Jacob Lindberg also used a myriad of tunings for his Bach recording.
Rob
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Yes, I don't expect it to be up to much, but he did at least give it a
go when no-one else would. Deserves recognition, I think.
Rob
--
To get on or off this list see list information at
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And my wife (Susan Rennie) works as a freelance dictionary editor for
OUP and used to work on the OED. I'll put pressure on her to update the
entry...
Rob MacKillop
2009/12/10 Karen Hore <[1]karen.h...@googlemail.com>
Andrew wrote:
'The OED also ha
With respect, Monica, it is clear that you are not a performer. It's
fairly easy to sit back and say 'you shouldn't do that because it
wasn't done' and quite another to be a professional musician earning
your crust, supporting a family, etc, and being booked to play a date.
Consideri
Monica,
We love you! Keep questioning everything!
Rob
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
website devoted to the
instrument:A [1]http://scottishguittar.comA - there is much on the site
already, and much more to come.
Rob MacKillop
On 16 December 2014 at 23:37, WALSH STUART <[2]s.wa...@ntlworld.com>
wrote:
I had a go at writing a sort of blog post using WordP
Somebody give the man a large cigar!
Well done, Stephen...as per usual :-)
Rob
www.robmackillop.net
> On 21 Dec 2014, at 20:10, stephen arndt wrote:
>
> Dear Lute Friends,
>
> I invite you to listen to my recording of the fifty-six solo lute
> pieces found in Louis de Moy, "Le petit b
Zamboni as you've never heard him before...
Rob
Hello
I am a young tunisian musician, a Kanun player , I am passioned with
baroc music and especially Lute music, in this link I present you an
example of my playing method which consist to adapt baroc music works
to be played on
11:19 GMT-05:00 Chris Barker
<[1][2]csbarker...@att.net>:
A A A This link will not open on my computer.
A A A Chris
A A -Original Message-
A A From: [2][3]lute-...@cs.dartmouth.edu
A A [mailto:[3][4]lute-...@cs.dartmouth.edu] On Behalf
A A Of R
That's the fellow.
Rob
[1]www.robmackillop.net
On 9 Feb 2015, at 17:18, Bruno Cognyl-Fournier
<[2]fournier...@gmail.com> wrote:
would it be this gentleman?
[3]https://www.facebook.com/Musikanoun?ref=ts&fref=ts
?
2015-02-09 2:44 GMT-05:00 Rob MacKillo
Beautiful playing, Thomas, of beautiful music. So, all is well with the
world!
Rob MacKillop
On 16 February 2015 at 15:27, Thomas Walker <[1]twlute...@hotmail.com>
wrote:
A A Dear lute colleagues,
A A Of late, Francois Dufault has grabbed my attention, and h
Ha. Thanks to Ron for that surprise. Right back at you, sir!
Lang may your lum reek - long may there be smoke coming from your chimney :-)
Rob
www.robmackillop.net
> On 14 Mar 2015, at 16:14, Rockford Mjos wrote:
>
> I also raise my glass to Rob — to his musicianship and countless
> contrib
.com> wrote:
>
> A A Thanks, Ron, for your observations, and a hearty confirmation of
> all
> A A you say about Rob.
> A A Be well, everyone, and keep playing.
> A A Chris.
> A A On Sat, Mar 14, 2015 at 12:37 PM, Rob MacKillop
> A A <[1][2]robmackil...
ily found/avialable via the google? He's a hero of mine
> because of the 7 string business. Love my 7 string steel-string, and am
> annoyed that my classical is only 6.
>
> DAN
>
>> On 3/14/2015 12:27 PM, Rob MacKillop wrote:
>> Can I call a halt to this now? I
adian lute player started his musical life as a
bluegrass banjo player
Gustav Leonhardt - yes, THAT Gustav Leonhardt. According to Tom
Berghan, Old Gusty informed him he was really into bluegrass, and toyed
with a banjo when he had the time.
