On Thursday, 26 May 2016, Johan Vromans wrote:
> On Thu, 26 May 2016 08:57:31 +0100
> Michael Hendry > wrote:
>
> > Another phenomenon about which I have doubts involves people who claim
> > that when they hear music in “sharp” keys
On Thursday, 26 May 2016, Michael Hendry wrote:
> I seem to have struck an interesting chord, here!
Definitely!
> Another phenomenon about which I have doubts involves people who claim
> that when they hear music in “sharp” keys (e.g. G, D, A, E) their
> experience
Isn't that related to the independent church organ tunings back then: the
higher they were tuned, the brigher they sounded in a church. Sadly, the
human voice cannot be tuned up the same way an organ can...
See e.g. https://de.wikipedia.org/wiki/Orgelton (in German).
On Wed, May 25, 2016 at 8:05
Hi,
See
http://lilypond.org/doc/v2.16/Documentation/notation/displaying-pitches.en.html
\clef "treble_8"
Best regards,
Olivier
On Tue, May 24, 2016 at 11:38 AM, Charles Johnson wrote:
> I've pored through the manual and can't seem to see any way of getting a
>
I have been browsing the Internet for ePaper solutions, and have only
reached potential products so far.
The Brussels Philharmonic quit using paper less than a year ago.
I'm still unsure what device to get for replacing my pile of music scores.
Best regards,
Olivier
On Wed, Jul 31, 2013 at
You can always use a tool such as PdfEdit to merge individual PDF files
afterwards.
On Mon, May 20, 2013 at 11:56 PM, Mark Stephen Mrotek
carsonm...@ca.rr.comwrote:
Hello:
** **
A piano sonata has three movements each encoded in a separate file. The
three files shall be merged into
On Sat, Mar 30, 2013 at 12:22 PM, Federico Bruni fedel...@gmail.com wrote:
I'm translating the Denemo .po file and I've found a note value of 1/256
There's an english name for it?
I couldn't find it anywhere..
Indeed, not even on Wikipedia. from Wikipedia: In order of halving
duration, we
On Wed, Mar 20, 2013 at 3:54 PM, James Harkins jamshar...@gmail.com wrote:
My opinion (as a somewhat-more-than-casual Lilypond user, and as a
contributor to another music software package [SuperCollider]): Any
change in syntax that will break prior usage should be considered
very, very
On Wed, Mar 13, 2013 at 8:24 PM, nothingwaver...@gmail.com wrote:
Examples:
1. { c4 c' c@'' c@, }
These are interpreted as absolute pitches, so the @-signs are
redundant here.
They could be silently ignored, or the at signs could be an error
outside of \relative
On Wed, Mar 13, 2013 at 11:44 PM, David Kastrup d...@gnu.org wrote:
Olivier Biot olivier.b...@gmail.com writes:
On Wed, Mar 13, 2013 at 8:24 PM, nothingwaver...@gmail.com wrote:
Examples:
1. { c4 c' c@'' c@, }
These are interpreted as absolute pitches, so the @-signs
On Sat, Mar 9, 2013 at 12:20 AM, David Kastrup d...@gnu.org wrote:
Olivier Biot olivier.b...@gmail.com writes:
I have mixed feelings regarding the proposed syntax update of
\relative.
Treating the first pitch of \music in \relative \music differently is
not intuitive and will likely
On Sat, Mar 9, 2013 at 4:35 PM, David Kastrup d...@gnu.org wrote:
Janek Warchoł janek.lilyp...@gmail.com writes:
On Sat, Mar 9, 2013 at 4:10 PM, Olivier Biot olivier.b...@gmail.com
wrote:
Thinking of which, I believe I am struggling with music entry notation
versus music storage: writing
This thread is extremely interesting.
However, I think we're mixing two things here:
1. Defining semantically disjoint and intuitive bar line types (e.g., final
measure ending bar line, start of repeat, end and start of repeat...)
2. Describing how a bar line type should be displayed
The
On Sat, Mar 9, 2013 at 6:31 PM, Urs Liska li...@ursliska.de wrote:
May I suggest a concrete example for consideration (because it's a tricky
constellation and I'd appreciate any opinion)?
Given a musical work that is clearly in the public domain (1820s).
