(313) chicago techno night

[Zachary Lubin]

for anyone in the chicago area,
tuesday night holds an evening of quality techno at 

big wig
1551 W. Division St.

charles adler, sinjin, and myself will be playing from
10-2am.

i will be playing material from defocus, rhythm &
sound, maurizio, mark broom, the modernist, diego,
john beltran, and some of my own material...

...zachary
 

=
zachary lubin
zacharylubin.com

__
Do you Yahoo!?
New DSL Internet Access from SBC & Yahoo!
http://sbc.yahoo.com

(313) London XPress

[Tristan Watkins]

As discussed Saturday, some people couldn't find a way to get advanced tkts
for C2 this Saturday (and it's by no-means evident), the site is
http://www.wayahead.com/  - make sure to search for 'London Xpress' spelled
exactly this way. After their additional fees and postage, the total =
£10.70

Tristan
=
Text/Mixes: http://phonopsia.tripod.com
Music: http://www.mp313.com
Contact: [EMAIL PROTECTED]

Re: (313) Bleeping Saturday

[Nicole Slavin]

>Thx to all who attended the first SLICES event on Saturday at Public Life,
>London. Resounding success is a fair phrase. As I had always cautioned, our
>problem wasn't not filling the joint but of overcapacity - at about 10, the
>doors where shut. A well-known London electro DJ (not on the line-up) was
>unfortunately turned away with scores of others.

Hey, this was a great party. i'm pretty sure ken and toby will have to move
to a bigger venue in the future. As nice as public life is, i think Slices
will be attracting a lot of attention as there is still a shortage of good
music in London away from big club nights that have the cash to fly bigger
names in.
i had a really great time: good music and people, so if you missed it, you
missed out :)
Reading Ken's run through of the music,  i'm really sorry i missed your set
toby!

and by the way, i remember distinctly asking one of you 313 peeps what you
thought the chance of mills playing a house set at the End was, as he was on
the bill with tech-house Mr C.  I was scoffed at so didnt'
go.wanna kick myself now...and Tristan wipe that
smile of your face!

Re: (313) The Exchange?

[s mcgill]

Did that Nils used to have something to do with Eurobeat 2000?

smc
- Original Message -
From: Odeluga, Ken <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED] Org <313@hyperreal.org>
Sent: Monday, September 23, 2002 3:11 PM
Subject: RE: (313) The Exchange?