There are probably more.A
Rob MacKillop
sh
-lute-and-cittern-music-by-rob-mackillop
Cheers,
Rob MacKillop
Edinburgh
--
References
1.
https://soundcloud.com/robmackillop/sets/flowers-of-the-forrest-17th-century-scottish-lute-and-cittern-music
2.
https://soundcloud.com/robmackillop/sets/the-healing-scottish-lute-and-c
nt to, and I'll probably
eventually get 20 pence :-)
Rob
On 18 March 2015 at 17:49, howard posner <[1]howardpos...@ca.rr.com>
wrote:
On Mar 18, 2015, at 9:55 AM, Rob MacKillop
<[2]robmackil...@gmail.com> wrote:
> These two albums are now out of print
d it from youtube or soundcloud. So
if you want it on your iPad or phone or computer, you can still pay for
it.A
Rob
On 18 March 2015 at 18:23, howard posner <[1]howardpos...@ca.rr.com>
wrote:
On Mar 18, 2015, at 11:15 AM, Rob MacKillop
<[2]robmackil...@gmail.com> w
by or Bandcamp.
> Does the record company own the albums?
>
>> On 3/18/15 11:30 AM, Rob MacKillop wrote:
>>I don't know. I've had albums on a few companies, and some of them have
>>gone to the wall, and not once have they ever informed the artists. So,
>
Thanks for trying, Doug! That's why I did it.
Rob
www.robmackillop.net
> On 18 Mar 2015, at 19:25, doug asherman wrote:
>
> Answers inline:
>
>> On 3/18/15 12:18 PM, Rob MacKillop wrote:
>> Yes, they do. I'm ok with it. Really. I'd rather talk and ent
an't think of anything suitable, but I do recall seeing photos of
kids playing the lute - so does anyone have or know of suitable
material?
Rob MacKillop
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
gt; Regards
>
> Joshua
>
>
>> On Apr 13, 2015, at 13:19, Rob MacKillop wrote:
>>
>> I was sent this from a friend of a friend:
>> 'Hi folks. Our 10yo has been given the loan of a lute by friends of
>> ours. She has basic guitar knowledge and
Talking of D Major tuning, quite a few really good pieces in Balcarres...
Rob
www.robmackillop.net
> On 29 Jun 2015, at 19:53, Bernd Haegemann wrote:
>
> Dear Thomas,
>
> please find the piece here:
>
> http://www.lute-academy.be/docstore/temp/SARAB_REMAJ_DUFAUT.jpg
>
>
> !
> Tuning . a
ould be used in
improvising fugues or dance movements.
I'd like to know your thoughts after watching the video.
Rob MacKillop
[2]www.robmackillop.net
--
References
1. http://youtu.be/u9oZ5Us0sfQ
2. http://www.robmackillop.net/
To get on or off this list see list
Not to forget the great Ted Greene: [1]http://youtu.be/Zkuo2384ZN4
Rob
[2]www.robmackillop.net
On 1 Jul 2015, at 13:49, Rob MacKillop <[3]robmackil...@gmail.com>
wrote:
I've long thought that there was something missing from the way most
of
us learn to p
finger is stuck in the land where notes don't live"!!
> On Jul 1, 2015, at 8:49 AM, Rob MacKillop <[2]robmackil...@gmail.com>
wrote:
>
>I've long thought that there was something missing from the way
most of
>us learn to play baroque
the link
below. Unfortunately, the samples their algorithm has selected don't
include much of the improvisations mentioned above.
[2]http://www.cdbaby.com/m/cd/christopherwilke12
Chris
[3]Sent from Yahoo Mail for iPhone
At Jul 1, 2015, 8:53:14 AM, Rob MacKillop wrote:
I'
.
David
On Wednesday, July 1, 2015, Rob MacKillop
<[1][2]robmackil...@gmail.com>
wrote:
I've long thought that there was something missing from the
way
most of
us learn to play baroque music, whether on lute
"influenced by mass" - I meant jazz!
