Re: [313] I'm so impressed
selling? economical success or even success alone as a criteria for "genius"? or maybe for the music itself? what are we here on a marketing list? and i'm not advertising bohemian slack or condoning rip-offs, mind you. the music _has_ to be distributed, made known & available and the producers have to get their share of money and recognition. but to compare it with trance which is made solely to please the expectations of a certain mass-audience doesn't get us any further. same goes for the comparison of all techno producers with one of the two at least popularitywise outstanding figures in this genre. democratic success wouldn't be success anymore. if you wanna be a popstar and make amounts of money out of any proportion techno is simply not the right choice. to habitually slag off trance or whatever is pretty useless too. let's just forget it & move on. armin glyph1001 schrieb: > Hehehe, this is interesting...don't barf because these trance guys are > out here selling their music > to its highest potential. Are many current and burgeoning techno > artists doing that? Nooo. > And the sad thing is that we DON'T have to jeopardize anything to do it. > It can still be techno. > Richie is proof of that. I don't care what anyone says but that man is > a genius. =) > > g. > > "If you ain't feelin' it, this ain't for you!" --Steve Harvey (Kings > of Comedy) > > Vince Woolums wrote: > > >PROGRESSIVE / TRANCE > > > > > >NEW ORDER/PAPERCLIP PEOPLE > >BLUE MONDAY/THROW 2002 (PROMO) 12 > >Slammin' new tech trance remix of this classic from New Order done by ROB > >SEARLE, the man behind the many Frankie Goes to Hollywood trance remixes. > >This one sticks fairly close to the original with the original elements all > >there, except the beats are jacked up considerably- with a very dramatic > >breakdown with the lead hook melody in the strings, rising up and causing > >some serious club mayhem in a Lange style. The flipside may be even more > >interesting for some people- it's a reworking of the PAPERCLIP PEOPLE track > >'THROW'. > > > > > >Carl Craig meets trance. Barf. > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] I'm so impressed
Yeah well Everything was possible after "NewOrder meets Blaze". What's next: "JuanAtkins meets the Venga Boys"? W - Original Message - From: "Vince Woolums" <[EMAIL PROTECTED]> To: "313 List" <313@hyperreal.org> Sent: Saturday, February 09, 2002 7:26 PM Subject: [313] I'm so impressed > PROGRESSIVE / TRANCE > > > NEW ORDER/PAPERCLIP PEOPLE > BLUE MONDAY/THROW 2002 (PROMO) 12 > Slammin' new tech trance remix of this classic from New Order done by ROB > SEARLE, the man behind the many Frankie Goes to Hollywood trance remixes. > This one sticks fairly close to the original with the original elements all > there, except the beats are jacked up considerably- with a very dramatic > breakdown with the lead hook melody in the strings, rising up and causing > some serious club mayhem in a Lange style. The flipside may be even more > interesting for some people- it's a reworking of the PAPERCLIP PEOPLE track > 'THROW'. > > > Carl Craig meets trance. Barf. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] about the members
name-john williams (i do not do soundtracks) alias- bileebob, little brother love, percy slade, jeckle web- www.famzine.org---+detroit electronic culture dj since 8thgrade (85) techno since 89- introduced by nights at the majestic w blake baxter at the helm... we (me and rob deane, sometimes dale (theorem) would club hop over to st andrews and catch mr hawtin in the shelter then over too city club for more gothic and rave sounds and then to the infamous Red Door after hours for oreos and beer! mm! discography- lotsa firsts--- collaborated w dale on theorem "nano", pubahs lp, exceptions (detroit ska!!!-2 or 3 releases), throw comp#1- tooo many clowns --i love books and mags Flaunt, pc mags, biographies, WW2, philosophy, taoism, bible fam- wife 2 kids 2 dogs 1 cat 1 rabbit ( im a damn dr do(very)little) love yall JWilliams AKA Percy Slade/dj bileebob DGPubahs/heckle&jeckle :F:amiliarProducts:: http://www.famzine.org/";>www.famzine.org a blossoming ezine focusing on detroit creatives in the electronic music arena
Re: [313] I'm so impressed
