Thanks for that clarification.
So this isn't a 'selling point' for LilyPond anymore ...
Urs
Am 09.04.2013 18:59, schrieb Phil Holmes:
- Original Message - From: Urs Liska li...@ursliska.de
To: Lilypond-User lilypond-user@gnu.org
Sent: Tuesday, April 09, 2013 5:26 PM
Subject: Cropped
Am 09.04.2013 18:26, schrieb Urs Liska:
I never used Sibelius, and the last version of Finale I actually
worked with was 2001.
Therefore I'd like to ask here before writing something
inappropriately negative about them ;-)
Is it possible to output cropped output in .png or .pdf format from
On Tue, 9 Apr 2013 21:50:59 +0100
Phil Holmes m...@philholmes.net wrote:
- Original Message -
From: Urs Liska li...@ursliska.de
To: lilypond-user@gnu.org
Sent: Tuesday, April 09, 2013 9:05 PM
Subject: Re: Cropped output (à la -dpreview) possible in Finale and Sibelius
Am
Is it possible to hook into the \voiceXXX commands to (optionally) color-code
them?
This could be helpful when dealing with complex polyphonic situations.
In my experience it is often enough to assign the right voice to get the
spacing right, and it would be nice if the eye would be assisted
Am 10.04.2013 22:18, schrieb Federico Bruni:
2013/4/10 Francisco Vila paconet@gmail.com
mailto:paconet@gmail.com
I wanted to share this screencast with you. Duration: 1'29'' at
25x speed.
http://lilypond.es/lilypond/timelapse-screencast/timelapse-aquaplane.webm
also
Am Mittwoch, den 10.04.2013, 12:28 +0200 schrieb Werner LEMBERG:
%{ 5 %} a,4 ( a4 ) ( b4 ) d4 |
I like that. It's tedious to type manually, but a computer
program doesn't know that word :-)
Indeed, but i find it unreadable, especially if it was placed at
every line.
Really?
Phil Holmes m...@philholmes.net schrieb:
- Original Message -
From: Eluze elu...@gmail.com
To: lilypond-user@gnu.org
Sent: Sunday, April 14, 2013 9:58 AM
Subject: Re: warning in midi
MING TSANG wrote
Here is the full code. The error log is copy below.
hi Ming
that's too
Federico Bruni fedel...@gmail.com schrieb:
2013/4/14 Peter Toye lilyp...@ptoye.com
Just starting to try out Lilypond, and finding a few problems in
getting
to work at all.
The OS is Windows 7, if that makes any difference.
which version of lilypond?
1) Double-clicking on a .ly file
Federico Bruni fedel...@gmail.com schrieb:
2013/4/14 Peter Toye lilyp...@ptoye.com
Just starting to try out Lilypond, and finding a few problems in
getting
to work at all.
The OS is Windows 7, if that makes any difference.
which version of lilypond?
1) Double-clicking on a .ly file
Am 14.04.2013 19:27, schrieb Peter Toye:
Re: Newbie problems -
BTW, I recommend using Frescobaldi instead of Lilypad:
http://frescobaldi.org/download
Is this the right place to be recommending a rival product? I'll have
a look. Thanks.
It's not a rival product.
Am 14.04.2013 19:27, schrieb Peter Toye:
Re: Newbie problems -
Federico Bruni fedel...@gmail.com schrieb:
I think that you have to associate the .ly extension with Lilypad.
That would seem to be the case. It's the sort of thing I'd expect the
installation routine to
, but then it should be clearly documented.
Urs
--
Phil Holmes
- Original Message -
From: Urs Liska
To: lilypond-user@gnu.org
Sent: Sunday, April 14, 2013 7:34 PM
Subject: Re: Newbie problems
Am 14.04.2013 19:27, schrieb Peter Toye
Am 15.04.2013 10:34, schrieb Peter Toye:
Re: Newbie problems Urs,
I realise that now! Thanks.
Not at all!
I think it's one of our tasks on this list to keep new users from giving
up on LilyPond ;-)
Urs
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com http://www.ptoye.com
Am 15.04.2013 11:56, schrieb Peter Toye:
Re: Newbie problems Urs,
Now downloaded it, but it won't work properly - I get:
Starting lilypond-windows.exe 2.16.2 [Warlock1.ly]...
Could not start lilypond-windows.exe.