On 1 July 2015 at 15:51, Rob MacKillop <[1]robmackil...@gmail.com>
wrote:
Again, David, it's not about doing jazz or being influenced by mass.
Steve just happens to be a jazz player. But he is on "our" territory,
nd Composer
> www.christopherwilke.com
>
>
> On Wed, 7/1/15, Rob MacKillop wrote:
>
> Subject: [LUTE] Re: Improvising Baroque Music
> To: "Christopher Wilke"
> Cc: "lute@cs.dartmouth.edu"
> Date: Wednesd
;> buy the class, but an overview video is available:
>>
>> [1]http://youtu.be/u9oZ5Us0sfQ
>>
>> It would be really interesting to transfer his approach to the Dm
> lute.
>> One would really get to know the instrument and tuning well, and
>> discover ma
eorbo.
David
***
David van Ooijen
[1][2]davidvanooi...@gmail.com
[2][3]www.davidvanooijen.nl
***
On 1 July 2015 at 14:49, Rob MacKillop
<[3][4]robmackil...@gmail.com>
Dear Monica, the web address you gave works, but I created for you an easier
one to remember:
http://monicahall.co.uk
Best wishes,
Rob
www.robmackillop.net
> On 4 Jul 2015, at 11:27, Monica Hall wrote:
>
> For those of you who are interested...
> My web site - www.monicahall2.wordpress.com
Well said, young man!
Rob
www.robmackillop.net
> On 21 Jul 2015, at 17:39, Ron Andrico wrote:
>
> I feel the need to add a clarifying remark my statement that "when a
> service is free then YOU are the product."
> This discussion list, hosted by Wayne Cripps and his servers, is in
> f
I've played lute in a few situations where fret lights would have been
most welcome!
On 15 August 2015 at 18:37, Daniel F. Heiman
<[1]heiman.dan...@juno.com> wrote:
but it is almost as light as a lute.
[1][2]https://youtu.be/n3g4j0ERp5M
Daniel
--
R
, but more
about them in a couple of days' time.
Lots more videos on my website:
[3]http://rmclassicalguitar.com/19th-century/
Rob MacKillop
Edinburgh
--
References
1. https://www.facebook.com/scot.tremblay
2. https://youtu.be/eCPDqNGpg8I?list=PL44932120F5F2066C
Does anyone have any idea what the following excerpt from What If A Day Or A
Month Or A Year means? It has left me scratching my head...
"Earthes but a point to the world, and a man
Is but a point to the worlds compared centure:
Shall then a point of a point be so vaine
As to triumph in a seely p
Thanks, all. I get the picture, and it's what I was thinking, but it
could be clearer!
Rob
On 10 September 2015 at 13:15, Ron Andrico <[1]praelu...@hotmail.com>
wrote:
The text seems to play upon the correspondence of macrocosm /
microcosm, a topic much discussed in Eli
Paul O'Dette contacted me for copies of the two Scottish cittern manuscripts
shortly before he made that recording. I faxed him pages from the
Millar/Macalman and Robert Edwards mss, the latter of which includes John Come
Kiss Me Nou.
You can here my recording of it, and others from these two m
fine composer Francesco was. It's a beautiful morning, 6.50am.
The sun is shining, and the birds are chirping, as is Francesco. Thank
you for your efforts!
Rob MacKillop
On 13 May 2016 at 22:13, stephen arndt <[1]stephenwar...@verizon.net>
wrote:
Dear L
Don't they have a big heavy bridge, the type used on ouds?
Rob
> On 4 Nov 2016, at 12:23, sterling price wrote:
>
> Hi John--I have had -4- of the Sandi lutes and I must say that they are
> pretty great. Not just great for the price but great lutes. They do
> need bigger frets and bette
Hello fellow lutars...
