Re: vim-transpose

4 at 16:00: > Unfortunately, it doesn't work: > Error detected while processing function Transpose: > line 16: > E121: Undefined variable: g:LilypondLanguage > line 23: > E488: Trailing characters: # Default: nederlands: ^Ielse # Default: > nederlands > line 36: > E121:

Re: vim-transpose

Yes, that should work, provided the included function works as advertised. Best, Kenneth Roosna & Flak Contemporary Dance & Music https://roosnaflak.com Original Message On 6/18/24 12:16, Stefan Thomas wrote: > Dear Kenneth, > thanks for Your reply. > I already have a file

Re: vim-transpose

Dear Kenneth, thanks for Your reply. I already have a file lilypond.vim in ~/.vim/ftplugin/. Could I paste the content of Transpose.vim into that file? Am Di., 18. Juni 2024 um 10:09 Uhr schrieb Kenneth Flak < kennethf...@protonmail.com>: > Hi, > > The plugin is missing some vital parts, but

Re: vim-transpose

Hi, The plugin is missing some vital parts, but you should be able to get it working by renaming Transpose.vim to lilypond.vim and moving it into the after/ftplugin folder of your (n)vim configuration. Haven't tested it yet, though... Best, Kenneth Stefan Thomas, Jun 18, 2024 at 09:35: >

vim-transpose

Dear community, has anyone of You successfully installed LilyVimTranspose? See https://github.com/gustaphe/LilyVimTranspose

Re: How to transpose?

On 25/05/2024 18:44, bobr...@centrum.is wrote: Wol, The bit about trombones in bass and Bb treble; I've only ever heard of Bb treble clef trombone in British brass band music.  What is the "American bass part" in Bb?  I've never heard of such a thing.  I know that Richard Strauß wrote tenor

Re: How to transpose?

d > From: "Wols Lists" > To: "Lillypond Users Mailing List" > Sent: Friday, May 24, 2024 3:28:16 PM > Subject: Re: How to transpose? > On 23/05/2024 12:26, Kenneth Flak wrote: > > Great, thanks to both of you! Very clarifying. \transposition is, thus, &

Re: How to transpose?

Wols Lists, May 24, 2024 at 18:28: > I do a lot of brass stuff. And as you've realised, it's \transpose not > \transposition. > > I just think "\transpose for printed music, \transposition for midi". > How accurate that is I don't know. > > The other trick I always u

Re: How to transpose?

On 23/05/2024 12:26, Kenneth Flak wrote: Great, thanks to both of you! Very clarifying. \transposition is, thus, going in the direction of instrument -> playback, whereas \transpose goes in the opposite direction, if I understand it correctly. I do a lot of brass stuff. And as you've reali

Re: How to transpose?

Kenneth Flak writes: > Great, thanks to both of you! Very clarifying. \transposition is, thus, > going in the direction of instrument -> playback, More like display pitch -> concert pitch. > whereas \transpose goes in the opposite direction, if I understand it > correctly.

Re: How to transpose?

Timothy Lanfear, May 23, 2024 at 13:19: > If you already have the music written in concert pitch, use the > transpose > function to change displayed pitch. > > \transpose bes, c { \clef treble \key c\major g' } > > If your brass players prefer not to have a key signature, omit

Re: How to transpose?

If you already have the music written in concert pitch, use the transpose function to change displayed pitch. \transpose bes, c { \clef treble \key c\major g' } If your brass players prefer not to have a key signature, omit the \key statement. On 23/05/2024 11:10, bobr...@centrum.is wrote

Re: How to transpose?

23, 2024 6:55:45 AM > Subject: How to transpose? > Hi, > Trying my hands on transposing from concert pitch to Trumpet in Bf and french > horn in F, but the displayed notes are still in concert pitch... How do I make > these display the notes I would like the players to see? >

How to transpose?

