My pictures got published in this publication. (please note -rather big
pdf-file - be patient):
http://www.koegekom.dk/data/1057271/kplan.pdf.pdf
As a planner I was the projekt manager for the new Port of Koege. The
development plan shows my photographs.
The printing quality is not very good, neit
Hello Mark,
maybe you just need a faster portable drive. I specifically chose my
CompactDrive 60gb for speed of downloading cards. I need them back
quickly. I can dump a 1gb card to it in a couple of minutes. Faster
than the *istD can write them out. Once I got that, 2gb of CF cards
is enough
The photographers brain but in Cottys case maybe an exception is in
order. :-D
[EMAIL PROTECTED] wrote:
In a message dated 2/27/2005 4:06:30 AM Pacific Standard Time,
[EMAIL PROTECTED] writes:
Tie-breaker :-)
What single thing do you consider to be the most important element of
photography?
=
In a message dated 2/27/2005 1:54:36 PM Pacific Standard Time,
[EMAIL PROTECTED] writes:
Just thought I would share my experience,
César
Panama City, Florida
Hehehehe.
I usually wait a week (or longer) if something isn't working. Persnickety
things electronics -- they have off days
Isaac mused:
Hello all. I'm wondering what everyone's opinion is on this. Is it
worth
using?
Sid replies:
Hullo Isaac,
I'm a true believer in C41 B and W, even though I use the old-fashioned
silver-halide based film more.
However, that being said, I MUCH prefer Ilford's (no longer made?) C41
o
In a message dated 2/27/2005 4:06:30 AM Pacific Standard Time,
[EMAIL PROTECTED] writes:
Tie-breaker :-)
What single thing do you consider to be the most important element of
photography?
==
The front element.
Marnie aka Doe ;-)
--- William Robb <[EMAIL PROTECTED]> wrote:
> The customs procedures for repatriating Japanese cameras are, from
> what I have heard, even more restrictive than taking California
> oranges from Saskatchewan into Montana.
> PCI in Toronto did a competent, albeit slow, repair on my LX's a few
> ye
- Original Message -
From: "Alan Chan"
Subject: Re: LX Repair Update
In the worst case, you can always send it to Pentax Japan. If they
couldn't fix it,
nobody can.
The customs procedures for repatriating Japanese cameras are, from
what I have heard, even more restrictive than taking C
Hi Frank ...
You could always buy mine, which I'm thinking of selling. Purchased brand
new in Japan, one of the last off the line, in absolutely wonderful shape.
Shel
> [Original Message]
> From: Alan Chan <[EMAIL PROTECTED]>
> In the worst case, you can always send it to Pentax Japan. If
In the worst case, you can always send it to Pentax Japan. If they couldn't fix
it,
nobody can.
=
Alan Chan
http://www.pbase.com/wlachan
__
Do you Yahoo!?
Yahoo! Mail - now with 250MB free storage. Learn more.
http://info.mail.yahoo.com/mai
--- [EMAIL PROTECTED] wrote:
> My "normal" for the *istD since I bought it in July was the
28-70 f/4 zoom I
> already had. I wasn't entirely happy with this, since I'd been
using 50mm
> f/1.4 or 1.7 lenses on my film SLR bodies as a normal. Just
acquired a 28 2.8
> to use as normal on the *istD,
Some of you may recall that I posted a couple of weeks ago,
complaining that the LX won't fire the flash. Several mentioned that
taking the cover off the prism would reveal some wires and contacts
and stuff (see how well I express myself in technical terms? )
that I might want to check.
Having fi
one to two years from now, the niche will be filled except for people trying
to recycle their old 645 gear. in two years, we will see 20 megapixel or
more 35mm full frame format sensors.
Herb...
- Original Message -
From: <[EMAIL PROTECTED]>
To:
Sent: Sunday, February 27, 2005 9:46 PM
Quoting Shel Belinkoff <[EMAIL PROTECTED]>:
> Considering the number of people using slow 4.0 variable aperture lenses,
> 3.5 doesn't seem that slow any more It's a little faster than
> normal
> for many photogs.