The autograph score is in private
On Fri, Mar 8, 2013 at 6:09 PM, Alexander Kobel n...@a-kobel.de wrote:
On 03/08/2013 10:19 AM, Mats Bengtsson wrote:
On 03/08/2013 03:52 PM, lilypond-user-requ...@gnu.org wrote:
Hello,
Some German lyrics from before the times of Neue Deutsche Rechtschreibung
feature ck between two
On Fri, Mar 8, 2013 at 11:43 AM, David Kastrup d...@gnu.org wrote:
Werner LEMBERG w...@gnu.org writes:
Well... if you just don't emit the warning if the first pitch in a
\relative {} block is incorrect, then it seems like you get exactly
the current proposal except that you have to spell
On Tue, Feb 26, 2013 at 6:25 PM, Federico Bruni fedel...@gmail.com wrote:
2013/2/26 Noeck noeck.marb...@gmx.de
is absolutely fantastic, but some people's aversion to anything which
looks at all technical seems unsurmountable to me (although I'd love
to be proven wrong; … )
According to
On Fri, Feb 22, 2013 at 1:33 AM, David Kastrup d...@gnu.org wrote:
Hilary Snaden h...@newearth.demon.co.uk writes:
On 2013-02-21 23:10, David Kastrup wrote:
However, LilyPond indeed has a weakness in as far as it does not
really have a file format. It is an evolving input language.
On Sun, Feb 24, 2013 at 2:31 PM, Richard Shann richard.sh...@virgin.netwrote:
On Sun, 2013-02-24 at 13:56 +0100, Olivier Biot wrote:
And what if we could use a small USB keyboard to input notes and have
a simplified graphical interface displaying what you just entered for
a quick visual
On Mon, Jan 28, 2013 at 10:03 AM, David Kastrup d...@gnu.org wrote:
Olivier Biot olivier.b...@gmail.com writes:
Many thanks for your help David!
Having used it I realize that it works perfectly for my purpose, but
maybe others may want to add e.g. fingerings, cautionary accidentals
On Thu, Jan 17, 2013 at 2:56 PM, David Kastrup d...@gnu.org wrote:
Try something like (planning to commit this macro soonish)
#(defmacro-public make-relative (pitches last-pitch music) [code snipped]
arpeggiate =
#(define-music-function (parser location d p1 p2 p3 p4)
(ly:duration?
Dear LilyPond community,
I'm having some questions regarding the way fingerings are engraved within
chords.
The LilyPond v2.16.2 documentation (
http://www.lilypond.org/doc/v2.16/Documentation/learning/within_002dstaff-objects)
provides information on how to use certain tweaks and the
On Sun, Jan 27, 2013 at 4:07 PM, Phil Holmes m...@philholmes.net wrote:
**
This has been changed quite a bit in the development version. Could you
try with latest 2.17 and see whether you still have problems?
I just installed 2.17.11 on another computer (apparently it doesn't like to
be
On Sun, Jan 27, 2013 at 5:47 PM, Phil Holmes m...@philholmes.net wrote:
**
Sorry to keep top-posting - HTML emails and Windows mail make it hard to
do otherwise.
If you still have stuff you'd like fixing, could you reduce your example
to a tiny example with just these, and send it to bugs?
On Fri, Dec 28, 2012 at 5:34 PM, Olivier Biot olivier.b...@gmail.comwrote:
Dear all,
Replying to myself all I managed to do is the following hack: add the
following sneppet after the last \score {} block:
\label #'theLastPage
\markup \rounded-box { \tiny }
Thios empty block displays
On Fri, Jan 11, 2013 at 8:58 PM, Francisco Vila paconet@gmail.comwrote:
2013/1/11 Lilly l...@ngi.it:
I want to realize a document with some text and many musical patterns
along
it.
I experienced how to insert one pattern in a place of a Latex document
and
it works.
But i would
On Sat, Jan 12, 2013 at 8:53 PM, Jim Tisdall supp...@jimtisdall.com wrote:
In trying to compile frescobaldi on my mac pro osx10.7.5, I have the
program running but I've run into the following problem with trying
to get the python-poppler-qt4-0.16.3 extension to work:
$ python setup.py build
On Jan 8, 2013 4:13 PM, Cognac Natanael natanael.cog...@gmail.com wrote:
Hello Everybody,
I’m using :
\include ../config.inc.ly
in the beginning of all my lilypond scores, and :
\include ../new.score.ly
at the end.
It works smoothly with lilypond.
