with the same age group and
I did some 2nds for the nimble-fingered to do. I've got it as a
pdf which I can send down the wires to anyone interested.
Best wishes
Anthony
From: DEREK LOFTHOUSE dloftho...@shaw.ca
To: Matt Seattle theborderpi...@googlemail.com
Cc: nsp@cs.dartmouth.edu
) in their part of the county.
Hope this helps
Best wishes
Anthony
From: DEREK LOFTHOUSE dloftho...@shaw.ca
To: nsp@cs.dartmouth.edu
Sent: Tuesday, 14 August 2012, 14:36
Subject: [NSP] small coals, and the peacock following the hen
I decided to play through the contents
bit (hope my technical language if not too baffling).
There is a good sample of various makers' keywork at the bottom of this
page:
[1]http://www.robbpipes.com/WindyGyleBand.html
Hedworth made the ivory (G) chanter and it has absolutely typical
Hedworth keys.
As aye
Anthony
Hello all,
Here's my offering.
[1]http://youtu.be/sfiCRPct9vQ
Warmest best
Anthony
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1. http://youtu.be/sfiCRPct9vQ
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Hello All,
John Dally has kindly invited me to choose the TOTM for February and it is:
The Keelman Ower Land
This tune has been a favourite since 1973 when (according to Johnny
Handle) Carole I gave its first public airing in years. It is still
yielding up its secrets 38 years
it with the blade to score it then carefully snap
the piece off).
It is also very easy to shape but be gentle with the metal former
otherwise the edges of the staple end can be pushed outwards making it
impossible to get a good seating for the cane slip(s).
Hope this helps.
Anthony
but this would need more glue than putting it at the top of the
hole which flattens it by a) slightly moving the hole down and b)
making the hole smaller. This double whammy effect means less glue
needed and (more often than not) bright tone preserved.
Cheers
Anthony
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manage. This
may be of general interest to pipers and not just those who want to
play along to the disc.
Just email me to get the folder.
Best wishes
Anthony
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For the benefit of dancers, callers and dance band members, I forgot to
say the tune is great for the 'Ideal Schottische' and Pete's dots come
complete with his seconds which really do make a tasty job of the whole
piece.
Cheers
Anthony
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Pete is happy to supply dots in pdf form ([2]petecr...@btinternet.com).
Cheers
Anthony
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References
1. http://www.youtube.com/watch?v=b--ny91Y0tM
2. mailto:petecr...@btinternet.com
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a claim so to speak.
As fellow pipers you can understand what it is to be smitten by a
particular set and so might forgive any transgression.
Anthony
--
References
1. http://www.youtube.com/watch?v=nAnjWROxmjc
2. http://www.youtube.com/watch?v=-VAr4cyILh8
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of the
drone reeds. The set has only been working fully for a couple of days
but should get even better with more playing. According to Jack
Armstrong they were made by Baty of Wark circa 1850.
[1]http://www.youtube.com/watch?v=shd_W9kzXpo
Best wishes
Anthony
--
References
1. http
Hello Francis
Can't help on that front but I'm told Jack Armstrong would launch into
that tune when his glass was empty.
Anthony
--- On Tue, 13/9/11, Francis Wood oatenp...@googlemail.com wrote:
From: Francis Wood oatenp...@googlemail.com
Subject: [NSP] Farewell
Some might be interested to know I sent a couple of tracks
recorded recently by Emily Alice down to Radio 3.
The response has been very positive and as a result they will be
playing on this week's 'In Tune' (Thurs 15 Sept. 16:30 - 18:30 local
time).
Anthony
--
To get
Hello Hilary - not if you do all 73 verses!
Anthony
--- On Sun, 7/8/11, Hilary Paton h.pa...@blueyonder.co.uk wrote:
From: Hilary Paton h.pa...@blueyonder.co.uk
Subject: [NSP] Re: Trivia
To: Dartmouth NPS nsp@cs.dartmouth.edu, Francis Wood
oatenp...@googlemail.com
end goes on little g. This gives me a pair of drones e A but the
pipes don't sing as well like that, so although it's possible I rarely
do it. It can be fun though and I might give it a whirl sometime soon.