>
>
> >-Original Message-
> >From: Ken Odeluga [mailto:[EMAIL PROTECTED]
> >Sent: Monday, September 23, 2002 3:11 PM
> >To: Robert Taylor
> >Subject: RE: (313) The Exchange?
> >
> >
> >OK. Shot in the (almost) dark which ricochetted back to me! But I
> >learnt something!
> >
> >k
> >
> >>-Original Message-
> >>From: Robert Taylor [mailto:[EMAIL PROTECTED]
> >>Sent: Monday, September 23, 2002 4:06 PM
> >>To: 'Odeluga, Ken'; [EMAIL PROTECTED] Org
> >>Subject: RE: (313) The Exchange?
> >>
> >>
> >>Nils Hess runs the Eukatech shop and associated labels.
> >>I don't think he is a Patel.
> >>
> >>-Original Message-
> >>From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
> >>Sent: Monday, September 23, 2002 2:02 PM
> >>To: [EMAIL PROTECTED] Org
> >>Subject: RE: (313) The Exchange?
> >>
> >>
> >> Of course we've all seen Nils Hess' name alongside the name of that
> >>plant on records. Does mostly tech house mastering it seems. The
> >>music's not
> >>my bag but it does sound, crisp, clear and bassy. I believe his
> >>real name is
> >>Nilesh Patel.
> >>
> >>k
> >>
> >>>-Original Message-
> >>>From: T.J.Johnson [mailto:[EMAIL PROTECTED]
> >>>Sent: Monday, September 23, 2002 2:42 PM
> >>>To: [EMAIL PROTECTED]
> >>>Cc: 313@hyperreal.org
> >>>Subject: Re: (313) The Exchange?
> >>>
> >>>
> >>>Let me just say that I've had bead experiencs with
> >>>other mastering services here in the states and would
> >>>like to get other mastering contacts.  His name (Simon)
> >>>is on alot of my great records and I'd like to see how
> >>>much he charges...
> >>>
> >>>
> >>>
> >>>On Mon, 23 September 2002, [EMAIL PROTECTED]
> >>>wrote:
> >>>
> 
> 
>  Memo from Alex Bond of PricewaterhouseCoopers
> 
>   Start of message text
>  
> 
>  I haven't I'm sorry.
> 
>  Just on this topic though, I've heard good things
> >>>about
>  the exchange, has
>  anyone on the list done their mastering there before?
>  What do people think
>  of it?
> 
>  Thanks,
> 
>  Alex
> 
> 
> 
> 
>  "T.J.Johnson"
> >>><[EMAIL PROTECTED]> on
>  23/09/2002 14:24:05
>  To:313@hyperreal.org, [EMAIL PROTECTED]
>  cc:
> 
> 
>  Subject:(313) The Exchange?
> 
>  Anyone have contact info for Simon at The Exchange?
> >>>THX
> 
> 
>  T!
> 
>  www.acidsonicresearch.com  <~~go here
>  www.mp313.com  <~~and here
>  
>  PeoplePC:  It's for people. And it's just smart.
>   >>>href="http://mail.peoplepc.com//jump/http://www.peoplepc.com";>http:
> >>>//www.peoplepc.com
> 
> 
> 
>  - End of message text
>  
> 
>  This e-mail is intended only for the person to whom it
>  is
>  addressed. If an addressing or transmission error has
>  misdirected this e-mail, please notify the author by
>  replying to
>  this e-mail. If you are not the intended recipient you
>  must not
>  use, disclose, copy, print or rely on this e-mail.
> 
>  The principal place of business of
>  PricewaterhouseCoopers and
>  its associate partnerships is 1 Embankment Place,
> >>>London
>  WC2N 6RH where lists of the partners' names are
>  available for
>  inspection. All partners in the associate partnerships
>  are
>  authorised to conduct business as agents of, and all
>  contracts
>  for services to clients are with,
>  PricewaterhouseCoopers. The
>  UK firm of PricewaterhouseCoopers is authorised by the
>  Financial Services Authority for investment business
>  activities.
>  PricewaterhouseCoopers is a member of the world-wide
>  PricewaterhouseCoopers organisation.
> 
>  PricewaterhouseCoopers may monitor outgoing and
> >>>incoming
>  e-mails and other telecommunications on its e-mail and
>  telecommunications systems. By replying to this e-mail
>  you
>  give your consent to such monitoring.
> 
> 
> >>>
>  Visit our website  >>>href="http://mail.peoplepc.com//jump/http://www.pwcglobal.com";>http
> >>>://www.pwcglobal.com
> 
> 
> 
> >>>_
>  The information transmitted is intended only for the
>  person or entity to
>  which it is addressed and may contain confidential
>  and/or privileged
>  material.  Any review, retransmission, dissemination
> >>>or
>  other use of, or
>  taking of any action in reliance upon, this

Re: (313) Strand EP

[s mcgill]

not forgetting Shake's help too.

smc

- Original Message -
From: ear magazine <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Monday, September 23, 2002 12:08 PM
Subject: Re: (313) Strand EP


> Hello Andy,
>
>
> About their new EP I don't know if it's out yet.
>
> But if you're looking for some informations about them you can check
>
> http://ear.d2b.org/strand.php
>
> I've made this interview with them back in 1996 so it's a bit dated
> considering their future projects.
>
> I'm glad they finally get the exposure they deserve throught Keith Tucker
> and Delsin's Marsel work.
>
> Cheers
>
>
> Jean-Francois
>
> _
>
> .. http://ear.d2b.org
>
>
> > Does anyone know where I can pick up a copy of Strand's first EP on
their
> > new label Tactile? I think it's called Pigeon Toed Orange Peel, or at
least
> > one of the tracks is. A quick Google search could only find it in a few
> > tracklistings, so I'm not sure if it's actually out yet...
> >
> > Who are Strand anyways? They played at the DEMF this year, right?
> >
> > Andy
>
>

Re: (313) you can´t hide for yourself

[s mcgill]

Norm Talley has an amazing tune on Trackmode that features a vocal of 'You
Can't Hide From Yourself', is that from Pendergrass as well?