Hehehe, this is interesting...don't barf because these trance guys are out here selling their music to its highest potential. Are many current and burgeoning techno artists doing that? Nooo. And the sad thing is that we DON'T have to jeopardize anything to do it. It can still be techno. Richie is proof of that. I don't care what anyone says but that man is a genius. =) g. "If you ain't feelin' it, this ain't for you!" --Steve Harvey (Kings of Comedy) Vince Woolums wrote: PROGRESSIVE / TRANCE NEW ORDER/PAPERCLIP PEOPLE BLUE MONDAY/THROW 2002 (PROMO) 12 Slammin' new tech trance remix of this classic from New Order done by ROB SEARLE, the man behind the many Frankie Goes to Hollywood trance remixes. This one sticks fairly close to the original with the original elements all there, except the beats are jacked up considerably- with a very dramatic breakdown with the lead hook melody in the strings, rising up and causing some serious club mayhem in a Lange style. The flipside may be even more interesting for some people- it's a reworking of the PAPERCLIP PEOPLE track 'THROW'. Carl Craig meets trance. Barf. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Black techno artists
Right on!! Can't say it better myself. =) Have a nice day! g. "If you ain't feelin' it, this ain't for you!" --Steve Harvey (Kings of Comedy) Nicole Slavin wrote: at the risk of being slated, how can so many people remove the context of this music. it comes from a society and a place that has been a long time marginalised. and, you will find the same problems in any european country you decide to venture into. you cannot divorce the artists' experience from their music and to deny that race is an issue for this music is well, frankly, weird. why the dismissiveness towards this subject? would you look at a piece of art without wondering about its social and historical context, would you read a book and take it only at face value? i know many people on the list feel this subject has been talked to death, but it hasn't. it is still relevant and unresolved. how can you say you have no need to understand problems of the US, they are our problems too and the cultural and policitical and economic hegemonies of the US run the entire world. do you want us to be programmed and passive forever? there, i've had my say, criticise if you will. N -Original Message- From: Berislav Oremus <[EMAIL PROTECTED]> To: 313@hyperreal.org <313@hyperreal.org> Date: 09 February 2002 07:07 Subject: Re: [313] Black techno artists With no disrespect intended (I really love your music and your contributions to the list), I think a lot of Europeans have trouble relating to racial problems in the US this is so offtopic again, but im asking my self how we europeans cant understand a racial problem in us, and again everything we do (in smaller countreys) is so not democratic and we always live on some teritory of economic sanctions, but we have to understand a rical problem in US. im confused i have a very big respect for black artist, and realy i dont have any problems with black or white. but i dont have any need to understand problems in US, at the same time that somebody from US have no need to understand problems that we have, or we had and lets take that off this list... music learnd me to be tolerant b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] I'm so impressed
PROGRESSIVE / TRANCE NEW ORDER/PAPERCLIP PEOPLE BLUE MONDAY/THROW 2002 (PROMO) 12 Slammin' new tech trance remix of this classic from New Order done by ROB SEARLE, the man behind the many Frankie Goes to Hollywood trance remixes. This one sticks fairly close to the original with the original elements all there, except the beats are jacked up considerably- with a very dramatic breakdown with the lead hook melody in the strings, rising up and causing some serious club mayhem in a Lange style. The flipside may be even more interesting for some people- it's a reworking of the PAPERCLIP PEOPLE track 'THROW'. Carl Craig meets trance. Barf. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] 15 / 5 = 3
ON FEBRUARY 15TH, THE REMOTE AGENCY INVITES YOU OUT TO THREE CONSECUTIVE AND HIGHLY ANTICIPATED EVENTS FEATURING A VAST ARRAY OF REMOTE ARTISTS 1 The evening begins at Laika for the official Release Party for Algorithms' Composure CD. No cover, free drink and CD giveaways. (ltd) 6 - 9pm : free (4400 Boul. St. Laurent, Montreal) "Composure" features music from the entire current catalog of Force Lab 12" singles: Chris McCormack, Auch, G (aka G Man), Sutekh, Donnacha Costello, Safety Scissors, Jasper, kid606, Twerk, Farben, Matmos, Vita (aka Mikael Stavöstrand), Atom?, Rechenzentrum, The Posterboys Of The Apocalypse, alva.noto, Geoff White, Kit Clayton, Lowfour (aka Andreas Tilliander) and Veer. Also features previously unreleased material from Electric Birds, OZY, Rabbits, Yagya and Bizz Circuits. With over 12 years of DJing under his belt, Algorithm is undisputedly one of Canada's techno pioneers. His passion for emerging new sounds in electronic music have kept him a gem of the underground scene, though he can be found performing at some of the world's leading events and clubs. The Force Lab imprint has been the 12" home for both Mille Plateaux and Force Inc. artists to experiment in sounds that could work on the dance floor...through this combination, we feel one of the most innovative mix CD's has emerged. Taking cue from...