From personal experience, of the two, the Røde is the better microphone and
their decoding software is excellent. Also, you get a much better deal with the
Røde: decent cable length, windshield and suspension mount included, and lower
price. I found the Ambeo to be light in the lower end and the
The H3 will give the best results if you record in Native A-Format and do the
conversion to B-Format in the app (I think someone may also have a better
converter - can’t remember at the moment.)
The H3 with an added Bluetooth adapter an Atomos UltraSync Blue will give you
the option of adding
Thorsten,
I think the question is rather more what sort of noise do you hope to capture:
will it not just be more or less white/pink noise? I’ve recorded in computer
rooms in the past and the overwhelming sound is of the aircon/refrigeration
units and internal cooling fans. As far as I can see,
Arthur,
I don’t have an Ambeo - I tried one, didn’t like it for many reasons. I have a
first generation ST450, a TetraMic, an OctoMic, a Røde NT-SF1 and a Voyage
Audio 20A on test. Oh, and a Zoom H3-VR.
I have a Sound Devices MixPre-10 II
I’ll do another test when I have a bit more time, but o
hur Sauer wrote:
>
> @John Leonard
> I know about the calibration files. I've been using them for years, just
> recording A-format to 4 tracks.
> For me recording is also a creative process.
> As an engineer I would not disregard these facts and record to A-format and
&
I’ve just done this with my TetraMic and my SD MixPre10T ii. I get four sets
of files: AmbiX, FuMa, Bin (Binaural Decode) and LR (Left Right decode.) All
files are complete and as I would expect. This session was set up in accordance
with the Sound Devices instructions for the Ambisonic plug-in
Well, yes, but that’s about it as far as similarities are involved. Each
TetraMic comes with its own specific calibration files: in order to get any
sensible information from the microphone, you need to have these calibration
files in place. It really is pointless using the microphone without do
Arthur,
There’s no point in doing any conversion of the TetraMic signals in the MixPre.
In order to get a correct signal, you must use the provided set of filters
specific to your microphone, which you can only do using the appropriate VST
plug-in in a DAW or in something like Plogue Bidule.. T
As with the 788, all eight can be ganged together.
Regards,
John
> On 20 Oct 2020, at 20:20, peterson tooke wrote:
>
> However I am not sure how many channels can be ganged together on their
> MixPre10ii.
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Steve,
The SD 788 can indeed link all eight channels, and a lot of other variations as
well, except for one which I sometimes need - two sets of M/S linking. Still,
can’t have everything.
Cheers,
John
> On 19 Oct 2020, at 20:56, Steven Boardman wrote:
>
> Can the 788 gang all preamps? Didn'
Even worse for connections, though: 4 XLRs and 4 TA3s - I had a six-way version
made up for my 788 when I had a DPA 5001which was rather nice, but not cheap.
Those multi-pin Lemo connectors are expensive.
But if you’re going for the Schoeps set up, what’s a couple of thousand bucks
or so extr
You’ll need a breakout: the 10T uses 8 (low-cost, sadly) XLR/TRS combi sockets.
Regards,
John
> On 19 Oct 2020, at 17:28, Augustine Leudar wrote:
>
> Thanks,
> I notice the Schoeps uses this cable :
>
> https://schoeps.de/en/products/accessories/cables/k-surround-m.html
>
> Does the sound de
Here, I think, but I have no real idea what I’m looking at.
https://cm-gitlab.stanford.edu/ambisonics/SpHEAR/
Thanks,
John
> On 19 Mar 2020, at 21:29, Jack Reynolds wrote:
>
> Where are they hosted? I can have a go.
>
> Jack
>
> Sent from my iPhone
>
>>
Hello chaps,
As all my work has now been cancelled, thanks to Covid-19, I have time on my
hands and a new 3D printer to play with. I’d like to experiment with building a
couple of the SpHEAR microphones, but I can’t seem to work out how to download
the SCAD files so that I convert them to .STL
Jamie,
Just a note about the HMRC import charges rip-off: someone looks at the
declared insurance value of the microphone and charges VAT on that, plus a
handling charge. You have to spend time on the phone explaining that to the
drones who answer and then ask for the matter to be escalated to
For those of you who aren’t part of the various surround Facebook groups where
I’ve already posted this, and who might have been frustrated by the lack of
information on how to get your Soundfield microphones serviced, thanks to an
introduction via Tony Faulkner, I’ve been able to make contact w
Ah, that’s a different matter. Bose, possibly?
