Dear Arto
Congratulations on your new 11-course.
I am also new to the Baroque lute, but have had my 11c 70 cm Warwick
for just over a year, and have had time to gradually change some of my
stringing.
Unfortunately I just had a double computer failure, and I had lost much
Beautiful, Mathias!
You play by your new 12 course lute?
Also I happened to play to the tube those first 3 pieces by my old
10-courser just a month ago:
http://www.youtube.com/watch?v=yDnThfm-uCQ
All the best,
Arto
Mathias Rösel wrote:
Stuart Walsh s.wa...@ntlworld.com schrieb:
Sadly, most articles have an expiration date of say twenty years.
David:
As one who greatly values the historical research of many great
scholars in my chosen field, I must gently offer a strong disagreement.
Best,
Ron Andrico
www.mignarda.com
Date: Sun, 29 Nov 2009
I don't think that making statements on the basis that somewhere there could
be some evidence is a good idea. We need proofs to support our theories. So
until we get one, I can easily call this term modern, which is actually
based on the data that is available for most of us.
JL
-
David Tayler vidan...@sbcglobal.net schrieb:
I don't think the material in that article is complete and up to date.
For example, there was a perfectly good term for the broken style which
is Harpege.
Arpègement is a word, indeed. The key point of that word has gone lost,
though,
Hi all,
Just out of curiosity, what is the objection to the term brise? Although
somewhat inelegant, it seems a fairly good and useful description of the the
style. Luthe, while used in its own day, isn't very helpful to those of us
today who want to know more about what the lute players
Could it not be that brise is nothing else than what the Brits used to
call the French Brushing stile?
Lex.
Op 30 nov 2009, om 14:44 heeft Jaroslaw Lipski het volgende geschreven:
Obviously we can use this term providing we know its meaning and
origin. The problem is that for a very long
Jaroslaw Lipski jaroslawlip...@wp.pl schrieb:
Obviously we can use this term providing we know its meaning and origin. The
problem is that for a very long time people were using it thinking that this
is how the style of some French baroque lute players was described in past.
Harpsichord
On 30 Nov 2009, at 13:44, Jaroslaw Lipski wrote:
snip
Harpsichord players wanted to imitate lute playing
snip
Yes - my amateur understanding is that style luthe is different from
brise - in that style luthe was a keyboard composition/perfomance
style, in which elements of lute technique were
Hi All,
Just a comment on the low tension issue.
I don't regard 3.0 Kg (well, let's be scientific and call it approx. 30
N) as low tension, so the difference between 2.8 Kg and 3.0 Kg is not
such a big deal. When I experimented with using a double top string on
a 9c lute (67 cm) I ended up
Yes, And as mentioned earlier, the melodic importance of 'brise' is
evident when one looks at works such as those by von Radolt.
MH
--- On Mon, 30/11/09, Mathias Roesel mathias.roe...@t-online.de
wrote:
From: Mathias Roesel mathias.roe...@t-online.de
Subject: [LUTE]
Hello Martin
I certainly would not say that 3Kg is low (sorry I am lazy and use
Dan Larson's string calc), but since some others seem to be using over
3.5Kg (and tell me the perceived tension of my stringing is low), it is
not that high either (that was all I meant).
We know
I am not talking about the technique itself, but the name asociated with
technique. i.e. Perrine described how to brake chords, but never used the
term style brise. And in general we were discussing wheteher one can call
the term style brise modern or not. I am not saying we can't use the name,
but you are right, this brushing connotation can be very misleading :)
JL
- Original Message -
From: Mathias Rösel mathias.roe...@t-online.de
To: lute@cs.dartmouth.edu
Sent: Monday, November 30, 2009 2:02 PM
Subject: [LUTE] Re: Terminology: brise
Jaroslaw Lipski
I use single vision intermediate Rx specs for reading music, but I
need to experiment with a bifocal on the intermediate so I can see close up
while tuning, setting frets, etc. (This would be like wearing trifocals
without the distance portion of the lenses, just intermediate and near.)
Dear everybody,
playing through the Gehema lute book, I've found what surprisingly
beautiful music it contains. I've made some recordings (way not as
impeccable as the music itself), available here:
https://download.yousendit.com/ZW9DWUhxV3IzeUtGa1E9PQ
Ejoy!
Mathias
To get on or off this
Regarding the longevity of the usefulness of scholarly citation, as with
almost every other concept of the world, it depends. Some concepts are
outdated as soon as they pass the muster of peer review and find their way
to print. Some seem to be timeless. Part of being an academic is knowing
how
Mathias Rösel wrote:
Dear everybody,
playing through the Gehema lute book, I've found what surprisingly
beautiful music it contains. I've made some recordings (way not as
impeccable as the music itself), available here:
https://download.yousendit.com/ZW9DWUhxV3IzeUtGa1E9PQ
Ejoy!
Mathias
Hello Chris:
I hold my ground. There is a serious tendency to dismiss earlier
research as 'under-developed', with the unfortunate result of
perpetually re-inventing the wheel. There are, of course, situations
when cumulative knowledge leads us to a better understanding but it
I think Mathias comes closest to describing the 'luthé' style.
The term
brisé is useful I think, but none of the terms come close to
revealing
the essence of 17th century lute style. It would be nice to
be able
to post right here * a measure or two of tablature that
exemplifies
the style, but
Not everyone has a library within reach, and I happen to have the book
from Ledbetter that seemed to have started this discussion, so here
are a few lines by him to help people know what it's all about.
From
Harpsichord and lute music in 17th-century France
by
David Ledbetter
(Macmillan Press
Stuart Walsh s.wa...@ntlworld.com schrieb:
Mathias Rösel wrote:
Dear everybody,
playing through the Gehema lute book, I've found what surprisingly
beautiful music it contains. I've made some recordings (way not as
impeccable as the music itself), available here:
Daniel,
Miguel Yisrael/Serdoura's baroque lute method has many pieces of Jacques de
Saint-Luc, who, after Weiss and Anonyme, is the most quoted composer in
the whole book. I think this confirms your point about how his music is
ideal for beginners. Being a self-taught amateur, I've very much
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