Hi, Trying my hands on transposing from concert pitch to Trumpet in Bf and french horn in F, but the displayed notes are still in concert pitch... How do I make these display the notes I would like the players to see? \new Staff = "trumpet" \with { instrumentName = "Trp" } {

Re: Transpose tab into label forms

sition. You can also control the automatic fret diagram construction by adding string numbers to one or more notes in the chord. \version "2.24" myChord = { 1 } altChord = { } minChord = { } \score{ \new FretBoards { \myChord \transpose c d \myChord \t

Re: Transpose tab into label forms

attached. Good day. jean-Pierre > It would save me time. > Does anyone have any ideas or is this simply impossible? > Thank you for your attention . Good evening. Jean Pierre Salut Jean-Pierre, It depends, if you use Fret diagram markups that you enter yourself using \fret-diagram, then e

Re: Transpose tab into label forms

imply impossible? > Thank you for your attention . Good evening. Jean Pierre Salut Jean-Pierre, It depends, if you use Fret diagram markups that you enter yourself using \fret-diagram, then effectively a \transpose does not change these. But if you use Predefined fret diagrams (with \include "

Re: Transpose tab into label forms

n behalf of achar *Sent:* Sunday, March 3, 2024 8:10:36 AM *To:* Lilypond User English *Subject:* Transpose tab into label forms Hello to all. With Frescobaldi I use the transpose tool to change the key of a piece. One thing it doesn't do is transpose the tablatures into label form. It would save

Re: Transpose tab into label forms

+carl.d.sorensen=gmail@gnu.org on behalf of achar Sent: Sunday, March 3, 2024 8:10:36 AM To: Lilypond User English Subject: Transpose tab into label forms Hello to all. With Frescobaldi I use the transpose tool to change the key of a piece. One thing it doesn't do is transpose the tabla

Transpose tab into label forms

Hello to all. With Frescobaldi I use the transpose tool to change the key of a piece. One thing it doesn't do is transpose the tablatures into label form. It would save me time. Does anyone have any ideas or is this simply impossible? Thank you for your attention . Good evening. Jean Pierre

Re: Transpose from major to minor key

Hi Matthew, Am 12.01.24 um 00:29 schrieb msk...@ansuz.sooke.bc.ca: You need to remember lilypond thinks in terms of pitch, not note names. Unlike some (most?) other music software. So "\transpose g e" says "transpose EVERY note up A TONE". I'm not sure it's quite right

Re: Transpose from major to minor key

On Thu, 11 Jan 2024, Wol wrote: > You need to remember lilypond thinks in terms of pitch, not note names. Unlike > some (most?) other music software. So "\transpose g e" says "transpose EVERY > note up A TONE". I'm not sure it's quite right to say that Lilypond think

Re: Transpose from major to minor key

On 10/01/2024 21:26, Butter Cream wrote: Hi, I have a piece of music written in the key of G major and I want the pitches to transpose to e minor. How do I do this. When I use the command \transpose g e it changes to E major (all g notes are sharped) You need to remember lilypond thinks

Re: Transpose from major to minor key

-transformations On Wed, Jan 10, 2024 at 5:20 PM Aaron Hill via LilyPond user discussion < lilypond-user@gnu.org> wrote: On 2024-01-10 1:26 pm, Butter Cream wrote: > Hi, I have a piece of music written in the key of G major and I want > the pitches to transpose to e minor. How do I do this

Re: Transpose from major to minor key

On 2024-01-10 1:26 pm, Butter Cream wrote: Hi, I have a piece of music written in the key of G major and I want the pitches to transpose to e minor. How do I do this. When I use the command \transpose g e it changes to E major (all g notes are sharped) I think you'll need to use

Transpose from major to minor key

Hi, I have a piece of music written in the key of G major and I want the pitches to transpose to e minor. How do I do this. When I use the command \transpose g e it changes to E major (all g notes are sharped) Steve

Re: how to avoid double sharps in \transpose?

t;> >> patright = { >> 2 | >> } >> >> right = { >> #@(map (lambda (p) #{ \transpose c #p \patright #}) >> (event-chord-pitches #{ #})) >> } >> >> This, however, transposes the g c sequence to b e instead on the first >> iteration: &g

Re: how to avoid double sharps in \transpose?

