ng (writing) metaphorically, as was the custom.
>
> RA
> __
>
> From: lute-...@cs.dartmouth.edu <lute-...@cs.dartmouth.edu> on behalf
> of JarosÅaw Lipski <jaroslawlip...@wp.pl>
> Sent: Wednesday, February 7, 2018 8:56 PM
> To: lute@cs.dartmouth.edu
>
Au moins cette intéressante discussion aura permis à Göran de montrer sa
maîtrise de la langue française ;-) !
Bien Amicalement,
Jean-Marie
> Le 7 févr. 2018 à 23:36, G. C. a écrit :
>
> Right, so all we other lutenetters interested in this should just keep
> hanging.
Right, so all we other lutenetters interested in this should just keep
hanging. Tres bien. That's the way! Ce est le route?
G.
On Wed, Feb 7, 2018 at 11:20 PM, Jean-Marie Poirier
<[1]jmpoiri...@wanadoo.fr> wrote:
Jaroslaw
I do agree with you and the study of past mentalities
Jaroslaw
I do agree with you and the study of past mentalities and culture has been my
daily bread for the last 35 years or so. I know exactly what you are talking
about..
Let’s leave it here as you suggested in your email and thank you for your very
well informed contribution.
All the best,
BTW. I never wrote that Jacques Gaultier was related to Enemond, so
don't know were is this supposition fromâ¦
That is from:
On Tue, Feb 6, 2018 at 5:50 AM, Ron Andrico <[1]praelu...@hotmail.com>
wrote:
Speaking of Thurston Dart, I always return to his article, "Miss Mary
Jean-Marie,
This is a vast subject for a long debate. To judge a man’s behaviour from 17th
century and predict probability of its consequences is not a trivial matter. As
historian Miles Fairborn says that: „impossible, strange and bizarre are less
so when placed in their proper context. This
Just a reminder :
Jacques Gaultier fled to England c. 1617 because he had murdered a noble man on
the Continent.
As early as 1618 he was imprisoned in the Tower of London for no clear reason...
He got away with it and managed to get appointed as one of Henriette-Marie's
musicians in 1625 and
NB: Jacques Gaultier was not a relative of Ennemond or Denis.
For pieces in Cherbury also listen to Jacob Lindberg's "Jacobean Lute
Music" BIS-2055 (2013)
G.
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
; RA
> __
>
> From: lute-...@cs.dartmouth.edu <lute-...@cs.dartmouth.edu> on behalf
> of G. C. <kalei...@gmail.com>
> Sent: Sunday, February 4, 2018 12:59 PM
> To: Lutelist
> Subject: [LUTE] Re:
: Freitag, 2. Februar 2018 19:51
An: lute@cs.dartmouth.edu
Betreff: [LUTE] Re: Cherbury lute book - Gautier Son adieu
Am 02.02.2018 um 19:04 schrieb Alain Veylit:
> I could not find the references to Cherbury on Peter Stueur's site
> alas... (I wonder if the Vorhandene Manuskripte table
@ Google books, some more info on Jacques Gaultier from the 2013
Utrecht lute symposium. Article by Matthew Spring starts on page 120.
Unfortunately, the last few pages of the article are not displayed.
[1]https://books.google.no/books?id=Aev6DAAAQBAJ=PA125=PA125=
They Montmorency family
JM
> Le 3 févr. 2018 à 20:19, G. C. a écrit :
>
> I forgot, there is a lengthy passage in Mathew Spring's book about this
> matter. And also interesting is, that there is a connection with lord
> Herbert and Ennemond with the Mont...(?) family.
ow - see
[1]http://www.ramesescats.co.uk/thesis/App1c.pdf
Matteo
-- Forwarded message --
From: Matteo Turri <[2]matteo.o.tu...@gmail.com>
Date: 3 February 2018 at 17:19
Subject: Re: [LUTE] Re: Cherbury lute book
To: "G. C." <[3]kalei...@gmail.com>
I forgot, there is a lengthy passage in Mathew Spring's book about this
matter. And also interesting is, that there is a connection with lord
Herbert and Ennemond with the Mont...(?) family.
G.