My website [1]https://scottishlute.com is a free site. It's full name
is The Scottish Lute Recording Project, and I have been recording the
extant repertoire in mp3 form for free play. Each manuscript has its
own page, with a SoundCloud player. You can play a
John, he just means tuning the bass notes, the diapasons, to the key of the
piece. So, if a piece is in C major, the bass strings would be ABCDEFG. If the
key is F, the bass strings would be ABbCDEFG, because Bb is in the key
signature of F Major. Similarly, for G Major, the bass strings would b
Here's a very short video comparing the sustain time of a new Aquila
Loaded Nylgut string and a Savarez copper-wound nylon-silk core bass
string.
[1]https://youtu.be/8FVJMk_Xjv0
My ears hear better than the microphone, and the useable sustain on the
Aquila string is 4 seconds, whi
inly, Ph.D., P.E.
Retired Principal Materials Nanoanalysis Engineer
EMail: [3]john.mardi...@asu.edu
Cell: [4]408-921-3253 (does not work in TEM labs)
But don't call the labâ¦.I won't be there!
On Jan 8, 2017, at 8:59 AM, Rob MacKillop <[5]robmackil...@gmail.com>
wrote:
bout the 20 second sustain?
Although my French is very poor, I've attempted to find it to no avail.
Chris
[2]Sent from Yahoo Mail for iPhone
On Sunday, January 8, 2017, 10:59 AM, Rob MacKillop
<[3]robmackil...@gmail.com> wrote:
Here's a very short video comparin
#x27;vne minute , c'est à dire pendant que Tartere du poux
d'vn homme sain, ôc Ãà ns émotion bat dix, ou vingt fois: de sorte
qu'il ne reste qu'Ã remarquer combien de fois la chorde bat Tair
dans vne seconde minute, pour sçauoir combien elle le frappe au
> Although my French is very poor, I've attempted to find it to no avail.
>>
>> Chris
>> [1]Sent from Yahoo Mail for iPhone
>>
>> On Sunday, January 8, 2017, 10:59 AM, Rob MacKillop
>> wrote:
>>
>>Here's a very short video comparing
conds, that is still much longer than even the Savarez string.
On 8 January 2017 at 22:26, howard posner <[1]howardpos...@ca.rr.com>
wrote:
> On Jan 8, 2017, at 12:55 PM, Rob MacKillop
<[2]robmackil...@gmail.com> wrote:
>
> So what are we to make of this
>
> -Messaggio originale- From: Jean-Marie Poirier
> Sent: Sunday, January 08, 2017 9:46 PM
> To: Christopher Wilke ; Rob MacKillop ; 'Lute List'
> Subject: [LUTE] Re: Aquila Loaded Nylgut sustain
>
> The exact quotation from Mersenne is :
> "...l
a couple of my guitar students, and now they are watching
lute videos online, and asking interesting questions!
Rob MacKillop
--
References
1. https://youtu.be/rheANN8gpVo
2. http://www.melbay.com/Products/30589M/introduction-to-the-lute.aspx
To get on or off this lis
Check out the publications of Tree Editions. You'll find Robert de Visée pieces
in Italian tuning.
Rob
www.robmackillop.net
> On 9 Feb 2017, at 23:43, Peter Kwasniewski
> wrote:
>
> My son is renting an archlute from the LSA. He just got it yesterday
> and has been enjoying it immensely
Albert Reyerman
TREE EDITION
Albert Reyerman
Finkenberg 89
23558 Luebeck
Germany
[2]albertreyer...@kabelmail.de
[3]www.tree-edition.com
0451 899 78 48
---
Fine Art Paintings
Anke Reyerman
[4]www.anke-reyerman.de
Am 10.02.2017
I have them on a guitar. Wish I didn't. Well-fitting pegs are better.
Rob
On 11 February 2017 at 15:59, Roman Turovsky <[1]r.turov...@gmail.com>
wrote:
A question for the Collective Wisdom:
Looking for opinions on planetary tuners for lutes or vihuelas,
cautionary tales
Very good video, Arto!