But now, I’m trying to make a book
On Tue, Jan 8, 2013 at 5:50 PM, Cognac Natanael
natanael.cog...@gmail.comwrote:
Thank you very much for your answer Olivier,
There is no spaces or fancy character in my directories or files names.
Okay, so you don't need to use quotes around the directory names (not that
it hurts having
On Sat, Jan 5, 2013 at 5:10 PM, David Kastrup d...@gnu.org wrote:
Ed Gordijn ed.klari...@gmail.com writes:
Hi David,
Well, you need _two_ trill starting commands now (though you could
likely squeeze \startTrillSpan into \SetUpPrall), and you need to
spend more attention to detail to the
Dear LilyPond users,
Is there a LaTeX snippet repository for submitting useful LaTeX macros for
lilypond-book users?
I'd like to share some snippets but don't know where to share them.
Best regards,
Olivier
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On Sun, Jan 6, 2013 at 12:28 AM, David Kastrup d...@gnu.org wrote:
Olivier Biot olivier.b...@gmail.com writes:
Well, putting { ... } around it is wrong, for one thing: it turns
the
whole into sequential music.
Bingo!
This is the most counterintuitive syntactic element
On Fri, Jan 4, 2013 at 4:12 PM, Phil Holmes em...@philholmes.net wrote:
I have created a new stable version of the windows binary (2.16.2) which
should fix the problem that prevents lilypond-book from being run on
2.16.1. Before uploading this to the official website, I would appreciate
it if
On Sat, Jan 5, 2013 at 1:32 AM, Andrew Bernard andrew.bern...@gmail.comwrote:
Greetings list,
This technique glues an upprall to a trill, but the difference in width of
the glyphs is noticeable. Is there a way to achieve this without the
discrepancy in width? Since lilypond produces the
On Thu, Jan 3, 2013 at 8:56 PM, David Nalesnik david.nales...@gmail.comwrote:
To be honest, I don't know much about typographical conventions, so
I'm not sure whether the attached file has much utility. Here, I've
adapted the definition of `stack-lines' so that you can turn off the
On Thu, Jan 3, 2013 at 11:40 PM, Gerard McConnell gerine...@gmail.comwrote:
If you don't get fixed up here it's worth visiting the Inkscape help squad:
https://launchpad.net/inkscape
For what it's worth I never managed to get InkScape correctly read the
fonts from any LilyPond output on a
On Thu, Jan 3, 2013 at 10:59 PM, Shane Brandes sh...@grayskies.net wrote:
To give you a reverse opinion. Lilypond at a basic level is fairly
easy to understand especially if you use a program like Frescobaldi to
help you construct the scores with their various parts.
This is my experience as
On Wed, Jan 2, 2013 at 12:52 PM, Federico Bruni fedel...@gmail.com wrote:
Il 02/01/2013 12:46, David Kastrup ha scritto:
\markup {
\override #'(baseline-skip . 1)
\override #'(line-width . 40)
\justify {
text text text text text text text text text text text text
text
On Sat, Nov 24, 2012 at 1:26 PM, Olivier Biot olivier.b...@gmail.comwrote:
Hi all,
Sometimes arpeggios are written as chords to avoid repetitive and lengthy
arpeggio expansions in a written score.
However, is there a way in LilyPond to transform chords into bowed
arpeggio expansions
Dear all,
I can't get lilypond-book.py to work.
I added the LilyPond bin directory to %PATH%:
C:\Program Files (x86)\LilyPond\usr\bin
The PATH also contains a working LaTeX (proTeXt):
C:\Program Files\MiKTeX 2.9\miktex\bin\x64\
When enabling verbose mode in lilypond-book.py the following
On Wed, Jan 2, 2013 at 10:59 PM, Colin Campbell c...@shaw.ca wrote:
In transcribing some cello exercises, I need to show a slashed grace
note, with a fingering, in parentheses. The exercise involves shifting
between first and third position on the same string, so it emphasizes the
On Wed, Jan 2, 2013 at 11:58 PM, Julien Rioux jri...@physics.utoronto.cawrote:
On 02/01/2013 5:03 PM, Olivier Biot wrote:
Dear all,
I can't get lilypond-book.py to work.
I added the LilyPond bin directory to %PATH%:
C:\Program Files (x86)\LilyPond\usr\bin
The PATH also contains
.