I'll keep you posted off list.
Cheers
Anthony
--- On Sun, 31/7/11, Dave S
.
Cheers
Anthony
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resource (even though
there are a few finger-busting favourites) but I've been persuaded to
go for a proper production of it.
Interested parties can go here to see what Stewart Hardy makes of it:
[1]www.robbpipes.com
Thanks for any interest
Anthony
--
References
1. http
and is a cracking tune.
Anthony
--- On Thu, 14/7/11, Margaret Watchorn marga...@watchorn7.plus.com
wrote:
From: Margaret Watchorn marga...@watchorn7.plus.com
Subject: [NSP] Re: Shield's H'pipe
To: nsp@cs.dartmouth.edu
Date: Thursday, 14 July, 2011, 22:51
I spent some time
the images or
memories and so the dots don't just add to the tune they are from that
standpoint an essential part of their character.
The variation in opinion/personal choice is possibly the
strongest evidence for the tune having reached traditional status.
Warmest best
Anthony
Hello Matt
Lovely!
--- On Fri, 15/7/11, Matt Seattle theborderpi...@googlemail.com
wrote:
From: Matt Seattle theborderpi...@googlemail.com
Subject: [NSP] Re: Shield's H'pipe
To: NSP group nsp@cs.dartmouth.edu
Date: Friday, 15 July, 2011, 12:42
Impressive,
Hello Matt
I know what you mean but something has persuaded John Armstrong of C to
call it Shield's.
It is strange he should latch on to that as a staunch Northumbrian when
Morpeth Rant would have claimed it as one of ours.
A mystery indeed!
Anthony
--- On Thu, 14/7/11
the sound clip of John A playing is the perfect antidote to
the 'hell for leather' approach so prevalent with most (but thankfully
not all) youngsters at the moment.
Anthony
--- On Thu, 14/7/11, Matt Seattle theborderpi...@googlemail.com
wrote:
From: Matt Seattle theborderpi
/knowledge does not equip me well for researching.
Undoubtedly there will be unanswerable questions but people like your
goodself might offer more accurate/likely ideas.
Cheers
Anthony
--- On Tue, 12/7/11, Matt Seattle theborderpi...@googlemail.com
wrote:
From: Matt Seattle
in its character it is
strongly contrasted.
This seems to tie in well with Vickers' 'The Cow's Courrant'
Cheers
Anthony
PS This is the third time since 4 o clock yesterday that I've tried to
send this. My computer tells me it has gone but members tell me nothing
has appeared
Anthony
--- On Mon, 11/7/11, Gibbons, John j.gibb...@imperial.ac.uk wrote:
From: Gibbons, John j.gibb...@imperial.ac.uk
Subject: [NSP] Re: Rants again
To: NSP group nsp@cs.dartmouth.edu
Date: Monday, 11 July, 2011, 13:05
Why has this rant thread gone so quiet all last
I have
in mind.
When I said that rant steps could be done to jigs I should have added
that they become more akin to pas be bas than rant.
Cheers
Anthony
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taken you.
Congratulations!
Anthony
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happy to
end it here.
Best wishes
Anthony
--- On Sun, 3/7/11, Francis Wood oatenp...@googlemail.com wrote:
From: Francis Wood oatenp...@googlemail.com
Subject: [NSP] Re: Breaking a promise
To: Anthony Robb anth...@robbpipes.com
Cc: Dartmouth NPS nsp@cs.dartmouth.edu
Apologies!
I deleted the wrong email address there!
Come back Barry, all is forgiven!
Anthony
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speed (93bpm compared to the more usual 97bpm). The Far Frae Hame
set was more up tempo at about 103 bpm which is getting towards a
normal reel tempo. Perhaps this is because the first two tunes are from
over the border?
Anthony
--
References
1. http://www.youtube.com/watch?v=KX
certainly a bit easier that the rant rhythm at 96
bpm.
I wondering if other players on the list find the rant speed rhythm a
challenge?