[1]https://www.antiquestradegazette.com/news/2016/jacobean-miniature-
Feb 3, 2018 12:33 pm
Subject: [LUTE] Re: Cherbury lute book - Gautier Son adieu
> You are quoting what Thurston Dart wrote in 1957. But Jean-Marie has
> convincingly mentioned the letter which proved that lord Herbert was
> involved in trying to get Jacques extr
> You are quoting what Thurston Dart wrote in 1957. But Jean-Marie has
> convincingly mentioned the letter which proved that lord Herbert was
> involved in trying to get Jacques extradited back to France and
> therefore "would not likely collect music by him". Of course, this is a
> bit
m>
Date: 3 February 2018 at 17:19
Subject: Re: [LUTE] Re: Cherbury lute book
To: "G. C." <[3]kalei...@gmail.com>
Cc: lutelist Net <
ââ
[4]lute@cs.dartmouth.edu>
Interestingly, this references at [5]https://w1.bnu.fr/smt/sommaire.htm
lists 245 pie
Interestingly, this references at [1]https://w1.bnu.fr/smt/sommaire.htm
lists 245 pieces:
CATALOGUE DES SOURCES MANUSCRITES EN TABLATURE
Luth et théorbe
c.1500-c.1800
Catalogue descriptif / A
Dear Jaroslaw,
You are quoting what Thurston Dart wrote in 1957. But Jean-Marie has
convincingly mentioned the letter which proved that lord Herbert was
involved in trying to get Jacques extradited back to France and
therefore "would not likely collect music by him". Of course, this
Most probably Gauthier refers to Jacques Gaultier d’Angleterre. After killing
his opponent in a duel Gaultier came to England in 1617. He was a member of
King’s Musick beginning with 1619 until 1648. Although Lord Herbert traveled
both to France and Rome he returned to London in 1617, so he had
Track list from O'Dette's CD / Piece number Veylit's edition)
1. 112
2. 119
3. 127
4. 130
5. 121
6. 105
7. 199
8. 146
9. 143
10. 144
11. 196
12. 217
13. 209
14. 225
15. 227
16. 35
17. 39
18. 70
'origine
De : Dan Winheld <[2]dwinh...@lmi.net>
Date : 18-02-01 8:44 PM (GMT-05:00)
À : Susan Sandman <[3]susan.sand...@gmail.com>, Tristan von Neumann
<[4]tristanvonneum...@gmx.de>
Cc : lutelist Net <[5]lute@cs.dartmouth.e
...@gmail.com>, Tristan von
Neumann
<[4]tristanvonneum...@gmx.de>
Cc : lutelist Net <[5]lute@cs.dartmouth.edu>
Objet : [LUTE] Re: Cherbury lute book
They are legalizing Marijuana all over the place, come to
California
if
you
m>, Tristan von Neumann
<[4]tristanvonneum...@gmx.de>
Cc : lutelist Net <[5]lute@cs.dartmouth.edu>
Objet : [LUTE] Re: Cherbury lute book
They are legalizing Marijuana all over the place, come to California
if
you want to get stoned! (I gave up that litt
Thanks everyone for your quick responses - all of it very useful.
Jean-Marie, il y a encore une grosse zone d'obscurite et je ne mettrais
pas ma main au feu sur cette attribution. J'ai fini par trouver 5
concordances sur le site de Peter. L'attribution a Gothier dans un des
manuscrits n'aide
About l'Adieu by Ennemond Gaultier, I forgot to say that the later version in D
minor is not related to the version in Cherbury, key nor style.
Jean-Marie
--
> Pondering about the Gautier pieces in Cherbury/concordances: I was not
> able to determine if the Courante "Son
L'Adieu is not in Vaudry, it is in Oxford Bodleian Library G. 618 f° 24.
Jean-Marie
--
> Pondering about the Gautier pieces in Cherbury/concordances: I was not
> able to determine if the Courante "Son adieu" in Cherbury and the one
> in Vaudry Sayzenay are the same one...
Am 02.02.2018 um 19:04 schrieb Alain Veylit:
I could not find the references to Cherbury on Peter Stueur's site
alas... (I wonder if the Vorhandene Manuskripte table could be given
its own page with more descriptive titles associated with the sources
numbers...)
