That's not quite what I meant.  A lute song by Dowland is even
   different from a viol solo by Hume or a keyboard solo by Bull.
   Diabelli's piano fluff doesn't really compare to Beethoven's
   Hammerklavier sonata, but the whole of early-romantic piano repertoire
   isn't fairly represented by either end of this spectrum.  Likewise,
   York's Sunburst for guitar isn't quite like Balkanski's sonata, but
   they are both good fun and both serve a function to those who like
   hearing them.


   I was suggesting that, in whole, the body of guitar repertoire isn't
   necessarily any different in the *level* of quality represented.  Some
   proportion of it can be considered noteworthy; much of it can be
   considered rather schlocky.  I think that's the case with almost any
   instrument popular enough to have inspired a substantial body of
   designated repertoire.  Some of it will be crafted to sell to the
   masses rather than to reflect lofty or disciplined artistic ideals.


   Eugene

   _______________________________________________________________________

   From: nedma...@aol.com [mailto:nedma...@aol.com]
   Sent: Monday, December 21, 2009 11:15 AM
   To: brai...@osu.edu; lute@cs.dartmouth.edu
   Subject: Re: [LUTE] Re: Liuto forte


   "I don't see how it's substantially different from any other
   instrument's repetoire. . ."


   I don't think it's denigrating to any instrument to accept that there
   are very substantial differences in both quantity and quality
   between it's repetoire and that of other instuments.    The reason I
   switched from the lute to the cello many years ago was because - having
   enjoyed early ensemble music - I wanted to explore more recent ensemble
   music, especially the string quartet.  The reason I've returned to the
   lute is that I now want to explore the wonderful solo repetoire for the
   lute (comparatively speaking, there ain't a lot for cello).


   Playing the lute, I never experienced anything like the late Beethoven
   quartets.  Playing the cello, I never experienced anything like Dowland
   lute songs or solos.  Not playing the piano, I'll never experience
   anything like the Brahms sonatas. . .


   Ned

   --


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