Francisco Vila wrote:
Hello,
I have a file starting with
\version 1.5.68
and first lines of the convert-ly output are
5 [0, 2, 4, 5, 7, 9] 10 1 5
5 [0, 2, 4, 5, 7, 9] 10 1 5
5 [0, 2, 4, 5, 7, 9] 10 1 5
\version 2.12.0
That's weird. I cannot repeat the problem using an input file with just
Quoting Francisco Vila paconet@gmail.com:
2009/2/18 Robin Bannister r...@dataway.ch:
Mats Bengtsson wrote:
try to nail down which conversion rule
The rule for 2.1.27 (re tuning) prints this.
I've found that this minimal file
%%
\version 1.5.68
\property Staff.transposing = #-2
RandomLilyPondUser wrote:
http://www.nabble.com/file/p22066496/snip.png
One more question - how do I make a staff with only one line with notes
above and below like that?
Rhythmicstaff only allows notes on the line, on my drumstaff, I tried
\override Staff.StaffSymbol #'line-count =
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Reinhold Kainhofer wrote:
\repeat volta 2 {c4 g8 g4 b8 |
c4 d8 e4 c8 | f4 d8 e4 c8 | b2 r8 e8 | c4 a8 g4 g8 | a4 f8 f4 d8 |
e4 c8 g'4 b,8 |} \alternative { {e2 c2 r8 g'8} {e1. c1.} }
I suppose the last chord should have a duration of 2. rather than 1.? That
explains the empty
Tim Slattery wrote:
I still can't get my output to look the way I want it to.Maybe
Lilypond just doesn't do this.
Traditional Sacred Harp music uses four dots, one between each line,
for a repeat symbol. It looks just like what you get when you specify
\bar:. The beginning of a repeat often
I guess you have several voices or even several staves involved in your
piece. Note that the \repeat volta command should be inserted
in all voices of music and also have to appear at exactly the same
place in all the voices. If you don't manage to figure out what the
problem is, please send
a
To avoid all trial-and-error to figure out the relevant parameters to
\raise, I would propose the following alternative (which also gets rid
of the extra horizontal spacing between the parenthesis and the
accidental):
^\markup { \smaller \concat { \vcenter ( \vcenter \smaller \musicglyph
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of view,
I like the current example.
/Mats
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Mats Bengtsson wrote:
Quoting
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Creating-titles#Creating-titles:
If you define the |\header| inside the |\score| block, then normally
only the |piece| and |opus| headers will be printed
Chip wrote:
One thing I find odd, probably because I don't fully understand, is
this: I have a .ly file that has 10 \score blocks. I place
print-all-headers = ##t in the \paper block so I can define sub pages
headers seperately from the top level \book headers. I first define:
title, subtitle
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spacing for those staves?
Thanks,
EF
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are on the
same Voice or not.
/Mats
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is there a way to control - automatically - the vertical alignment of
FretBoards?
(i only found an option for horizontal alignment [align-dir])
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Quoting M Watts zwy648...@gmail.com:
Nick Payne wrote:
Why is it that I can use, for example:
\once \override Slur #'direction = #DOWN
or
\once \override Slur #'direction = #UP
but
\once \slurDown or \once \slurUp
Generates a syntax error. The same happens with stemUp and stemDown, tieUp
Please read
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Bars#Bar-lines
/Mats
Quoting Simon Bailey bina...@gmail.com:
hi,
the following snippet kills the start-repeat barline in bar 6.
removing the \bar || shows the start-repeat. is there any way to
get the \bar || and
.
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Bertalan Fodor (LilyPondTool) wrote:
You could also try to put invisible but non breaking spaces as a
syllable, aligned to the left:
That's more or less what I proposed in my earlier reply to this thread.
Take a look at it again.
/Mats
Bert
Jiri Zurek (Prague) wrote:
Yes, I knew
.
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James E. Bailey wrote:
... padding a notehead is beyond my ability. And it's what I would do
if it bothered me.
