> -----Original Message-----
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of howard posner
> Sent: Monday, December 21, 2009 12:03 PM
> To: Lutelist list
> Subject: [LUTE] Re: Liuto forte
> 
> On Dec 21, 2009, at 8:28 AM, Eugene C. Braig IV wrote:
> 
> > That often played out in publication, but I don't know how big a
> > role it
> > played in novelty pieces in manuscript, especially given Bach's
> > ties to any
> > actual lute (rather than lautenwerk or via transcription by
> > contemporary
> > lutenists) seem rather tentative.
> 
> You mean other than the extremely expensive lute Bach actually owned?
> 


Obviously not, and I should have been more clear.  I was referring to what
has survived of Bach's music bearing a lute designation or attribution.
Especially if intended for actual rather than idealized hypothetical lutes
(or lautenwerk), that music still seems to inhabit the realm of novelty
amongst Bach's output.  I have many texts on botanical taxonomy on my
shelves, but I'm not a botanist.  I own an excellent jazz guitar, but have
left even less evidence that I'm an excellent jazz guitarist (for good
reason: I'm not) than Bach did that he was a lutenist with professional
aspirations to publish collections of lute music.

Eugene



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