My "normal" for the *istD since I bought it in July was the 28-70 f/4 zoom I
alr
--- Mark Cassino <[EMAIL PROTECTED]> wrote:
> Godfrey seems to have summed up the relevant points pretty
> thoroughly.
Thank you.
> .. With traditional B&W films, you can control contrast, grain
and the tone
> curve by varying the exposure and development. There are so
many options
> regarding
You can count on us, then again they might throw away the key.
Cesar wrote:
This reminds me of the time that I took some shots in Union Square in
lower Manhattan in NYC. They had a farmer's market occurring. I was
taking a few shots that were of interest to me.
One of the shots were at a partic
I would be surprised if development stops now. There's a market for MF digital.
Someone will fill it.
> there are two vendors of larger than 35mm frame digital imaging sensors.
> they are DALSA and Kodak, and they are running flat out. in OEM quantities,
> they are about $3.5K each. in a year
The speed really is the big issue. I can fire off a burst in RAW or JPG, but
the down time between bursts is much greater with RAW. I have only 2.5 gigs
of cards (2 1 gigs and 2 256) and the X's drive II. But - it takes about 15
minutes to dump a gig on the X's drive, and I would probably burn
there are two vendors of larger than 35mm frame digital imaging sensors.
they are DALSA and Kodak, and they are running flat out. in OEM quantities,
they are about $3.5K each. in a year or two, there won't be a market left.
Herb...
- Original Message -
From: <[EMAIL PROTECTED]>
To:
Sen
I guess we can blame the educational system. At one time they tried teaching
people to think. Now they teach people to not only not think in anyway, but to
ignor their native common sense as well. They do seem to teach paranoia very
well however.
One of your Canadian SF authors, A E Van Vogt, u
well, i have 10G total space on my set of CF cards and single Microdrive,
12G if i press into service some of my older CF cards. that's close to 900
frames in RAW. since i plan to get one of the 6G Microdrives, that would
make almost 1200 frames. i know one can chew up frames really fast at a
s
That's based on current prices. Given the rapid drop in 35mm dslr prices, I
think a 3 to 4 K medium format camera is a possibiliby in another year or two.
> if they price their half-frame 645 camera at what they need to so that they
> make a profit, it will be a body that costs over $10K, proba
Thanks for the clarification. That makes sense. I guess I'll be keeping my 6x7
lenses.
Paul
> Hi all,
>
> what i understood from the original (i mean japanese)
> artiicle;
>
> 1) pentax considers *ist d/ds as a consumer model,
> regardless of their specs.
> 2)they are developing midle format d
Ya know, I rather like this one. The expression on his face and body
language are great. It seems like it is much better in B&W. Nice
job!
--
Best regards,
Bruce
Sunday, February 27, 2005, 12:43:42 PM, you wrote:
GD> This week's photo available for viewing and comments:
GD> http://homep
if they price their half-frame 645 camera at what they need to so that they
make a profit, it will be a body that costs over $10K, probably $12K. having
the next body down be a $800 APS entry level DSLR taking 35mm and D lenses
leaves a huge hole in the middle. if Pentax is to have anything rese
Godfrey seems to have summed up the relevant points pretty thoroughly.
In regards to filters - you would get the same results from contrast
enhancing filters (red, blue, yellow, green) using a C41 B&W as you would
with traditional silver B&W. I assume all these films are truly panchromatic
(i.e.
Hi all,
(B
(Bwhat i understood from the original (i mean japanese)
(Bartiicle;
(B
(B1) pentax considers *ist d/ds as a consumer model,
(Bregardless of their specs.
(B2)they are developing midle format digital body and aiming
(Bto introduce it to the market within a year.
(B3)more da lenses
Ok, maybe it's not so funny . I just had a re-read, and it seems
that there's an extra piece not shown in the photo.