As for other comments I think you are spot on.
Warmest best
Anthony
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--- On Thu, 30/6/11, Francis Wood oatenp...@googlemail.com wrote:
Hello Anthony,
I don't think we disagree. At Stuart Hardy's musical altitude, I'm sure
you're right.
That's a level I can only admire but never approach. On a more basic
level, playing the tune with a dotted
--- On Wed, 22/6/11, Matt Seattle theborderpi...@googlemail.com
wrote:
OK Anthony, I won't discuss it, but how good to hear Mr Preston's
Hornpipe, it suits the NSP very well IMO.
Hello Matt
Many thanks for putting us right on the name of the 2nd tune.
I'll tell the lasses
who couldn't download the
previous offering.
[1]http://www.youtube.com/watch?v=Cxh4GyR7XhA
Hoping that no further discussion will ensue!
Anthony
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References
1. http://www.youtube.com/watch?v=Cxh4GyR7XhA
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http
a
definitive answer but hope this helps a bit.
As my nana would often say, just please your Bessie!
Anthony
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Hello Rick
I have great difficulty with your implication that Billy Pigg was not a
'proper' piper.
Best wishes
Anthony
--- On Thu, 16/6/11, Rick Damon richard.a.damon@dartmouth.edu
wrote:
From: Rick Damon richard.a.damon@dartmouth.edu
Subject: [NSP] Re
here:
[2]www.robbpipes.com/WillWillyHighBleakhope
It's such a pity that this part of the tradition (which was in some
ways a truer and longer tradition than the Clough one) is not only
ignored but actively denied in some quarters.
Anthony
--
References
1. http
Sorry folks the link in my last email is broken. For anyone interested
try this one.
[1]www.robbpipes.com/WillWillyTalkHighBleakhope
Cheers
Anthony
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1. http://www.robbpipes.com/WillWillyTalkHighBleakhope
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Are they rivalists as well as revivalists?
--- On Mon, 23/5/11, Francis Wood oatenp...@googlemail.com wrote:
From: Francis Wood oatenp...@googlemail.com
Subject: [NSP] Re: new group
To: Mark Stayton mark.stay...@pipersgathering.org
Cc: nsp@cs.dartmouth.edu
Date:
staccato as well as choytes in the same piece. For some of us
this gives depth and variety and adds more strings to her
very expressive bow.
Onward upward
Anthony
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one else with an extended-range
chanter would like copies for some interesting finger/key exercise
please contact me offlist.
Cheers
Anthony
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mean Anthony is that they'll need at least
another 20 hours work. When I replied yes or even more, she said fine
and asked me to always give my comments to her straight!
She's an amazing lass!
Anthony
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--- On Fri, 20/5/11, Francis Wood oatenp...@googlemail.com wrote:
Lovely item, Anthony! Got any more?
Only the two they did on the CD.
Emily arrived back from the States on Saturday but she has already
started working on material for an album with Alice which we hope to
start
of pounds in pipers wages to keep them in the
popular domain this included a Tyneside Reid in the mid 19th century.
I'm sure you will be able to discover more should you wish to delve.
Anthony
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to when left to
their own devices. Aplogies for overloads, I started my Edirol running
and then totally neglected the levels - Emily's harp shook the living
daylights out of it!
[1]http://www.robbpipes.com/AliceEmily
Cheers
Anthony
P.S. it was a grand night - thank you Anne M
On Tue, 17/5/11, inky-adrian inky-adr...@ntlworld.com wrote:
Dear all,
Who is this Allis thingy person?
What are you on about, Anthony?
E major..no!
She can't do it-unless it's crap
Adrian
Hello Adrian
I'm wonderting if you need to get out more?
Alice Burn
--- On Tue, 17/5/11, Dave Shaw d...@daveshaw.co.uk wrote:
Hi Anthony
Any idea what the E major reel was? It would be fun to give it a go.
Dave
Hello Dave
I'll try and find out - I noticed the different tonality and only asked
what key it was in. Once I got the answer I did
rocked along.
Will keep you posted
Anthony
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sent attachments of two versions in ABC from JC
tune finder.