Alain
Hi
Pondering about the Gautier pieces in Cherbury/concordances: I was not
able to determine if the Courante "Son adieu" in Cherbury and the one
in Vaudry Sayzenay are the same one... Actually I was not able to
locate that piece in the Vaudry de Sayzenay, but there is a recording
of a
n Sandman; Tristan von Neumann; lutelist Net
Subject: [LUTE] Re: Cherbury lute book
Wasn't Dowland fired by King Christian of Denmark for being drunk
all
the time? Could it be then considered that playing ‘stoned' was more
‘authentic'?
To get on or off this list see li
Date : 18-02-01 8:44 PM (GMT-05:00)
À : Susan Sandman <[3]susan.sand...@gmail.com>, Tristan von
Neumann
<[4]tristanvonneum...@gmx.de>
Cc : lutelist Net <[5]lute@cs.dartmouth.edu>
Objet : [LUTE] Re: Cherbury lute book
They are
And Jacob Reys (1545 - 1605) "never played so well as when he was
drunk" according to contemporary documents. No reports of any "stoned"
luteplayers though, although they have apparently found traces of both
coca and hemp in pipes in Shakespeares home (if this is not just
another
lt;[5]lute@cs.dartmouth.edu>
Objet : [LUTE] Re: Cherbury lute book
They are legalizing Marijuana all over the place, come to California
if
you want to get stoned! (I gave up that little distraction decades
ago,
but I also much prefer Ballard). :-D
Dan
On 2
.sand...@gmail.com>, Tristan von Neumann
> <tristanvonneum...@gmx.de>
> Cc : lutelist Net <lute@cs.dartmouth.edu>
> Objet : [LUTE] Re: Cherbury lute book
>
> They are legalizing Marijuana all over the place, come to California if
> you want to get stoned! (I
nh...@lmi.net>
Date : 18-02-01 8:44 PM (GMT-05:00)
À : Susan Sandman <susan.sand...@gmail.com>, Tristan von Neumann
<tristanvonneum...@gmx.de>
Cc : lutelist Net <lute@cs.dartmouth.edu>
Objet : [LUTE] Re: Cherbury lute book
They are legalizing Marijuana all
De : Dan Winheld <dwinh...@lmi.net>
Date : 18-02-01 8:44 PM (GMT-05:00)
à : Susan Sandman <susan.sand...@gmail.com>, Tristan von Neumann
<tristanvonneum...@gmx.de>
Cc : lutelist Net <lute@cs.dartmouth.edu>
Objet : [LUTE] Re: Cherbury lute book
They
I was not aware of lord Herbert's Jacques Gaultier extradition letter
(found on Alain's site). The fact that some of the pieces have
concordances in both Besard (1603) and Varietie (1610), also exclude
Jacques.
By the way, Alain, you should look at the concordances by Peter Steur
We do learn at all ages indeed ;-)!
Au passage, thank you Alain for all your hard work so useful to all of us !
Jen-Marie
> Le 2 févr. 2018 à 11:10, G. C. a écrit :
>
> I was not aware of lord Herbert's Jacques Gaultier extradition letter
> (found on Alain's site). The
Marijuana notwithstanding ;-), Ballard and Gaultier’s parallel lives and
careers are quite symptomatic of the change of style and technique which
characterized their time.
Ballard was lucky to have a brother who was a royal printer, which gave him
access to the select world of printed edition,
Apropos recordings of (pieces from) the manuscript:
Jacques Le Polonois : Pièces de luth (AEvitas AE-12157, December
2015)
[1]https://www.discogs.com/Various-Jacques-Le-Polonois-Pièces-
de-luth/release/7752681
by Paul Kieffer has the highest number of recordings from
te@cs.dartmouth.edu"
[6]<lute@cs.dartmouth.edu>
Sent: Wednesday, 31 January 2018, 18:54
Subject: [LUTE] Re: Cherbury lute book
Chris,
I agree with Ron. I use both digital and book format music and have
been
waiting to buy the Cherbury ms since I first heard about it
They are legalizing Marijuana all over the place, come to California if
you want to get stoned! (I gave up that little distraction decades ago,
but I also much prefer Ballard). :-D
Dan
On 2/1/2018 5:15 PM, Susan Sandman wrote:
Stoning is medieval, appropriate only hundreds of years
Stoning is medieval, appropriate only hundreds of years before...