On 04/02/2023 21:07, Kenneth Flak wrote: > > This comes out correctly: > > patright = { > 2 | > } > > right = { > #@(map (lambda (p) #{ \transpose c #p \patright #}) > (event-chord-pitches #{ #})) > } > > This, however, transposes the g

Re: how to avoid double sharps in \transpose?

2.24.0" >> >> \language english >> >> >> patright = { >> 2 | >> } >> >> patleft = { >> g2 c >> } >> >> right = { >>\patright >>\transpose c df \patright >>\transpose c d \patri

Re: how to avoid double sharps in \transpose?

On 4 Feb 2023 13:55, David Kastrup wrote: >Kenneth Flak writes: > >> Hi list, >> >> I have this: >> >> \version "2.24.0" >> >> \language english >> >> >> patright = { >> 2 | >> } >>

Re: how to avoid double sharps in \transpose?

Kenneth Flak writes: > Hi list, > > I have this: > > \version "2.24.0" > > \language english > > > patright = { > 2 | > } > > patleft = { > g2 c > } > > right = { >\patright >\transpose c df \patright >

Re: how to avoid double sharps in \transpose?

t; > Cc: "Lillypond Users Mailing List" > Sent: Saturday, February 4, 2023 11:47:52 AM > Subject: Re: how to avoid double sharps in \transpose? > Great, thanks! Just what I need :-) > > Roosna & Flak > Contemporary Dance & Music > https://roosnaflak.com &

Re: how to avoid double sharps in \transpose?

Great, thanks! Just what I need :-) Roosna & Flak Contemporary Dance & Music https://roosnaflak.com Original Message On Feb 4, 2023, 13:30, bobr...@centrum.is wrote: > Do a search for “smart transpose.” I did this recently. I’m not home at the > moment but

Re: how to avoid double sharps in \transpose?

Do a search for “smart transpose.” I did this recently. I’m not home at the moment but I’ll dig it up and post it when I get back. -David - Kenneth Flak wrote: > Hi list, > > I have this: > > \version "2.24.0" > > \language english > > > p

how to avoid double sharps in \transpose?

Hi list, I have this: \version "2.24.0" \language english patright = { 2 | } patleft = { g2 c } right = { \patright \transpose c df \patright \transpose c d \patright \transpose c ef \patright \transpose c e \patright \transpose c f \patright \tran

Re: Auto-transpose engraver progress

require the ability to "listen ahead" or "listen behind" to all the events happening at the same moment. Is that even possible? On Thu, Jan 19, 2023 at 5:48 PM Saul Tobin wrote: > Hi all, > > I managed to add functionality to the auto-transpose engraver snippet fro

Auto-transpose engraver progress

Hi all, I managed to add functionality to the auto-transpose engraver snippet from OLL so that it prints key signatures at transposition changes. It also doesn't do so if the transposition change is only octave transposition. The one thing I'd like to fix is the behavior when an actual key

Re: chord name does not transpose as score using language italino

Hi Hans Thank you for the info pertaining to the known issue 6305. I found the work around solution from the known issue link. Ming Tsang On Wed, Sep 7, 2022 at 2:15 AM Hans Aikema wrote: > > > On 7 Sep 2022, at 05:32, ming tsang wrote: > >  > The following code produces a png file that did

Re: chord name does not transpose as score using language italino

> On 7 Sep 2022, at 05:32, ming tsang wrote: > >  > The following code produces a png file that did not print the correct chord > name. . > > ... > the output png screen print: > > I am expecting to seeA C#m F#m D C#m Bm > Any help is appreciated. > ming (lyndon) tsang That

chord name does not transpose as score using language italino

The following code produces a png file that did not print the correct chord name. . \version "2.23.11" \language "italiano" global = { \key do \major \numericTimeSignature \time 4/4 } chordNames = \chordmode { \global % Chords follow here. la1 dod1:m fad1:m re2 dob8:m

Re: \transpose question

Valentin wrote: > > How about this? > Wow! Thank you. That really is what I was after, and now I need to understand what you've done! Much appreciated .. mark.

