:
> Hi Lucas,
>
> > On Mar 12, 2024, at 7:00 PM, Lucas Cavalcanti
> wrote:
>>
>> >
>>> > Hello. I've been thinking about Lilypond's usage on parts: for one
>>> musician (for example, the singer singing the melody) I'd like to give them
>>> a
Hi Lucas,
> On Mar 12, 2024, at 7:00 PM, Lucas Cavalcanti
wrote:
>
> >
>> > Hello. I've been thinking about Lilypond's usage on parts: for one
>> musician (for example, the singer singing the melody) I'd like to give them
>> a score containing voltas us
ects with.
>
> Cheers,
> Kieren.
>
> > On Mar 12, 2024, at 7:00 PM, Lucas Cavalcanti
> wrote:
> >
> > Hello. I've been thinking about Lilypond's usage on parts: for one
> musician (for example, the singer singing the melody) I'd like to give them
> a score contain
nti wrote:
>
> Hello. I've been thinking about Lilypond's usage on parts: for one musician
> (for example, the singer singing the melody) I'd like to give them a score
> containing voltas using the repeat and volta commands; for another musician
> (for example, the drummer) I'd
Hello. I've been thinking about Lilypond's usage on parts: for one musician
(for example, the singer singing the melody) I'd like to give them a score
containing voltas using the repeat and volta commands; for another musician
(for example, the drummer) I'd like to give them a score
Thanks David,
I'll be looking at this MWE and the other two you posted untilI I grok them.
---
Knute Snortum
(via Gmail)
On Mon, Oct 12, 2020 at 7:57 PM David Wright wrote:
>
> On Mon 12 Oct 2020 at 14:46:43 (-0700), Knute Snortum wrote:
> > On Mon, Oct 12, 2020 at 10:03 AM Aaron Hill
> >
On Mon 12 Oct 2020 at 14:46:43 (-0700), Knute Snortum wrote:
> On Mon, Oct 12, 2020 at 10:03 AM Aaron Hill wrote:
> > On 2020-10-12 9:56 am, Knute Snortum wrote:
> > >
> > > I think I've run into a bug. It's hard to explain so I will post the
> > > MWE (it's as minimal as I could make it):
> > >
Thanks, Aaron Hill. The only problem is this messes up my \barNumberChecks
%%% Start
\version "2.20.0"
rightHand = \relative c' {
\partial 4 c4
c4 c c
\repeat volta 2 {
c4 |
c4 c c c |
}
\alternative {
{ c4 c c }
{ c4 c c c }
}
\barNumberCheck 5
c1 |
}
\score
Thank you Aaron! I learned today, thanks to you, why my repeats fail
when creating midi files with Lilypond!
On Mon, Oct 12, 2020 at 10:03 AM Aaron Hill wrote:
>
> On 2020-10-12 9:56 am, Knute Snortum wrote:
> > Hi everyone.
> >
> > I think I've run into a bug. It's hard to explain so I will
On 2020-10-12 9:56 am, Knute Snortum wrote:
Hi everyone.
I think I've run into a bug. It's hard to explain so I will post the
MWE (it's as minimal as I could make it):
%%% Start
\version "2.20.0"
rightHand = \relative c' {
\partial 4 c4
c4 c c
\repeat volta 2 {
c4 |
c4 c c c |
Hi everyone.
I think I've run into a bug. It's hard to explain so I will post the
MWE (it's as minimal as I could make it):
%%% Start
\version "2.20.0"
rightHand = \relative c' {
\partial 4 c4
c4 c c
\repeat volta 2 {
c4 |
c4 c c c |
}
\alternative {
{ c4 c c }
{ c4
Aaron Hill writes:
> On 2019-02-18 9:28 pm, Federico Bruni wrote:
>> I see. AFAIK it's not standard notation (I mean, I would interpret it
>> as the 8th volta of a missing repeat section), but if that's what you
>> want... :-)
[...]
> I would recommend using simple markup either at the
On 2019-02-18 9:28 pm, Federico Bruni wrote:
I see. AFAIK it's not standard notation (I mean, I would interpret it
as the 8th volta of a missing repeat section), but if that's what you
want... :-)
Il giorno lun 18 feb 2019 alle 20:06, Stig Brautaset
ha scritto:
Hi Federico,
Well, I won't
4.")
end-repeat)
f1
\set Score.repeatCommands = #'((volta #f))
}
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On
Behalf Of
Stig Brautaset
Sent: Saturday, February 16, 2019 1:52 PM
To: lilypond-user@gnu.org
mmands = #'((volta #f) (volta "4.") end-repeat)
>>>f1
>>>\set Score.repeatCommands = #'((volta #f))
>>> }
>>>
>>> Mark
>>>
>>> -Original Message-
>>> From: lilypond-user
>>> [mailto:lily
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On
Behalf Of
Stig Brautaset
Sent: Saturday, February 16, 2019 1:52 PM
To: lilypond-user@gnu.org
Subject: counter for voltas with no alternative endings?
