi

find information on polymetric scores in the documentation. You will need to combine the examples shown in the NR 1.2.3 Polymetric notation section. Essentially you want staves with different time signatures, unequal bar lengths, combined with scaling durations. -- Mark Knoop

Re: sign for downbeat

|?) -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: how to transpose midi one octave ?

-interface::print \override Staff.Clef #'text = #(markup #:musicglyph clefs.G) (untested) -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: blocking midi output of included files

a Makefile for the project which preprocesses the included files (with sed for example) to comment out the midi block. It could then uncomment the block again after compilation. -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http

Re: blocking midi output of included files

At 12:40 on 05 Jan 2010, Reinhold Kainhofer wrote: Am Dienstag, 5. Januar 2010 11:10:07 schrieb Mark Knoop: At 17:32 on 04 Jan 2010, Federico Bruni wrote: Il 04/01/2010 14:14, James Lowe ha scritto: Can you use the \tag option here? To set a variable that you could then 'filter

Re: Accidentals: Unwanted naturals

questions this irrational decision not to make following the key signature an option in lilypond. The decision does the coders no credit. Regards, daveA I have just read through most of this thread again, and the only insults I find come from you. -- Mark Knoop

Re: reflect a character

At 21:35 on 29 Aug 2009, James E. Bailey wrote: I can rotate a character with the \rotate command, but is there a way to get a mirror of a character, either horizontal or vertical? to print, for example ə? ə _is_ a rotation of 180°, not a reflection. And why can't you just enter ə? -- Mark

Re: fingering orientation problem

is only for chords, just use _ and ^ to position single note fingerings, or use - to let LP decide. { c4^3 d4_2 e4-1 \set fingeringOrientations = #'(down) bes-34 } -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org

Re: how to add a utf-8 character to the title

At 09:47 on 19 Jul 2009, Brian Kidd wrote: Are you sure you are saving your file in UTF-8? Not entirely. Which editor are you using? Vim. :set encoding=utf-8 fileencodings= -- Mark Knoop ___ lilypond-user mailing list lilypond-user

Re: new website: draft 3

Questions in the Infrequent Use box. -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: new website: draft 3

At 03:18 on 29 Jun 2009, Graham Percival wrote: On Mon, Jun 29, 2009 at 10:58:49AM +0100, Mark Knoop wrote: At 23:55 on 27 Jun 2009, Graham Percival wrote: - what do you think of the new Manuals page? Personally, I like having color-coded backgrounds (in addition the title bars

Re: Sibelius conversion - sib2ly

: http://tomrudolph.berkleemusicblogs.com/2008/05/17/sharing-files-between-finale-and-sibelius-via-musicxml/ -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Repetition simbol

Bars - Rehearsal Marks -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Special note over a percent measure /OR/ How to set measure width

these in drumContentsBreak and notice the variation: s1 { hh8*8 } s1 \noBreak s1 \break s1 { hh8*4 s2 } s1 \noBreak s1 \break s1 { hh8*6 s4 } s1 \noBreak s1 \break The last one seems about right to me. HTH, Mark -- Mark Knoop ___ lilypond-user

Re: simple poscrit question

#Units_of_length -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: help with tuplets

something. What is the piece? -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Right-margin aligning of Composer-field

} -- http://hemiola.eu/rightmargin.pdf -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: vim, point and click

will be opened. Or do I have it to add in the lilypond-invoke.editor program? It depends what you are using to view the pdf. If you are using evince in gnome, you need to add the textedit schema to gconf. See the attached files for details. -- Mark Knoop textedit-url-handler.schemas Description

Re: png cropping

On Thu, 2008-09-18 at 17:41 -0700, Patrick Horgan wrote: Of course if you pick one that eog doesn't know how to display it will complain. Perhaps replace eog with xdg-open for better portability? xdg-open - opens a file or URL in the user’s preferred application -- Mark Knoop

Re: barnumbers (was: fermata over rest, tempo positioning, solo/tutti)

-visible 2) -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Variable number of voices on one staff

{ \voiceOne g2 } \new Voice { \voiceTwo d4 bes } \oneVoice | } -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: GDP: NR 1.3 Expressive, first draft

.) 1.3.1, New dynamic marks The first example on this page unfortunately cuts off the top of the 'f'. Cheers, Mark -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: GDP: NR 1.5 Simultaneous, second draft

the { ... } \\ { ... } polyphony method, would it perhaps be a good idea to at least include an example of the right way to do it here? { \voiceOne ... } \new Voice { \voiceTwo ... } \oneVoice I think Graham usually refers to LM 3.2.2 Explicitly instantiating voices... Mark -- Mark Knoop