Please check path and permissions.
when I try to engrave. Is this the place to
R does indicate that the symbol to be used is independent from that
actual duration, but you still have to supply the length of it. I know
that may be somewhat confusing.
If you don't specify a duration for the first note LilyPond will
implicitly use a quarter note (i.e. c will be treated as
Am 16.04.2013 14:07, schrieb Richard Shann:
On Tue, 2013-03-26 at 10:29 +0100, Urs Liska wrote:
BTW we're preparing the release of a LilyPond toolbox library (where
\displayControlPoints will be included of course), and I'd love to
include this new one there too.
I've been trying to track
Does placing it in a separate \layout block help?
Richard Shann richard.sh...@virgin.net schrieb:
On Tue, 2013-04-16 at 16:59 +0100, Richard Shann wrote:
On Tue, 2013-04-16 at 09:41 -0500, David Nalesnik wrote:
Hi,
[...]
When I recently cut-and-pasted the code from the email, I had this
Am Freitag, den 19.04.2013, 10:19 +0200 schrieb Wilbert Berendsen:
Op Tue, 16 Apr 2013 15:48:10 +0100
Richard Shann richard.sh...@virgin.net schreef:
On Tue, 2013-04-16 at 15:44 +0200, Janek Warchoł wrote:
Thanks.
I'm wondering whether a similar feature could be easily implemented
Am Freitag, den 19.04.2013, 09:50 +0200 schrieb Stjepan Horvat:
Thanks guys for your anwsers..yes and i want practical
experience..after i write my first lilypond function..
I still don't feel ready..i must learn more..
I am the type of a guy who wants to script everything that is done
more
Am Freitag, den 19.04.2013, 10:32 +0200 schrieb Urs Liska:
Am Freitag, den 19.04.2013, 09:50 +0200 schrieb Stjepan Horvat:
Thanks guys for your anwsers..yes and i want practical
experience..after i write my first lilypond function..
I still don't feel ready..i must learn more..
I am
Am Freitag, den 19.04.2013, 10:43 +0200 schrieb Wilbert Berendsen:
Op Fri, 19 Apr 2013 10:31:13 +0200
Urs Liska li...@ursliska.de schreef:
What I intended to post on your issue tracker (already one day before
Richard started posting his progress :-) )
is: Use Clickdrag to correct pitches
Am Freitag, den 19.04.2013, 11:50 +0200 schrieb David Kastrup:
Urs Liska li...@ursliska.de writes:
If not, would it be possible to highlight a changed note (or other
item) with a color?
That can be done.
But recompilation is better.
Easy recompilation is nice, but automatic
Am Freitag, den 19.04.2013, 12:16 +0200 schrieb David Kastrup:
Urs Liska li...@ursliska.de writes:
Am Freitag, den 19.04.2013, 11:50 +0200 schrieb David Kastrup:
Urs Liska li...@ursliska.de writes:
If not, would it be possible to highlight a changed note (or other
item
Am 19.04.2013 19:35, schrieb Jim Long:
On Fri, Apr 19, 2013 at 10:32:19AM +0200, Urs Liska wrote:
Am Freitag, den 19.04.2013, 09:50 +0200 schrieb Stjepan Horvat:
Thanks guys for your anwsers..yes and i want practical
experience..after i write my first lilypond function..
I still don't feel
Hi,
today I finished the first draft of a paper on a plain text file based
toolchain for writing (about) music. The target audience are people who
regularely author such documents but aren't converted yet to 'our'
approach to authoring.
The text doesn't provide material to 'getting started'
Hi Colin,
thanks for your valuable comments!
Am Samstag, den 20.04.2013, 11:50 +0100 schrieb Colin Hall:
Urs Liska writes:
Hi,
today I finished the first draft of a paper on a plain text file based
toolchain for writing (about) music.
...
Your paper reads well
Am Samstag, den 20.04.2013, 13:05 +0200 schrieb David Kastrup:
Colin Hall colingh...@gmail.com writes:
Here is a piece of opinion from me, so you know my position. Users of
WYSIWYG engraving software accept the shortcomings because it is quick
and effective. Users of text-based approaches
Am Samstag, den 20.04.2013, 12:13 +0100 schrieb Graham Percival:
On Sat, Apr 20, 2013 at 01:05:40PM +0200, David Kastrup wrote:
Colin Hall colingh...@gmail.com writes:
Here is a piece of opinion from me, so you know my position. Users of
WYSIWYG engraving software accept the
Maybe you have an issue with your PDF viewer?