John
> On 24 Jan 2019, at 15:58, Augustine Leudar wrote:
>
> I guess what I really want is an install company that
> will take care of/responsibility for the technical infrastructure and then
> I could focus on content.
___
Augustine,
There are many outdoor speakers available: most theme parks are full of them.
The question is, what degree of fidelity you’re looking for, frequency
response, spl, etc.
As for media players, once again, there are many choices, so how many tracks,
what sample rate, programming method
rik Sandholm wrote:
>
> I want to thank for the links to Ambix HOA files on the web.
> To John Leonard, of course more second orders recordings are welcome,
> Either privately or publicaly published on any webpage.
>
> The more different types of recordings from different acoust
I have some OctoMic material - any use?
John
> On 26 Sep 2018, at 22:09, Bo-Erik Sandholm wrote:
>
> Almost everybody is talking about using second or third order Ambisonics.
>
> Is there any Audio only files available to test a headtracking higher order
> binaural player?
>
> I have the octo
It’s going to a good home. Thanks, chaps.
John
> On 27 Mar 2018, at 23:32, John Leonard Main wrote:
>
> What it says. I found one whilst having a clear-out. It seems to be almost
> new. I can stick it in the post if someone would like it.
>
> Off-list replies, please.
>
What it says. I found one whilst having a clear-out. It seems to be almost new.
I can stick it in the post if someone would like it.
Off-list replies, please.
Thanks,
John
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Mine (pre-ordered for some small amount) arrived a couple of days ago and I’ve
got it hooked up to my MacBook via a suitable USB adapter and an old Apple
keyboard extension cable. At first, I couldn't get a sensible signal out of it,
but then discovered that it needs to be connected via USB3, or
Actually, if we’re talking about the track I used in the demo, it should indeed
be Voodoo Chile, as that’s how it’s spelled on the UK release of Electric
Ladyland. Actually, on the album, it’s Voodoo Chile (Slight Return) and it does
need to be that track, as opposed to the longer Voodoo Child.
The Audio Player in Plogue Bidule will do this. You can get fancy with remote
starts, if you like.
John
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email: j...@johnleonard.uk
phone +44 (0)20 3286 5942
> On 25 Oct 2017, at 02:53, len moskowitz wrote:
>
> I'd appreciate it if some
http://www.johnleonard.co.uk
I look forward to seeing you enter into the market.
Regards,
John
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> On 26 Jun 2017, at 20:09, Sampo Syreeni wrote:
>
> Granted, that. However, I'd still
Well, of course, the ULN-8 isn’t just a pre-amp: it happens to have eight very
nice low-noise high-gain mic pre-amps as part of the package, that’s all.
Also, rather obviously, I didn’t buy the Tetramic and then the ULN-8. The ULN-8
has been at the centre of my studio set-up for many years and
> On 24 Jun 2017, at 23:09, Fons Adriaensen wrote:
>
> If it does that means the amplifier has a problem.
And that, in my experience anyway, is indeed often the problem. When I started
using the Tetramic, it was with low-cost portable recorders and at the gain
levels that I thought sensible f
Huge apologies,
Please ignore my previous post which is supposed to be a personal email to
Anthony. If admin can delete, I’d be most grateful.
Regards,
John
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Anthony,
I’ve been trying out my Hooke Verse system and have some observations: I hope
you’ll find the feedback useful.
1) I get the level setting on the app, although some people I’ve spoken to find
it counter-intuitive as they’re used to pushing faders up for to make things
louder and down t
There’s still a download here:
http://www.tslproducts.com/surroundzone-2-software-download/ and on the Rode
site here: http://www.soundfield.com/products/surroundzone2
I’m on Sierra and the VST works fine for me in Nuendo.