See Known issues and warnings of
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Horizontal-spacing-overview#Horizontal-spacing-overview
/Mats
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' {c d e f }
\new Lyrics
% The actual lyrics:
\lyricsto v \lyricmode{ Here's the \ll ly -- \rr rics }
% The slurs, attached to dummy notes
{ c2 c4 ( c ) }
}
/Mats
Thanks so much for the tip! I'll put together a snippet for the LSR when
I get a chance.
-Chris
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Stefan Waler wrote:
Thanks Mats - this did the job!
I really wish there were any tools in lilypond for merging rests over
a complete (polyphonic) staff...
Search for rests in the LSR, http://lsr.dsi.unimi.it/
/Mats
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Eric Flesher wrote:
With Sibelius, one can easily start and stop a staff mid-system (or measure) by
changing that staff to an invisible one. Thus, the passage was engraved with
two staves: a normal one for pitched notes, and a second, single line staff
above for non-pitched notes. Instead of
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Dmytro O. Redchuk wrote:
2009/1/22 Mats Bengtsson mats.bengts...@ee.kth.se:
Why not specify the minimum vertical extent of either one of the Lyrics or
Staff contexts (depending
on where you want the space), using the techniques described in
http://lilypond.org/doc/v2.12/Documentation/user
-user
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of the tuplet brackets, which prevents them from getting so
short that they are not printed:
\override TupletBracket #'springs-and-rods = #ly:spanner::set-spacing-rods
\override TupletBracket #'minimum-length = #3
/Mats
Thanks!
Jon
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James E. Bailey wrote:
Am 20.01.2009 um 22:42 schrieb Roi Redondo Garcia:
Ei:
Itś posible to download the program, I not sure about how it works,
but needs to
send this message
Thankyou
Yes, please use the download link on the lilypond.org website.
Anticipating the follow-up
Jonathan Kulp wrote:
I don't know. This is definitely a strange example. The \mark
command is meant to insert something over a barline, so maybe it'd be
best to delete this example altogether and reword things a bit so that
the example with colla parte is the only one illustrating this
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Sorry to not follow-up this thread earlier!
Bertalan Fodor wrote:
According to my understanding:
If you use lyricsto or associatedVoice you needn't (possibly must not)
add duration to syllables. Their purpose is to synchronize the
syllable's position to the notes of a voice.
This is not
Fibonacci Prower wrote:
2009/1/13 Mats Bengtsson mats.bengts...@ee.kth.se
First of all, I would recommend you to upgrade to the new stable version 2.12,
which
is much better than 2.10, not the least when it comes to the documentation.
Thank you for your advice, but 2.10.33
that are beamed?
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James E. Bailey wrote:
The problem I have is that when I switch between voices in my melody,
the lyrics don't pick up when the voice comes back. Is that a bug?
You may have to make sure that the same context survives.
If you do, say,
\new Staff { \new Voice = AAA {c d e f } \new Voice = BBB
.
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Arjan Bos wrote:
I wouldn't worry about it too much if I were you. The \partial command
and the barchecks don't live well together.
Could you please provide an example of such problems.
The Known issues and warnings about partial is worth a look too:
Nick Payne wrote:
The slurs on the acciaccaturas in my score are all defaulting to above the
stems of the grace notes, even when the grace notes are on or above the
middle of the stave and their stems are up. How can I move the slurs to
appear beneath. I tried using
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Paul Scott wrote:
If you have a good reason to do what you ask for, why not simply
define a macro
which both draws a rehearsal mark and does a \once \override
BarNumber #'transparent = ##t
I just gave that a quick test and it didn't seem to eliminate the bar
numbers.
If you replace it by
David Stocker wrote:
A useful tool indeed. Thanks Mark!