I can see all 's' and don't notice any issue with 'z'.
I assume 'fl' and 'Th' should be ligatures?
I can't tell if 'fl' is a ligature ore not, but the 'Th' definitely
isn't.
What OS are you using?
AFAIK LilyPond doesn't use kerning on Windows, so it
telling us your OS?
Urs
Thanks.
On Sat, Apr 20, 2013 at 11:09 AM, Urs Liska li...@ursliska.de wrote:
Maybe you have an issue with your PDF viewer?
I can see all 's' and don't notice any issue with 'z'.
I assume 'fl' and 'Th' should be ligatures?
I
to that discussion.
To those who offered more and concrete assistance:
I will be very happy about it, but maybe it's more efficient to wait for
my next version. I will then also accept pull requests.
Best for now
Urs
Am Freitag, den 19.04.2013, 23:17 +0200 schrieb Urs Liska:
Hi,
today I finished
Am Montag, den 22.04.2013, 10:28 +0200 schrieb Janek Warchoł:
Hi,
2013/4/22 Urs Liska li...@ursliska.de:
I'm in a hurry to prepare the material for the oral presentation.
Good luck! If a recording will be available, i'd gladly watch it.
No, surely not in that context.
I will leave
Am Montag, den 22.04.2013, 11:41 +0200 schrieb David Kastrup:
Urs Liska li...@ursliska.de writes:
[...] MusicXML [...]
indeed.
;)
I'd actually say it is crucial to have that in order to get LilyPond a
foot in the publishing world. We can't expect publishing houses to
easily
Hi,
is it possible somehow to hook into the engraving process and color all
grobs that have been manually tweaked?
In my library I have a 'draft mode'. All my functions or shorthands that
tweak the positioning have a counterpart in draft mode. The draft mode
functions basically call the normal
Am 22.04.2013 17:54, schrieb Peter Toye:
How to get dynamics centred on a piano staff? Newbie alert
I'm trying to engrave some piano music where the dynamics don't belong
to either of the staffs, but refer to both staffs. If I put them in on
the RH staff, they're a bit high.
Also, I have to
Hi,
could somebody be so kind and send me Finale and/or Sibelius files with
the equivalent of
this LilyPond file:
{ c' }
?
Thank you
Urs
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
that later on my mac.
The file size for finale files probably has some kind of minimum for all
the layout settings. But who knows? It is 6 bytes in lilypond vs. nearly
50kb of arbitrary binary data in finale.
Best,
Jan-Peter
Am 22.04.2013 22:09, schrieb Urs Liska:
Hi,
could somebody
Am Dienstag, den 23.04.2013, 10:09 +0200 schrieb David Kastrup:
Phil Holmes m...@philholmes.net writes:
- Original Message -
From: Urs Liska u...@openlilylib.org
To: lilypond-user@gnu.org
Sent: Monday, April 22, 2013 9:09 PM
Subject: Finale and Sibelius files
could
Am Montag, den 22.04.2013, 19:03 +0200 schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
Hi,
is it possible somehow to hook into the engraving process and color all
grobs that have been manually tweaked?
In my library I have a 'draft mode'. All my functions or shorthands
Hi David,
please let me take most of your comment as acknowledged and allow me one
further inquiry:
Am Montag, den 22.04.2013, 12:30 +0200 schrieb David Kastrup:
Urs Liska li...@ursliska.de writes:
Am Montag, den 22.04.2013, 11:41 +0200 schrieb David Kastrup:
Urs Liska li...@ursliska.de
Am Dienstag, den 23.04.2013, 13:43 + schrieb Klaus Föhl:
Janek Warchoł wrote:
Many thanks for this report! You made me realize that i didn't
promote LilyPond actively enough. We have unique features to offer
and people in the music industry should know about us.
As the Lilypond
Am Dienstag, den 23.04.2013, 13:45 +0200 schrieb David Kastrup:
Selling LilyPond with vaporware MusicXML makes only sense if we want
to
hook people on LilyPond with the promise that they can take their
scores
into other products eventually.
Yes, of course.