However, it’s worth noting again that Svein Berge has a new version of
Although I agree that this must be an improvement over TSL’s pretty terrible
attitude to the microphone side of things, I wonder how this affects servicing
in the UK and the USA? I’m pleased for Pieter that he gets to go to Australia,
but not so pleased for me that Pieter is going to Australia…
Got it,
Thanks,
John
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> On 13 Jun 2016, at 18:12, Courville, Daniel wrote:
>
> John Leonard wrote:
>
>> Is there a simple tool for decoding the H
Is there a simple tool for decoding the H2n spatial material to horizontal
surround without all the YouTube VR stuff?
Thanks
John
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> On 18 May 2016, at 17:40, Courville, Daniel wrote:
in
due course.
Thanks,
John
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> On 7 Jun 2016, at 17:49, John Leonard wrote:
>
> Re the OSSIC cans: if anyone wants a set of these when they become available,
> I se
Re the OSSIC cans: if anyone wants a set of these when they become available, I
seem to have a one-time code for 20% the sale price.
Let me know off-list: first come, first served.
John
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A question:
Most of my recording is now 4 four or six channel 96/24 and currently, I back
up from the recorders to bare hard drives via an eSATA docking station, which
means that I have an every-increasing pile of hard drives, as I back up every
thing important twice. I’ve pretty much standardi
Well, according to the FAQ, anything and everything! The demo video just shows
two people sitting opposite one another with almost complete separation, but it
would seem that surround is also an option via software. Just out of interest,
I’ve applied to join the beta team, but haven’t heard anyt
This info came through from a colleague in the USA, although the company
appears to based in Poland.
http://audioimmersion.pl/
Anyone else been contacted?
Regards,
John
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___
That’s because it is…
Apparently, they played around with a couple of other variations and then
settled on a tetrahedral array. It’s the software package that’ll determine
whether it gets any traction, I think.
Regards,
John
Please note new email address & direct line phone number
email: j...
I wouldn’t call BVE a consumer show, really. It’s aimed at broadcast, film and
TV professionals and most of the gear on show is pretty high-end stuff. The
chap I was talking to was a fairly high-up exec, but obviously not fully clued
up on Ambisonics and at least he asked to be informed of what
I had a chance to talk to a Sennheiser rep at BVE yesterday and have an update
on their VR mic. How much of this is gospel, I don’t know, but they seem intent
on reinventing the wheel in many ways.
1) It will be a tetrahedral array: the pictures that some have seen with a
different capsule arra
Thanks for finding it: I can pass that link on to the director.
Paul, I’ve emailed you separately.
Thanks for all the help.
John
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> On 23 Feb 2016, at 00:27, Gerard Lardner wrote:
>
Unfortunately, that leads to the “This video is unavailable” notice.
But thanks for looking.
John
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> On 22 Feb 2016, at 16:39, Gerard Lardner wrote:
>
> It seems to be still there on
Stab in the dark: does anyone have a copy of this piece? There are various CD-R
versions floating around, as far as I can tell, but nothing readily available.
I wouldn’t normally ask for something like this, but I’m being nagged by a
director who says that the various download sites that claim t
Have you tried Pieter directly? p...@tsl.co.uk
He might be able to help off the record, as it were.
BTW, I need a chat and a refresher on your system at some point in the next few
weeks,
All the best,
John
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ph
me off list with those pictures please.
>
> Best regards
>
> Steve
> On 8 Feb 2016 10:19 pm, "John Leonard" wrote:
>
>> The new set-up for an ST3/450 in a Rycote uses a special fitting: it???s a
>> tube with thumbscrews, mounted on a modified Lyre system. As
Some quick pictures here:
https://flic.kr/s/aHsktcTKQK
Regards,
John
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> On 8 Feb 2016, at 15:13, John Leonard wrote:
>
> The new set-up for an ST3/450 in a Rycote u
The new set-up for an ST3/450 in a Rycote uses a special fitting: it’s a tube
with thumbscrews, mounted on a modified Lyre system. As far as I’m aware, you
have to buy the complete set-up from TSL, at some ludicrously inflated price,
no doubt. I can look at mine when I get home tonight and see h
One of the few times that I found surround in a film interesting and valid was
in the original Tron, where it seemed to be perfectly acceptable and to enhance
the on-screen visuals. These days, it’s just mainly annoying and almost always
badly balanced, but we know that’s largely down to the lac
; Senior Fellow of the Higher Education Academy
>> Senior Lecturer in Perception
>> College of Arts
>> University of Derby
>>
>> Tel: 01332 593155
>> ________
>> From: Sursound [sursound-boun...@music.vt.edu] On Behalf Of John
was Ebay item Item # 262270964850
Regards,
John
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> On 6 Feb 2016, at 13:53, John Leonard wrote:
>
> Just bought this lot for ??82 via Ebay. Ex Royal Opera House, apparently
Just bought this lot for £82 via Ebay. Ex Royal Opera House, apparently.