Mark Polesky wrote:
Dave,
Try this:
\markup \line \general-align #Y #CENTER {
\small \bold \italic To Coda
\musicglyph #scripts.coda
}
This can be simplified into
\markup \vcenter {
\small \bold \italic To Coda
Quoting Peter Chubb lily.u...@chubb.wattle.id.au:
Hi,
I'm trying to use the Adeste Fideles tune from
Mutopia http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=367
I ran convert-ly on it. It uses explicit durations on the lyrics. I see
many warnings:
adeste.ly:94:18: warning:
,
preferably to the latest 2.11.x version (which is much better than
the latest stable version 2.10.33, not the least when it comes
to the documentation).
/Mats
John
Mats Bengtsson-4 wrote:
This is weird! What LilyPond version do you use? What operating system?
Do you see the tenutos in measures
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like this one to look like all the others.
Am 11.12.2008 um 17:36 schrieb Mats Bengtsson:
Well, one trick is to draw both marks as a single markup command with
a sufficiently large
vertical separation, and then move it downwards so that the upper
mark appears above the
staff and the lower one
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Mark Polesky wrote:
How do I automatically prevent the printing of bar numbers
which coincide with rehearsal marks?
I cannot think of any simple way to obtain that. But,...
Especially when using
format-mark-barnumbers or format-mark-box-barnumbersor
format-mark-circle-barnumbers, it is odd
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Well, one trick is to draw both marks as a single markup command with a
sufficiently large
vertical separation, and then move it downwards so that the upper mark
appears above the
staff and the lower one below. Example:
\version 2.10.0
\relative c'{ c d e f
\once \override Score.RehearsalMark
Mark Polesky wrote:
Mats Bengtsson wrote:
In such a situation, I don't see the point of printing
any bar numbers the normal way, so you could just
remove the standard bar numbers completely, see the manual.
The reason for printing the bar numbers makes sense if the
rehearsal
:
On 11/28/08 4:47 AM, Mats Bengtsson mats.bengts...@ee.kth.se wrote:
There's major problem with your proposed \hideAll (or whatever you want
to call it), namely
that the hidden voice will influence the placement of the other voices,
since LilyPond will
try to avoid collisions with the hidden note
Quoting Kieren MacMillan [EMAIL PROTECTED]:
Hi Silas,
Or maybe just allow the user to switch
empty-staff removal on and off at arbitrary bars.
That's easy enough — check the list archives (or LSR) for
keep-alive- interfaces, and you'll find the answer.
That's unnecessarily complicated,
vertical margin in lilypond-book eps files?
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practical to get all the parts in a
single PDF file, both
if you want to send it by email or if you want to print a set of originals.
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-- Johan
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You have to tell your SVG program where to find the LilyPond fonts.
Search the mailing list archives for information.
/Mats
Quoting Lucas Bracher [EMAIL PROTECTED]:
Hi there!
I'm using lilypond 2.10.33 in a Ubuntu 8.04 box, and when I
transformed the .ly
to .pdf, it was ok, but when I
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Valentin Villenave wrote:
2008/12/2 Mats Bengtsson [EMAIL PROTECTED]:
You have to tell your SVG program where to find the LilyPond fonts. Search
the mailing list archives for information.
... Or the LSR:
http://lsr.dsi.unimi.it/LSR/Item?id=334
In my eyes, this looks like
Quoting Johan Vromans [EMAIL PROTECTED]:
If you used a \score { ... }, did you include a \layout { ...} as
well? Otherwise LilyPond just won't produce anything.
Not exactly true! You have to include a \layout block if you have a
\midi block, but not otherwise.
/Mats
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Carl D. Sorensen wrote:
On 11/28/08 4:47 AM, Mats Bengtsson [EMAIL PROTECTED] wrote:
There's major problem with your proposed \hideAll (or whatever you want
to call it), namely
that the hidden voice will influence the placement of the other voices,
since LilyPond will
try to avoid
See http://lsr.dsi.unimi.it/LSR/Item?id=505 for a solution.