Re: \transpose question

> > > -- Forwarded message -- > From: Mark Probert > To: Lily Pond > Cc: > Bcc: > Date: Fri, 8 Oct 2021 10:36:37 +1100 > Subject: \transpose question > > Hi. > > A question on transpose: I understand that "\transpose distingu

Re: \transpose question

\version "2.22" test={ c'8 d' ees' f' g'4 r \bar "||" } harms=\chordmode { c1 } rectify= #(define-music-function (n music) (number? ly:music?) (if (> n 0) #{ \transpose #(ly:make-pitch 0 0 (/ n 2)) #(ly:make-pitch 0 1 (/ (- n 2) 2)) #music

Re: \transpose question

David wrote: >> >> Is there a way to do this? > > Transpose the two halves of the melody separately, > the first half c to d, the second half cis to ees. > This is part of the problem with the "pared down snippet" approach, or rather, my original explanat

Re: \transpose question

On Fri 08 Oct 2021 at 10:36:37 (+1100), Mark Probert wrote: > > A question on transpose: I understand that "\transpose distinguishes > between enharmonic pitches," however is there anyway to force a > particular behaviour? For example, in the snippet below, when I have a

\transpose question

Hi. A question on transpose: I understand that "\transpose distinguishes between enharmonic pitches," however is there anyway to force a particular behaviour? For example, in the snippet below, when I have a movement from C to C# in the original key, and then go up a tone with &

Re: pitch argument for transpose function

b } > > -- > David Kastrup Indeed, though as requested: > I want to keep transpose intervals in scheme variables, I know, both are interchangeable, but felt no energy to discuss it ... Cheers, Harm

Re: pitch argument for transpose function

Thomas Morley writes: > Probably: > > \version "2.22.0" > > #(define interval #{ c' b #}) That seems like a somewhat obtuse way to write interval = { c' b } -- David Kastrup

Re: pitch argument for transpose function

Thank you, it works perfectly! :-)

Re: pitch argument for transpose function

voice-one = {c'} > > > #(define interval "c' b") > > %this does not work > %\transpose function expects pitch as first argument, > %but unfortunately I have no idea how to provide it > > voice-two = \transpose \interval \voice-one > > {\voice-two} > >

pitch argument for transpose function

Hello! I want to write a piece of code, that would automatically fill-in missing voices. Here is a snippet that represents what I want to accomplish: \version "2.22.0" voice-one = {c'} #(define interval "c' b") %this does not work %\transpose function expects pit

Re: transpose for baritone sax

everything, just use \transpose too: % \version "2.19.83" altosax = \relative { \key c \major c d e f g a b c } horn = \relative { \key c \major c d e f g a b c } trombone = \relative { \clef bass \key c \major c d e f g a b c } \score { \new

Re: transpose for baritone sax

Read up on \transpose which should do what you want, combined with octaves. > On Sep 26, 2019, at 7:33 PM, Francesco Petrogalli > wrote: > > Hi, > > I have written a part using the orchestral pitch (real note) of an > instrument, the baritone sax (and other instruments,

transpose for baritone sax

Hi, I have written a part using the orchestral pitch (real note) of an instrument, the baritone sax (and other instruments, like trumpets, alto, and so on). All the parts are rendered with the real notes, so that I can listen to the midi and check the music on the piano easily (I am no good at

Re: Transpose

Nice coding Gilles, Cheers, Pierre Le lun. 16 sept. 2019 à 19:51, Gilles Thibault a écrit : > Sorry. Very late answer > Here is a scheme way to proceed. (see attached file). > > > > ___ > lilypond-user mailing list > lilypond-user@gnu.org >

Re: Transpose

(p3 p3) (l '())) (let ((p (ly:pitch-transpose p1 (ly:make-pitch octave 0 0 (if (= octave 1) ; go up (begin (if (not (ly:pitch> foo.pdf Description: Adobe PDF document ___ lilypond-user mailing

Re: Transpose

c brocken > chord exersice in C and then simply transpose each scale from that. Utopia… > I have decided that in the long run it will be quicker and less effort > to write out each scale (longhand). I enclose my basic structure. If you have > a better idea, please let me know. My