Here's a link to ABC and sheetmusic formats:
[1]http://www.thesession.org/tunes/display/8853/comments
Anthony
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down to just her and Alice to really punch it along as a middle tune in
a great set.
Anthony
--- On Tue, 17/5/11, Rick Damon richard.a.damon@dartmouth.edu
wrote:
From: Rick Damon richard.a.damon@dartmouth.edu
Subject: Re: [NSP] Re: E major tune
To: Anthony Robb anth
and so is not likely to
be able to help out in the near future.
As it seems that a set of pipes is needed fairly quickly the best plan
would be to try out as many sets as possible on approval.
I'd go with how well the instrument plays rather than who made it.
Cheers
Anthony
for Reid's
scale length (say top g down to bottom D) and compare that
with Ross/Nelson figures.
Cheers
Anthony
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in various
situations. As Francis rightly points out this is not essential but
it does make the music-making a joy rather than an acievement.
Cheers
Anthony
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Christopher Birch wrote recently:
I don't know exactly how flat A = 398 is but it can't be very far off
F+, given that A = 392 would correspond to concert G.
I wonder if Anthony would agree therefore that since lots of the notes
are sharp, a good starting point would be to pull
of attack.
Can I add that these adjustments/observations hold true well after my
pipes are well settled down, have had a good 30min play in and reached
that alive, buzzing and and up for anything stage beneath the
fingers.
Cheers
Anthony
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Hello Matt
Yep, it's a 7 key chanter so no F nats.
Also, it's a song and all of the singers I have backed (OK, there have
only been 3 in 40 years!) prefer that key.
And finally, as an instrumental it makes a loamishly
lovely springboard to dive into P B's P.
Cheers
Anthony
and Ross) and nowt but my own lugs as final arbiter.
Good Luck
Anthony
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What a lovely thought, Philip.
Thanks too for the warnings about possible pitfalls with the flake
shellac method. By and large it works really well but there be problems
if the soldering iron hasn't reached max temp.
Anthony
--- On Sat, 15/1/11, Philip Gruar phi
and key in situ on the chanter and then
gentle pressing a hot soldering iron on the key until the molten
shellac reaches the edges of the key (easily observed) seems to work
well. It also heat forms the pad to seal nicely with any minor
irregularities in the chanter seating.
Anthony
in the Plateau of Stability - I really
warm to that phrase.
Please regard these these ideas as complementary therapy to John's
excellent advice not a challenge to it.
As aye
Anthony
On 12 Jan 2011, at 01:11, John Liestman wrote:
Francis, you must have the earlier pre-plateau
and sonic delight so I'm very happy
to take his word on this.
Anthony
--- On Fri, 14/1/11, Mike Dixon msdi...@btinternet.com wrote:
From: Mike Dixon msdi...@btinternet.com
Subject: [NSP] Re: [nsp] re-conditioning ...
To: 'Northumbrian Small Pipes' nsp@cs.dartmouth.edu
Date
not too viscious .. neither too viscous or too viscous
AARRHHGGG!
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have been reasonable to use. Mike Nelson still uses it
and reckons if you look after your pipes/play them regularly it will be
problem free.
But, as Julia so rightly says, opinion is divided!
Anyone remember a similar line in The Dosing of the Hoggs? A very
kittle business.
Anthony
around the chanter by the
singing/listening process mentioned recently by John G.
Drones weren't involved so it clearly served an important second
purpose.
Cheers
Anthony
--- On Sun, 9/1/11, Julia Say julia@nspipes.co.uk wrote:
From: Julia Say julia@nspipes.co.uk
of having a group of pipers playing/performing pipe
tunes without drones but I would limit drone use in the interests of a
pleasing drone hum (bees rather than angry wasps).
And yes, this generally pleases others in the room too. (Thanks JG for
making that point)
Cheers
Anthony
Matt
Absolutely!