My experience with pinhole photography is limited to a coffee can,
painted matt black inside, with a hole covered by brass shimming
material that had the pin hole, and photographic
Thanks again.
Adelheid v. K. wrote:
Hi folks,
The March PUG is available on my website AND on the komkon server.
http://www.kirschten.de/PUG/05mar
and http://pug.komkon.org
Cheers
Adelheid
--
I can understand why mankind hasn't given up war.
During a war you get to drive tanks through the side
Excellent position. A high flash could have helped...
From: "Frantisek" <[EMAIL PROTECTED]>
sorry, no political content... ;-)
just a quick one from the many photos I took at the Bush-Putin summit.
http://www.frantisekvlcek.com/paw
This is from Hviezdoslav's square, the only place those without th
They seem to be slightly finer grained than traditional B&W and scan
very well. On the other hand, they are
reputed to be not particularly archival. In other words they fade, just
like color negatives. It depends on what
you're looking for.
Isaac wrote:
Hello all. I'm wondering what everyone'
Nice, I though I got a steal when I got the same combination for about
$200.00. Be careful, you might just fall in love with the ME. I did at
least temporarily.
John Celio wrote:
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&rd=1&item=3875961078
Finally got me a pancake 40mm, and an ME to boot
Listen up, little fella.
I have been quiet and quite behaved considering political discussions on the
list for several years now. Nevertheless, your arrogance in believing that
it is acceptable for YOU to pass vial characterizations of my President on
to the list while (in an apparent attempt to
Thanks Gonz,
No, I'm not paranoid about getting exactly 3000ma, I just wanted to get
a ballpark figure on what the Pentax adaptor drew so I could get a
similar spec. I just think it's ridiculous to spend an extra $50 just to
have the word Pentax on a power adaptor.
Cheers,
Simon
-Original Me
--- William Robb <[EMAIL PROTECTED]> wrote:
> > (Actually, I have made some very nice large-format digital
> > negatives for contact printing from digital camera
captures...)
>
> What method?
I followed some of Dan Burkholder's ideas, printing negatives
from scans and digital camera originals.
Considering the number of people using slow 4.0 variable aperture lenses,
3.5 doesn't seem that slow any more It's a little faster than normal
for many photogs.
Shel
> [Original Message]
> From: Butch Black <
> If the tax return fairy is nice this year I may have enough to get a D or
> Ds.
I have used XP2 enough times to suggest that the tonality it produces is
not very pleasant compared to conventional B&W film and other chromgenic
B&W films I've used. Maybe it was the processing, but damned if I could
ever pull a satisfactory print or web-based image from it. Anyway, it's a
choic
IMHO, "Thumbgi" wins, hands down.
Pun only slightly intended. (;
Seriously, though, I love the perspective. The thumb looks like it belongs
to a giant, and I keep expecting little people to wander in and sit under
the mushrooms. Very cool.
John Celio (macro nut)
--
http://www.neovenator.com
h
On 27/2/05, William Robb, discombobulated, unleashed:
>There was some news here not long ago of a fellow who was told to
>stop taking pictures of his own kids in a public pool. The theory was
>that he might include kids other than his own in his pictures and
>this could be an invasion of privac
Thanks Cotty.
> On 27/2/05, Adelheid v. K., discombobulated, unleashed:
>
> >The March PUG is available on my website AND on the komkon server.
> >
> >http://www.kirschten.de/PUG/05mar
> >
> >and http://pug.komkon.org
>
> Very good gallery. Bruce, best of the bunch IMO. I liked the salt and
> p
Thanks Paul
If the tax return fairy is nice this year I may have enough to get a D or
Ds. As I have arguably the ultimate low budget lens kit, including the 28
and 35/3.5 I was curious if they performed well on the digital. All
indications is that they will be fine, if somewhat slow, normal lens
This reminds me of the time that I took some shots in Union Square in
lower Manhattan in NYC. They had a farmer's market occurring. I was
taking a few shots that were of interest to me.
One of the shots were at a particular vendor. He mentioned to me that I
could only take shots of the goods
Great Job once again!