Rob
On 1 March 2017 at 15:29, Arto Wikla <[1]wi...@cs.dartmouth.edu> wrote:
Hi lute gang and Bruno
Bruno and others had problems in getting Aquila loaded nylgut CD and
normal NNG strings work well in tune, when used as a pair
fundamental-octave.
Excellent. Congratulations, Mimmo. I like these strings.
Rob MacKillop
On 8 March 2017 at 07:53, Mimmo Peruffo <[1]mperu...@aquilacorde.com>
wrote:
Dear all,
I have done the update version of these CD's
they finally stretch less and slip on the nut very well
I'm on the hunt for scores for voice and baroque guitar alfabeto for a student,
so preferably a modern edited edition. Any suggestions?
Rob MacKillop
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
gt; Try SPES Edition of Biagio Marini songs. Not modern edition but very clear
> and effective since you have both continuo and alfabeto notation
>
> Best regards
> Lino
>
>
> -Message d'origine-
> De : lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.ed
a bit to make it conform
> to the continuo bass and figures).
>
> David
>
> On Sat, 8 Apr 2017 at 08:28, Rob MacKillop <[1]robmackil...@gmail.com>
> wrote:
>
> Thanks, Lino. And thanks, David - though not quite what we are
> looking for.
> Consi
Rocky Mjos has come to the rescue, with many fine scores from his Ning
page. Well worth a visit. Thank you, Rocky!
Rob
On 8 April 2017 at 08:05, Rob MacKillop <[1]robmackil...@gmail.com>
wrote:
Yes, I've noticed a conflict between an alfabeto chord and a bass
cont
Thanks!
Rob
On 11 April 2017 at 13:17, jean-michel Catherinot
<[1]jeanmichel.catheri...@yahoo.com> wrote:
[2]http://www.lib.utexas.edu/etd/d/2006/gavitoc11533/
gavitoc11533.pdf#page=3
very useful. Good luck Rob !
Le Samedi 8 avril 2017 11h43, Rob MacKillop <[3]
Brilliant, Gilbert. Well organised, from learning the C major scale to jamming
on Autumn Leaves in nine easy steps. I wish I'd had this in my early days of
lute playing. Thanks for sharing it.
Rob MacKillop
> On 17 May 2017, at 18:03, Gilbert Isbin wrote:
>
> THE IMPROV
I'd like to thank all those people who have written to me over the last
couple of weeks enquiring about my arm. I'm happy to report that it feels
100 per cent fine. However, I'm not rushing back into playing for as many
hours as I can cram into the day, and restricting myself to half an hour in
the
Jean-Marie,
That is VERY beautiful. I must get hold of this interesting manuscript. And
your playing is first-class. I loved it!
Rob
On 12/02/2008, Jean-Marie Poirier <[EMAIL PROTECTED]> wrote:
>
> There is a beautiful one too, for Charles de Gallot (1669) in the de
> Gallot guitar manuscript
Yeah, I'm a sucker for drones. Thanks for that, Arto. Very enjoyable.
Rob
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You've passed all the tests, Stewart! Well done ;-)
Rob
On 12/02/2008, Stewart McCoy <[EMAIL PROTECTED]> wrote:
>
> Test 1 Baroque Lute List
> --
>
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
--
> Thanks fort the Mp3, enjoyed listening to that.
>
> I see that you have changed your stringing, would be interesting to know
> the
> background to that.
>
> All the best
> Mark
>
>
> -Ursprungliche Nachricht-
> Von: Rob MacKillop [mailto:[EMAIL PROTECTED]
>
I'm listening to the Lawes suite for two lutes from your website - VERY
nice! I love those pieces but have never played them.
I must get hold of the Gallot ms...