Smc
- Original Message -
From: <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Saturday, September 21, 2002 5:19 PM
Subject: Re: (313) you can´t hide for yourself


> frankie knuckles also did a version in the 80s.
> james
> >
> > dj sneak sampled this for "you can´t hide from your bud".
> >
> > Teddy Pendergrass - 'You Can't Hide From Yourself' (Philadelphia)
> >
> > yep thats the one.
> >
> > here's a nice site with plenty of info on disco. and other things.
> >
> > http://www.jahsonic.com/
> >
> > sakke
> > --
> > random rants and links at:
> > http://www.arabuusimiehet.com/sakke/
> >
> >
>
>
>

(313) Fw: Dedbeat 3: Blackalicious join the party

[Tom Robbins/Magic Feet]

Drexciyan DJ Stingray still on the bill for Dedbeat - see below.

PS: it's completely un-313, but anyone else heard the Pitman records?
Genius.

- Original Message -
From: "Jonas Stone" <
Sent: Monday, September 23, 2002 5:08 PM
Subject: Dedbeat 3: Blackalicious join the party


DEDBEAT 3
8th, 9th & 10th, November 2002
Pontin's Holiday Village
Hemsby
Norfolk
http://www.dedbeat.net

The low-down on Dedbeat 2:
"A monster success" - The Face
"A note to all you other festival organisers - forget the big bucks, just
sort the tunes out, and the people will follow" - Sleazenation
"If you want a party and not just an event, Dedbeat shows exactly how it
should be done" - DJ

Appearing as part of an already eye popping line up at dedbeat 3 will be.

BLACKALICIOUS
(Gift of Gab, Chief Xcel, Lateef The Truth Speaker & on vocals Omega and
Damu)

As part of L.A.'s Bay Area SoleSides crew, Blackalicious have made their
mark alongside the likes of the West Coast's finest new hip hop DJs and
producers and further alongside Jazzbo, DJ Shadow and Lyrics Born helped to
make the entity known as  Quannum. The full, no holds-barred line up from
Blackalicious will be playing faves from their 'NIA' album as well as a
taste of things to come.

Other dedbeat news bits.

The Dedbeat Chat Room is now up.Pop in and boast sophisticated verbal
dexterity. http://www.dedbeat.net

If you want to get a seat on the return London coach but didn't book along
with your ticket you can do so via www.wayahead.com
 . These can now be issued independently.

Tickets are dwindling away quickly!! Remember the last two Dedbeats sold out
in advance! Dedbeat 3 will also be the first time ever you will be able to
'Witness The Pitness' as the foul-mouthed miner Pitman will be giving it out
proper. 'One spade, one coal.' An underground legend in the making!

And finally it is very unlikely that there will be a Dedbeat in spring as
they are currently planning something for the Summer abroad. Dedbeat HQ feel
that doing too many events over a shortened period will dilute the quality
and variety of what they aim to deliver. So all we can say is, make the most
of the Dedbeat quality music engine this November!

For full line up and event details see www.dedbeat.net
http://www.dedbeat.net
Or see below.