-- Original Message --
From: "Adelheid v. K." <[EMAIL PROTECTED]>
Reply-To: pentax-discuss@pdml.net
Date: Sun, 27 Feb 2005 22:37:05 +0100
>Hi folks,
>
>The March PUG is available on my website AND on the komkon server.
>
>http://www.ki
Doh...Of course that subject line should read SMC Pentax 28/3.5.
> Having nothing to do and suffering from cabin fever, I did a quick and dirty
> test of the SMC Pentax 28/3.5 on the *istD. I chose a subject with lots of
> detail, some shadow, and some killer highlights. It ain't art, but it's
- Original Message -
From: "Isaac"
Subject: C 41 B&W film
Hello all. I'm wondering what everyone's opinion is on this. Is it
worth
using? It is certainly much easier to acquire, but would I be happy
with the
results? Also, are filters needed like with real b&w film?
It can be very nice
- Original Message -
From: "Cotty"
Subject: Re: Shutter shutdown
The last two school plays have seen the head teacher point out that
photography and video-ing is not permitted due to 'copyright'
reasons!!
Which is a totally specious argument, and probably not one that would
stand up to
Once again, thank you Adelheid.
Butch
I have the M version of this lens, I like it right
much. :)
--- [EMAIL PROTECTED] wrote:
> Having nothing to do and suffering from cabin fever,
> I did a quick and dirty test of the SMC Pentax
> 28/3.5 on the *istD. I chose a subject with lots of
> detail, some shadow, and some killer highlights
- Original Message -
From: "John Coyle"
Subject: Re: Shutter shutdown
Unfortunately, there is a growing climate of hysteria about taking
pictures of people, not just children, and it's not only happening
in Australia.
There was some news here not long ago of a fellow who was told to
s
On 28/2/05, John Coyle, discombobulated, unleashed:
>I've related here the story of a woman verbally attacking me for taking
>pictures near (not of) her in a market in Brisbane, she seemed to think she
>had some right of privacy, not for her own image, but of the stuff she had
>displayed for sa
Hi,
[...]
> We as photographers need to make our voices heard, otherwise the paranoids
> and purse-lips in our community will soon make it an arrestable offence to
> be seen carrying a camera [...]
Hear, hear!
--
Cheers,
Bob
On 27/2/05, Adelheid v. K., discombobulated, unleashed:
>The March PUG is available on my website AND on the komkon server.
>
>http://www.kirschten.de/PUG/05mar
>
>and http://pug.komkon.org
Very good gallery. Bruce, best of the bunch IMO. I liked the salt and
pepper, too, Paul. In fact i actually
Thanks Adelheid. And thanks for all your hard work. I haven't looked at
everything, but Bruce Dayton's father and daughter, Hank Terhell's "Little
Thumb" and Ken Waller's Denali shot immediately caught my eye. Lots of other
nice work as well.
Paul
> Hi folks,
>
> The March PUG is available o
On 27/2/05, Bob W, discombobulated, unleashed:
I have a copy of Martin Evening's excellent book 'Adobe Photoshop 7 for
Photographers' to give away for just the cost of the postage.
>>>
>>>I already have the book, I just want the glory and fame!
>
>> I have to say that one or more of your
Thanks for sharing these. I particularly like the shot of the Mexican gentleman
and that of the young woman in Bucharest.
Paul
> some snapshot-portraits from different places
> http://michaelheim.com/php/fotomensch.php
>
> Michael
>
> Michael Heim
> [EMAIL PROTECTED]
> 078 615 19 88
> 061 271
- Original Message -
From: "Godfrey DiGiorgi"
Subject: Re: *ist-D/Ds question
(Actually, I have made some very nice large-format digital
negatives for contact printing from digital camera captures...)
What method?
William Robb
Good buy. I've seen the lens alone go for considerably more. I used the 40/2.8
on an MX as a walkaround setup while wandering some rather questionable areas
in Mexico City. Camera and lens fit nicely in a cargo pants pocket. I found
that it performed quite well.
