I have nothing against the zoom, I think it is priced about right, the
Fostex competes favorably with more expensive, professional gear.
The Fostex also has headroom, you can add a pair of Senheisers or
Schoeps to it, and viola! You have a versatile, professional,
audiophile system.
I'm standing in the street about ten metres from the base of the tower.
I used the rear 120 setting on the Zoom, mics pointing towards the
church and away from the street. I rather like the starlings, but not
so keen on the traffic.
Martin
Michael Gillespie wrote:
Oh!, such a clear
Dear All,
More vids up on Gordon's YouTube page (soon to be on his website) ...
this time a piece by Morlaye and a couple by Adrien Le Roy recorded on
his Renaissance guitar.
Well worth using the 'high quality' option on YouTube!
Elly
www.youtube.com/bananamunga
www.gordonferries.com
I think you ought to look at the Boss BR series. I use a BR 1600 CD. 16
Tracks - so that's 16 mics - 256 virtual tracks and more microphone,
ambience, hall, reverb blah, blah, blah settings that you can shake a stick
at. It also allows you to produce professional grade CD's without the need
to
I'm still looking for a new shiny tuner, my old one...well, old.
long time ago Korg had the OT-12 (i think it was 12) tuner, a nice
tuner, memory, all kind of neat stuff. my friend has it and she's
using it to tune her viol.
now, Korg have only the OT-120, no memory, few presets. but
Aside from octave stringing on the 4th and 5th cources, was not Francisco
Gerau's tuning identical to strings 5 thru 1 of the modern guutar? Surely
Gerau was not the first to use this non-reentrant tuning for the baroque
guitar.
Gary
- Original Message -
From: Monica Hall [EMAIL
On the advice of several people on this list, I recently bought the
Sonic Research ST-122 Strobe Tuner. It works a treat - amazingly
accurate - you can use it to set your frets. And you can program
custom temperaments. It even picks up very clearly the bass notes on
a clavichord - which is
Sonic Research Turbo Tuner: ST 122 Chromatic Strobe Tuner. www.turbo-tuner.com
Fully programmable, very accurate, excellent mic, input for clip mic,
robust design, joy to use.
Serious omission: no play back.
David - had a weekend of continuously tuning an all-gut 10-course in
between recording
Oh, ye of little faith...already on his website...
Rob MacKillop, webmeister!
2008/9/23 Eleanor Smith [EMAIL PROTECTED]
Dear All,
More vids up on Gordon's YouTube page (soon to be on his website)
... this time a piece by Morlaye and a couple by Adrien Le Roy
recorded
oh joy oh joy! it looks like the thing i wanted!!! and even in early
Star Trek style!!!
now i can truly become the first jewish Captain Spock :-D
thanks guys! going to order once i'll find my wallet...i think i put
it inside my lute case again...
On Sep 23, 2008, at 12:11 PM, David van
- Original Message -
From: gary digman [EMAIL PROTECTED]
To: lutelist lute@cs.dartmouth.edu
Sent: Tuesday, September 23, 2008 9:49 AM
Subject: [LUTE] Re: Lineage of early Guitars
Aside from octave stringing on the 4th and 5th cources, was not Francisco
Gerau's tuning identical to
There's got to be some relation between my Classical Guitar and Lutes
and such. Because with the right tuning, I get the same pitches as a
Lute or Vihuela. (capo 3rd fret). --
To get on or off this list see list information at
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- Original Message -
From: Joshua Horn [EMAIL PROTECTED]
Date: Tuesday, September 23, 2008 8:00 am
Subject: [LUTE] Re: Lineage of early Guitars
To: lute@cs.dartmouth.edu
There's got to be some relation between my
Classical Guitar and Lutes
and such. Because with the right tuning, I get
Uhm, Leonard Nemoy was the first Jewish Spock (live long and prosper
sign was a shin).
I have been using this tuner for several months and also love it.
Sent from my iPhone
On Sep 23, 2008, at 5:41 AM, Omer katzir [EMAIL PROTECTED] wrote:
oh joy oh joy! it looks like the thing i wanted!!!
On Tue, 2008-09-23 at 09:11 +0100, Martin Shepherd wrote:
I'm standing in the street about ten metres from the base of the tower.
I used the rear 120 setting on the Zoom, mics pointing towards the
church and away from the street. I rather like the starlings, but not
so keen on the
Incidentaly Fuenllana's 5-course vihuela has the same interval pattern as
the baroque guitar and the classical guitar without a 6th string.