BEAT RANKS:
HOSTED BY DEF TEX
BRAND NUBIANS FEAT:
SADAT X, LORD JAMAL, GRAND PUBAH, DJ ALAMO & MARK THE SPARK
BLACKALICIOUS (new addition)
(GIFT OF GAB, CHIEF XCEL, LATEEF THE TRUTH SPEAKER & ON VOCALS OMEGA AND
DAMU)
J-ZONE & AL-SHID
PEANUT BUTTER WOLF
MADLIB
EGON
EL-P
MR LIF
RJD2
EDAN
GONZALES
AESOP ROCK
DJ ABILITIES
EARL ZINGER
FINGATHING
THE BAYS
QUANTIC SOUL ORCHESTRA DEBUT PERFORMANCE
BRAINTAX - MYSTRO & HARRY LOVE
PITMAN DEBUT PERFROMANCE
JON KENEDEY - LIVE
NATURAL SELF
GAMMA
ROBERT LUIS
HUNT KILL BERRY FIN (5 piece band)

PULSE RANKS:
PLANET-MU REPHLEX ALLIANCE FEAT:
MIKE PARADINAS
DREXCYIAN DJ STINGRAY
VENETIAN SNARES LIVE
ASTROBOTNIA LIVE
JEGA LIVE
D'ARCHANGELO LIVE
HELLFISH LIVE
GLOBAL GOON LIVE
LEAF CUTTER JOHN LIVE
MIKE DRED
PP-ROYLIVE
K-ROCK
MADDOG 'COUGAR' WALLACE
+ DJ SHOWMASTER QUESTIONMARK

SKAM RECORDS FEAT:
BOLA  LIVE A/V
TEAM DOYOBI LIVE
WEVIE STONDER LIVE
FREEFORM LIVE
PUSH BUTTON OBJECTS LIVE
MEAM LIVE
QUINOLINE YELLOW LIVE
MR 76 LIVE
NMB ALLSTARS
SKAM DJ'S

SLUMP RANKS:
DC RECORDINGS FEAT: J.SAUL.KANE (depth charge) / AUDIBLE LIVE / JAMES DYER
TRU-THOUGHTS RECORDINGS
MAT CARTER
CARL. A. FINLOW LIVE

plus Breaking from Supernaturalz: Dyzze & Jessefecks
Children of the Monkey Basket
Force 10

ALL TICKETS INCLUDE: 3 days and two nights of music split between three
indoor venues. 2/3 nights self-catering, en suite, accommodation ALL with
TV. Use of all the Park Facilities including: go-karts track, indoor
swimming pool & pool party, games consoles, amusement arcade, pool/snooker
rooms, breaking exhibitions, b-boy battles, music workshops by 'Native
Instruments', skate course, skate exhibitions, abseiling & commando zip line
(seriously), Dedbeat TV & Radio straight to your chalet, 24hr pub price
bars, honesty and love ;)

Of course with the ticket is included weekend accommodation. All are fully
self-catering, en suite and equipped with TV. Ticket sales will be limited
to 2000 and due to Pontins' savage 24hr bar licence Dedbeat are not
permitted to sell tickets without accommodation. So please note - there are
no day tickets this time so book early to avoid those dreaded pangs of
despair.

TICKETS & INFO:

Cost: £90 + £5 booking fee.

BOOKINGS MUST BE MADE IN GROUPS CORRESPONDING TO THE SIZE OF AVAILABLE
CHALETS. THESE ARE: 4, 5, 6, 7 AND 8 BERTH.

FOR SMALLER GROUPS PLEASE SEE "CHALET SHARE" ON THE DEDBEAT MESSAGE BOARD,
MAKE SOME FRIENDS AND THEN SHACK UP. ALTERNATIVELY CALL THE DEDBEAT INFO
LINE AND THEY'LL HOOK YOU UP.
TELEPHONE: CALL: 08705 331199 - PONTINS BOOKING LINE (7P/MIN)
REMEMBER TO ASK FOR TICKETS TO DEDBEAT WEEKENDER - HEMSBY - 8TH-10TH
NOVEMBER (OR YOU COULD END UP AT THE 'WILD STALLION' COUNTRY 

Re: (313) ADVENT, Gaetano Parisio, Punisher and Mani tonight @Tronic Treatment

[Ugur Bayram]

it's in New York City. 
check www.tronictreatment.com

uur
-- Original Message --
From: sean deason <[EMAIL PROTECTED]>
Date:  Mon, 23 Sep 2002 12:50:00 -0400