And that promise only makes
David Nalesnik david.nales...@gmail.com schrieb:
Hi,
On Tue, Apr 23, 2013 at 9:36 AM, Janek Warchoł
janek.lilyp...@gmail.comwrote:
2013/4/23 Richard Shann richard.sh...@virgin.net:
On Sun, 2013-04-21 at 22:11 +0200, Janek Warchoł wrote:
what would be the nicest syntax using that
Am 23.04.2013 17:37, schrieb David Nalesnik:
On Tue, Apr 23, 2013 at 10:31 AM, Urs Liska u...@openlilylib.org
mailto:u...@openlilylib.org wrote:
Am 23.04.2013 17:25, schrieb Richard Shann:
On Tue, 2013-04-23 at 17:16 +0200, Urs Liska wrote:
[...]
But of course
Am Dienstag, den 23.04.2013, 20:45 +0200 schrieb Urs Liska:
Hm, this seems not to be the first time my phone censors my reply
text :-(
What I had written is somewhat like:
Christopher R. Maden cr...@maden.org schrieb:
I am comfortable with LilyPond, but not quite an expert
Am Dienstag, den 23.04.2013, 21:43 +0300 schrieb m...@mikesolomon.org:
On 23 avr. 2013, at 21:21, Christopher R. Maden cr...@maden.org wrote:
I am comfortable with LilyPond, but not quite an expert.
I am an expert in XML and XSLT, and it sounds like it would be of
benefit to LilyPond
Hi all,
just a quick (and urgent) question:
\shape Slur #'((0 . 0)(0 . 0)(0 . 0)(0 . 0))
should be correct syntax? Or am I blind?
At least LilyPond 2.17.16 hits me
error: wrong type for argument 2. Expecting symbol list or music, found
((0 . 0) (0 . 0) (0 . 0) (0 . 0))
\shape Slur
Am Mittwoch, den 24.04.2013, 11:05 +0200 schrieb Jan-Peter Voigt:
Hi Urs,
the order of the arguments changed in 2.17:
\shape #'((0 . 0)(0 . 0)(0 . 0)(0 . 0)) Slur
should work. The second argument now also may be music, so that you can
use in a tweak fashion:
c-\shape #'((0 . 0)(0 . 0)(0 .
Am Mittwoch, den 24.04.2013, 11:05 +0200 schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
Hi all,
just a quick (and urgent) question:
\shape Slur #'((0 . 0)(0 . 0)(0 . 0)(0 . 0))
should be correct syntax? Or am I blind?
At least LilyPond 2.17.16 hits me
error
Hi all,
trying to catch up on all the stuff written lately.
Obviously I somewhat lack the overview, so I try to do my best to do
everybody justice (knowing it won't work out ...)
###
Structure/Outline of the paper
Am Montag, den 22.04.2013, 10:09 -0400 schrieb Carl Peterson:
Am Donnerstag, den 25.04.2013, 03:14 -0400 schrieb Paul Morris:
On Apr 24, 2013, at 12:52 AM, m...@mikesolomon.org wrote:
Python is a great tool for XML creation. There is also
http://okmij.org/ftp/Scheme/xml.html. The advantage of doing it in Scheme
is that you are building it
Am 25.04.2013 14:44, schrieb Janek Warchoł:
2013/4/25 Urs Liskau...@openlilylib.org:
Do you know of someone
having actually recovered from a text file suffering from a disk crash -
and not having spent more work than starting again from scratch?
Myself, to sme extent.
Am 25.04.2013 16:48,
Am 21.04.2013 08:14, schrieb Evan Driscoll:
(I couldn't find something that presented version control the way I
wanted to show it, so I wrote a description. In the unlikely event you
want to steal portions of it, feel free; I can drop a creative commons
license on
Am 21.04.2013 14:31, schrieb Denis Bitouzé:
Hi,
looks very nice though I currently have no time to read it carefully.
Just two remarks:
1. A table of contents would be nice.
This is on my todo-list. It's not a regular table of contents but one
for a subpart of the whole document (which
Hi all,
in order not to let this discussion go asleep again, I set up a GitHub
project
https://github.com/openlilylib/ly2xml
https://github.com/openlilylib/ly2xml/wiki
I hope this may become a place to organize ideas and eventually start
producing code.
As a start I put together a few pages
Am 26.04.2013 16:39, schrieb Paul Morris:
On Apr 26, 2013, at 8:59 AM, Urs Liska u...@openlilylib.org wrote:
in order not to let this discussion go asleep again, I set up a GitHub project
Hi Urs, Good idea. I added the following which I dug up. As well as the link
to SXML support in Guile
lack perspective - thanks for any
clarifications.