I’ll be using it for some demonstration work later in the year, but if anyone
would like it after that I’ll happily sell it on for what I paid.
Regards,
John
Please note new email address & direct line phone number
emai
Having had two theatre shows filmed for cinema release, I haven’t had the
greatest experience engaging with the post production chaps: in both cases I’ve
had to explain that when the cast members exit upstage, door slams shouldn’t be
shoved in the rear speakers. Similarly, with a scene where all
If you’re bidding on the same things that I’m bidding on, and you’ll know who
you are and what they are, could you let me know off-list? We could avoid
beating each other up on price. Dodgy practice, I know, but sometimes you’ve
just got to do it.
And if you don’t know what I’m on about, then m
Yep, that’s a bigger ship alright. There looks to be a pretty good mounting
point on the bow, in which case my major concern would be structure/cable-borne
vibration. I’ve recorded on a couple of large vessels, especially to capture
the throbbing drone that they make: handheld works well to all
gt;
> On 22-Jan-16 22:36, John Leonard wrote:
>> We also had five MKH416s arranged in around the boat as a sort-of wide
>> 5.0 system.
>
> As a matter of interest did this arrangement give you lower engine noise? I
> can see that spaced directional mics could be us
That’s my ST450 in the pictures and I believe that my Rycote & Windjammer set
up for it is the prototype for the current system. It does indeed work well.
If you’re using a TetraMic, you’ll definitely need something similar.
I suppose it depends on what you’re trying to achieve with the recordin
Pictures scrubbed, so here are links, for anyone interested.
https://flic.kr/p/CX1gLS
https://flic.kr/p/DmNNAo
https://flic.kr/p/CQC7vB
John
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___
Just a quick caveat:
I did this for an immersive video thing to do with the Olympics on a boat down
the Thames. The end result (audio, that is) was phenomenally boring. Basically,
what I got was engine noise and a bit of water sloshing by. Nothing to do with
the mic, everything to do with the f
Sodding auto-corect…
Regards,
John
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> On 19 Jan 2016, at 14:57, John Leonard wrote:
>
> Hello folks,
>
> I have to give a lecture about my surround recor
Hello folks,
I have to give a lecture about my surround recordings to a group of American
theatre sound designers in March and I’d like to try and get hold of some
pictures of early Soundfield systems, in particular the original listening room
at Hebden Bridge, back in the late 1970s. I’ve drop
I have some storage space available in London for the master tapes, depending
on how much there is. I did try and find out exactly what kit Mike was selling
through a friend of his and indeed I bought his DPA5100: I believe someone else
bought his Soundfields and Sennheiser MKH30s. As far as I r
Thanks, Geoffrey. I wondered about that back in the early 1980s. Bit of a
shame, really, as things turned out. And who on earth chose Boots (it was
Boots, wasn’t it?) for the domestic set-up distribution, I wonder?
Regards,
John
Please note new email address & direct line phone number
email: j
I’ve just looked at the Wikipedia entry for Ambisonics, which contains this
statement:
"Ambisonics was developed in the UK in the 1970s under the auspices of the
British National Research Development Corporation.”
Well, I know they screwed up my little project because of their involvement,
but
I asked this question on the list a few years ago about who had properly
configured systems at home, rather than in a studio or university. There were
about three of us, as I recall. Mine is Nuendo, feeding a Metric Halo ULN-8 and
a Blue Sky MediaDesk 5.1 system, although my room’s not exactly s
Jon,
All your posts are showing up here, so I wouldn’t worry unduly. I think
Pieter’s email address has just been spoofed, rather than hacked and I get two
or three similar emails a week from various people. They’re pretty obviously
phishing attempts or spam and I just dump them without followi
Aha,
I did send him a message, but that could explain things: that’s not the email
address I have for him. I’ll try again,
Thanks, and thanks to Dan for getting in touch. Here’s hoping my ST450 will
stop spitting at me soon.