On 29.12.2012 22:58, Olivier Biot wrote:
On Sat, Dec 29, 2012 at 4:31 PM, Yevgeny Lezhnin
z_lezh...@mail2000.ruwrote:
Hi, then I trying to add slides, there is no slide's sound in midi output
(on place of glissando mark). There was note in documentation, that
lilypond support guitar slides. Does
On Fri, Dec 28, 2012 at 6:19 PM, Olivier Biot olivier.b...@gmail.comwrote:
On Fri, Dec 28, 2012 at 6:14 PM, Phil Burfitt
phil.burf...@talktalk.netwrote:
From: Nick Payne
I'm stuck on the last part of getting this working - the part that is
eluding me is getting a short vertical line
On Sat, Dec 29, 2012 at 4:31 PM, Yevgeny Lezhnin z_lezh...@mail2000.ruwrote:
Hi, then I trying to add slides, there is no slide's sound in midi output
(on place of glissando mark). There was note in documentation, that
lilypond support guitar slides. Does lilypond support slides for midi? Or
On Sat, Dec 29, 2012 at 4:58 PM, Olivier Biot olivier.b...@gmail.comwrote:
On Sat, Dec 29, 2012 at 4:31 PM, Yevgeny Lezhnin z_lezh...@mail2000.ruwrote:
Hi, then I trying to add slides, there is no slide's sound in midi output
(on place of glissando mark). There was note in documentation
Dear all,
I can't find how to display the total number of pages in a score as part of
the page header / footer.
I tried adding a theLastPage label at the end of my score but it
sometimes is off by one. I sadly cannot create a small snippet that
reproduces the off-by one (page 4 of 3) problem.
way.
Is there a proper way for reaching this?
Best regards,
Olivier
On Fri, Dec 28, 2012 at 5:04 PM, Olivier Biot olivier.b...@gmail.comwrote:
Dear all,
I can't find how to display the total number of pages in a score as part
of the page header / footer.
I tried adding a theLastPage
On Fri, Dec 28, 2012 at 6:14 PM, Phil Burfitt phil.burf...@talktalk.netwrote:
From: Nick Payne
I'm stuck on the last part of getting this working - the part that is
eluding me is getting a short vertical line drawn at the RH end of the
spanner. According the the Internals reference, UP = 1
On Thu, Dec 20, 2012 at 12:59 PM, Eluze elu...@gmail.com wrote:
shutterfreak wrote
% Neither override does something:
\override #'(baseline-skip . 5.8) \box { \override
#'(baseline-skip
. 5.8) \line { \with-color #(rgb-color .8 .2 .2) { A . . . . . . . . . .
.
. . . .
On Wed, Dec 19, 2012 at 5:30 PM, Olivier Biot olivier.b...@gmail.comwrote:
Hi all,
I propose to extend LSR snippet 543 (counters in markup,
http://lsr.dsi.unimi.it/LSR/Snippet?id=543) by adding a getcounter
command that does NOT increment a counter when called (as opposed to the
current
Dear all,
I cannot seem yet to get certain textual output rendered the way I intend.
Here are the questions I still have:
1. How can I combine header fields without adding whitespace between header
properties? I'm referring to snippets as:
\fromproperty #'header:composer (\fromproperty
Hi all,
I propose to extend LSR snippet 543 (counters in markup,
http://lsr.dsi.unimi.it/LSR/Snippet?id=543) by adding a getcounter
command that does NOT increment a counter when called (as opposed to the
current counter command):
#(define-markup-command (getcounter layout props name) (string?)
On Wed, Dec 19, 2012 at 5:54 PM, Eluze elu...@gmail.com wrote:
shutterfreak wrote
1. How can I combine header fields without adding whitespace between
header
properties? I'm referring to snippets as:
\fromproperty #'header:composer (\fromproperty #'header:opus)
Using \concat
On Wed, Dec 19, 2012 at 5:26 PM, Olivier Biot olivier.b...@gmail.comwrote:
Dear all,
I cannot seem yet to get certain textual output rendered the way I intend.