Paul
> http://cgi.ebay.com/ws/e
Unfortunately, there is a growing climate of hysteria about taking pictures
of people, not just children, and it's not only happening in Australia.
There has been a series of letters in the UK's "Amateur Photographer" about
the hassling of a man taking pictures in Trafalgar Square of children
p
Nice shot. I like this kind of environmental portrait. Good job of exposing for
the subject. Very good BW conversion as well. Excellent range of values on the
face and arms.
Paul
> This week's photo available for viewing and comments:
>
> http://homepage.mac.com/ramarren/photo/PAW5/10.htm
>
> Hi,
t embarassing to explain what I was doing wrong) I shall add more info.
>
> http://home.fotocommunity.de/mike.a.wilson/
>
> mike
Trains Boats and Planes is nice. I like rebirth,interesting view of a car
wash.??:-)
Dave
Very good news. Thanks.
Paul
> I sent a note to Henry Posner of B&H Photo/Video when I saw the
> report about the fire on the news, just expressing my concern
> and regards that no one from B&H had been hurt, etc. He replied
> this morning:
>
> "Thanks for your concern. The fire was in a warehou
Playing catch up again on my Paws.
I like this one Gianfranco. It may be a bit to contrasty,but it gives it an
artsy feel to
it. Like
the framing and the off angle view. The guys expression says a lot to.:-)
Dave
> I hope Frank won't feel offended...
>
Having nothing to do and suffering from cabin fever, I did a quick and dirty
test of the SMC Pentax 28/3.5 on the *istD. I chose a subject with lots of
detail, some shadow, and some killer highlights. It ain't art, but it's a
decent test subject. The shot was at f11, 1/180, ISO 400. Here's the w
Yes, I still live.
I was recently in south Florida. I tried to use my *ist D for some
shots later in my stint. Unfortunately, it would not recognize the
compact flash to shoot a picture. Amazingly, I could view the images on
the card. I tried the usual removal of the battery - I even removed
On Feb 27, 2005, at 11:23 AM, Godfrey DiGiorgi wrote:
It's a typical, sharp high-contrast junction blooming that
happens with nearly any digital camera. Whited-out sky against
tree limbs is one of the most likely situations to cause this
effect.
So, if this is basically to be expected in this sort
Hi gang.
I have spent the better part of my life telling others we dont have snow all
year round,
or polar
bears in our back yards,then, i go and do this, and then, post the
pictures.LOL
http://photobucket.com/albums/v408/divad_b/Wagg%20Road%20Open%2020
some snapshot-portraits from different places
http://michaelheim.com/php/fotomensch.php
Michael
Michael Heim
[EMAIL PROTECTED]
078 615 19 88
061 271 66 48
Hi folks,
The March PUG is available on my website AND on the komkon server.
http://www.kirschten.de/PUG/05mar
and http://pug.komkon.org
Cheers
Adelheid
The lighting was virtually all flash. The ambient light was negligible. In this
case I didn't want to avoid this look, because it seemed to suit the subject.
With his black fur, Willy gets lost in the shadows with more conventional
lighting. However, if I wanted to achieve a very nice high key p
--- Isaac <[EMAIL PROTECTED]> wrote:
> Hello all. I'm wondering what everyone's opinion is on this.
Is it worth
> using? It is certainly much easier to acquire, but would I be
happy with the
> results? Also, are filters needed like with real b&w film?
It is "real" B&W film. It simply utilizes emul
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&rd=1&item=3875961078
Finally got me a pancake 40mm, and an ME to boot! I can probably sell the
camera for a decent amount, as long as everything's working properly, and
cleaning the lens should be a snap (I love working at a camera shop!).
*glee!*
This week's photo available for viewing and comments:
http://homepage.mac.com/ramarren/photo/PAW5/10.htm
enjoy,
Godfrey
__
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Hello all. I'm wondering what everyone's opinion is on this. Is it worth
using? It is certainly much easier to acquire, but would I be happy with the
results? Also, are filters needed like with real b&w film?