Rob
On 13/02/2008, Jean-Marie Poirier <[EMAIL PROTECTED]> wrote:
>
> Thank you very much, Rob, for the kind words. Yes, that manuscri
Martin,
A Fronimo file doesn't take up much space at all. I think it is up to you,
of course, but a Fronimo file would be handy, especially for those who like
to change from Italian to French tab, or reorganise the page turns to suit
themselves. That said, I am very inconsistent on my own site, so
On 17/02/2008, Martin Shepherd <[EMAIL PROTECTED]> wrote:
>
>
> The second lute (in a') is my no.3, made in 1983 (it didn't take a year
> to make, by the way, just nine days).
Nine days?!
Rob
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/ind
What is there to be gained by members of this list jumping in and saying 'my
lute is great', or 'Barber is a +*&^%!' - we will just all get hot under the
collar and annoyed. This has nothing to do with anyone's merits as a maker
or player, but it has a lot to do with negative jibes on websites. Arg
On 24/02/2008, Anthony Hind <[EMAIL PROTECTED]> wrote:
>
>
> You could try sending a message to the French list, but I doubt if
> anyone will want to part with this rather strange first edition.
> Anthony
I would swap my original French edition for a new English edition...
Rob
--
To get on or
Being the father of an 11-year old girl myself, that was truly
inspirational. Thanks. We both enjoyed it.
Rob and Rhona
On 26/02/2008, "Mathias R=F6sel" <[EMAIL PROTECTED]> wrote:
>
> May I, responding to Rob's demand, introduce another amateurs' recording
> of two Dowland songs:
>
> http://www.
Again, a nice recording, very good playing.
Rob
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I've listened to the canon - what a great piece. Cut the tempo in half and
sort out that little cadential turn, and you will sound even better. Very
enjoyable.
Rob
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
And here it is:
*http://tinyurl.com/2pq53a*
**
*By the way, this tiny url thing is really useful and easy to use. Visit
tinyurl.com*
**
*Rob MacKillop*
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
What does TANSTAAFL mean?
Rob
On 02/03/2008, G. Crona <[EMAIL PROTECTED]> wrote:
>
> You wish!
>
> It's only a small teaser.
>
> Remember TANSTAAFL
>
> (except David's tasting meetings of course ;)
>
> G.
>
> - Original Message -
>
VERY nice, Mathias. Beautiful tone, the bass especially.
Rob
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Good email, David.
I had four lute lessons, two from Jacob Lindberg, two from David Miller.
Learned enough to realise that these guys could play better than they could
teach. Been stumbling on my own for years now. Made my own mistakes. Found
my own voice (for better or worse).
I think it would b
And Lutar is Scots...
Rob
On 04/03/2008, G. Crona <[EMAIL PROTECTED]> wrote:
>
> I small question.
>
> To describe a person playing the lute, I've come across:
>
> Lutenist
> Lutist
> Lutanist
> Lute-player
>
> Which is (are) the correct one (s)? All of them?
>
> G.
>
>
>
> To get on or off thi
And another:
http://www.lysator.liu.se/~tuben/scores/
Rob
On 05/03/2008, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
>
> Dear all
>
> All the vocal music by Tarquinio Merula that I've heard [voice and
> theorbo]
> is superb.
>
> But I can't find references to any editions [the 'opere complete'
Well done. Very nice indeed. You're going to build up quite a library of
scores and sound files over the coming decades. Keep at it!
Rob
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
A friend has asked me what font was used in the LSA publication 'A History
of the Lute' by Douglas Alton Smith. Anyone know? It looks beautiful.
Wouldn't mind knowing myself.
Rob
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Such nuance. Such subtlety. There is much we can learn there. Thanks Roman!
My lute playing will be transformed. Must go and smack my lute up.
Rob
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
..uuurrrggghhh
On 13/03/2008, Gernot Hilger <[EMAIL PROTECTED]> wrote:
>
> .. even if you don't bother to tune the axe:
>
> http://www.youtube.com/watch?v=J3obSs3fwu8
>
>
>
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
--
Congratulation Benjamin! I look forward to reading it. Never seen a copy of
Goldberg, but I'll look harder now.