Re: Transpose

On Tue 10 Sep 2019 at 16:34:56 (+0200), John McWilliam wrote: > The reason for the adjusted first Group (a4~ a16 e, g a) is due to the fact > that the lowest note on a Bb clarinet is e. Thereafter, the broken chords > follow the set pattern until reaching the last group. I have extended my >

RE: Transpose

I think the problem is that you're trying to engrave an a\minor chord in the root position from a c\major in second inversion. Lilypond won't guess how to adjust that with the transpose tool. But it should work smoothly if you use the same chord position for each tonality. -- Sent from: http

Re: Transpose

On Tue 10 Sep 2019 at 13:19:52 (+0200), John McWilliam wrote: > Hi again, > I attach my attempt to use \modalTranspose in order to save code when > rewriting broken chords in C major and A minor. The idea is to go ahead and > repeat the exercise in G major, Eminor etc., however, it looks

RE: Transpose

Subject: Re: Transpose John McWilliam writes: > Hi, > I am rewriting Baermanns repetitive exercises for clarinet and > am trying to rationalise my code. For example broken chords: they > start in C major then A minor followed by G major, E minor etc. To > avoid rewriting the co

Re: Transpose

e I tried using ”\transpose c a > \Cmajor” (the variable with the C major code). This gave me of coarse > a change of key signature to A major – not what was wanted. Is there a > way around this which will allow me to take the C major code and > transpose the notes down a third to A keeping eve

Re: Transpose

Hi John, I suspect you'll have to write out your pattern in C major and then A minor first, and then transpose the pair all the way through the other keys. Be aware that you should be able to use '\key c \major' for the C maj. and A min. pattern. Hope this helps, David - Original

Transpose

Hi, I am rewriting Baermanns repetitive exercises for clarinet and am trying to rationalise my code. For example broken chords: they start in C major then A minor followed by G major, E minor etc. To avoid rewriting the code every time I tried using ”\transpose c a \Cmajor

Transpose up or down conditionally

(also posted on Stack Exchange) version 2.19... How can I make Lilypond decide whether to transpose up or down depending on a target octave/range for one of the transposed notes? I want to make a set of chord voicings, each in multiple transpositions, with the lowest note of each transposed

Re: Bug with transpose in functions

On 12.07.19 20:04, Werner LEMBERG wrote: Functions like transpose act destructively on their argument, so you need a copy or the original will get changed. [...] How can Joe User find out whether a function is acting destructively? The Extending Manual tells him about using $ in music

Re: Bug with transpose in functions

Wols Lists writes: > On 12/07/19 19:04, Werner LEMBERG wrote: >> >>> Functions like transpose act destructively on their argument, so you >>> need a copy or the original will get changed. [...] >> >> How can Joe User find out whether a function is acti

Re: Bug with transpose in functions

Werner LEMBERG writes: >> Functions like transpose act destructively on their argument, so you >> need a copy or the original will get changed. [...] > > How can Joe User find out whether a function is acting destructively? All music functions are allowed to do that by

Re: Bug with transpose in functions

On 12/07/19 19:04, Werner LEMBERG wrote: > >> Functions like transpose act destructively on their argument, so you >> need a copy or the original will get changed. [...] > > How can Joe User find out whether a function is acting destructively? > Computer pedant here :-

Re: Bug with transpose in functions

> Functions like transpose act destructively on their argument, so you > need a copy or the original will get changed. [...] How can Joe User find out whether a function is acting destructively? Werner ___ lilypond-user mailing list li

Re: Bug with transpose in functions

Immanuel Litzroth writes: > This seems to do the wrong thing: > >> > \version "2.19.81" > testme = #(define-music-function >(parser location music) >(ly:music?) > #{ > \transpose c c' {#music }

Re: Bug with transpose in functions

On 2019-07-11 11:52 pm, Immanuel Litzroth wrote: This seems to do the wrong thing: \version "2.19.81" testme = #(define-music-function (parser location music) (ly:music?) #{ \transpose c c' {#music } {#music } #})