(read more at http://www.remoteagency.com/news-122001.htm) 2 Next stop : S.A.T. : Micro 3 : presented by Mutek & Force Inc. 9pm - 3am : $15.00 (305 Ste. Catherine O., Montreal) MICRO 3 celebrates the release of the *Montreal Smoked Meat* CD compilation on the Force Inc. label. Organized in association with Force Inc., the evening will feature an impressive line-up of performances by Montreal's leading electronic artists, as well as the North American live debut of the German duo M.R.I. The program will feature: Jetone (Force Inc. / Substractiv, Remote) Mitchell Akiyama (Raster-Noton, intr_version, Remote) Eloi Brunelle (Epsilon Lab) Crack Haus (Deadbeat + Steve Beaupre : Revolver, Remote) Orazio Fantini (Gush Collective) Suna (Oral) Mateo Murphy (Ascend, Relentless, Turbo) Mike Shannon - DJ set (Cynosure, Remote) M.R.I. (Force Tracks, Konvex/Konkav - Frankfurt) MICRO 3 will offer a unique glimpse on a group of like-minded Montreal musicians that are united in challenging, developing and exploring the possibilities of electronic music. Recently described in XLR8R as "minimal techno with supple deep house and dirty funk grooves", M.R.I (Stephan Lieb and Frank Elting) promise an enthusiastic performance that will provide a truly memorable event. Information on M.R.I. and *Montreal Smoked Meat* can be found at: http://www.force-tracks.com http://www.force-inc.com http://www.remoteagency.com This MICRO 3 evening is possible thanks to the support of many contributors. MUTEK would like to acknowledge more specifically the help of Force Inc, SAT (Societe des Arts Technologiques), the McAuslan Brewery and the Goethe Institute. * Attendees of Micro 3 have the opportunity to receive free passes for our third event of the evening; an exclusive all night afterhours engagement with Steve Bug (Berlin, Germany). 3 To round out the evening, Stereo and Remote present an exclusive engagement with Pokerflats esteemed and renowned STEVE BUG. Also featuring DJ performances by The Mole, Mike Shannon, Algorithm and Vincent Lemieux. 2am - ? : $20.00 (858 Ste. Catherine E., Montreal) Stefan Brugesch aka Steve Bug was born back in 1969 in Nienburg/Weser, but lived in Bremen throughout most of his childhood. During this time, he soon discovered that music was his first and everlasing love. Infected by Breakdance-sounds and characteristic Synth-Pop of the early and mid 80's, Steve Bug got into house in 1987 when he first visited a club called Front in Hamburg, and soon became a regular at the legendary birthplace of the german house scene. Inspired, motivated and fascinated by the groovy sounds of Karlheinz Stockhausen as well as the skills of DJ Boris Dlugosch, he spent hours and hours visiting recordstores, hungry for new tracks imported from England and the States which built a basis for his first mixtapes, which led to bookings at private house parties, and can be seen as the first step towards what he is now - a highly respected DJ and producer on the international circuit. In 1991, he arranged some parties at the Bremen-based club MAXX and starts a weekly club which took place every Sunday. A few months later, Steve Bug played several german cities, where some friends, convinced by his talent and skills, booked him into the well-known Parkcafe. His Sunday sessions were cancelled in early 1992 and soon Steve became a residen at the MAXX, playing every Friday with DJ Jens Mahlstedt. His connection to Munich worked well and Steve Bug was invited to clubs like Babalu. Hamburg based DJ Henry of UNIT-fame invited him to play at his regular night and finally Steve Bug performed
Re: [313] Track ID's
> Also, anything from the period 37mins up > to "jaguar" at 48mins. Thanks in advance... s.b. project II - cultural cooperation [ cosmic 20 ] santos rodriguez - road to rio A2 [ cosmic id 01 ] christian smith & john selway - nation [ tronic 012 ] (pah para pah para ..) I know more , but I can´t listen to it, because I can´t access groovetech.. but if you give me the URL of the mix .. i can take a listen. Cheers, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Track ID's
Anoraks, I love you. Please help me. First part of Derrick May's set at DEMF on Groovetech. 1:10 "fly.. In The sk" mixed into Aril Brikha. Then, one track on at 1:14 two more intense tracks before BFC. Also, anything from the period 37mins up to "jaguar" at 48mins. Thanks in advance...