Susan
On Thu, Feb 1, 2018 at 6:46 PM Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
Do I get stoned by the community if I say that I like Ballard more
anyway? :)
Am 02.02.2018 um 00:36 schrieb
Do I get stoned by the community if I say that I like Ballard more
anyway? :)
Am 02.02.2018 um 00:36 schrieb Jean-Marie Poirier:
En guise de conclusion ;-) :
If you look at the chronological development of Ennemond’s career and life, his
“his high reputation” as a baroque lute super hero
En guise de conclusion ;-) :
If you look at the chronological development of Ennemond’s career and life, his
“his high reputation” as a baroque lute super hero simply doesn’t hold.
So there must be other material around to explain this phenomenon.
Cherbury is only one piece in the puzzle and
:-) !
> Le 1 févr. 2018 à 22:53, G. C. a écrit :
>
> PS.
> And of course, I meant to say "you and Jean-Marie" SORRY! :D
> On Thu, Feb 1, 2018 at 10:27 PM, G. C. <[1]kalei...@gmail.com> wrote:
>
>Great that you feel that way, Ron. I'm just saying, that
>
PS.
And of course, I meant to say "you and Jean-Marie" SORRY! :D
On Thu, Feb 1, 2018 at 10:27 PM, G. C. <[1]kalei...@gmail.com> wrote:
Great that you feel that way, Ron. I'm just saying, that
comparing to
what there is of real quality music for the lute out there,
Great that you feel that way, Ron. I'm just saying, that comparing to
what there is of real quality music for the lute out there, and trying
to keep in mind, the "high reputation" of Ennemond Gaultier, I'm sadly,
not at all impressed by these alleged simple courantes and voltas in
Thanks a lot Peter!
and for all your work. Fantastic!
In this matter, I still register / The following numbers apply:
88-no concordances
101-no concordances
102-no concordances
107-2 concordances
109-no concordances
119-no concordance
120-2 concordances
127-2
iates.com>
> To: Ron Andrico [2]<praelu...@hotmail.com>; [3]"lute...@aol.com"
> [4]<lute...@aol.com>; [5]"lute@cs.dartmouth.edu"
> [6]<lute@cs.dartmouth.edu>
> Sent: Wednesday, 31 January 2018, 18:54
> Subject: [LUTE] Re: Cherbury lute book
>
Thank you for you excellent and very useful work Peter!
All the best,
Jean-Marie Poirier
Le 1 févr. 2018 à 21:14, Petrus Paulus Maria Steur
<[1]p.st...@inrim.it> a écrit :
Dear all,
some of you might have a look at my enlarged website [2]mss.slweiss.de
where the
Dear all,
some of you might have a look at my enlarged website [1]mss.slweiss.de
where the Cherbury is already present with a lot of concordances
(hopefully all correct).
Peter Steur
Mail priva di virus. [2]www.avg.com
2018-02-01 21:00 GMT+01:00 Jean-Marie Poirier
Dear Göran,
There is already quite a bit of work done by John H. Robinson regarding a
number of pieces by Gaultier. It was the subject of
a publication for the Lute Society back in 1997, a music supplement entitled
Music in Vieil Ton by Gauthier. Not everything is there
but it's a good starting
Dear Ron,
I have the 1966 CNRS edition. Nowhere in it, is the L. Herbert
mentioned,
other than in the "Table des Sigles". No concordances. Do I have a too
old edition?
I find, that the quality of these short pieces in Cherbury are
unfortunately in no way convincing!
Kindly
Dear Jean Marie,
I beg to differ about the quality of these little sketches, but look
forward to an informed edition with the "motorized" versions. In the
meantime it would be helpful with a concordance list for these short
Gaultier pieces in the old tuning.
Best wishes
G.
Dear Göran,
I do certainly lean towards Ennemond, and most probably not Jacques, as
Cherbury did not support the latter after he sought refuge in
England to escape the King's justice and a certain death for the murder of a
noble man in France ! Sorry Thurston ;-) !
In my recent article in the
I had the privilege of viewing and handling Dd.2.11 and Dd.5.78.3 in Cambridge.
I went to the library with Ian Harwood who had discovered that Holmes was the
scribe of these and other manuscripts and was, of course, well known.
I did not have to wear gloves and it was allowed to open the
When looking at the Gaultier pieces in Cherbury, I recall a recent
discussion on the possibility of these being by Ennemond in vieil ton.
