yeah the zero on the fader and zero of the pitch lock can be misaligned

> -----Original Message-----
> From: Neil Wallace [mailto:[EMAIL PROTECTED]
> Sent: 20 November 2002 12:40
> To: [EMAIL PROTECTED]; 'James Bucknell'; 313@hyperreal.org
> Subject: RE: (313) re: best decks
> 
> 
> 
> I think this is down to the fact there is a bearing on a spring that
> clicks into place to lock the pitch control on zero - I know you can
> have this modified so you don't get the click - im not sure 
> if the later
> technics with quartz lock ditched this featuer making the modification
> unecessary
> 
> :The only thing I found with Technics was the accuracy 
> between +/- 2 and
> the
> :point at which the pitch light goes on/off. Usually over a 
> 120bpm track
> :you'd lose/gain quarter to half a bpm. Not sure if that's relevant
> anymore
> :with newer versions (if there are any).
> :
> :Dscaper
> :----------
> :Aeonflux Radio - http://www.aeonflux.co.uk
> :"A man who know's what he knows, and knows what he doesn't 
> know, is the
> :sign
> :of a man who knows."
> :
> :
> :> -----Original Message-----
> :> From: James Bucknell [mailto:[EMAIL PROTECTED]
> :> Sent: 21 November 2002 16:08
> :> To: 313@hyperreal.org
> :> Subject: Re: (313) re: best decks
> :>
> :>
> :> jeebers--it's bad to slow a record by dragging your finger against
> the
> :> platter? does the same apply to speeding the record up by twisting
> the
> :> spindle?
> :>
> :> i just watched what dj pierre did and tried to do the same.
> :>
> :> so how are you meant to slow a record on the 1200s without touching
> the
> :> platter?
> :> james
> :>
> :>
> :>
> :> > From: "seth redmond" <[EMAIL PROTECTED]>
> :> > Date: Wed, 20 Nov 2002 11:49:45 +0000
> :> > To: [EMAIL PROTECTED], [EMAIL PROTECTED], 
> 313@hyperreal.org
> :> > Subject: RE: (313) re: best decks
> :> >
> :> > I'm still undecided on whether the torque is better or worse.
> :> Although it
> :> > seems logical to get as much as possible, when I tried mixing
> :> on Vestax I
> :> > missed the ability to drop a record back into time by dragging my
> :finger
> :> > across the edge of the plate as I could with 1200s; although
> :> unexpectedly
> :> > had no trouble moving back to technics again.
> :> > I am pretty convinced that once I got out of this habit (bad
> :> for the motor
> :> > in any case) I wouldn't mind. The only thing I am sure I 
> would miss
> on
> :> > technics is the +10 pitch control. I never had to use 
> the +50's but
> :I've
> :> > often found that I was agonisingly just-out-of-range on the
> :> technics and had
> :> > to piss about subtely speeding the other record up / down
> :> >
> :> > it's not the first time I've heard doubts about the build
> :> quality, but don't
> :> > know anyone who's had them long enough for it to be an issue.
> :> their mixers
> :> > have always been pretty nice mind.
> :> >
> :> > -s
> :> >
> :> >> From: "Neil Wallace" <[EMAIL PROTECTED]>
> :> >> To: "'Langsman, Marc'" <[EMAIL PROTECTED]>,"'seth redmond'"
> :> >> <[EMAIL PROTECTED]>,<313@hyperreal.org>
> :> >> Subject: RE: (313) re: best decks
> :> >> Date: Wed, 20 Nov 2002 10:49:55 -0000
> :> >>
> :> >>
> :> >> I got one pdx 2000 (as it was all I could afford at the 
> time) and
> I
> :> >> really love it: -50% is actually really useful as use you can
> :> mix things
> :> >> at half tempo to do some weird x2s, having a reverse button is
> :> also very
> :> >> useful and yes they seem to have quite a lot more torque -
> :> which may not
> :> >> be a good thing if you play out a lot as after using vestax
> technics
> :> >> feel very light and you need to use a much gentler 
> touch and yeah
> :> >> skipping is virtually non existent which I believe is due to
> :> the tonearm
> :> >> being designed to produce no lateral force perpendicular to the
> :tonearm
> :> >> instead all the forces run parallel to the tonearm (or that's
> :> the theory
> :> >> anyway)
> :> >> Build quality wise I would say that echnics still have the
> :> edge insomuch
> :> >> as touching the deck with the needle on the record 
> doesn't seem to
> :make
> :> >> a noise thru the speakers whereas at high volumes if you tap the
> :vestax
> :> >> you can hear the tapping.
> :> >>
> :> >
> :> > _________________________________________________________________
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> :> >
> :>
> 
> 
> 

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