Thanks,
Curt
On Apr 26, 2013, at 7:46 AM, Urs Liska u...@openlilylib.org wrote:
Am 26.04.2013 16:39, schrieb Paul Morris:
On Apr 26, 2013, at 8:59 AM, Urs Liska u...@openlilylib.org wrote:
in order not to let this discussion go
The NR (1.2.3 Displaying Rhythms) states that time signatures are
printed at the beginning of a piece and whenever the time signature
changes.
But if I write
music = {
\time 3/4
R2.*4
\time 3/4
R2.
}
the time signature is printed a second time although it doesn't change
(to my
Am 29.04.2013 16:17, schrieb Francisco Vila:
El 29/04/2013 14:03, Daniel Rosen drose...@gmail.com
mailto:drose...@gmail.com escribió:
I have, but the entire concept of instrument transposition is sort
of confusing to me in the first place, as a singer and pianist. If I
had my way, the
Hi David,
Am 29.04.2013 16:15, schrieb David Nalesnik:
Hi Urs,
On Mon, Apr 29, 2013 at 9:02 AM, Urs Liska u...@openlilylib.org
mailto:u...@openlilylib.org wrote:
The NR (1.2.3 Displaying Rhythms) states that time signatures
are printed at the beginning of a piece and whenever
Am Dienstag, den 30.04.2013, 13:56 -0400 schrieb Carl Peterson:
I could be wrong, but I would think that the primary motivation for
specifying the same time signature a second time is to have it
displayed a second time?
Considering it one day later I think you may be right.
The only time I
Am Freitag, den 03.05.2013, 06:56 + schrieb Nandi:
Hello everyone, I'm trying to do a SATB vocal score with a harp accompaniment,
and I'd like to combine the following two templates: Single staff template
with notes, lyrics, chords and frets + Vocal ensemble template, so that I
can
readable.
HTH
Urs
Am Freitag, den 03.05.2013, 08:11 + schrieb Nandi:
Urs Liska ul at openlilylib.org writes:
As I don't quite see what you exactly want to achieve, I suggest you
- decide which of the templates is better as a start,
- try to figure out which music variables you would
Hm, as far as I know (and my mail reader tells) I attached a plain .ly
file ...
But you'll find the content of that file at the end of this message (in
the hope mail transfer protocols and readers won't mess it up ...)
Urs
Am Freitag, den 03.05.2013, 09:20 + schrieb Nandi:
Urs Liska ul
schrieb Urs Liska:
Hm, as far as I know (and my mail reader tells) I attached a plain .ly
file ...
But you'll find the content of that file at the end of this message (in
the hope mail transfer protocols and readers won't mess it up ...)
Urs
Am Freitag, den 03.05.2013, 09:20 + schrieb
Am 03.05.2013 13:59, schrieb James Harkins:
On May 3, 2013 7:29 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca mailto:kieren_macmil...@sympatico.ca
wrote:
Hi,
How should one use mdash; in a markup block?
If you're on a Mac, it's option+shift plus the - key: ---
Don't know on
A MultiMeasureRest for one measure always _looks_ like a whole note rest, no
matter how long its real duration is.
Maybe it's this what you mix up?
Best
Urs
Sarah k Alawami marri...@gmail.com schrieb:
Ok. I see there a dotted hole note, but a dotted whole note or in this
case whole rest is
I don't see any point in arguing if a given documentation is technically
correct or complete.
Sometimes even correct documentation can be misleading or at least miss
to draw attention to important points.
I feel that this is the case here too. An improvement of the
documentation will
Am Montag, den 06.05.2013, 07:32 +0300 schrieb Andreas Stenberg:
Hi!
Is there a easy way to change the fontsize of lyrics globaly.
Put
\override LyricText #'font-size = #1.25
in a 'style sheet' file that you can include in all your files.
HTH
Urs
I'm
working on projects with several
Am Montag, den 06.05.2013, 23:18 +0200 schrieb Noeck:
Am 06.05.2013 15:34, schrieb m...@mikesolomon.org:
Hey all,
I'm writing a piece of entirely unmetered music and using \cadenzaOn for
that. I'm manually placing barlines from time to time in order to allow for
line breaks and to
Montag, den 29.04.2013, 09:15 -0500 schrieb David Nalesnik:
Hi Urs,
On Mon, Apr 29, 2013 at 9:02 AM, Urs Liska u...@openlilylib.org wrote:
The NR (1.2.3 Displaying Rhythms) states that time
signatures are printed at the beginning of a piece and
whenever the time
07.05.2013, 07:38 -0500 schrieb David Nalesnik:
Hi Urs,
On Tue, May 7, 2013 at 6:02 AM, Urs Liska u...@openlilylib.org wrote:
Hi David,
unfortunately your engraver does _not_ work as expected (and
as I had
stated):
Obviously the 'previous
Am 08.05.2013 11:23, schrieb Peter Gentry:
...
