Maybe it's my personal taste, but having worked with an Early Baroque
group at one time taught me something.
It consisted of Recorder, Violin, Viola da Gamba, Dulcian,
Theorbo/Guitar, Harpsichord and a big Double Bass.
Mostly the dulcian played with the Basso Continuo except for select sonatas.
Fortunately for the people around me, I don't have any.
Eugene
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of Gary Digman
> Sent: Tuesday, October 19, 2010 5:53 AM
> To: Lute List
> Subject:
tend to be closer in space to the performers.
Best,
Eugene
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of howard posner
> Sent: Monday, October 18, 2010 6:42 PM
> To: Lute List
> Subject: [LUTE] Re: Lute volume
;
> Christopher Wilke
> Lutenist, Guitarist and Composer
> www.christopherwilke.com
>
>
> --- On Wed, 10/20/10, Martyn Hodgson wrote:
>
>> From: Martyn Hodgson
>> Subject: [LUTE] Re: Lute volume
>> To: "Lute Net" , "Stewart McCoy"
>>
--- On Wed, 20/10/10, Martyn Hodgson wrote:
From: Martyn Hodgson
Subject: Re: [LUTE] Re: Lute volume
To: "Christopher Wilke"
Date: Wednesday, 20 October, 2010, 14:26
I very much agree with your closing sentiments below. As you'll know,
there
o in refined solo playing, is entirely appropriate.
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Wed, 10/20/10, Martyn Hodgson wrote:
> From: Martyn Hodgson
> Subject: [LUTE] Re: Lute volume
> To: "Lute Net" , "Stewart McCoy"
vage Valery
Sent: 19 October 2010 10:18
To: [3][7]l...@cs.dartmouth.edu
Subject: [LUTE] Re: Lute volume
Is it an HIP position to play with amplification ? Not sure it is
coherent
with what was said about gut strings...
If you want to search for the lost sound...
amplification has its
> uses. Better to be amplified than not heard at all.
>
> Amities,
>
> Stewart.
>
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of Sauvage Valery
> Sent: 19
Howard,
--- On Tue, 10/19/10, howard posner wrote:
>
> > Howard,
>
> Huh? Wait, that's me!
>
Yes, it is a custom to say the name of the person I'm addressing.
> > Alright, so next time I'll should ask
> people if they did not hear me as a discrete component, but
> rather as a subconscious
I don't know if it was the same concert, but I remember him playing an
all DeVise concert at a Lute Seminar Dominican College. Someone told me
later he had injured a finger and played the whole concert with three
fingers. I think nobody noticed any flaws. I think Paul Odette started
n
Behalf Of howard posner
Sent: 19 October 2010 05:15
To: Lute List
Subject: [LUTE] Re: Lute volume
On Oct 18, 2010, at 6:12 PM, Christopher Wilke wrote:
> Howard,
Huh? Wait, that's me!
> Alright, so next time I'll should ask people if they did not hear me
as a discrete
00s
Objet : Re: [LUTE] Re: Lute volume
some years ago we had a playersday in hamburg in a church. one
performed piece was a duo between renaissance lute and soprano
recorder. near the performers, i was able to hear more or less the
recorder only. while walking away to the entrance of
artmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of howard posner
Sent: 19 October 2010 05:15
To: Lute List
Subject: [LUTE] Re: Lute volume
On Oct 18, 2010, at 6:12 PM, Christopher Wilke wrote:
Howard,
Huh? Wait, that's me!
Alright, so next time I'll should ask people
- Original Message -
From: "howard posner"
To: "Lute List"
Sent: Monday, October 18, 2010 9:14 PM
Subject: [LUTE] Re: Lute volume
".. But worrying about the theorbo player's desire to be heard isn't in
their job description."
We'
nvoye : mardi 19 octobre 2010 11:11
A : Lute list
Objet : [LUTE] Re: Lute volume
Ah, amplification...
I remember that David T and others made some recommendations a
couple
of years ago about contact mikes suitable for lutes. Any fresh
updates?
I
:lute-...@cs.dartmouth.edu] De la part
de Peter Martin
Envoyé : mardi 19 octobre 2010 11:11
À : Lute list
Objet : [LUTE] Re: Lute volume
Ah, amplification...
I remember that David T and others made some recommendations a couple
of years ago about contact mikes suitable for lutes. Any
h.edu
[mailto:[3]lute-...@cs.dartmouth.edu] On
Behalf Of howard posner
Sent: 19 October 2010 05:15
To: Lute List
Subject: [LUTE] Re: Lute volume
On Oct 18, 2010, at 6:12 PM, Christopher Wilke wrote:
> Howard,
Huh? Wait, that's me!
> Alright, so nex
On Oct 18, 2010, at 6:12 PM, Christopher Wilke wrote:
> Howard,
Huh? Wait, that's me!
> Alright, so next time I'll should ask people if they did not hear me as a
> discrete component, but rather as a subconsciously perceivable part of the
> composite tonal aggregate?
Subconscious, no; pa
w long before they invent
the synthesizer and GarageBand so that I can do this stuff on my own?" ;-)
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Mon, 10/18/10, howard posner wrote:
> From: howard posner
> Subject: [LUTE] Re: Lute volume
> T
On Oct 18, 2010, at 5:52 AM, Christopher Wilke wrote:
> I've been told this by several different directors, too. (Theorbo: toy
> class. Stringing: synthetic and gut). Never believe them! After every
> concert where I've been asked to hold back, I've asked people from the
> audience whether
yé : lundi 18 octobre 2010 14:53
À : wi...@cs.helsinki.fi; Anthony Hind
Cc : lute@cs.dartmouth.edu
Objet : [LUTE] Re: Lute volume
Anthony,
--- On Mon, 10/18/10, Anthony Hind wrote:
> I was told
> by a lutenist and theorbist that in a
> recent rehearsal with a rather
>
On 18 October 2010 14:52, Christopher Wilke wrote:
> I've never wanted to argue with a director. I've also been tempted to lay
> back in rehearsals, then simply disregard orders and amp it up in performance
I trie two things in (first) rehearsals with conductors. They are
slightly contradictory
I heard Hoppy under two very different situations back in the '70s
when I was an officer with the Lute Society of America. Both were at
summer seminars, which in those days were held in California. The
first was at a seminar at Idyllwild in the mountains southeast of Los
Angeles, where USC
Interesting point, Anthony.