Rob MacKillop
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
-- Forwarded message --
From: Arthur Ness <[EMAIL PROTECTED]>
Date: 14 Mar 2008 14:29
Subject: We've got a WINNER! "Robert de Vises's Musical Gravestones"
To: Lute Net
Cc: Benjamin Narvey <[EMAIL PROTECTED]>
Benjamin Narvey who reads and contributes to this list is the
winner of t
On 23/03/2008, howard posner <[EMAIL PROTECTED]> wrote:
>
> The bearded percussionist is Pedro Estevan.
>
> I thought it was Papa Smurf..?
Rob
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-- Forwarded message --
From: Rob MacKillop <[EMAIL PROTECTED]>
Date: 26 Mar 2008 17:16
Subject: Re: [LUTE] Re: Buying Francesco da Milano - Ness
To: Luca Manassero <[EMAIL PROTECTED]>
Mark Wheeler has been putting the complete Milano into French tablature for
the
Dear Gernot,
The composer who has caused me the most concern over fingering is Fuenllana.
There are many instances where he could have made life easier for everyone.
I don't know if being blind was an issue here. I doubt it. What occurred to
me is that some odd fingerings could have resulted from
-- Forwarded message --
From: Rob MacKillop <[EMAIL PROTECTED]>
Date: 27 Mar 2008 23:05
Subject: Re: [LUTE] WG: Charles Mouton lute music EL 082326
To: wolfgang wiehe <[EMAIL PROTECTED]>
I had a problem with this. I paid for the download with paypal. The money
was tak
I wrote to the company saying that the download failed, and they sent me
downloads of the booklet but not the sound files...I've replied asking
specifically for the sound files. I've downloaded many mp3s from various
sites, with no problem at all. I hope this is a one-off.
Rob
--
To get on or of
ownload what I
> had paid for, at 2 ko/second... It took the day !
>
> They should do something to improve their service and make it reliable.
> Too bad, especially as they have good music to propose !
>
> Best,
>
> Jean-Marie
>
> === 28-03-2008 08:20:28 ==&g
The company have very kindly and very promptly returned my money.
I'm so sorry this didn't work out. I want to encourage downloads, especially
as discs are so hard to find. I've had a few thousand downloads of mp3s on
my own website - a free service. Why is it so much harder when money is
involved
eck doesn't seem to veneered, but stained black and red inside the
> pegbox.
>
> Urs Leo
>
> Rob MacKillop wrote:
>
> >I brought this home on Tuesday from Malcolm Prior's workshop - a stunning
> >theorbo in A, 85cms string length.
> >
> >I've
at are the timbers used?
> Kingwood for the bowl and beech for the neck? Or does the neck has a
> pine core?
> The neck doesn't seem to veneered, but stained black and red inside the
> pegbox.
>
> Urs Leo
>
> Rob MacKillop wrote:
>
> >I brought this home on Tuesd
vice versa of course. Ultimately it is meaningless. The
performance at the moment is all that matters, and that performance in front
of a lute audience seemed to me to be near perfect. If I was a pro waiting
to go on after you, I would have felt very uncomfortable indeed!
Rob MacKillop
--
To get
erence
in tone might one expect from a multi-ribbed back as opposed to wide ribs?
Rob MacKillop
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be
> >preferable, but might well opt for nylgut for the first course if it
> keeps
> >breaking. What diameters and tensions would you suggest?
> >
> >Also on relatively small lutes (not baroque) such as a 7c, what
> difference
> >in tone might one expect from
On 02/04/2008, LGS-Europe <[EMAIL PROTECTED]> wrote:
>
>
> PS: the shoulder is not troubling you anymore, especially with the new
> theorbo?
>
> Thanks for asking, David. Oddly, or not, I have less trouble with the
theorbo. Must be using the muscles in a different way. I now play about an
hour a da
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