David Kastrup d...@gnu.org writes:
Well, I definitely proud myself on facilitating one of the
fastest PTF times for active projects (PTF = posting to flamewar).
Peter peter.gen...@sunscales.co.uk writes:
David you have not been flamed your work
Hi,
I want to implement a way to compile a score from a given music
expression. THe idea is to have a huge score edited in small chunks and
being able to only compile the tiny chunk one works on currently.
First I tried several things to compile a book within the function but
didn't succeed.
Am Donnerstag, den 09.05.2013, 11:38 +0200 schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
Hi,
I want to implement a way to compile a score from a given music
expression. THe idea is to have a huge score edited in small chunks and
being able to only compile the tiny
Am Donnerstag, den 09.05.2013, 13:21 +0200 schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
Am Donnerstag, den 09.05.2013, 11:38 +0200 schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
...
What I didn't
Am Donnerstag, den 09.05.2013, 14:36 +0100 schrieb Phil Holmes:
- Original Message -
From: Urs Liska u...@openlilylib.org
To: lilypond-user@gnu.org
Sent: Thursday, May 09, 2013 10:25 AM
Subject: \include problem in Scheme function
Hi,
I want to implement a way to compile
Am Donnerstag, den 09.05.2013, 09:00 -0500 schrieb David Nalesnik:
Hi Urs,
On Thu, May 9, 2013 at 8:31 AM, Urs Liska u...@openlilylib.org wrote:
##
BUT: One (hopefully last) issue still drives me
Am 09.05.2013 16:16, schrieb David Nalesnik:
Urs,
On Thu, May 9, 2013 at 9:12 AM, Urs Liska u...@openlilylib.org
mailto:u...@openlilylib.org wrote:
Am Donnerstag, den 09.05.2013, 09:00 -0500 schrieb David Nalesnik:
Hi Urs,
You've got one two many left parentheses
Am 10.05.2013 13:33, schrieb Eluze:
\new Staff=A { c'1( \change Staff=B c')}
\new Staff=B { \clef bass R1 R }
What Eluze wants to say is
a) you can't do this with a tie but you have to use a slur instead
b) musically it is probably one voice.
I can't judge from the small example if this
Am 10.05.2013 15:15, schrieb Alberto Simões:
Hello
The snippet in
http://lsr.dsi.unimi.it/LSR/__Snippet?id=748
http://lsr.dsi.unimi.it/LSR/Snippet?id=748
doesn't seem to work -- referenced from
Am 10.05.2013 16:36, schrieb Alberto Simões:
On 10/05/13 15:27, David Kastrup wrote:
Alberto Simões al...@alfarrabio.di.uminho.pt writes:
For those interested in the \shape usage, this is what I was working
in:
http://www.musica-liturgica.net/viewfull.pl/375
I'd probably not let the
Am 11.05.2013 11:15, schrieb Janek Warchoł:
2013/5/11 Federico Bruni fedel...@gmail.com:
2013/5/11 Janek Warchoł janek.lilyp...@gmail.com
...
Quite frankly, if we didn't have \shape, i'd say that LilyPond was
incapable of handling Fried project :(
I think I missed this project, all I can
Am 12.05.2013 13:35, schrieb David Nalesnik:
On Sat, May 11, 2013 at 11:42 PM, David Kastrup d...@gnu.org wrote:
Janek Warcho? janek.lilyp...@gmail.com writes:
2013/5/11 David Kastrup d...@gnu.org:
Janek Warcho? janek.lilyp...@gmail.com writes:
my experience (particularly with Fried
Am Dienstag, den 14.05.2013, 08:30 +0200 schrieb Helge Kruse:
You opened a slur in line 92: c8(
In line 93 you try to open a new slur without closing the previous
one: cis8(
Close the first or check if it's the wrong location to start the slur.