At one of the lute seminars in Cleveland an interesting duo played
that put some of these ideas to the test. As you suggest, JH plays
with a reserved and relaxed manner on all gut but projects quite well.
In this concert he was paired with Ronn MacFarlane playin
, Anthony Hind
> CC: lute@cs.dartmouth.edu
> Betreff: [LUTE] Re: Lute volume
> Anthony,
>
> --- On Mon, 10/18/10, Anthony Hind wrote:
> > I was told
> > by a lutenist and theorbist that in a
> > recent rehearsal with a rather
> > large Baroque group
www.christopherwilke.com
> Anthony
>
> Message d'origine
> >De : wi...@cs.helsinki.fi
> >A : "Thomas Schall"
> >Objet : [LUTE] Re: Lute volume
> >Date : 18/10/2010 11:29:38 CEST
> >Copie `a : "Gary Digman"
as Schall"
>Objet : [LUTE] Re: Lute volume
>Date : 18/10/2010 11:29:38 CEST
>Copie `a : "Gary Digman" ;
> lute@cs.dartmouth.edu
>
>I second Thomas' comment: I've seen and heard Bream play lute, I've
seen
> and with some troubl
Sent: Sunday, October 17, 2010 7:51 AM
Subject: Re: [LUTE] Re: Lute volume
Gary,
--- On Sun, 10/17/10, Gary Digman wrote:
That being said, I have to admit that I have attended lute
concerts given by some of the leading lights of the lute
world for audiences numbering in the hundreds where the
ay, October 17, 2010 7:51 AM
Subject: Re: [LUTE] Re: Lute volume
Gary,
--- On Sun, 10/17/10, Gary Digman wrote:
That being said, I have to admit that I have attended lute
concerts given by some of the leading lights of the lute
world for audiences numbering in the hundreds where the lute
litera
elevated platform affording everyone in the room the opportunity to both
hear and see Hoppy play.
Gary
- Original Message -
From: "Christopher Wilke"
To: ; "Gary Digman"
Sent: Sunday, October 17, 2010 7:51 AM
Subject: Re: [LUTE] Re: Lute volume
Gary,
--- On
I assure you that the inability to hear the lute in the situations I
referred to was not due to lack of focus.
Gary
- Original Message -
From: ""Mathias Rösel""
To:
Sent: Sunday, October 17, 2010 4:51 AM
Subject: [LUTE] Re: Lute volume
Judge for yourself:
ht
Yes, I'm sorry. Here's another link that will hopefully work better:
http://www.esnips.com/doc/2e16bada-e956-4cc0-9f12-f891df8545bc/Bouvier_Reichard_Gehema
Mathias
"Ed Durbrow" schrieb:
I get:
Diese Session ist nicht mehr gültig (Timeout). Bitte schließen Sie
dieses Fenster und melden Sie
Chris,
As far as you've gone, I agree completely. But going further, expecting a solo
lute - or guitar - to keep an audience's attention for a full program is
optimistic. It doesn't for me, and I love the lute and its literature. More
variety is needed. Lute with singer, or lute with gamba,
lute@cs.dartmouth.edu
Betreff: [LUTE] Re: Lute volume
Judge for yourself:
http://service.gmx.net/de/cgi/derefer?TYPE=2&DEST=http%3A%2F%2Fservice%2
Egmx%2Enet%2Fde%2Fcgi%2Fdfstools%3Fopenid%3D30949%2E1287316081%26o%3D959
384029%2E1287316082%26cmd%3Dopen%26file%3D04%2BGigue%2BWach%2Bauf%2BMs16
45%25
Gary,
--- On Sun, 10/17/10, Gary Digman wrote:
>
> That being said, I have to admit that I have attended lute
> concerts given by some of the leading lights of the lute
> world for audiences numbering in the hundreds where the lute
> literally could not be heard at all past the seventh or
> eigh
Judge for yourself:
http://service.gmx.net/de/cgi/derefer?TYPE=2&DEST=http%3A%2F%2Fservice%2Egmx%2Enet%2Fde%2Fcgi%2Fdfstools%3Fopenid%3D30949%2E1287316081%26o%3D959384029%2E1287316082%26cmd%3Dopen%26file%3D04%2BGigue%2BWach%2Bauf%2BMs1645%255FMatthias%2BRebecca%2B%2B%252Emp3%26folder%3D%252F
(last
Actually for most people any music is a signal to _not_ listen and start
talking. :-)
That's what they are used to with pop music.
When I played gigs with guitar and flute, we tried to play when they were
eating, that was a lot more quiet. :-)
Stephan
Am 17.10.2010, 08:29 Uhr, schrieb Gary
As a jazz musician, I play a lot of corporate events and parties. For years
I thought the crowd would get louder every time we began to play, but now I
think the perception that the crowd is getting louder is a result of focus,
i.e. when we begin to play we focus on sound, giving the impression
I remember Thurston Dart talking about attending a clavichord recital (can't
remember the source). He said that when the clavichord began to sound he
could not hear it at all, but after a short while it was like surf crashing
on the rocks.
Gary
- Original Message -
From: "Ron Andrico
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