>what city is this event in? here in Detroit we call 14th street "Martin
>Luther King Blvd."
>
>> From: Fred Giannelli <[EMAIL PROTECTED]>
>> Date: Mon, 23 Sep 2002 10:48:38 -0400
>> To: <313@hyperreal.org>
>> Subject: (313) ADVENT, Gaetano Parisio, Punisher and Mani tonight @ Tronic
>> Treatment
>> 
>> From: viktor mizo <[EMAIL PROTECTED]>
>> Date: Monday, September 23, 2002 10:36 AM
>> 
>> Tronic Treatment
>> Monday, Sept 23
>> 
>> ADVENT - live [UK]
>> Gaetano Parisio [Italy}
>> Punisher - Detroit
>> Mani - Chicago
>> 
>> 10 PM till LATE
>> 
>> BAKTUN
>> 418 W. 14th St
>> 
>
>

Re: (313) ADVENT, Gaetano Parisio, Punisher and Mani tonight @ Tronic Treatment

[sean deason]

what city is this event in? here in Detroit we call 14th street "Martin
Luther King Blvd."

> From: Fred Giannelli <[EMAIL PROTECTED]>
> Date: Mon, 23 Sep 2002 10:48:38 -0400
> To: <313@hyperreal.org>
> Subject: (313) ADVENT, Gaetano Parisio, Punisher and Mani tonight @ Tronic
> Treatment
> 
> From: viktor mizo <[EMAIL PROTECTED]>
> Date: Monday, September 23, 2002 10:36 AM
> 
> Tronic Treatment
> Monday, Sept 23
> 
> ADVENT - live [UK]
> Gaetano Parisio [Italy}
> Punisher - Detroit
> Mani - Chicago
> 
> 10 PM till LATE
> 
> BAKTUN
> 418 W. 14th St
> 

(313) Fw: Recluse

[Tom Robbins/Magic Feet]

- Original Message - 
From: jim masters 
To: base london 
Sent: Monday, September 23, 2002 4:25 PM
Subject: Recluse



BASE news transmission 23-09-02
...

Saturday  28/9

- BASE presents 'Recluse'
  the first in a series of occasional parties in the 
  country

  at a secret location near cambridge

  starts 10.30pm runs late, 
  all nite bar, minimal admission charge

  with

  room 1 - JIM MASTERS, COLIN DALE, TREVOR ROCKCLIFFE,
   & RICK HOPKINS

  room 2 - LULU, LARGO and special guest RAD RICE 
   plus video and experimental film projections 
   from delicious machine & rocket vision


  for address, directions, guest list mail
  [EMAIL PROTECTED] 
  or check out www.baselondon.net from monday 23/9

  share information, please forward

  O U T

(313) OTTO!

[T.J.Johnson]

Hey Otto,

Can you resend the phone # for the exchange please?  My
dumb A$$ deleted it, sorry :(

T!

www.acidsonicresearch.com  <~~go here
www.mp313.com  <~~and here

PeoplePC:  It's for people. And it's just smart. 
http://www.peoplepc.com 

(313) ADVENT, Gaetano Parisio, Punisher and Mani tonight @ Tronic Treatment

[Fred Giannelli]

From: viktor mizo <[EMAIL PROTECTED]>
Date: Monday, September 23, 2002 10:36 AM

Tronic Treatment
Monday, Sept 23

ADVENT - live [UK]
Gaetano Parisio [Italy}
Punisher - Detroit
Mani - Chicago

10 PM till LATE

BAKTUN
418 W. 14th St

RE: (313) The Exchange?

[Odeluga, Ken]