Hi Sarah,
probably Helge told you how to
Hi all,
considering all the messages on this thread:
Would there be a Mac user with sufficient knowledge out there to assist
Wilbert and prepare either a simple installer or at least a reliable and
comprehensive installation guide, not just now but also for upcoming
releases?
It seems that there
Am Dienstag, den 14.05.2013, 22:14 +0200 schrieb David Kastrup:
Derek cu...@shmerek.com writes:
Sorry David, I don't understand what you are trying to say here.
Never mind, it was just an attempt at a bad joke.
I found it really funny. Especially with this appendix :-)
Am Sonntag, den 12.05.2013, 21:51 -0400 schrieb Kieren MacMillan:
Hello all,
I'm working on putting together some house style stylesheets, and wanted to
see if I had the best structure…
As one example, I'm tweaking up a Henle piano score stylesheet (e.g.
Beethoven Piano Sonatas Urtext,
Hi all,
I'm facing the mountain of a huge orchestral score, and I think it's a
good idea to get a few things right before starting to climb. Lacking
experience with this type of score I will probably have to ask a few
times ...
Some parts vary the number of staves along the way (for example the
Am Mittwoch, den 15.05.2013, 09:48 +0100 schrieb Richard Shann:
On Wed, 2013-05-15 at 10:05 +0200, Urs Liska wrote:
c)
I could initially create the score with all possible staves and just
let
\RemoveEmptyStaves do its job (well, that's what it is intended
for ...)
- But that would
Am Mittwoch, den 15.05.2013, 06:03 -0400 schrieb Kieren MacMillan:
Hi Urs,
I don't know if it's the _best_ and _most flexible_ structure, but it
definitely looks like a _good_ and _flexible_ structure.
I probably can't ask for any more at this stage. ;)
Exactly.
You should take that
Am Mittwoch, den 15.05.2013, 06:06 -0400 schrieb Kieren MacMillan:
Hi Urs,
How would you approach this scenario?
I'm working on a mechanism involving \quoteDuring and
\RemoveEmptyStaves which should handle this scenario perfectly.
Right now, I'm testing it with a choral work which
Hi,
is it possible at all to create a layout with absolute positioning of
the score structure?
I.e. I would like to be able to position the staves absolutely and set
an absolute width of each measure. It would be enough to have a score
with one staff or rhythmic staff alone.
The idea is to
= {
\textLengthOn
s1^\markup { | \hspace #15 | }
s1^\markup { \hspace #15 | }
s1^\markup { \hspace #15 | }
s1^\markup { \hspace #25 | }
}
music = {
\repeat unfold 16 c'4
}
\score {
\new Dynamics \spacing
\new Staff \music
}
Cheers,
Carl
On Wed, May 15, 2013 at 6:39 AM, Urs
On Thu, 2013-05-16 at 05:42 -0700, ericoschm...@yahoo.com.br wrote:
I think i have all i need now, it will just take some time to digest.
About the \include, can i just add my chromatic.ly language files and other
templates to this directory, instead of having a copy with every musical
file
To clarify:
Your original command does _not_ shift a note but (as the name tells) a note
column. When you don't specify different voices both notes are in the same
column and are shifted _together_.
HTH
Urs
Pierre Perol-Schneider pierre.schneider.pa...@gmail.com schrieb:
2013/5/18 Tom
Add a dummy voice with repeated 's16 \bar '?
Kieren MacMillan kieren_macmil...@sympatico.ca schrieb:
Hello all,
Further to this dead-end:
http://lists.gnu.org/archive/html/lilypond-user/2013-05/msg00147.html
Other than manually inserting \bar every sixteenth note, how could
one set up a
Am 20.05.2013 01:38, schrieb Kieren MacMillan:
Hi Urs,
Add a dummy voice with repeated 's16 \bar '?
So, like I said… manually inserting \bar every sixteenth note. ;)
Well, I considered that semi-manual, so I thought to write it (taking
into account that you'd probably know that anyway) ...
Of course we don't know in detail how yyour files are organized. But copy
paste is surely not a good solution.
You should create a new file that \include-s the existing movement files.
HTH
Urs
Mark Stephen Mrotek carsonm...@ca.rr.com schrieb:
Hello:
A piano sonata has three movements
Am 24.05.2013 23:17, schrieb Sarah k Alawami:
Ok. yeah I'm trying to create a lot less work for my self especially now
because if I get this job out of town I will be gone for 3 months and I want to
do this as a gift.
The variables and the systems idea will I think make it easier. why o why
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