Re: [313] OT: groovetech
All the Belgian people with a cable connection (provider : telenet) can´t access the groovetech site!! What´s wrong? Does anyone has the email adress of groovetech for technical matters? I *CAN* access the groovetech site if I use my modem connection with a different provider.. very strange! M - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] OT: groovetech
is just me or u guys get ur compute crashed after listening to a set from groovetech after like 30/40 minutes? y. - Original Message - From: "Maarten Baute" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Saturday, February 09, 2002 3:41 PM Subject: [313] OT: groovetech > Is it just me, or is the groovetech site down for the last week? > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] OT: groovetech
Is it just me, or is the groovetech site down for the last week? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] broken beat/nu jazz mxes?
HI, i use this as a little promotion, but with all that discussion about broken beat/nu jazz i point you to ´the newest release on Megahertz. (www.megahertz.org also in english) Its called ComfortFit (http://www.comfortfit.de only german, but with mp3). The sound is hiphopish Downbeat with lots of influences of contemporary electronica / techno and lots of jazz. If you like TEk9 and Dynamic Syncopation check that out, you will like it. Ron sorry for that promotion.. -Ursprüngliche Nachricht- Von: <[EMAIL PROTECTED]> An: <313@hyperreal.org> Gesendet: Samstag, 9. Februar 2002 02:04 RON Betreff: [313] broken beat/nu jazz mxes? > Anyone know if there are any mix CDs commercially available within this > very loose genre? > > Listening to Dego's set at DEMF '00 and I'm breathless. Amazing stunning > beautiful music... > > MEK > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Black techno artists
at the risk of being slated, how can so many people remove the context of this music. it comes from a society and a place that has been a long time marginalised. and, you will find the same problems in any european country you decide to venture into. you cannot divorce the artists' experience from their music and to deny that race is an issue for this music is well, frankly, weird. why the dismissiveness towards this subject? would you look at a piece of art without wondering about its social and historical context, would you read a book and take it only at face value? i know many people on the list feel this subject has been talked to death, but it hasn't. it is still relevant and unresolved. how can you say you have no need to understand problems of the US, they are our problems too and the cultural and policitical and economic hegemonies of the US run the entire world. do you want us to be programmed and passive forever? there, i've had my say, criticise if you will. N -Original Message- From: Berislav Oremus <[EMAIL PROTECTED]> To: 313@hyperreal.org <313@hyperreal.org> Date: 09 February 2002 07:07 Subject: Re: [313] Black techno artists > >> >> With no disrespect intended (I really love your music and your >contributions >> to the list), I think a lot of Europeans have trouble relating to racial >> problems in the US > >this is so offtopic again, but im asking my self how we europeans cant >understand a racial problem in us, and again everything we do (in smaller >countreys) is so not democratic and we always live on some teritory of >economic sanctions, but we have to understand a rical problem in US. im >confused > >i have a very big respect for black artist, and realy i dont have any >problems with black or white. >but i dont have any need to understand problems in US, at the same time that >somebody from US have no need to understand problems that we have, or we >had > >and lets take that off this list... music learnd me to be tolerant > > >b. > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] nu -era
Stephen: ..this is the one i've never seen, there's supposed to be a solo tweleve on reflective produced by hans solo and chu-bakka.. anyone confirm this?.. yup... REFLECT 002 Nu-Era A1 - The City A2 - Here I Come AA1 - Simple Modifications AA2 - Hazardous Modifications Produced by Hanz Solo and Chu-Bakka for Nu-Era Productions so, there ya go! rob _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] nu -era
tom wrote: Firstly, Nu Era is an alias for Marc Mac from 4 Hero in case you didn't know - and there's plenty of 4 Hero material out there! Secondly, there's a Nu Era album on Reflective (a now-defunct offshoot of 4 Hero's Reinforced label) which came out several years ago - I've never seen one though. i think they kept the album a little quiet, it came out between the two deeper shade comps in september '92 (by which time they'd hooked up with detroit).. on the promo sheet they credited the album to "london duo mark and dennis" and described them as the labels first signings.. 4 hero were established, so there was definately some mischief going on.. a real classic.. ok, there's a nu era track on 4 hero's 'earth pioneers' ep, an ep on ssr 'stars', an ep on ovum 'breaking in space', an nu era mix of sylk 130, a track on the first co-op compilation, a track on the planet-e version of 'the good good', and.. ..this is the one i've never seen, there's supposed to be a solo tweleve on reflective produced by hans solo and chu-bakka.. anyone confirm this?.. and i think there's some nu era vs nubian mindz action on it's way soon ;) [EMAIL PROTECTED] _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Black techno artists