Hi,
I'm trying to engrave s
olta #f) (volta "4.") end-repeat)
> f1
> \set Score.repeatCommands = #'((volta #f))
> }
>
> Mark
>
> -Original Message-
> From: lilypond-user
> [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
> Stig Brautaset
> Sent: S
19 1:52 PM
To: lilypond-user@gnu.org
Subject: counter for voltas with no alternative endings?
Hi,
I'm trying to engrave some music that has 4 bars repeated 8 times. I can use
a volta, but since there is no alternative ending it doesn't print the
number of repeats. Is there any way to force that to prin
Hi,
I'm trying to engrave some music that has 4 bars repeated 8 times. I can
use a volta, but since there is no alternative ending it doesn't print
the number of repeats. Is there any way to force that to print?
Here's a minimal example. The first volta doesn't print the number of
repeats, the
Hi list,
I would like to transcribe the notes from Ludwig Erk’s Liederhort.
Unfortunately, I don’t know how to handle these two things:
* In some songs, there are dotted voltas, which – I guess – are there to
indicate an optional repeatition.
* Some songs also feature tiny notes, which
:
* In some songs, there are dotted voltas, which – I guess – are there to
indicate an optional repeatition.
* Some songs also feature tiny notes, which are there to indicate a
diverging rhythm in different stanzas.
What would be the best way to transcribe them?
Please have a look at
https
voltas, which – I guess – are there to
indicate an optional repeatition.
* Some songs also feature tiny notes, which are there to indicate a
diverging rhythm in different stanzas.
What would be the best way to transcribe them?
Please have a look at https://commons.wikimedia.org/wiki
Hi again,
Through a little more vigilant code checking I found out that my problem
stemmed from a bracket pairing mis-count. Sorry to have bothered you all
prematurely.
Steve
CC: [EMAIL PROTECTED]: [EMAIL PROTECTED]: [EMAIL PROTECTED]: Re: Voltas and
polyphonyDate: Wed, 17 Sep 2008 21
I seem to be having trouble making a repeat work over more than one polyphonic
section. For example:
\repeat volta 2 {
notes in section 1 \\
notes in section 1
notes in section 2 \\
notes in section 2
}
This won't work. I have to put all of the repeated measures within a
On 17.09.2008, at 16:42, Steven Padalino wrote:
I seem to be having trouble making a repeat work over more than one
polyphonic section. For example:
\repeat volta 2 {
notes in section 1 \\
notes in section 1
notes in section 2 \\
notes in section 2
}
This won't work. I have to
or should
the repeated music be in one section?
CC: lilypond-user@gnu.org
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: Voltas and polyphony
Date: Wed, 17 Sep 2008 16:54:21 +0200
On 17.09.2008, at 16:42, Steven Padalino wrote:
I seem to be having trouble making a repeat work
On Wed, Sep 17, 2008 at 10:42:59AM -0400, Steven Padalino wrote:
notes in section 1 \\
notes in section 1
Well, there's a problem right there. Did you mean to write this?
{ notes in section 1 }
\\
{ notes in section 1 }
The crucial point is that the \\ goes inside the . If you have
: lilypond-user@gnu.org
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: Voltas and polyphony
Date: Wed, 17 Sep 2008 18:43:27 +0200
everything within the volta brackets will be before the repeat. If
you want section 2 to be after the repeat, then it needs to come
after the repeat. i.e
On 17.09.2008, at 19:18, Steven Padalino wrote:
Then that's what 's wrong. I want both sections to be before the
repeat and if I enclose both of them within the same pair of volta
brackets no repeat symbol is displayed on the pdf. If I enclose
only one of the sections within the bracket
Thanks for the reference to LSR; very useful resource.
-Eric
Valentin Villenave wrote:
2008/3/2, Mats Bengtsson [EMAIL PROTECTED]:
You can't have searched very thoroughly, this topic has
been discussed several times on the mailing lists.
There's also
2008/3/2, Mats Bengtsson [EMAIL PROTECTED]:
You can't have searched very thoroughly, this topic has
been discussed several times on the mailing lists.
There's also http://lsr.dsi.unimi.it/LSR/Item?id=273
Volta brackets over chord names: the name says it all!
Cheers,
Valentin
You can't have searched very thoroughly, this topic has
been discussed several times on the mailing lists.
There are two main solutions for you:
- Update to version 2.11.x where the voltas appear
above the chord names by default. Although 2.11 is an
unstable development version, I would still
There was a short thread on this topic in Feb-March 2003 (Chords under
voltas?), apparently unresolved, and I could find no more recent
discussion of this topic.
I am using Lilypond to produce jazz leadsheets. Lilypond prints chord
symbols above volta lines. This is most unorthodox
On Saturday 16 February 2008 02:46:45 Joseph Wakeling wrote:
Hello everyone,
I've discovered what I think is a bug in 2.10.25. Apologies if this has
been fixed in more recent versions but a Google search didn't raise any
awareness of the issue.