Re: GDP: NR 1.3 Expressive, first draft

On Thu, 2008-07-17 at 09:42 -0700, Patrick McCarty wrote: On Thu, Jul 17, 2008 at 12:47 AM, Mark Knoop [EMAIL PROTECTED] wrote: 1.3.1, New dynamic marks The first example on this page unfortunately cuts off the top of the 'f'. This is a known issue: http://code.google.com/p/lilypond

Re: nopc -- Proposed Predefines

it. -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: sustainOn

in different places (Beethoven always wrote pedal markings between the staves); secondly, on and off are not exactly difficult to understand. And thirdly, they're only predefined commands - use your own if you're really confused by them. -- Mark Knoop

Re: include does not find ly's

know of workarounds. http://code.google.com/p/lilypond/issues/detail?id=391q=include -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Time Signatures separate staff - LSR 272

by setting the break-align-symbol to staff-bar instead of false, but then the time signature seems to reserve extra space between the clef and the barline, pushing the clef to the left too far. Any ideas to get around this? I'm using 2.11.49. 1. http://lsr.dsi.unimi.it/LSR/Item?id=272 -- Mark

Re: Different line breaks in parts

\music and in the score block for the parts: \keepWithTag #'part \music -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Audio signal to generate .ly file

On Thu, 2008-05-15 at 08:51 -0400, Kieren MacMillan wrote: True... but check out http://www.celemony.com/cms/index.php? id=dnaL=0. This is VERY scary... -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org

Re: Moving a hairpin horizontally

adjusting just one end of a hairpin. PS: Hi Kim, haven't seen you for years... how's Melbourne? -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Remove prefatory staff lines

postscript box over it, but I was hoping there might be a more elegant solution. \version 2.11.44 \paper{ ragged-right=##t } { c'1 { \clef bass c'1 } \new Staff \with { \remove Clef_engraver } { c''1 } } -- Mark Knoop test1.pdf Description: Adobe PDF document

tupletFullLength, tupletFullLenghtNote bugs?

of the next line and the bracket is not terminated. I've not come across these before - might they be regressions? -- Mark Knoop \version 2.11.44 \paper { ragged-right = ##t } % music uppermusic = { \times 2/3 { g'2 g' g' } g'1 \set tupletFullLength = ##t \times 2/3 { g'2 ^1 g' g

Re: vim compiles always in root directory

BufEnter * cd %:p:h in your ~/.vimrc -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: irregular glissando

- occasional bars - as part of the process of learning his music. They would require quite a lot of work and tweaking to get to a publication standard: for my purposes I just do some basic hacks! Attached FYI is the source for some excerpts from the second movement of Opus Contra Naturam... -- Mark

Re: How to use line-break-penalty?

On Fri, 2008-03-07 at 17:59 +1100, Joe Neeman wrote: On Thu, 2008-03-06 at 13:46 +, Mark Knoop wrote: I'm trying to use the line-break-penalty property of the paper-column-interface to set some preferred line-breaking positions (e.g. to prefer a line break at the start of a variation

How to use line-break-penalty?

want the source to be usable for different paper and staff sizes. (LaTeX does this well with \linebreak[2], for example.) I'm using: \once \override Score.PaperColumn #'line-break-penalty = #-20 but it doesn't seem to be having any effect. Any ideas? -- Mark Knoop

Re: moving notes horizontal position

get what you want. (I've just removed your fermata markup to make it clearer.) -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Problem with tuplets ... please hep

this: \times 2/3 { g4 g g } r2 If you need another crotchet before the triplet, then that goes in front of \times: g4 \times 2/3 { g g g } r2 Here you can omit the 4 in the tuplet as lilypond is already working in crotchets. Hope this helps. -- Mark Knoop

Re: Problem with tuplets ... please hep

this: \times 2/3 { g4 g g } r2 If you need another crotchet before the triplet, then that goes in front of \times: g4 \times 2/3 { g g g } r2 Here you can omit the 4 in the tuplet as lilypond is already working in crotchets. Hope this helps. -- Mark Knoop [EMAIL PROTECTED

Re: Grid lines, GDP- need some help

. 1.0 ) \stemDown \clef bass \relative c { c4 g' f e } } -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Fermata

Victoria wrote: Is there a way to do a fermata? I've spent upwards of 2 hours looking in the tutorial and just can't find it, if it's there. If not, can you make one? http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Articulations-and-ornamentations -- Mark Knoop

Re: GDP: NR 1.1 Pitches 2008-01-26

should be consistent in its reference to sharps and flats. Perhaps: Double accidentals should be removed, as well as E-sharp (= F), B-sharp (= C), C-flat (= B), F-flat (= E). Otherwise, it all looks very good. -- Mark Knoop ___ lilypond-user mailing

Re: Few more questions from a beginner

just use padding to move each note individually? Yes, I think so. You could try it in version 2.11 - it handles a lot of spacing issues much better. -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman

OT: Karlheinz Stockhausen 1928-2007

-- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: GDP: where do we discuss MIDI?