--- Shel Belinkoff <[EMAIL PROTECTED]> wrote:
> So, what would it take for this to no longer be a problem,
> and, if it is fixable, why don't the camera/lens/sensor makers
fix it?
It is a characteristic of a digital sensor that uses Bayer
matrix rendering to achieve RGB images, and the effect vari
It's what happens when you're shooting with a nicely broad flash
beam from a bit of a distance (as in with a modest portrait or
tele lens): ... Even but very flat lighting, not much modeling
from shadows. The crisp, high definition edges and lack of
shadow modeling are what give it the surreal look
--- Shel Belinkoff <[EMAIL PROTECTED]> wrote:
> Negatives? With a DSLR?
Well, if it made some, they would certainly be alarming. ;-)
(Actually, I have made some very nice large-format digital
negatives for contact printing from digital camera captures...)
Godfrey
__
I sent a note to Henry Posner of B&H Photo/Video when I saw the
report about the fire on the news, just expressing my concern
and regards that no one from B&H had been hurt, etc. He replied
this morning:
"Thanks for your concern. The fire was in a warehouse next door
to ours. It
was not in our wa
I'd expect it to take both - don't Pentax already do this with
at least one of their medium-format bodies?
In fact, if the physical dimensions of the sensor make doing so
plausible, I wouldn't be totally surprised to find it capable of
accepting K-mount lenses as well.
Paul Stenquist mused:
>
Jens Bladt wrote:
I usually delete anything older than a couple of days.
The older mails can be seen at the archive:
http://www.mail-archive.com/pentax-discuss%40pdml.net/
Jens
Jens Bladt
mailto:[EMAIL PROTECTED]
http://hjem.get2net.dk/bladt
-Oprindelig meddelelse-
Fra: mike wilson [ma
Negatives? With a DSLR?
Shel
> [Original Message]
> From: <[EMAIL PROTECTED]>
> I've used the K28/3.5 with the *istD, but not extensively. Lately,
> I've covered that range with the DA 16-45/4, which is almost as
> fast and probably equally sharp. But I can't recall any alarming
negatives.
So, Paul, since the lighting was primarily flash, what specifically caused
this look and how can it be avoided. Please remember, you're talking to a
guy who's never used a flash ;-))
Shel
> [Original Message]
> From: <[EMAIL PROTECTED]>
> ... the lighting gives it an unusual look, and I
So, what would it take for this to no longer be a problem, and, if it is
fixable, why don't the camera/lens/sensor makers fix it?
Shel
> [Original Message]
> From: Godfrey DiGiorgi
> It's a typical, sharp high-contrast junction blooming that
> happens with nearly any digital camera. Whited-ou
Thanks Godfrey. Yes, you're right, the lighting gives it an unusual look, and I
think the color combinations emphasize that.
Paul
> --- Paul Stenquist <[EMAIL PROTECTED]> wrote:
> > >> http://www.photo.net/photodb/photo?photo_id=3152929
> > >
> > > Lovely shot Paul - just 2 small problems with i
I've used the K28/3.5 with the *istD, but not extensively. Lately, I've covered
that range with the DA 16-45/4, which is almost as fast and probably equally
sharp. But I can't recall any alarming negatives.
Paul
> Hi guys
>
> I have a question for the d/ds users. Has anyone used the K28/3.5 o
So I have uploaded the samples of colour shifts. There are two pairs:
all are in manual white balance, manual (same in the pair) exposure,
no flash used, all taken at the same second after each other (at 3
fps "motodrive" speed). Oh, forgot to add, shutter speed
was around 1/500 for the first two,
It's a typical, sharp high-contrast junction blooming that
happens with nearly any digital camera. Whited-out sky against
tree limbs is one of the most likely situations to cause this
effect.
Normally, you deal with it in post-processing by making a color
selection for the purple fringing and the
While we're on flash voltage triggers I'll try again with a question
that I have posted to the list before.
