On 31 Aug 2001, at 14:54, William Robb wrote:
I have to get away from this computer..
I have had another look at the PUG Gallery submission
guidelines, and after conferring with past maintainers have
changed the submission criteria slightly. We will no longer be
publishing submissions
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One thing I found strange: the newer body had a 90mm f/2.8 leaf shutter lens
on it. Seems strange to put only 5 aperture blades into what's essentially an
outdoor portrait lens.
- snip -
How much do they want for the lens only? and is it in
decent condition? I just picked up
On 6 Aug 2001, at 19:09, [EMAIL PROTECTED] wrote:
Hi!
Which flash would be the best for wedding/outdoor (fill flash) photography
(on Z-1p)? Probably sounds silly, but I have no idea. :( For now possible
variants are:
1) Pentax AF500 (reviews are saying that I'd better have a truck with
If you could but together a basic but complete Pentax outfit--everything you
need but no fat, no extraneous items included--what would it be for you?
OK, I'm thinking.
67II with AEII Pentaprism Finder,
75mm F4.5 Shift,
105mm F2.4 Standard,
135mm F4 Macro,
165mm F4 Med Tele with Leaf
On 20 May 2001, at 10:42, Dave Maki wrote:
Adding a bicycle's vibration to Raimo's question...
I will be taking cameras on a bicycle tour this summer. The cameras
could be packed on the frame or carried in a pack on me. There will be
more vibration if they are directly on the
http://www.bc-photo.com/images/bcphotocard.jpg
Cheers!
Brian
On 10 May 2001, at 21:24, Jeff Geilenkirchen wrote:
Hiya Shel -
I've seen business cards which were photographs with the lettering super
imposed on the image. They look pretty cool!
Jeff
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This message is from the
On 7 May 2001, at 21:26, Yves Caudano wrote:
Copper Seas by Brian Campbell, Canada
Really nice picture! When I first saw it I must say that I was
really, really surprised. Just have a look at the address below
and you'll know why...
On 4 May 2001, at 13:58, XOSNI wrote:
I have a problem in my portraits: blinking eyes. I shoot in my mini studio
using a strobe flashes. The camera is pentax 6x7 with flash synchro speed
of 1/30. Why do I always get these blinking eyes? It has to be a
multifactorial cause, the relatively
of the Beautiful-BC Magazines, etc (so would my
not-too-well-off P67II purchase fund!)
Tech Details, well, lets see. I rarely record aperture/shutter
speeds when I'm in the field, I would say that this one was
around F8 - F11 at about 1/15 of a sec. or so. The Z1p was
tripod-mounted (Manfrotto 055PRO/129
On 1 May 2001, at 11:57, Peifer, William [OCDUS] wrote:
Brian Campbell, Copper Seas. Very colorful shot, and very peaceful feel.
This is among my favorite landscapes this month. I'll bet this would look
stunning if blown up and framed.
Thanks, William, the print does look better than the
For the same price you may want to look at Tokina's newer
AT-X 80-200 F2.8 Auto Focus. A few people on this list
own one (including me) and have good things to say about
them.
Cheers,
Brian
On 19 Apr 2001, at 19:49, Cotty wrote:
Hello,
I am considering replacing my Tokina 80-200 f2.8
On 3 Mar 2001, at 1:38, Dan Scott wrote:
Hi All,
Subject says it all.
What passes for winter here is on the run and the weeds/wildflowers are
starting to get in a reproductive mood. :-) I've got some Supra, Superia,
my fa 100/2.8, fa 35/2, my tripod, some ziplock baggies, and I
On 3 Mar 2001, at 14:04, Aaron Reynolds wrote:
Jens Bladt wrote:
The photograher? It was a young guy (thirtysomething), shooting with a
Pentax 6x7, like thousands of fashion photographers all over the world.
Doesn't that guy who shoots for Victoria's Secret shoot with a Pentax
67? I
On 18 Feb 2001, at 20:41, David A. Mann wrote:
Here's something for all you "available dark" shooters.
I'm going to be shooting a nighttime mountain biking event next Saturday
night. It involves four bikers at a time going down a purpose-built course at
night, under floodlights. No,
On 16 Feb 2001, at 20:18, Jens Bladt wrote:
At home I use three Multiblitz strobes.
I second that - I own a pair of Multiblitz Compact 400 strobes,
the kit was about CAD$1700 new including umbrellas. I love
the kit, the flash sync works great as well.
Jens is correct about the flashmeter,
On 16 Feb 2001, at 16:08, Mark Roberts wrote:
Members who insist on repeatedly using a high-powered flash during a
circumcision qualify for the title of Dangerously Intrusive Photographer.
For bonus points, use flash powder instead of an electronic
flash!
"Smile! POW!"
;-)
On 1 Feb 2001, at 9:35, herbet brasileiro wrote:
Hi guys,
How sharp are the FA77mm limited and FA85mm? I was
playing with my FA100/2.8 taking some portraits but
the lens is so darn sharp that every single tiny
little mark in the faces are shown. You can see even
lighted colored facial
On 31 Jan 2001, at 17:27, Bucky wrote:
Bill, whattya think of Ilford 3200? I have some but haven't used it yet.
My .02... I prefer 3200 delta over the TMax Stuff. Works quite
well in DD-X, regular time and temp.
For this shoot, I would probably grab a few rolls of NHGII out
of the
Damn, when I saw this title, I thought, "OK, well
could I have $8000 please?"
:P
Brian
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On 24 Jan 2001, at 19:52, Alan Chan wrote:
I've recently posted an email to pl.rec.foto newsgroup asking what
flash would be recommended for a newbie Pentax MZ-5n user like me. I
got two kinds of responses:
1. Buy Metz 32 MZ-3 - very good performance / price factor, bounce,
swivel, etc.
On 24 Jan 2001, at 11:01, Alin Flaider wrote:
Hmm...20 minutes to develop a print in coffee?
Yes, but how long to develop that same print in beer? :-P
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... in the Pentax 67II -- Upon the advice of a couple of the group
I rented one today from the local Leo's and used it tonight on a
theatre shoot... shot a few rolls of delta 3200 through it, and was
REALLY impressed by the way it handled, easy to focus, the
controls are right where I want them,
When I got the Runner's World job, Bill Corbett sent me a detailed email on how
to price photo services. I don't think he'd mind if I forwarded you a copy. In
fact I think he'd insist! (He's very protective of newbies amongst the sharks of
the publishing world.) He recommended a book
I too have been looking into MF systems lately, having tried
Bronica 6 x 4.5and Mamiya 6 x 7 systems.. My requirements is
a camera that can be used handheld both in the studio and on
location, as I do a lot of theatrical promos tht require shooting
while the show is going on (dress
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