Here's the problem. Suppose I have a repeat
as thoroughly as I should (I read the bugs section on repeat
voltas but not on grace notes).
Anyway, good to know it's a known issue.
-- Joe
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Hello everyone,
I've discovered what I think is a bug in 2.10.25. Apologies if this has
been fixed in more recent versions but a Google search didn't raise any
awareness of the issue.
Here's the problem. Suppose I have a repeat volta set up with
alternative end bars:
\repeat volta 2 {
David Fedoruk wrote 13 January 2008 06:28
I've worked ahead on this piece of music and
found that perhaps the
problem is not where it thought that it was.
What I saw as a single bar line in the middle of
a bar is actually an
extra bar who's ending bar line I could not see
(yet). As
This is usually a symptom of an incorrect note
duration (one that is too long) or maybe an extra
inserted note, which cause all remaining notes
to be shifted slightly to the right, and at the
end of the section the little bit left over causes
a new bar to be started. You are using bar
I've worked ahead on this piece of music and found that perhaps the
problem is not where it thought that it was.
What I saw as a single bar line in the middle of a bar is actually an
extra bar who's ending bar line I could not see (yet). As soon as I
attempted to move into the next section, the
hello:
I have a repeat, then a first and second ending repeat which looks like this:
|: [music a ] :||: [music b] | [ 1st ending ] :| [ 2nd ending :||
Eventually it will be a part of a piece structured this way:
| {music A section } | {music B section consisting of |: [music a ]
:||: [music
On Wed, 9 Jan 2008 11:12:15 -0800
David Fedoruk [EMAIL PROTECTED] wrote:
on rendering I get unknown type Volta see documentation (of course
that's where i copied the code from!)
IIRC volta is not capitalized. Or maybe it is, and you didn't.
In either case, check it.
- Graham
You are right -- it is not capitalized, there are two instances, one
is capitalized and one isn't. This takes care of the error message but
not the problem with the added bar line inside the last repeat.
David
IIRC volta is not capitalized. Or maybe it is, and you didn't.
In either case,
Mats,
Thanks for advise. The workaround does it.
/Helge
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Hello,
I have a score, that begins without upbeat. After some measures (in the
example four) a second part begins. The second part has an upbeat. Therefor
the last measure of the first part has less notes (3/4). The second part has
also a volta repeat.
Lilypond produces this as expected
See http://lists.gnu.org/archive/html/bug-lilypond/2007-04/msg00055.html
/Mats
Quoting Helge Kruse [EMAIL PROTECTED]:
Hello,
I have a score, that begins without upbeat. After some measures (in
the example four) a second part begins. The second part has an
upbeat. Therefor the last
Hi! I'm yet new to LilyPond, but I like it very much. It's great.
I have a song where a repeat starts in the middle of the measure.
LilyPond correctly counts the beats in the first alternative, but
when calculating the second alternative, it doesn't think of that
the repeat starts in the middle
I figured out. All I had to do was to put
\set Score.measurePosition = #(ly:make-moment 0 4)
in the beginning of the measure.
Great job, lilypond-makers!
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[EMAIL PROTECTED] wrote:
On 25-Jan-05, at 5:40 AM, [EMAIL PROTECTED] wrote:
[EMAIL PROTECTED] wrote:
Read the chapter on changing defaults; it discusses where to
place that override.
Found it, thanks. Next problem ... I can't see an ignore collisions
type property for
On 25-Jan-05, at 5:40 AM, [EMAIL PROTECTED] wrote:
[EMAIL PROTECTED] wrote:
Read the chapter on changing defaults; it discusses where to
place that override.
Found it, thanks. Next problem ... I can't see an ignore collisions
type property for VoltaBracket. Bearing in mind that it's mostly empty
On 22-Jan-05, at 4:01 PM, Anthony W. Youngman wrote:
%\override Score.VoltaBracket #'minimum-space = #1
\score {
-snip-
The other thing is, I want to set it globally, so I would rather set it
OUTSIDE the \score{} scope, otherwise I have to keep on setting
everywhere rather than just doing it once.
do?
Voltas - is this a bug? They're floating way too high over the staff. An
x time bar to me should be sitting almost touching the staff. But
there's a gap the same height as the volta between it and the staff. AS
I say, is this a bug, or how do I move the volta down?
And key signatures. I'm
[EMAIL PROTECTED] writes:
BTW while searching the archives I saw that several people were
interested in reducing the font size for chords. This is what I
managed to come with:
\context ChordNames
...
\property ChordNames.ChordName \set #'font-magnification = #'0.8
...
Hello,
Is there a way to print the chord names _under_ the volta bars ?
I saw some stuff in the archives but doesn't quite work
(at least not on 1.6.7).
BTW while searching the archives I saw that several people were
interested in reducing the font size for chords. This is what I
managed to
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