All these pieces are very short and I must say rather pedestrian, and
not indicative of the great fame of Ennemond. Thurston Dart in his 1957
From: Leonard Williams <arc...@verizon.net>
To: lute <lute@cs.dartmouth.edu>
Sent: Wed, Jan 31, 2018 4:45 pm
Subject: [LUTE] Re: Cherbury lute book
I had the honor (privelege?) of viewing and handling the Capirola
Ms at the Newberry in Chicago. No real special precautions.
Just to add my voice to the chorus of people saying real books are
important and easier to use. I have all the content of the Cherbury MS
(ancient faded photocopy), but I'm really interested in all the notes
and concordances as well as having a nice clear copy (preferably
hardback). I have
tmail.com>; "lute...@aol.com"
<lute...@aol.com>; "lute@cs.dartmouth.edu" <lute@cs.dartmouth.edu>
Sent: Wednesday, 31 January 2018, 18:54
Subject: [LUTE] Re: Cherbury lute book
Chris,
I agree with Ron. I use both digital and book format music and ha
On a personal note,
I don ´t think I ´d have been able to see the Dresden mss of Weiss
last year hadn ´t it been for
a personal connection at the SLUB. It was so interesting to see letters
in the tablature that have
gone missing in the scanning process.
I had the same
Arthur’s comment on the answer Bob Spencer got from the FWM librarian about the
Cherbury manuscript reminds me of my own experience at the Fitzwilliam when my
wife, daughter and I visited Cambridge in 1978. I had casually popped into the
Fitzwilliam (around the corner from our hotel) one
-Original Message-
From: John Mardinly <john.mardi...@asu.edu>
To: Arthur Ness <arthurjn...@verizon.net>
Cc: spiffys84121 <spiffys84...@cs.dartmouth.edu>; lute
<lute@cs.dartmouth.edu>
Sent: Wed, Jan 31, 2018 2:24 pm
Subject: [LUTE
@cs.dartmouth.edu
<mailto:lute-...@cs.dartmouth.edu>> on behalf
of Hector Sequera <hectorl...@mac.com <mailto:hectorl...@mac.com>>
Sent: Wednesday, January 31, 2018 1:55 PM
To: lute@cs.dartmouth.edu <mailto:lute@cs.dartmouth.edu>
Subject: [LUTE] Re: Cherbury l
--_000_FFA9553912F34B37A36432623F95F2B4asuedu_
Content-Type: text/plain; charset="windows-1258"
Content-Transfer-Encoding: quoted-printable
Appalling about the Siena Lute Book.
Gloves are cheap!
A. John Mardinly, Ph.D., P.E.
[cid:43213E1A-45A3-4C0C-B084-966A95C27ED9]
The Sleep of Reason
beautiful engravings were done in
Japan. My classmate Masakata
"Holborn" Kanazawa served as intermediary.
-Original Message-
From: spiffys84121 <spiffys84...@cs.dartmouth.edu>
To: Lutelist <lute@cs.dartmouth.edu>
Sent: Wed, Jan 31, 2018 7:29 am
Su
Sequera <hectorl...@mac.com>
Sent: Wednesday, January 31, 2018 1:55 PM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Cherbury lute book
Good afternoon,
In reply to the original question, the Lute Society just sent an
email
to its membership to assess whether or not
__
From: lute-...@cs.dartmouth.edu <lute-...@cs.dartmouth.edu> on behalf
of Hector Sequera <hectorl...@mac.com>
Sent: Wednesday, January 31, 2018 1:55 PM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Cherbury lute book
Go
om>
Sent: Wednesday, January 31, 2018 1:55 PM
To: [5][6]lute@cs.dartmouth.edu
Subject: [LUTE] Re: Cherbury lute book
Good afternoon,
In reply to the original question, the Lute Society just
sent an
email
to
edu
Subject: [LUTE] Re: Cherbury lute book
Good afternoon,
In reply to the original question, the Lute Society just sent an email
to its membership to assess whether or not there is any interest on
this. Your reply to the message below may determine the fate of this
project.
e@cs.dartmouth.edu
Subject: [LUTE] Re: Cherbury lute book
Good afternoon,
In reply to the original question, the Lute Society just sent an
email
to its membership to assess whether or not there is any interest
on
this. Your reply to the message below may
Dear All,
As indicated in the message below, please reply directly to the secretary of
the Lute Society since I am not collating the replies but simply passing the
information to this list.
