if it was 'just' for the love of the music, theo would make a lot more
copies of each. or at least sell them for his cost.

i don't fault theo for making bootlegs, but like it was said befoer,
calling foul on someone bootlegging your bootleg is an eye-roller.




On Mon, 22 Nov 2004, Stoddard, Kamal wrote:

> I dunno about this whole thing here. I've spoken with Kai and Theo about them 
> boots and the way I understood it, the edits series was more of a tribute to 
> those records he feels are especially influential and hard to trak down, but 
> are personally important as well. Theo is a genuine music lover in the 
> deepest sense of the word and the edits are pored over laboriously and worked 
> in ways that display the affection he feels for the originals. I think that 
> comes through in the finished product (albeit still with theo's trademark). 
> This in mind, I can see why he might object to some guy who doesn't give the 
> boots half a thought ripping him off. Now to be clear, I'm talking about 
> ripping off someones ideas JUST to capitalise (which I don't think is/was 
> theo's intentions) and not just the appropriation of a product in the 
> copywrite sense (which he's obviously guilty of). Dunno really, there's a 
> fine line there and I really can't tell which side I stand on. I will say 
> this however,
  !
>  If I were an old disco artist, I'd much rather theo/moxie crew/etc. do a 
> tribute and release it on white than the label realising my "one hit wonder" 
> is a classic and hire out a bunch of trance monkeys to do remixes and make a 
> ton of cash off it. And I can tell you honestly, he ain't making THAT much 
> off these anyway. Aight I've prolly said more than I should've, ain't gonna 
> piss nobody off.
>
> Kamal K. Stoddard
> Turner Broadcasting Systems
>
>
>  "Bebop was about change, about evolution. It wasn't about standing still and 
> becoming safe. If anybody wants to keep creating they have to be about 
> change."
>
>
>
> > -----Original Message-----
> > From: Matt MacQueen [mailto:[EMAIL PROTECTED]
> > Sent: Monday, November 22, 2004 4:38 PM
> > To: Michael Lees
> > Cc: [email protected]
> > Subject: Re: (313) ugly edits (full detail)
> >
> >
> > On Nov 22, 2004, at 1:08 PM, Michael Lees wrote:
> >
> > > Thanks this is useful.
> > >
> > > I wondered why my #2 sounded so bad.
> >
> > I have most of the Ugly Edits, some i bought in a rush and
> > others really thought about, they're certainly not ALL
> > knockouts but the better ones do have their moments (the Jill
> > Scott one is probably still my favorite).  But as for sound
> > quality, boots or no boots, i think the sound quality on most
> > of them is fair to poor... they're not "mastered"
> > as such... sounds quiet, muffled, sorta muddy...  they're
> > edits so you have to forgive that a little, but I mean it's
> > not like any of them have *that* great of sound quality to
> > begin with...
> >
> > peace
> >
> > --
> > Matt MacQueen
> > http://SonicSunset.com
> >
>

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