- Original Message - From: "Berislav Oremus" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Saturday, February 09, 2002 2:06 AM Subject: Re: [313] Black techno artists > > > > > With no disrespect intended (I really love your music and your > contributions > > to the list), I think a lot of Europeans have trouble relating to racial > > problems in the US > > this is so offtopic again, but im asking my self how we europeans cant > understand a racial problem in us, and again everything we do (in smaller > countreys) is so not democratic and we always live on some teritory of > economic sanctions, but we have to understand a rical problem in US. im > confused > > i have a very big respect for black artist, and realy i dont have any > problems with black or white. > but i dont have any need to understand problems in US, at the same time that > somebody from US have no need to understand problems that we have, or we > had > > and lets take that off this list... music learnd me to be tolerant The only reason I'm not taking this off list, is b/c I know how racial threads on 313 spiral. I am feeling every word that you're saying in terms of US imperialism abroad, but what I think a lot of Europeans (and color-blind Americans) have trouble seeing is that the history of oppression in America *to its own people* is still a living factor here (as witnessed by too man examples to cite). This is clearly not the right forum to go into a history of race relations in the US, but I just wanted to clarify my point, that engrained capitalistic-patriarchal-white supremasist societal forces (as Bell Hooks would have it - and I happen to think she's right) are very different than white supremacist attitudes *in the specific*. These would be the same societal forces encouraging US imperialism abroad. Black History month is a recognition of a lineage of historical oppression in the US (and the triumphs that overcome these forces) that is still not dead - and it has a critical value to many citizens concerned with the reversal of these wrongs. We should respect that for what it is - regardless of how poorly I may have outlined its importance. The reason why I specifically pinpointed Europeans is because race relations (although still problematic) in Europe, do not operate in the same way that they do in the US, and since this list is mostly Euro-American I commented as such. I'd be glad to go into more detail off-list if anyone doubts the differences between American and European race realtions. Sorry to be so Americocentric with this post, but it's (to my knowledge) the only place where Black History month is acknowledged (other than Canada???), and I think awareness of all that the symbolism of this calendrial occurence means should be amplified, not censored. And yes, music can be an incredibly powerful force in teaching tollerance, but this is at an individual level, which is so much different than understanding the societal forces that come to bear on the racially disenfranchised in the US, or imperialistic forces abroad. Tristan -- http://www.mp313.com <- Music http://www.metrotechno.net <- DC techno + more http://www.metatrackstudios.com <- DC DJ/Production studios http://phonopsia.tripod.com <- Hub [EMAIL PROTECTED] <- email <- AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Black techno artists
Hello Tristan! First of all I don't want to start a mess or something! Really not! I didn't knew about the celebration month for African-American history. Maybe I'm a dreamer but I also hope that there will be a color-blind utopia. I just was scared about another senseless discussion about which "color" is doing the better music. I remember a discussion some months ago. Somebody posted that real 313 related music should not be produced by white people. I don't want to read such messages anymore! Sorry if anybody feels angry about it! Arne > Subject: Re: [313] Black techno artists > > > > Again: > > Is it really a question of the colour of the skin? This was discussed > before. > > Arne, > > With no disrespect intended (I really love your music and your contributions > to the list), I think a lot of Europeans have trouble relating to racial > problems in the US (well, many Americans still believe in a color-blind > uptopia too). Even some critical race theorists posit a future in which we > can look *beyond* the color of one's skin (and this doesn't mean ignoring > it). But at the moment, at least in America, this remains a utopian vision > and not a reality. Case in point: racial injustice is still so pronounced in > the US (and the evidence is still very clear today) that we have a month > dedicated to celebration of African-American history, and more intensive > educational focus on that neglected perspective on American and global > history. So without re-hashing the debate about whether or not race is or > should be an issue still in the US (or on this list), I would hope we could > at least pay respect to Gerald's idea that we could recognize current > influential African-American electronic music producers/DJs. It's a timely > topic. Titonton's a great example! ...and like Gerald said, "how about > Europe"? I for one, wouldn't know the color of a lot of European producer's > skin to even comment. > > Tristan > -- > http://www.mp313.com <- Music > http://www.metrotechno.net <- DC techno + more > http://www.metatrackstudios.com <- DC DJ/Production studios > http://phonopsia.tripod.com <- Hub > [EMAIL PROTECTED] <- email > <- AOL Instant Messenger > Arne Weinberg KEYNOTE Rec. formerly known as GROUND ZERO Rec. / STARBABY Rec. *** - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re: Kenny's (Larkin) new record (cd)?