/Mats
Quoting Martin Tarenskeen [EMAIL PROTECTED]:
Hi,
Did anyone ever try to typeset dissonant chords like { c cis d } ? I
can remember having seen chords like this frequently in Bela Bartok's
Mikrokosmos book V or VI , edition
In version 2.10, it should work to do something like
\markup\column{
\right-align { First line }
\right-align { Second line }
}
/Mats
Quoting Marius Andersen [EMAIL PROTECTED]:
I am using LilyPond 2.10.33 to arrange a few Radiohead tunes, so in
the composer field I want to write the
In this example, I don't see any point of using the DevNull trick to
align the lyrics. It's just as easy to explicitly insert the durations
directly in the lyrics, something like:
\version 2.11.64
myChords = \chordmode {
c1 g f c
}
myLyrics = \lyricmode {
Hi2 there4 let's |
have fun with
Quoting Keith Weintraub [EMAIL PROTECTED]:
Folks,
I am using version 2.10.33 on Mac OS X, Leopard.
There are good reasons to upgrade to the latest development version
2.11, which soon should turn into the next stable version 2.12.
I can't seem to get left-margin to work. In addition
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Carl D. Sorensen wrote:
On 11/20/08 2:24 PM, Martin Tarenskeen [EMAIL PROTECTED] wrote:
On Thu, Nov 20, 2008 at 08:14:01AM -0600, Jonathan Kulp wrote:
Templates make Lilypond life a lot easier. Is there a place where I can
find the templates from the manual as separate files ? Copying
Quoting Nick Payne [EMAIL PROTECTED]:
No, those values don't seem to be listed there (internals s.3.2.9) - maybe
they should be, but they are shown in s.1.2.5 of the notation reference.
I just updated the source code, so that : and dashed will be
included also in IR 3.2.9 in the next
.
Thanks,
- guy
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Jonathan Kulp wrote:
I have only upgraded a couple of times, and it was in response to this
thread, just to test it out. It's possible that I upgraded one more
time before that. I always use the Add/Remove program tool built into
Windows, accessed by the Control Panel. On Linux I always
Charlie Ledocq wrote:
...
I did there:
lilypond Welcome_to_lilypond.ly
and got the following return:
# lilypond Welcome_to_LilyPond.ly
lilypond: Symbol `scm_i_freelist' has different size in shared object,
consider re-linking
GNU LilyPond 2.10.33
Segmentation fault
# pwd
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Bailey James E. wrote:
I just noticed that the first use and User help links take new
users to the 2.10 documentation.
I think it makes sense to point to the stable version, waiting for 2.12.
After all, the 2.11
documentation does not apply 100% to the stable version.
Of course, we could
Charlie Ledocq wrote:
8633802d5539e6aedf8f7f924ada4057
(check it by running the command md5sum
lilypond-2.10.33-1.linux-x86.sh)
I got the same sum!
Doing sh lilypond-2.10.33-1.linux-x86.sh returns the following:
...
tail: short write
I actually suspect that this line is the best
?
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five warnings about my system and it wasn't even
connected to the internet...
Jon
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=
Mats Bengtsson
Signal Processing
School of Electrical Engineering
Royal Institute of Technology (KTH)
SE-100 44 STOCKHOLM
Could any of you Vista users, try to run LilyPond from the command line
with the --verbose flag, to see what step of the compilation process
takes most time?
/Mats
Quoting Jonathan Kulp [EMAIL PROTECTED]:
Tim Slattery wrote:
Carl Sorensen [EMAIL PROTECTED] wrote:
545 Defect Verified
Trevor Daniels wrote:
...
For bar 15, simply replacing \stemDown with \voiceFour, giving
\voiceFour
{ e-1 2 a-1 4 g |} \\
{ c,-2 a-4\6 2 d g,-2 } |
The syntax is perhaps clearer if you write this as
{\voiceFour e-1 2 a-1 4 g |} \\
{ c,-2 a-4\6 2 d g,-2 } |
It's not
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