art and beauty :-)
http://www.alansondheim.org/mon.jpg
http://www.alansondheim.org/mon1.jpg
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Simon, I appreciate what you're writing, but I do feel it's idealistic and
nostalgic. Art is whatever it is, has already had problematic relations to
money, control, and the corporate. I'm old enough to remember the 'classic
days' of Soho NY and it wasn't any different.
You get what you want
Money valuidates it.
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-Original Message-
From: isabel brison
Sender: netbehaviour-boun...@netbehaviour.org
Date: Tue, 7 Feb 2012 21:29:42
To: NetBehaviour for networked distributed
creativity
Reply-To: NetBehaviour for networked distributed creativity
Sadly, it all seems to be about money: if you're getting paid to do
something you end up having to play by the rules of who pays, art market or
state funding... if no-one's paying, you can do whatever you like, and call
it whatever you like.
On 7 February 2012 20:56, mez breeze wrote:
> these da
these days i prefer 2 brand myself a "Creative" which is likewise a
co-opted filthy_lucre_sheenesque label, but still 1 i prefer 2 "artist"
#IsntThatSad].
On Wed, Feb 8, 2012 at 2:18 AM, Simon Biggs wrote:
> I can understand why some people don't want to call themselves artists,
> even when they
CHORDPUNCH.COM LOVES YOU
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ChordPunch is a record label dedicated to algorithmic music:
I'm seeing something else that's detrimental for the independent-minded
artist in the last couple of years. Alternative patterns of engagement (and
not just art pop-stars) have thrived in the smaller arts
organisation/centre, where there has been a socially engaged agenda -
whether digital art, or
Will reply as soon as I've fixed reinstalled linux. Will teach me to ignore
warnings before updating my system. Cheers, james
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Art has always had a difficult relationship with power. Its potential for
corruption is nothing new (whether in religion or ideologies of various kinds -
including capitalism). However, it is has become much harder to avoid the crap.
There was a time (in the 70's and 80's) when artist run centre
It would seem,
that's the separation between Art and life - which is commonly
understood to be so.
By many people.
Often I thought I might be doing art - then I realised that it was
more like obsessive practice of mark making (chalking the streets
with symbols derived from beetles for examp
I agree with your portrait of the artworld, but hasn't it always been a bit
dodgy, ever since the days when art was almost exclusively religious
propaganda?
Not sure if the best way to deal with this is to drop the term "art"
completely, or to just carry on doing it and perhaps ignore the artworld.
// The Transparency Grenade //
new project by Julian Oliver
http://transparencygrenade.com/
one of 10 pieces in our Weise7 Studio exhibition at Labor Berlin, Haus der
Kulturen der Welt:
http://hkw.de/en/programm/2012/labor_berlin_2012/veranstaltungen_70133/veranstaltungsdetail_70070.php
http:
E-SCAPES: Artistic Explorations of Nature and Science, Leonardo
Electronic Almanac, Volume 18 Issue 1, January 2012
Full catalog is available for download as a PDF here
http://www.leoalmanac.org/index.php/lea/entry/e-scapes/
LEA Volume 18 Issue 1 is the exhibition catalog of E-SCAPES: Artistic
Ex
I can understand why some people don't want to call themselves artists, even
when they are. Mike Kelly, a very successful artist, was quoted as saying that
if he'd known art was going to become as corporatised as it has he would never
have chosen to be an artist (this quote has been viral on Twi
Hello,
Just wondering why you choose not to call yourself an artist. Because the
random stuff you post looks suspiciously like art to me...
Isabel
On 6 February 2012 15:04, James Morris wrote:
>
> Hi,
>
> I recently noticed that facebook warns people about links to my website
> being maliciou
With apologies for cross-posting
N.K.: Tuesday Feb 28th Doors 21:00 Concert 21:30 Sharp!
*ECM Series: NORBERT MÖSLANG / ERIKM / DJ Pato*
***Curated by Manuela Benetton
*
*With the kind support of INM*
*
Norbert Möslang *is from St.Gallen, Switzerland. He plays cracked everyday
electronics. Mösl
wonderful! I particularly love the second one, both both are great...
m
Patrick - can we have QT copies for DVblog?
From: "Lichty, Patrick"
To: "netbehaviour@netbehaviour.org"
Sent: Tuesday, February 7, 2012 12:08 PM
Subject: [NetBehaviour] A couple videos fr
On Fri, 3 Feb 2012 20:54:54 +, ja...@jwm-art.net wrote:
>
Is that a Sansa Clip?
Do you have Rockbox on it?
http://rockbox.org/
:-)
- Rob.
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On Tue, 7 Feb 2012 08:24:32 +, Mark Hancock wrote:
>
> technology/programming never really bothers me. In 'our' neck of the
> art woods, it's the equivalent of having a chat about finding the
> right shade of blue pigment and what a shame that local art stockist
> doesn't allow you to use his m
Although Second Front is still around, another virtual performance group has
formed,
The Super Art League! We are superheroes in the DC Online Universe world doing
performances and intervening while Brainiac digitizes the Earth!
The Super Art League's "The Projector" (Patrick Lichty) performs
I'm really sympathetic to this but I think there's a real danger that we end up
fetishizing tech solutions at the expense of the political.
For me, the task is both simply stated and difficult to carry out - winning the
majority of people to their common interests across nationality/ethnicity and
hi
i'm convening a Hacking the Borders workshop at Goldsmiths on Tuesday
14th Feb 2.30-4.30pm, as part of the NoBorders Convergence 2012
http://london.noborders.org.uk/convergence2012/workshopsandseminars.
"This is a workshop on Hacking the Borders. We'll discuss different
ways that digital techn
Making Space
Slade Research Centre, Woburn Square, London WC1H 0AB
Exploring creative and research processes through dialogue, curation and
exhibition.
Investigating their intersection with psychoanalysis through conference.
An event examining artistic process, organized by the Slade PhD program
james stays. #ThatIsAll.
On Tue, Feb 7, 2012 at 7:24 PM, Mark Hancock wrote:
> I think it's perfectly fine what you're doing James. I'm not an artist or
> academic either but I enjoy the Netbehaviour neighbourhood and most things
> posted here. The occasional link or discussion to technology/prog
You're a key figure here James, part of what makes the netbehaviour landscape
what it is and such a pleasure...
I always read what you write.
It would be a poorer, paler place without you ( and without your
forthrightness!)
michael
From: Mark Hancock
To: Net
I think it's perfectly fine what you're doing James. I'm not an artist or
academic either but I enjoy the Netbehaviour neighbourhood and most things
posted here. The occasional link or discussion to technology/programming never
really bothers me. In 'our' neck of the art woods, it's the equivale
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