>called '7:nites' e.p. and featured the tracks >plankton and clavia's north, latter was featured >on all access, beautiful e.p. pressed on green-ish >transparent vinyl. Can anyone tell me where I can find these 2 records? Thanks! >>From what I remember, the album was supposed to be >called "The = >Narcissist". >It was supposed to be released before the end of >2001. Unless I'm = >mistaken, >this was the material he played "live" at his record >release party last >= >Feb. >at Motor. Thanks right. I was there and that's the one I was asking about. I didn't stick around long enough to talk to Kenny and ask more about it. >I recall meeting Kenny Larkin in Miami (WMC 2000) at >the Planet E party >and >asked him about his album. He told me maybe next >year, but he had been >way >behind schedule due to his computer crashing and >losing a lot of >material he >had done for the album...and he also mentioned the >distraction of the >DJ >gigs >that would keep him out of his studio. I also talked to him down at the WMC 2000 but not as much about music as old high school stuff.. I did talk to him a bit in NYC later that year around Aug? when I saw him and Sean Deason spin. He mentioned that the touring was slowing him down but that all he had to do was finish some edits on the new cd. At that time he was loooking for a label to release it. I never asked him about the comedy thing because I always thought it was a joke that someone wrote down somewhere and people keep reading it and stating it as fact. I may be wrong though. I mean Kenny is a funny guy but.. It would be nice to hear from Sean to get some insight on these questions or anyone else that has talked to Kenny lately. Thanks! ,Dave __ Do You Yahoo!? Send FREE Valentine eCards with Yahoo! Greetings! http://greetings.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Black techno artists
> > With no disrespect intended (I really love your music and your contributions > to the list), I think a lot of Europeans have trouble relating to racial > problems in the US this is so offtopic again, but im asking my self how we europeans cant understand a racial problem in us, and again everything we do (in smaller countreys) is so not democratic and we always live on some teritory of economic sanctions, but we have to understand a rical problem in US. im confused i have a very big respect for black artist, and realy i dont have any problems with black or white. but i dont have any need to understand problems in US, at the same time that somebody from US have no need to understand problems that we have, or we had and lets take that off this list... music learnd me to be tolerant b. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Stephen Brown
It's upcoming Lots of good stuff on the way from Transmat. Stayed tuned. -- >From: Klaas-Jan Jongsma <[EMAIL PROTECTED]> >To: 313@hyperreal.org >Subject: [313] Stephen Brown >Date: Sat, 9 Feb 2002 8:29 AM > >Jeepers gang, it looks like i got a little mystery here. Stephen >Brown is playing a live set here tomorrow night. The stuff he did for >Djax is amazing but i was amazed to see that on the flyer it also >said Transmat. Did i miss something? I never found a Stephen Brown >record on Transmat...Time for a scooby snack >-- >[EMAIL PROTECTED] > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Juan on KUCI Irvine California now (10:10 PM PST, Friday)
If anyone on the list gets this in real-time, go to http://www.KUCI.ORG/ and you can listen to Juan Atkins on KUCI either via MP3 stream (http://kuci.org:8000/) or via RealAudio. It's 10:10 PM PST, Friday night as I type this ... Sorry for the short notice, but I only heard about him being on just a short while ago ... - Greg - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] 313 legends where are they now?