Anthony
--- On Sat, 8/1/11, Matt Seattle theborderpi...@googlemail.com wrote:
From: Matt Seattle theborderpi...@googlemail.com
Subject: [NSP] Re: Doublin' (Keenan Glackin)
To: Anthony Robb anth...@robbpipes.com
Cc: nsp@cs.dartmouth.edu nsp
chanters myself to cater for various
circumstances. This is not an option for many punters, hence my
pragmatic (some would say draconian) approach.
Cheers
Anthony
--- On Sat, 8/1/11, gibbonssoi...@aol.com gibbonssoi...@aol.com
wrote:
From: gibbonssoi...@aol.com gibbonssoi
their crystalline
punchiness to the mix just because they have to be droneless?
Cheers
Anthony
--- On Thu, 6/1/11, Gibbons, John j.gibb...@imperial.ac.uk wrote:
From: Gibbons, John j.gibb...@imperial.ac.uk
Subject: RE: [NSP] Re: Concertina Tuning
To: Anthony Robb anth
. This is true even in the most surprising quarters i.e. modern
recordings where retakes could be done fairly easily to correct this.
Yes drones are wonderful and powerful but this power can also be, and
all too often is, destructive.
Anthony
--- On Fri, 7/1/11, Gibbons, John j.gibb
one's cup of tea but it butters my parsnip
and, of course, there has to be at least two of you.
Anthony
--- On Fri, 7/1/11, Gibbons, John j.gibb...@imperial.ac.uk wrote:
From: Gibbons, John j.gibb...@imperial.ac.uk
Subject: [NSP] Re: Drone Tuning
To: nsp@cs.dartmouth.edu
be. It also my
favourity version of Paddy Keenan playing the Bucks of Oranmore, which
is heart stopping.
Pure music - great for learning tunes from, or convincing doubters how
good the music can be.
Not my words but exactly my sentiments. Cheers Anthony
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References
1.
http
And I love the Glackin Keenan record too, I haven't heard it for ages
but it used to really fire me up, it has The Juice.
(Matt)
And at 8.99 GBP surely the best value music CD online this year!!
Anthony
PS John G is a sharp as a broken pisspot (as we say up/down here) and I
ears, try all the options and go with what works for you.
Others may not like it but at least you'll be pleasing the most
important person in this whole process, namely yourself. Which is I
would argue is the main purpose of traditional music.
Cheers
Anthony
--- On Thu, 6/1/11, rob
the dots
quickly. It went down well at Killington this year and again I can send
the dots if anyone wants them.
Cheers
Anthony
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Helen,
Good choice for a starter.
The beauty with that tune is it can be tried: a) as a very free air, b)
steady waltz, c) faster Circle Waltz, to keep interest up.
Cheers
Anthony
--- On Wed, 22/12/10, Helen Capes helen.ca...@paradise.net.nz wrote:
From: Helen Capes
One thing I would like to mention w.r.t. this tune is watch out for the
Scotchy snaps in bars 29, 30 31. The one in bar 28 is nice but the
rest over egg the pudding for me and could be near disastrous if you
were doing the tune in waltz style!
Cheers
Anthony
--
To get
Yesterday John Gibbons wrote:
Is 'the NSP don't move Anthony as much as the fiddle does', a sentence
about the NSP or about Anthony?
He has now explained that this is his own paraphrase based on something
I wrote about one particular tune played by two top rank players
From John Gibbons
or the horrible slurred playing some people go in for
I take it this is a very different thing to the slurs in Chris
Ormston's Blackbird?
Anthony
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Anthony
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. Pure speculation and merely the result
of my own digestion of the piece so proper research could well prove
me wrong.
It would, nevertheless, be a lovely and fitting end to the tale.
Cheers
Anthony
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Today John Gibbons wrote:
Is 'the NSP don't move Anthony as much as the fiddle does', a sentence
about the NSP or about Anthony?
The answer has to be it's about both. My question is where did the
sentence come from? Definitely not the email you are replying to, where
I said
at Billy's
genius!