>-Original Message-
>From: Ken Odeluga [mailto:[EMAIL PROTECTED]
>Sent: Monday, September 23, 2002 3:11 PM
>To: Robert Taylor
>Subject: RE: (313) The Exchange?
>
>
>OK. Shot in the (almost) dark which ricochetted back to me! But I 
>learnt something!
>
>k
>
>>-Original Message-
>>From: Robert Taylor [mailto:[EMAIL PROTECTED]
>>Sent: Monday, September 23, 2002 4:06 PM
>>To: 'Odeluga, Ken'; [EMAIL PROTECTED] Org
>>Subject: RE: (313) The Exchange?
>>
>>
>>Nils Hess runs the Eukatech shop and associated labels.
>>I don't think he is a Patel.
>>
>>-Original Message-
>>From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
>>Sent: Monday, September 23, 2002 2:02 PM
>>To: [EMAIL PROTECTED] Org
>>Subject: RE: (313) The Exchange?
>>
>>
>> Of course we've all seen Nils Hess' name alongside the name of that
>>plant on records. Does mostly tech house mastering it seems. The 
>>music's not
>>my bag but it does sound, crisp, clear and bassy. I believe his 
>>real name is
>>Nilesh Patel.
>>
>>k
>>
>>>-Original Message-
>>>From: T.J.Johnson [mailto:[EMAIL PROTECTED]
>>>Sent: Monday, September 23, 2002 2:42 PM
>>>To: [EMAIL PROTECTED]
>>>Cc: 313@hyperreal.org
>>>Subject: Re: (313) The Exchange?
>>>
>>>
>>>Let me just say that I've had bead experiencs with
>>>other mastering services here in the states and would
>>>like to get other mastering contacts.  His name (Simon)
>>>is on alot of my great records and I'd like to see how
>>>much he charges...
>>>
>>>
>>>
>>>On Mon, 23 September 2002, [EMAIL PROTECTED]
>>>wrote:
>>>


 Memo from Alex Bond of PricewaterhouseCoopers

  Start of message text
 

 I haven't I'm sorry.

 Just on this topic though, I've heard good things
>>>about
 the exchange, has
 anyone on the list done their mastering there before?
 What do people think
 of it?

 Thanks,

 Alex




 "T.J.Johnson"
>>><[EMAIL PROTECTED]> on
 23/09/2002 14:24:05
 To:313@hyperreal.org, [EMAIL PROTECTED]
 cc:


 Subject:(313) The Exchange?

 Anyone have contact info for Simon at The Exchange?
>>>THX


 T!

 www.acidsonicresearch.com  <~~go here
 www.mp313.com  <~~and here
 
 PeoplePC:  It's for people. And it's just smart.
 >>href="http://mail.peoplepc.com//jump/http://www.peoplepc.com";>http:
>>>//www.peoplepc.com



 - End of message text
 

 This e-mail is intended only for the person to whom it
 is
 addressed. If an addressing or transmission error has
 misdirected this e-mail, please notify the author by
 replying to
 this e-mail. If you are not the intended recipient you
 must not
 use, disclose, copy, print or rely on this e-mail.

 The principal place of business of
 PricewaterhouseCoopers and
 its associate partnerships is 1 Embankment Place,
>>>London
 WC2N 6RH where lists of the partners' names are
 available for
 inspection. All partners in the associate partnerships
 are
 authorised to conduct business as agents of, and all
 contracts
 for services to clients are with,
 PricewaterhouseCoopers. The
 UK firm of PricewaterhouseCoopers is authorised by the
 Financial Services Authority for investment business
 activities.
 PricewaterhouseCoopers is a member of the world-wide
 PricewaterhouseCoopers organisation.

 PricewaterhouseCoopers may monitor outgoing and
>>>incoming
 e-mails and other telecommunications on its e-mail and
 telecommunications systems. By replying to this e-mail
 you
 give your consent to such monitoring.


>>>
 Visit our website >>href="http://mail.peoplepc.com//jump/http://www.pwcglobal.com";>http
>>>://www.pwcglobal.com



>>>_
 The information transmitted is intended only for the
 person or entity to
 which it is addressed and may contain confidential
 and/or privileged
 material.  Any review, retransmission, dissemination
>>>or
 other use of, or
 taking of any action in reliance upon, this
>>>information
 by persons or
 entities other than the intended recipient is
 prohibited.   If you received
 this in error, please contact the sender and delete
>>>the
 material from any
 computer.
>>>
>>>T!
>>>
>>>www.acidsonicresearch.com  <~~go here
>>>www.mp313.com  <~~and here
>>>
>>>PeoplePC:  It's for people. And it's just smart.
>>>http://www.peoplepc.com
>>>
>>

RE: (313) The Exchange?

