On Monday 14 Jan 2008 1:25 pm, Charles Haynes wrote:
> Then I'm confused, if patronage has never died out I don't understand
> your statements "There is no money in creativity in India. If
> creativity brings in the moolah,
> the artists will come in." What do you mean? You said something else
> that maybe I misunderstood "That  Indian art died with the Islamic
> invasions , but was revived as
> Indo-Islamic art and  architecture. All died with the British." If
> patronage never died out then what died with the British? I'm not
> trying to be confrontational - I don't understand what you meant.


Well the problem may be imprecision in my words.

When you have a huge landmass and over one hundred milllion people for many 
centuries any generalization can never reflect the truth. Very little was 
totally killled, although some things were probably lost.  A lot was almost 
terminally suppressed, but survived nevertheless.

The sort of temple architecture and art that one sees from before the Mughal 
invasions tails off in later years. Indo Islamic art too "died" in a sense,  
after the British came. "Died" means that it reduced to negligible levels and 
no longer produced anything that is visible to anyone but core insiders. 
Classical dance however remained alive and healthy in the form of Bharatha 
Natyam, Kathak, Kathakali, Kuchipudi, Mohiniattam and Odissi apart from 
dozens of other local folk dance forms. Carnatic classical music (of South 
India), both vocal and instrumental are alive and healthy, along with 
Hindustani classical of North India and local music traditions. 

So art was never absent or dead. It lived on in pockets within India unseen 
and unheard of by people such as yourself. The environment for art to spread 
among a larger percentage of the population was absent until recently. The 
explosion of Bollywood (which is hardly classical Indian art, but takes 
inputs from various artistes) is one manifestation of a rekindling of art in 
India. This is how moolah is making a difference to the promotion of art. But 
there is also a rekindling of interest in art in terms of painting, sculpture 
and architecture as a result of increasing wealth. And it is becoming quite 
acceptable and a good career option for young people to enter the five year 
fine arts course at Chitrakala Parishad in Bangalore. The degree leads on to 
careers in advertising and show business.

There is every reason for me to believe that art coming out of India is likely 
to dominate large parts of the world in the same manner that say Hollywood or 
Western pop music have had their day in the sun. it is only a question of 
time and numbers. I believe I am living at a time when the explosion has just 
begun.

shiv



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