..assuming that bourdons were not employed. This possibility could
significantly change punteado melodies. Personally, I'm not unquestionably
convinced
Dear Fabio,
Thank you for the clarification. Do you recall in which Italian journal
the list appeared?
Yes, it was a special issue of Orfeo. Il mensile di musica antica e
barocca, published in August 1998, and entirely dedicated to the O'Dette's
cd, included with the magazine. Orfeo is
why a shin - didn't he just spread fingers i and m apart and a shin
would have to have three twigs?
Puzzled and probably misinformed,
Joe
Daniel Shoskes [EMAIL PROTECTED] schrieb:
Uhm, Leonard Nemoy was the first Jewish Spock (live long and prosper
sign was a shin).
I have been using
Joe wrote:
why a shin - didn't he just spread fingers i and m apart and a shin
would have to have three twigs?
Puzzled and probably misinformed,
The thumb out was the third twig. In an interview Nimoy said he got the idea
from seeing a Rabbi make this same hand gesture when he was in the
Thumb, im together, a and pinky together. Highly impractical for
thumb out or thumb under.
Sorry, this is about as off topic as I go on this list!
On Sep 23, 2008, at 11:17 AM, Dr. Joachim Lüdtke wrote:
why a shin - didn't he just spread fingers i and m apart and a shin
would have to have
At 11:12 AM 9/23/2008, Arkadia Trio wrote:
Dear Fabio,
Thank you for the clarification. Do you recall in which Italian journal
the list appeared?
Yes, it was a special issue of Orfeo. Il mensile di musica antica e
barocca, published in August 1998, and entirely dedicated to the
O'Dette's
http://www.esnips.com/doc/4268cda5-2bc2-4846-b6c9-c77d8102b232/orfeo_8-2008
I'd love to see, but this link does not appear to be correct.
Maybe this?
http://www.esnips.com/nsdoc/4268cda5-2bc2-4846-b6c9-c77d8102b232/?action=forceDL
To get on or off this list see list information at
On Sep 24, 2008, at 1:10 AM, Arkadia Trio wrote:
Maybe this?
http://www.esnips.com/nsdoc/4268cda5-2bc2-4846-b6c9-c77d8102b232/?
action=forceDL
Maybe. Maybe I just don't understand esnipes. It always brings me to
my own page there. How do I find the file?
Ed Durbrow
Saitama, Japan
At 12:10 PM 9/23/2008, Arkadia Trio wrote:
http://www.esnips.com/doc/4268cda5-2bc2-4846-b6c9-c77d8102b232/orfeo_8-2008
I'd love to see, but this link does not appear to be correct.
Maybe this?
http://www.esnips.com/nsdoc/4268cda5-2bc2-4846-b6c9-c77d8102b232/?action=forceDL
Possibly, but this
On Sep 24, 2008, at 1:27 AM, Eugene C. Braig IV wrote:
Maybe this?
http://www.esnips.com/nsdoc/4268cda5-2bc2-4846-b6c9-c77d8102b232/?
action=forceDL
Possibly, but this one requires members to sign in. Unfortunately
(in this
instance), I am not an esnips member. Thanks for the effort to
Leonard Nimoy did indeed take the live long and prosper hand
position from the Birkat Kohanim (Blessing of the Priests)
traditionally said over the congregation by the priests (which is
to say, men descended from priests, the Jewish priesthood having been
otherwise unemployed since the
Maybe. Maybe I just don't understand esnipes. It always brings me to
my own page there. How do I find the file?
Okat, let's try this:
http://fabiorizza.altervista.org/orfeo_8-1998.pdf
(16.4 Mb)
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Thank you Daniel and thank you Howard - I know this gesture of blessing
hands quite well but it's long ago that I saw one of these films and I
did not remember Nimoy making the gesture of blessing (and I have never
been
a Trekkie) ...
Back to music:
Dear all,
I am trying my hands at Albert de
Dear Fabio,
Thank you very much for the additional information. Alas I was unable to
get the *.pdf files you posted, but the one you just posted worked fine.
I am revising and updating an
article on the manuscript that I wrote several years ago. The German
lute scholar
Wilhelm Tappert (d.
At 02:38 PM 9/23/2008, Arkadia Trio wrote:
Maybe. Maybe I just don't understand esnipes. It always brings me to
my own page there. How do I find the file?
Okat, let's try this:
http://fabiorizza.altervista.org/orfeo_8-1998.pdf
(16.4 Mb)
Yes, this one works. Thanks again.
Eugene
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