Cheers
Anthony
--- On Sun, 19/12/10, Gibbons, John j.gibb...@imperial.ac.uk wrote:
From: Gibbons, John j.gibb...@imperial.ac.uk
Subject: [NSP] Re: WHW
To: NSP group nsp@cs.dartmouth.edu
Date: Sunday, 19 December, 2010, 15:47
I'd heard NSP before
the misfortune to hear the embarrassingly
unsuccessful attempt at trying to play two lovely Northumbrian Rants
after it.
So, it's apologies all round for the rubbish perpetrated in the name of
piping by yours truly during the years '85-'05
As aye
Anthony
--- On Sat, 18/12/10
Hello Tim
Wonderful stuff!
Discuss?
I'll have to print off, re-read (probably several times) and inwardly
digest it first.
It has, however, already given me a warm glow which more than
compensates for the sub -zero temperature outside.
Cheers
Anthony
--
To get
by someone of Chris
Ormston's talent i.e a top notch fiddle player and convince me it is
not at a different level of musical expression compared to the same
piece played on pipes.
As aye
Anthony
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Hello Colin and Richard
I agree with much you say.
I like the comparison with apples and potatoes.
But that is exactly what Doubleday is saying: 'don't try and make chips
with apples or apple crumble with potatoes'.
Cheers
Anthony
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13) and she said, Anthony what you're saying is that I
need to put in another twenty hours at least on that tune. That's
Alice for you!
My comments were directed more towards us ordinary mortals who do not
have the luxury of that much time to spend or the young fingers to
stand up
a very good chance it will be the instrument for which the tune
was made in the first place.
I know this is a very personal (and very unpopular) opinion but I can
assure people that I am not alone in this.
Cheers
Anthony
John Dally dir...@gmail.com
Subject: [NSP] a key question
as the hole would
have to be cut into the reed staple itself. Ouch!!
When a high C# comes in a tune I play middle C# and it's not too bad.
Anthony
--- On Tue, 14/12/10, John Dally dir...@gmail.com wrote:
From: John Dally dir...@gmail.com
Subject: [NSP] Re: a key question for NSPipers
Thanks Rob, that looks just the job!
Anthony
--- On Sun, 12/12/10, Rob Say rob@milecastle27.co.uk wrote:
From: Rob Say rob@milecastle27.co.uk
Subject: [NSP] Re: TV
To: nsp@cs.dartmouth.edu
Date: Sunday, 12 December, 2010, 9:20
Morning - I have heard
Here's a link to a snippet of tonight's programme on clogging.
[1]http://www.bbc.co.uk/news/magazine-11930757
Cheers
Anthony
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if the pipes were easier to mic up
in the open Paul would have used them instead of fiddle.
Nevertheless, it was a really uplifting programme.
Anthony
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1.
http://www.bbc.co.uk/iplayer/episode/b00wmy5q/Come_Clog_Dancing_Treasures_of_English_Folk_Dance/
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and
generously shared.
Warmest best
Anthony
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the tune to life
for me (I've used the vernacular as it scans better):
Cheers
Anthony
Me Laddy Sits Ower Late Up
Refrain:
Me laddy sits ower late up
Me hinny sits ower late up
Me deary sits ower late up
Between the pint pot an' the cup
1. He addles three
the beauty behind the dots. We now have the technology to send this
vital spark of the music around the globe. Wouldn't it be a great
idea for musicians to use it?
As aye
Anthony
--- On Fri, 5/11/10, Colin cwh...@santa-fe.freeserve.co.uk wrote:
From: Colin cwh...@santa
useful too, it's certainly better than
nowt!
Cheers
Anthony
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References
1. mailto:b...@pennywhistle.com
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but it would be a wonderful
resource once the discussion was over.
Cheers
Anthony
--- On Fri, 5/11/10, Julia Say julia@nspipes.co.uk wrote:
From: Julia Say julia@nspipes.co.uk
Subject: [NSP] Re: Where hast thou been all the night?
To: NSP group nsp
but it might be that the
instrument she calls the cymbal is in fact the cimbalom.
[1]http://en.wikipedia.org/wiki/Cimbalom.
Good luck with your quest.
Cheers
Anthony
--
References
1. http://en.wikipedia.org/wiki/Cimbalom
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