Here are the questions I still have:
2. Why does a strut have a nonzero width? Can it be used and set to zero?
Maybe it has zero
On Wed, Dec 19, 2012 at 7:34 PM, Reinhold Kainhofer
reinh...@kainhofer.comwrote:
On 19/12/2012 17:04, David Kastrup wrote:
Finding even obvious things in the documentation isn't always easy if
you don't already know what to look for. As I had spent some time
earlier looking for this and
On Wed, Dec 19, 2012 at 11:09 PM, Eluze elu...@gmail.com wrote:
shutterfreak wrote
2. Why does a strut have a nonzero width? Can it be used and set to zero?
Maybe it has zero width, but because of some internal processing every
markup element automatically gets white space glued to it
On Sat, Dec 15, 2012 at 9:45 AM, Federico Bruni fedel...@gmail.com wrote:
Il 15/12/2012 00:39, Olivier Biot ha scritto:
I'm running LilyPond either directly or from Frescobaldi. I'm not sure I
can set the -v flag in Frescobaldi.
In Frescobaldi you can choose the verbose output option
On Dec 14, 2012 6:39 PM, Olivier Biot olivier.b...@gmail.com wrote:
Hi all,
Is there a way to write text to the console in LilyPond?
I'd like to display the file currently processed to keep track of
problems on a 60 part etude
On Sat, Dec 15, 2012 at 7:40 AM, Mark Witmer m...@markwitmer.com
On Tue, Dec 18, 2012 at 4:25 PM, David Kastrup d...@gnu.org wrote:
Paul Morris p...@paulwmorris.com writes:
Hi Gagi,
On Dec 18, 2012, at 5:35 AM, Gagi Petrovic m...@gagipetrovic.nl wrote:
Dear Ponders, i'm working on a composition where i'm in need of a
custom 3-lined-staff with a
Hi all,
Is there a way to write text to the console in LilyPond?
I'd like to display the file currently processed to keep track of problems
on a 60 part etude.
Best regards,
Olivier
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On Wed, Dec 12, 2012 at 10:25 AM, David Kastrup d...@gnu.org wrote:
Keith OHara k-ohara5...@oco.net writes:
Eluze eluzew at gmail.com writes:
maybe this could be merged into
https://code.google.com/p/lilypond/issues/detail?id=2830
That issue is about fingering and string numbers
On Sat, Dec 15, 2012 at 12:20 AM, Eric Pancer epan...@gmail.com wrote:
On Dec 14, 2012, at 17:05, Olivier Biot olivier.b...@gmail.com wrote:
Hi all,
Is there a way to write text to the console in LilyPond?
I'd like to display the file currently processed to keep track of
problems
Over here (Belgium) LilyPond is not as well known as MuseScore. Other
popular (paid) software are Sibelius and Finale.
I have to agree that even with my software development background and
TeX/LaTeX experience I find the learning curve of LilyPond rather steep.
But the path is very rewarding. I
Hi all,
When adding artificial harmonics in a music score, the stopped note and the
artificial harmonic are written in a chord construct, as in:
e-\thumb a-\harmonic-3
However, the MIDI output, even with articulate.ly, will render both the
stopped note AND the actual harmonic, whereas in this
Hi all,
How can I display the string number above fingerings in all cases?
Here's a small snippet that will semi randomly arrange fingerings and
string numbers:
%%% BEGIN snippet
\version 2.16.1
theMusic = \new Staff \with {midiInstrument = #cello} {
\relative d {
\key c \major
\time
On Wed, Dec 12, 2012 at 12:37 AM, Nathan when.possi...@gmail.com wrote:
\override StringNumber #'script-priority = #150
Hi Nathan,
Many thanks, as this was precisely what I was looking for!
Best regards,
Olivier
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lilypond-user mailing list
On Tue, Dec 4, 2012 at 7:47 PM, Eluze elu...@gmail.com wrote:
shutterfreak wrote
Dear all,
As a follow-up, here's another snippet featuring the same or similar
behavior. I haven't found the way to solve this problem yet.
% BEGIN snippet 2
\version 2.16.1
this is a known bug - see
On Thu, Dec 6, 2012 at 11:34 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2012/12/6 Thomas Morley thomasmorle...@googlemail.com:
%% Using a value 250 will place the DynamicText *inside* the
%% TupletBracket, depends on what you want.
\override TupletBracket
Hi all,
I am typesetting a 2-staff cello etude with a volta with alternative
endings.
I am following the instructions from the documentation:
http://lilypond.org/doc/v2.16/Documentation/notation/repeats-in-midi
(I.e., write all repeats and voltas in all staffs)
And I am using articulate.ly as
On Sun, Dec 9, 2012 at 11:51 AM, Eluze elu...@gmail.com wrote:
Federico Bruni-5 wrote
The problem is not with articulate.ly
it's the barcheck - if it is outside the alternatives' brackets it is
counted as an alternative!