Regards,
John
Please note new email address & direct line phone n
While we’re on the subject, has anyone actually managed to get a response from
Soundfield support at TSL? My ST450 has started making random noises and needs
looking at, but after a week of leaving messages and emails, I’ve had nothing
back. Anyone have a direct line to their service department?
crossed customs don’t sting me to much, and it arrives in good order.
> Thanks very much for the heads up John.
>
> Cheers
>
> Steve
>
>
> On 27 Aug 2015, at 16:09, John Leonard wrote:
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Damn,
Sorry for getting the hopes up.
John
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> On 27 Aug 2015, at 16:02, m...@hacklava.net wrote:
>
> It's already sold... :-(
___
Sursound
If anyone’s interested, Pro Sound NY have an ST350 listed in their used
equipment section for $1,500.00 They also have an ST250 kit with Rycote, but
that’s double the price at $3,000.00 Go, as my American friends say, figure.
You should be able to get there via this link:
http://www.pro-sound.
Just a reminder that the BBC is streaming the Promenade concerts in four
channel surround again this year. You’ll need Google Chrome and some way of
routing the audio to the correct speakers. On my Metric Halo/Blue Sky system,
the front left and right signals show up on channels 1 & 2 and the re
Folks,
I’ll be at the Sounds In Space do tomorrow in Derby if anyone wants to chat
about the proposed shoot out. (Old bloke, white hair, white beard, jeans, polo
shirt with my name on it).
If you’ve replied to me off-list and I haven’t got back to you yet, it’ll be
because the lovely Virgin M
Well, this could become a thing if enough people are interested: I’ve been
researching locations and so far, the leading paid-for contender is the Menuhin
Hall at Cobham, in Surrey. Reasonably easy to get to, on-site parking, nice
acoustics and an offer of a deal from the manager. I did ask Air
;ve got a Brahma
> ambisonic mic to add to the mix if you like - it would be very interesting to
> see how it compares to more expensive mics.
>
> What sort of venue are you looking for?
>
> Tom
>
>
>
>
>
>> On 18 Jun 2015, at 22:43, John Leonard wr
t;
> I'm sure some Huddersfield people would be happy, and we have 24 channels of
> portable DAV pre-amps linked to RME converters.
>
> We also have the DPA 5.0 set with the decca tree.
>
> Contact me off-list if you need a contact
>
> pa
>
Anthony,
I have a set on order (any update on shipping?) and I'm planning a massive
surround and binaural test later in the year, probably July, with Soundfield
ST450, TetraMic, CoreSound DPA4060 Binaural set, DPA 5100, Neumann KU 100 dummy
head, Schoeps DMS, Neumann KM184d IRT cross and the ne
A colleague is selling his extensive microphone collection: included is a Pearl
DS60. If anyone’s interested, contact me off list and I’ll pass the details on
to the seller.
Thanks,
John
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phone +44 (0)20 3286 59
You can always come direct to me for other stuff as well. I have some music
recordings made with a TetraMic and an increasing bunch of stuff using the
ST450. (I know this is heresy, but I've also just acquired Mike Skeet's DPA
5100. By the way, Mike's not at all well, apparently, and has sold of
Peter,
Also hoping to be there, work permitting.
Best wishes,
John
On Apr 27, 2015, at 17:15, Peter Lennox wrote:
> Please excuse this, if you're not interested!
> A one day symposium, free to attend (but registration required) -a
> low-pressure event, a chance to get together, have a natt
I would be most upset if one of my recordings resulted in the end of the world.
Mind you, it would make for an interesting recording opportunity...
Regards,
John
On Apr 13, 2015, at 14:12, Dave Malham wrote:
> oh dear, we seem to have a black hole and
> all we were trying to do was play a go
Could someone with an ST250 do a positional test for me in both end-fire and
front-fire mode? I just need a very simple, but accurate 'front, back, left,
right, up. down' test track. I've come across an anomaly in some archive work
I'm doing and I want to do some comparisons with someone else's
Agreed - some interesting ideas, but there seemed to have been a bit of a lack
of research in some areas: no knowledge either of Harpex or the work that
Richard Furse (hello Richard, sorry I had to dash off) has been doing. And the
demo material was not exactly comprehensive: I must admit I'd ho
Sascha,
I have a bunch of B-Format material with plenty of height information (mostly
historic fighter planes) that I'm happy to provide for demo purposes. Is this
of any use?