What ever happened to Art Forrest? Anyone remember that record he did as keynotes? speakin of classics, I have a ton of stuff up for grabs, more posted each day, so anyone who just got into 313/312 music or those who slept on the greatest releases, check out my auctions: http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItems&userid=toedawg&include=0&since=-1&sort=2&rows=25 minto __ Do You Yahoo!? Send FREE Valentine eCards with Yahoo! Greetings! http://greetings.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] - Adult Only # 12 and 313?
Also, Ladbroke was the name of the race track that recently closed down just outside the city limits. Ladbroke DRC to be precise. I think this is probably just coincidence, as I doubt there would be any reason for an Oak Park horse track to be significant in the title of an import house record. Good tune, though-- I should dig it back out of the crate... haven't played that one in damn near a year. I was curious about the same thing, though, when I heard it. Matthew Original Message: - From: Odeluga, Ken [EMAIL PROTECTED] Date: Thu, 7 Feb 2002 12:05:56 - To: [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: [313] - Adult Only # 12 and 313? For what it's worth, Ladbroke Grove is in a trendy part of London - if you didn't know. Least it used to be trendy until it got famous, house prices went up and the subculture could no longer afford to live there ... Notting Hill is very near it, see? >-Original Message- >From: Mark S Flintoft [mailto:[EMAIL PROTECTED] >Sent: Thursday, February 07, 2002 11:56 AM >To: 313 >Subject: [313] - Adult Only # 12 and 313? > > >Well once again I can't sleep, and as I often do when that happens I >started playing some records. The last record I pulled out was... > >Vinyl Line West Station Adult Only AO 12 (though it says AO11 in the >run-out) > >I usually play the B side which is a nice smooth house cut >co-produced by C. >Carrier and one of my favorite house producers Jef K called Stamper >Square... > >Anyways long story short, this morning I decided to play the A side and in >the first breakdown of the first track there is a computer sounding female >vocal that states 'Enter Area Code 313' before the track kicks back in... >It's kind of strange as the label art is what appears to be Osaka Japan's >subway system, while the info side has a few generic skyscrapers on it. > >So I am wondering, what this little 313 snipet is doing on a >record with no >obvious 313 ties (at least to my over-tired brain;)? The track titles are >A1 West Station, A2 Ladbroke Groove and B1 Stamper Square...any Detroit >signifigance to those?? Is Osaka's area code 313 too??;-) > >Not that I actually expect any answers, I just thought I'd share... > >Off to try and get some zzs, > >m* mail2web - Check your email from the web at http://mail2web.com/ . - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] broken beat/nu jazz mxes?
Anyone know if there are any mix CDs commercially available within this very loose genre? Listening to Dego's set at DEMF '00 and I'm breathless. Amazing stunning beautiful music... MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Black techno artists
- Original Message - From: "Arne Weinberg" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, February 08, 2002 6:52 PM Subject: Re: [313] Black techno artists > Again: > Is it really a question of the colour of the skin? This was discussed before. Arne, With no disrespect intended (I really love your music and your contributions to the list), I think a lot of Europeans have trouble relating to racial problems in the US (well, many Americans still believe in a color-blind uptopia too). Even some critical race theorists posit a future in which we can look *beyond* the color of one's skin (and this doesn't mean ignoring it). But at the moment, at least in America, this remains a utopian vision and not a reality. Case in point: racial injustice is still so pronounced in the US (and the evidence is still very clear today) that we have a month dedicated to celebration of African-American history, and more intensive educational focus on that neglected perspective on American and global history. So without re-hashing the debate about whether or not race is or should be an issue still in the US (or on this list), I would hope we could at least pay respect to Gerald's idea that we could recognize current influential African-American electronic music producers/DJs. It's a timely topic. Titonton's a great example! ...and like Gerald said, "how about Europe"? I for one, wouldn't know the color of a lot of European producer's skin to even comment. Tristan -- http://www.mp313.com <- Music http://www.metrotechno.net <- DC techno + more http://www.metatrackstudios.com <- DC DJ/Production studios http://phonopsia.tripod.com <- Hub [EMAIL PROTECTED] <- email <- AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