Eluze
Many thanks! I completely overlooked the barcheck symbols
On Sun, Dec 9, 2012 at 11:55 AM, Federico Bruni fedel...@gmail.com wrote:
Il 07/12/2012 00:18, Olivier Biot ha scritto:
Dear LilyPond users,
I just came across a weird interaction between articulate.ly
http://articulate.ly and aftergrace.
If I include articulate.ly http://articulate.ly
Dear all,
I am now aware of the \shape + list of control point offsets tweak thanks
to this thread, but are there always 4 control points?
I am also aware of yet another tweak: \once \override Slur #'positions (as
in
, 2012 at 6:19 PM, David Nalesnik david.nales...@gmail.comwrote:
Hi Olivier,
On Sat, Dec 8, 2012 at 10:31 AM, Olivier Biot olivier.b...@gmail.com
wrote:
Dear all,
I am now aware of the \shape + list of control point offsets tweak
thanks to
this thread, but are there always 4 control points
Dear LilyPond users,
I just came across a weird interaction between articulate.ly and aftergrace.
If I include articulate.ly then beamed aftergrace notes have a tenuto
articulation and are not rendered smaller, even though I never called the
\articulate macro.
Here's the LilyPond 1.16.1 code
Many thanks for the help and for the extra clarifications regarding usage
of these tweaks.
Best regards,
Olivier
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https://lists.gnu.org/mailman/listinfo/lilypond-user
-support = ##t
\override Fingering #'avoid-slur = #'outside
\override TupletBracket #'bracket-visibility = ##t
}
}
}
% END snippet 2
Best regards,
Olivier
On Fri, Nov 23, 2012 at 10:58 PM, Olivier Biot olivier.b...@gmail.comwrote:
Dear LilyPond users,
How can I avoid
On Sun, Dec 2, 2012 at 2:16 AM, Nick Payne nick.pa...@internode.on.netwrote:
On 02/12/12 10:46, Olivier Biot wrote:
Hi all,
Is there a simple way to avoid fingerings from being overwritten with a
phrasing slur, like in the following measure?
% BEGIN
\version 2.16.1
theMusic = \new
Hi all,
Is there a simple way to avoid fingerings from being overwritten with a
phrasing slur, like in the following measure?
% BEGIN
\version 2.16.1
theMusic = \new Staff {
\relative d' {
\key f \major
\time 3/4
\clef bass
\acciaccatura { e-\! } d4 cis8-\ \( ( a'16-.-3 )
Hi,
First, I suppose the last note in that 5/16 measure should be a fis8 and
not a fis4, otherwise the measure should last 9/16 and not 5/16.
I tried entering this in MuseScore. The default grace note gets no slur,
adding a slur without modifying a thing yields the result in measure 1,
inverting
On Thu, Nov 29, 2012 at 6:58 PM, Matthew Probst matt...@yak.org wrote:
I find myself wishing for an O'Reilly style book Hacking Lilypond. The
user guide and the reference are fine as is, but a book with some extended
examples of how to _architect_ solutions in Lilypond would be great.
So do
Hi all,
Sometimes arpeggios are written as chords to avoid repetitive and lengthy
arpeggio expansions in a written score.
However, is there a way in LilyPond to transform chords into bowed arpeggio
expansions, as illustrated in the example below (first bar = input, 2nd bar
= automatically
On Sat, Nov 24, 2012 at 1:25 AM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2012/11/24 Olivier Biot olivier.b...@gmail.com:
Hi all,
Is it possible to specify non-integer values for vertical spacing with
vspace? I read once that it was possible, but apparently not (anymore
Dear LilyPond users,
How can I avoid the tuplet bracket colliding with fingerings in case the
tuplet has a slur?
Example of tuplet without and with slur, illustrating the problem:
% BEGIN
\version 2.16.1
\score {
\new Staff {
\relative c, {
\key g \major
\time 2/4
Hi all,
Is it possible to specify non-integer values for vertical spacing with
vspace? I read once that it was possible, but apparently not (anymore) in
version 2.16.0 or 2.16.1.