Some time back I bought a used Vivitar AF 6000 ring flash from a list
member. It is Vivitar's current model. Trying it on the PZ-1p, it caused
the camera to lock up. I figured I was just
$225 is a bit high for an A50/1.4, but in auctions, demand and
desire rule. You can't bet on an item always getting that high a
price, however.
I saw an A24/2.8 go for $260 or so recently, compared to the
$150 I paid for mine, which came with extras like a hood, spare
caps, etc.
Godfrey
--- Ra
--- Paul Stenquist <[EMAIL PROTECTED]> wrote:
> >> http://www.photo.net/photodb/photo?photo_id=3152929
> >
> > Lovely shot Paul - just 2 small problems with it.
> >
> > 1. There's a dog in the frame.
> >
> > 2. There's no cat in the frame.
>
> Forget it Cotty. It's obvious that the PDML is going to
Yes I do. It's a *ist D.
It will not trigger the Courtnay strobe outfit. It trigges all my Pentax and
Metz flashes without problems.
One of the members of our camera club is a photo dealer. He told me that
some manufacturers offeres hotshoe adapters, that can reverse the current -
to + instead of +
Very intersting, Kostas! Aa of now I donot know which one it is. Al it said
was a 200mm Pentax lens. Since the photograpfh didn't show any white letters
around the lens, I asumed it was the M-version.
Jens Bladt
mailto:[EMAIL PROTECTED]
http://hjem.get2net.dk/bladt
-Oprindelig meddelelse
My friend John Bean in the UK uses the K28/3.5 with his *isdDS
and considers it one of the best lenses he's ever used. Sharp
and contrasty, beautiful feel to the focusing ring, excellent
out of focus rendering, etc.
I'm sure the K35/3.5 would be good too, although I'm not
familiar with that parti
Hi!
I need a PDMLer living in USA and having a PayPal and eBay acc't Buy It
Now something for me. I will then ask that generous person to ship the
item to Israel and naturally reimburse all their expences in full
through my PayPal.
Anyone?
Thanks in advance.
Boris
Hi Butch:
11x14 Ektachrome 100 with a 360mm Symmar-S.
It wasn't sharpened at all. Come by sometime and I'll show it to you on
my light table.
A PDML outing sounds good to me.
Jim
Butch Black wrote:
Very nice summer shot. 4x5 camera? Possibly a touch over sharpened.
We should plan a Boston area P
Very nice summer shot. 4x5 camera? Possibly a touch over sharpened.
We should plan a Boston area PDML outing. You're in Winchester, I'm in
Waltham, Fred's in Marshfield. I believe there are a few others in Eastern
Mass. As I'm not a cold weather person maybe sometime in April. It's always
nice t
Hi guys
I have a question for the d/ds users. Has anyone used the K28/3.5 or K35/3.5
with either of these cameras and if so how well did they work?
Butch
Hi,
> For the record, our own Jean Chrétien is also an alien projection,
> and I am pretty sure that Tony Blair is one as well.
Blair is Bush's back projection...
--
Cheers,
Bob
Hi,
Sunday, February 27, 2005, 2:37:27 PM, Cotty wrote:
> On 27/2/05, Bob W, discombobulated, unleashed:
>>> I have a copy of Martin Evening's excellent book 'Adobe Photoshop 7 for
>>> Photographers' to give away for just the cost of the postage.
>>
>>I already have the book, I just want the glo
Mark, I also usually shoot JPG. When I'm shooting under mixed lighting, I
usually set a manual white balance.
Bill
- Original Message -
From: "Mark Cassino" <[EMAIL PROTECTED]>
To:
Sent: Sunday, February 27, 2005 12:07 PM
Subject: Re: colour shift under big lighting
You are right re
You are right re RAW files. I should of mentioned that I shoot JPG at the
swim meets, mostly because I need the speed and to be able to hold lots of
images on my CF cards. So, the process I described about locking in the
white balance and then applying an adjustment curve in Photoshop is really
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