>
> I was thinking of taking freeverb and removing the comb
> filters and just using the allpass filters with 100% feedback thinking
> it would make it a "cleaner" sustain.
>

I think that's worth a try.  Using comb filters would be problematic in
your case because the harmonics of the guitar might align with the nulls.

– Evan Balster
creator of imitone <http://imitone.com>

On Fri, Sep 16, 2016 at 3:58 PM, gm <g...@voxangelica.net> wrote:

> I never tried the Freeverb algorithm.
> Just form inspecting the flow chart I suspect its rather colored with all
> the comb filters.
>
> A classical reverb algorithm would be the allpass diffusors inside a comb
> filter loop like this
>
> Input -> +-> AP -> AP -> AP -> Delay -> Feedback -> Out
>          ^                                |
>          |________________________________|
>
> search for Datorro Effects Design for an example of this
>
> Designing reverbs is a huge topic of its own, what you also can try is an
> FDN
> (Feedback Delay Network) structure, with the delays tuned to very low
> pitches spaced in semitones
> which will give an effect similar to that of open strings in a piano
>
> Am 16.09.2016 um 22:29 schrieb Spencer Jackson:
>
> Wow, thanks all for the replies!
>
> If I used a reverb would it end up giving the sustained voice too much
> character? I was thinking of taking freeverb and removing the comb
> filters and just using the allpass filters with 100% feedback thinking
> it would make it a "cleaner" sustain. I'm leaning this way because I'd
> like to keep it lightweight and I think this will be less overhead
> than a phase vocoder. Is that a naive approach?
>
> Thanks again,
> _Spencer
>
>
>
> On Fri, Sep 16, 2016 at 1:59 PM, Emanuel 
> Landeholm<emanuel.landeh...@gmail.com> <emanuel.landeh...@gmail.com> wrote:
>
> Simple OLA will produce warbles. I recommend a phase vocoder.
>
>
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