Bug with transpose in functions

This seems to do the wrong thing: > \version "2.19.81" testme = #(define-music-function (parser location music) (ly:music?) #{ \transpose c c' {#music } {#music } #}) \testme g' > printing out two g'' instead of a g''

Re: issue with \transpose and \relative

Ok, thanks for the clarification. That's something to keep in mind, although I've never used tags in my scores before. (Only made one score before, though, so…) I'll keep this in mind if I ever have any strange issues when I'm using it. Randy ___

Re: issue with \transpose and \relative

智樂喬 writes: > Thanks a lot, David. It works as advertised. I do think I read about this > somewhere in the manuals, but I couldn't find it. > > This uses really involved code to simulate something that does not >> really map well to LilyPond's internals so it may interfere with other >> tricky

Re: issue with \transpose and \relative

and it's probably not a good implementation, but it works as I'd like it to: fall = #(define-music-function (input) (ly:music?) (make-relative (input) input #{ \afterGrace 16/16 << $input <>\glissando >&g

Re: issue with \transpose and \relative

John Doe writes: > Hi, all, > > The Notation Reference section 1.1.2 says "Music inside a \transpose block > is absolute unless a \relative is included in the block". I'm writing a > function that uses \transpose to change a variable's pitch in a function. > &g

issue with \transpose and \relative

Hi, all, The Notation Reference section 1.1.2 says "Music inside a \transpose block is absolute unless a \relative is included in the block". I'm writing a function that uses \transpose to change a variable's pitch in a function. How can I check if the music entered was entered in a

Re: transpose several key signature

ite naturally without any enharmonic wizardry and, yes, \transpose ef eff or \transpose e ef etc. would have ruthlessly made Fb major out of it... Sorry, Torsten -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mail

Re: transpose several key signature

) but into E major > (with only 4 sharps). Excuse me? { \transpose es d { \key f \major s1 } \transpose es eses { \key f \major s1 } } LilyPond has no qualms about things getting weird. The typesetting stage will bomb out at more than _double_ accidentals (slated to be changed IIRC),

Re: transpose several key signature

Hi Ming, I think there is a general misunderstanding: When saying "\transpose ef d", ef and d do *not* mean key signatures but reference pitches defining an interval, nothing more, nothing less. For specifying a key signature, by the way, you'd also have to state the mode (e.g. mi

Re: transpose to a set of pitches

On 27 February 2018 at 22:24, Thomas Morley <thomasmorle...@gmail.com> wrote: > 2018-02-27 19:12 GMT+01:00 Sirius Barras <turbole...@gmail.com>: > > I would like to transpose a motif (using \modalTranspose) to a _set_ of > > different pitches. At the moment this is what

Re: transpose to a set of pitches

2018-02-27 19:12 GMT+01:00 Sirius Barras <turbole...@gmail.com>: > I would like to transpose a motif (using \modalTranspose) to a _set_ of > different pitches. At the moment this is what I do: > > scale = {c d e f g a b} > motif = {c' e' g' c'} > { > \modal

transpose to a set of pitches

I would like to transpose a motif (using \modalTranspose) to a _set_ of different pitches. At the moment this is what I do: scale = {c d e f g a b} motif = {c' e' g' c'} { \modalTranspose c e \scale \motif \modalTranspose c g \scale \motif \modalTranspose c a \scale \motif } How can I do

Re: \transpose and quoted music

cues = \relative { c'4^"Cue" c c c } \addQuote "cues" \cues > hornA = \transpose c d, \relative { > \cueDuring #"cues" #UP s1 c'4 c c c } > % Both \cues and \hornA are consistently in concert pitch, which > % is the most idiot-proof way of entering m

\transpose and quoted music

Let's say I am typesetting some orchestra music written for a horn in D and want to output it for some other, more reasonably-pitched instrument. I entered the music in this way: global = { \key d \minor } cues = \relative { c'4^"Cue" c c c } \addQuote "cues" \cues ho

Re: : Re: transpose range

Dear Peter, I only spent one hour on it and I have not been able to make it working as I need. It is not clear to me the value I have to set to set the instrument range from c, to b,. But I think that when I will have more time I should be able to modify your code for that. * * * By the way