Best wishes,
Hector
> On 31 January 2018 at 14:55, Hector Sequera
Good afternoon,
In reply to the original question, the Lute Society just sent an email to its
membership to assess whether or not there is any interest on this. Your reply
to the message below may determine the fate of this project. If interested
simply reply to the secretary at:
On 28 January 2018 at 12:42, Denys Stephens <[1]denyssteph...@sky.com>
wrote:
Dear Matteo,
Thanks for your email! The subject of the planned Cherbury facsimile
was discussed at the Lute Society committee meeting held last December,
and there was still strong interest in
-07:00)
To: Lutelist <lute@cs.dartmouth.edu>
Subject: [LUTE] Re: Cherbury lute book
The last I heard all the hard work had been done but they were waiting
to break even on the Matthew Holmes manuscript before publishing. This
was already some time ago.
Best,
Matthew
On 31/0
No significant progress so far...
Jean-Marie
--
>The last I heard all the hard work had been done but they were waiting
>to break even on the Matthew Holmes manuscript before publishing. This
>was already some time ago.
>
>Best,
>
>Matthew
>
>On 31/01/2018 11:54, Rainer wrote:
>>
The last I heard all the hard work had been done but they were waiting
to break even on the Matthew Holmes manuscript before publishing. This
was already some time ago.
Best,
Matthew
On 31/01/2018 11:54, Rainer wrote:
I seem to remember that the English LS had announced a facsimile edition.
Dear Ralph,
A quick search of the "Digitale Bibliothek" doesn't seem to show any
"new" lute related material though. Have you found any?
Best
G.
On Wed, Jan 31, 2018 at 11:30 AM, Ralf Mattes <[1]r...@mh-freiburg.de>
wrote:
Am Mittwoch, 31. Januar 2018 11:19 CET, "G. C."
Tu felix Germania :)
Rainer
On 31.01.2018 11:30, Ralf Mattes wrote:
Am Mittwoch, 31. Januar 2018 11:19 CET, "G. C." schrieb:
Yes, 25 pounds for a "free download" :D
Well, technically speaking, you are free to download (and pay!) or not ;-)
In such moments I'm
I seem to remember that the English LS had announced a facsimile edition.
Rainer
On 31.01.2018 11:19, G. C. wrote:
Yes, 25 pounds for a "free download" :D
G.
On Wed, Jan 31, 2018 at 11:12 AM, Rainer
<[1]rads.bera_g...@t-online.de> wrote:
Have you received a reply?
Am Mittwoch, 31. Januar 2018 11:19 CET, "G. C." schrieb:
>Yes, 25 pounds for a "free download" :D
Well, technically speaking, you are free to download (and pay!) or not ;-)
In such moments I'm glad to live in a country where libraries still remember
what their
Yes, 25 pounds for a "free download" :D
G.
On Wed, Jan 31, 2018 at 11:12 AM, Rainer
<[1]rads.bera_g...@t-online.de> wrote:
Have you received a reply?
Rainer
On 20.01.2018 10:52, Matteo Turri wrote:
We are pleased to offer complete digital copies of the
Have you received a reply?
Rainer
On 20.01.2018 10:52, Matteo Turri wrote:
We are pleased to offer complete digital copies of the following
manuscripts from the Fitzwilliam collection, supplied in pdf format
and available via a free download or on CD.
Cost: £25.00 +vat per
We are pleased to offer complete digital copies of the following
manuscripts from the Fitzwilliam collection, supplied in pdf format
and available via a free download or on CD.
Cost: £25.00 +vat per manuscript (inc. postage where necessary).
As I understand it, it's either a free
There is such divergent policy when it comes to lute manuscripts
nowadays. One has only to look at
[1]Facsimile-Links
to see how the different libraries measure out their generosity. And
how easily accessible they make their manuscripts. (Easy full PDF
download at a click, or
The Herb of Cherb lute book seems to be available in PDF format from the
Fitzwilliam against a small-ish fee:
http://www.fitzmuseum.cam.ac.uk/aboutus/imagelibrary/products
Anybody got it and can tell us more about that digital copy?
Alain
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