John
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O
This looks interesting:
Upcoming Lectures
London: Tuesday 13th January
Perceptual Sound Field Reconstruction and Coherent Synthesis
Zoran Cvetkovic, Professor of Signal Processing at King’s College London
Imagine a group of fans cheering their team at the Olympics from a local pub,
who want t
The MDR-7506 headphones are effectively the same as the MDR-V6, so that's
probably it.
Regards,
John
On 24 Nov 2014, at 20:25, dw wrote:
> "I have found only two models of headphones that seem to compromise the
> binaural effect, and those are the Sony MDR-V6 and V7.
___
I downloaded it last week and listened to it a few times, but listening on
closed-back headphones (MDR7506) it doesn't work that well for me. Although the
horizontal localisation is fine, I don't get any vertical clues. I also find
the whole recording rather disorientating - not a pleasant exper
Two people on another list are looking to rent SPS200s in the New York City
area. One of them is looking for 4(!) for the 21st of this month and the other
for one for December 10th. Any info or offers, please let me know and I'll pass
on contact details.
Thanks,
John
_
Well, it's an interesting system, if only in terms of two-way Bluetooth
communication. Of course the marketing is so much hype, plus it pretty much
ignores years of history, and the video demos are pretty basic binaural
recordings that demonstrate more than anything that the system suffers from
As in "I like the Stereophonics: they're a really good band, even though
they're from Wales" as someone with a poor view of the Welsh and who uses
dating services might say...
(Not me, obviously: happily married and with many Welsh antecedents.)
John
On 29 Sep 2014, at 11:08, Michael Chapman
Stefan,
I don't understand your reply at all: Michael's posting has nothing to do with
Auro-3D. It references an art-work using piezo-electric transducers and has a
totally different subject title. Are you seeing something that I'm not?
John
On 15 Sep 2014, at 18:07, Stefan Schreiber wrote:
Sadly, I'm sitting in a church on the other side of town making my own surround
recording of works by Nick and Tony Bicât, so will miss it. Impressed with what
I've heard so far, though. If anyone makes a recording, I'd love a copy.
Hope it all goes well and thanks for putting the test together.
I'm pretty sure Wave Agent will handle 12 tracks: (788 has 8 ISOs, L,R, Aux 1,
Aux 2.)
John
On 3 Sep 2014, at 07:08, Eero Aro wrote:
> I am not sure if the Sound Devices Wave Agent will handle that much tracks.
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Sursound@mu
Well, it depends on how you're listening: because I'm using a Metric Halo
ULN-8, I just route the decoded signal through their console application which
lets me record all four channels. I would imagine that most sound cards will
let you do the same thing, if that's how you're getting the signal
Stream working well here - shame it's wildly out of sync with the broadcast
picture, though.
Some distortion apparent on FF passages?
John
On 18 Jul 2014, at 14:21, Rupert Brun wrote:
> The BBC will make the BBC Proms Concerts available in 4.0 using MPEG-DASH.
> The stream will be available
Hi Emanuele,
There are quite a few plug-ins that will work for you, starting with the
paid-for Harpex-B, which does some very interesting things and which I have
found to be extremely useful in working with Ambisonic files. Then there is a
wealth of free stuff, almost all VST, that can be used
Folks,
I'm writing an article for a magazine about surround in theatre and I'm trying
to recall events in my own time line with regard to discovering Ambisonics, but
there are areas of confusion that I'd like to clarify.
I can remember my first proper demo at Hebden Bridge with The Last Night O
If anyone's interested, there's a classic Mk IV Soundfield on offer here:
http://jwsoundgroup.net/index.php?/classifieds/item/289-calrec-soundfield-mark-iv/
Ignore the Price: Free bit, the guy's looking for offers. Anyone who doesn't
want to sign up to the JWSound site but is interested in the
A colleague has just been quoted four weeks turnaround for a connector/cable
repair on an SPS200. Not impressive.
John
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