Re: : Re: transpose range

"Peter Gentry" writes: > Gianmaria > > > > I have modified the procedure to use pitch-tones to define the > instrument range. It makes little difference to the result. > > > > I haven’t looked at the possibility of rebuilding the pitch just using > pitch-tones

RE: : Re: transpose range

Gianmaria I have modified the procedure to use pitch-tones to define the instrument range. It makes little difference to the result. I haven’t looked at the possibility of rebuilding the pitch just using pitch-tones (yet) Have you had any luck yet? \version "2.19.15" %

Re: : Re: transpose range

On 26/06/17 22:56, Peter Gentry wrote: dak@lola:/usr/local/tmp/lilypond$ lilypond scheme-sandbox GNU LilyPond 2.19.59 Processing `/usr/local/share/lilypond/2.19.59/ly/scheme-sandbox.ly' Parsing... guile> (apply - (map ly:pitch-tones (list #{ eis #} #{ fes #}))) 1/2 guile> -- David Kastrup

Re: Transpose range Apology

"Peter Gentry" writes: > Apologies you must think me some kind of retarded idiot. It's not uncommon for my attempts at joking to bounce. > I must learn to think a bit before mistyping rubbish but at 76 these > niceties seem a lost cause. I've given up much

Re: Transpose range Apology

Apologies you must think me some kind of retarded idiot. I must learn to think a bit before mistyping rubbish but at 76 these niceties seem a lost cause. Yes yes yes there is a problem with the tone tone semitone tone tone tone semitone notation and the octave note alteration calculation.

Re: : Re: transpose range

"Peter Gentry" writes: > A semi tone difference is indeed noticeable but surely there is no > semitone between e sharp and f flat? There is. > It’s the same key on the piano! It isn't. > Where is the semitone? e sharp (a white key) is a semitone above f flat

Re: : Re: transpose range

Thank you Peter and David for your help. I'll make some tests in the followings hours. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: : Re: transpose range

2017-06-26 23:56 GMT+02:00 Peter Gentry <peter.gen...@sunscales.co.uk>: > > > -Original Message- > From: David Kastrup [mailto:d...@gnu.org] > Sent: 26 June 2017 15:31 > To: Peter Gentry <peter.gen...@sunscales.co.uk> > Cc: Lilypond <lilypond-user@gnu

RE: : Re: transpose range

Hi, On Jun 26, 2017 4:57 PM, "Peter Gentry" <peter.gen...@sunscales.co.uk> wrote: -Original Message- From: David Kastrup [mailto:d...@gnu.org] Sent: 26 June 2017 15:31 To: Peter Gentry <peter.gen...@sunscales.co.uk> Cc: Lilypond <lilypond-user@gnu.org>

RE: : Re: transpose range

-Original Message- From: David Kastrup [mailto:d...@gnu.org] Sent: 26 June 2017 15:31 To: Peter Gentry <peter.gen...@sunscales.co.uk> Cc: Lilypond <lilypond-user@gnu.org> Subject: Re: : Re: transpose range "Peter Gentry" <peter.gen...@sunscales.co.uk> wr

Re: : Re: transpose range

"Peter Gentry" writes: > From: David Kastrup [mailto:d...@gnu.org] > > "Peter Gentry" writes: >> >> The numeric pitch (op) is calculated by (define op (+ (* 14 o) (* n >> 2) (/ a 2))) “op is a unique number representing the pitch of

RE: : Re: transpose range

-Original Message- From: David Kastrup [mailto:d...@gnu.org] Sent: 26 June 2017 13:43 To: Peter Gentry <peter.gen...@sunscales.co.uk> Cc: 'Gianmaria Lari' <gianmarial...@gmail.com>; Lilypond <lilypond-user@gnu.org> Subject: Re: : Re: transpose range "P

Re: : Re: transpose range

"Peter Gentry" writes: > You will need to modify the attach file (instrument_ranges.ly) since you are > only interested in one instrument. > > > > A numeric pitch can be constructed from three components of the lilypond > pitch p > > > > 1.The octave o

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