Trevor Daniels wrote: Eyolf said: On 18.10.2007 (23:45), Graham Percival wrote: There are two options to this: No, there's only one: 1) Gather everything about MIDI into one section (currently 4.3) and mention everything there I agree Absolutely. -- Mark Knoop

Re: GDP: introducing examples

? I prefer 4, 3, 2, 1 (in that order). But I don't think standardisation is necessary, although perhaps an official preference could be specified. -- Mark Knoop [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org

Re: GDP: new display for warnings

dangerous... In Norwegian I would have used NB -- I don't know how that would work? Yes, it's a good idea. +1 to N.B. instead of Warning though. (And notice that the sentence immediately after the warning box in 2.1.1 contradicts the warning itself...) -- Mark Knoop

Arpeggio with arrow - possible bug?

the arpeggio line, even for small chord-spans? { c' e' g' c''4\arpeggio c' d' e'\arpeggio \arpeggioUp c' e' g' c''\arpeggio c' d' e'\arpeggio } -- Mark Knoop inline: arpeggio.png___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org

Re: Fwd: Users' Manual

/books -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: GDP: welcome, helpers!

, but I'll look at just the 2.4.1 Printing lyrics subsection. I'll leave 2.4.2 Lead sheets to someone else or a later time. Trevor I'll do Rhythms. -- Mark Knoop [EMAIL PROTECTED] ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org

Re: tuplets (was: GDP for kids :)

and contemporary music performers) for at least 10 years, mainly as an easier way to refer to particularly large irrationals. -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: LilyPond Grand Documentation Project (GDP)

Graham Percival wrote: Given this list, I'm only interested in doing hard items. If you're interested in doing anything from this list, please reply. Yes! I can do 2 hours a week in the TRIVIAL-MEDIUM range. Let me know what to do. -- Mark Knoop

Re: engraving question

Mark Knoop wrote: Joe Neeman wrote: I'm trying to tweak the spacing code, and I've come across a case where I'm not sure what to do. In the attached example, I have a note followed by a clef change followed by a bar line. Given that the clef fits in the space that would be there anyway

Re: Double-flats used by Lilypond after transpose

when transposed to G-flat major *should* become a B-doubleflat. 2) Atonal transpose: which would favour the simplest spelling. e.g. G transposed up a tone would *always* become A. -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http

Re: Point and click: HELP ME PLEASE...

some tips too... If you uncomment the lines with 'logfile', the script will record your clicks to a log - useful for debugging. Cheers, Mark -- Mark Knoop gconfschemafile schemalist schema key/schemas/desktop/gnome/url-handlers/textedit/command/key applyto/desktop

Re: Point and click: HELP ME PLEASE...

/docs/abs/HTML/index.html) -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: subbeams in tuplets [fr: barres de notes dans un triolet]

and got the same results. This would seem to be a bug to me: a quaver triplet should not beam as two groups of three semiquavers. -- Mark Knoop ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Notehead collisions, accidentals

On Fri, 09 Feb 2007 20:34:32 +0100 Mats Bengtsson [EMAIL PROTECTED] wrote: Quoting Mark Knoop [EMAIL PROTECTED]: 1. There seems to have been a decision made at some point to merge note heads in some cases (see collision-head-chords.ly in the regression tests and the second chord

Notehead collisions, accidentals

f'! fis'! g'!4 } \score { \new Staff { \melody } \layout { ragged-right = ##t } } %% -- Mark Knoop forked-stem.png Description: PNG image ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo

Re: Editor OT: s-underdot in vim?

On 05/02/07, Trevor Bača [EMAIL PROTECTED] wrote: On 2/5/07, Mark Knoop [EMAIL PROTECTED] wrote: On 05/02/07, Trevor Bača [EMAIL PROTECTED] wrote: On 2/5/07, Mark Knoop [EMAIL PROTECTED] wrote: On 05/02/07, Trevor Bača [EMAIL PROTECTED] wrote: Hi, Anyone know the magic key

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