The following does compile without errors but the non-integer values are
apparently silently transformed into 1:
%
On Sun, Nov 18, 2012 at 2:34 AM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2012/11/17 Olivier Biot olivier.b...@gmail.com:
Is there a more elegant and less verbose way than the following approach
to
add a 3-column section for documenting editorial changes to scores?
%% BEGIN
Is there a more elegant and less verbose way than the following approach to
add a 3-column section for documenting editorial changes to scores?
%% BEGIN
\version 2.16.0
% LSR snippet: http://lsr.dsi.unimi.it/LSR/Snippet?id=464
#(define-markup-command (columns layout props args) (markup-list?)
On Sun, Nov 11, 2012 at 11:41 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2012/11/11 shutterfreak olivier.b...@gmail.com:
While incorporating this code in another score I came across a layouting
problem: if the tempo name is sufficiently long, then the first measure
number will
Hi Joram,
Thank you for the updates cheat sheet.
As a matter of fact I just printed both cheat sheets on one sheet of paper
and laminated it. Two sides of invaluable LilyPond information :-)
Hint 1: use heavier stock paper when printing double sided.
Hint 2: print borderless for printing the
On Fri, Nov 9, 2012 at 2:35 AM, Thomas Morley thomasmorle...@googlemail.com
wrote:
Hi again,
I stumbled across
http://lsr.dsi.unimi.it/LSR/Item?id=631
{
c'_\open^\open
}
works.
Thanks again Thomas, I completely forgot about the chord trick for
articulations.
Best regards,
On Tue, Nov 6, 2012 at 12:01 AM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2012/11/5 Olivier Biot olivier.b...@gmail.com:
Dear all,
I think I just found a Lilypond bug.
The following snippet with fingerings does only show one open string
fingering while TWO have been written
Dear all,
I think I just found a Lilypond bug.
The following snippet with fingerings does only show one open string
fingering while TWO have been written. The order of _ and ^ play no
role in this bug.
Expected behavior: both \open fingerings are displayed, one above
and one below selected
Dear all,
I ventured into Lilypond in recreating a lost etude book (it can no
longer be ordered for over 50 years).
One of the challenges is to process individual scores without the need
of recreating the entire score book. I first thought that there ought
to be a method like the preprocessor
On Sun, Nov 4, 2012 at 5:06 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2012/11/4 Thomas Morley thomasmorle...@googlemail.com:
Hi Olivier,
a)
If you define a new `scoreTitleMarkup´, you have to _use_ it. :)
\paper {
scoreTitleMarkup = \myScoreTitleMarkup
}
On Sat, Nov 3, 2012 at 1:09 AM, Olivier Biot olivier.b...@gmail.com wrote:
On Tue, Oct 30, 2012 at 10:50 PM, Eluze elu...@gmail.com wrote:
shutterfreak wrote
Hi all,
I'd like to have a function to translate a key signature into the
textual representation of that key in 3 languages
On Sat, Nov 3, 2012 at 5:42 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2012/11/1 Olivier Biot olivier.b...@gmail.com:
Hi all,
Is there a way to display and increment bar numbers only after a double bar?
[...]
Hi Olivier,
why not use RehearsalMark?
[...]
A function is possible
On Sat, Nov 3, 2012 at 5:54 PM, David Kastrup d...@gnu.org wrote:
Olivier Biot olivier.b...@gmail.com writes:
I definitely have problems with Scheme and LilyPond interpretation. I
now have the Scheme standard open as well.
I tried to simplify the initial job by first creating a function
On Sat, Nov 3, 2012 at 6:58 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2012/11/3 Olivier Biot olivier.b...@gmail.com:
[...}
Now I only need to devise a way to emulate the double bar at the start
of each score line.
After an idea of Mats Bengtsson:
[...]
Thank you again Thomas
On Sat, Nov 3, 2012 at 6:11 PM, Olivier Biot olivier.b...@gmail.com wrote:
Hi David,
Thanks a lot - I now start to see the mistakes I made (excess
parentheses around the cond expression and excess parentheses around
the return values in the cond sub expressions).
I have however to use
On Sat, Nov 3, 2012 at 7:35 PM, David Kastrup d...@gnu.org wrote:
Olivier Biot olivier.b...@gmail.com writes:
On Sat, Nov 3, 2012 at 6:11 PM, Olivier Biot olivier.b...@gmail.com wrote:
What I now need to figure out, is how to print the output in a markup,
like in the currently not working
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