[Robert Taylor]

Nils Hess runs the Eukatech shop and associated labels.
I don't think he is a Patel.

-Original Message-
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: Monday, September 23, 2002 2:02 PM
To: [EMAIL PROTECTED] Org
Subject: RE: (313) The Exchange?


 Of course we've all seen Nils Hess' name alongside the name of that
plant on records. Does mostly tech house mastering it seems. The music's not
my bag but it does sound, crisp, clear and bassy. I believe his real name is
Nilesh Patel.

k

>-Original Message-
>From: T.J.Johnson [mailto:[EMAIL PROTECTED]
>Sent: Monday, September 23, 2002 2:42 PM
>To: [EMAIL PROTECTED]
>Cc: 313@hyperreal.org
>Subject: Re: (313) The Exchange?
>
>
>Let me just say that I've had bead experiencs with
>other mastering services here in the states and would
>like to get other mastering contacts.  His name (Simon)
>is on alot of my great records and I'd like to see how
>much he charges...
>
>
>
>On Mon, 23 September 2002, [EMAIL PROTECTED]
>wrote:
>
>>
>>
>> Memo from Alex Bond of PricewaterhouseCoopers
>>
>>  Start of message text
>> 
>>
>> I haven't I'm sorry.
>>
>> Just on this topic though, I've heard good things
>about
>> the exchange, has
>> anyone on the list done their mastering there before?
>> What do people think
>> of it?
>>
>> Thanks,
>>
>> Alex
>>
>>
>>
>>
>> "T.J.Johnson"
><[EMAIL PROTECTED]> on
>> 23/09/2002 14:24:05
>> To:313@hyperreal.org, [EMAIL PROTECTED]
>> cc:
>>
>>
>> Subject:(313) The Exchange?
>>
>> Anyone have contact info for Simon at The Exchange?
>THX
>>
>>
>> T!
>>
>> www.acidsonicresearch.com  <~~go here
>> www.mp313.com  <~~and here
>> 
>> PeoplePC:  It's for people. And it's just smart.
>> href="http://mail.peoplepc.com//jump/http://www.peoplepc.com";>http:
>//www.peoplepc.com
>>
>>
>>
>> - End of message text
>> 
>>
>> This e-mail is intended only for the person to whom it
>> is
>> addressed. If an addressing or transmission error has
>> misdirected this e-mail, please notify the author by
>> replying to
>> this e-mail. If you are not the intended recipient you
>> must not
>> use, disclose, copy, print or rely on this e-mail.
>>
>> The principal place of business of
>> PricewaterhouseCoopers and
>> its associate partnerships is 1 Embankment Place,
>London
>> WC2N 6RH where lists of the partners' names are
>> available for
>> inspection. All partners in the associate partnerships
>> are
>> authorised to conduct business as agents of, and all
>> contracts
>> for services to clients are with,
>> PricewaterhouseCoopers. The
>> UK firm of PricewaterhouseCoopers is authorised by the
>> Financial Services Authority for investment business
>> activities.
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RE: (313) The Exchange?

[Odeluga, Ken]

 Of course we've all seen Nils Hess' name alongside the name of that
plant on records. Does mostly tech house mastering it seems. The music's not
my bag but it does sound, crisp, clear and bassy. I believe his real name is
Nilesh Patel.

k

>-Original Message-
>From: T.J.Johnson [mailto:[EMAIL PROTECTED]
>Sent: Monday, September 23, 2002 2:42 PM
>To: [EMAIL PROTECTED]
>Cc: 313@hyperreal.org
>Subject: Re: (313) The Exchange?
>
>
>Let me just say that I've had bead experiencs with
>other mastering services here in the states and would
>like to get other mastering contacts.  His name (Simon)
>is on alot of my great records and I'd like to see how
>much he charges...
>
>
>
>On Mon, 23 September 2002, [EMAIL PROTECTED]
>wrote:
>
>>
>>
>> Memo from Alex Bond of PricewaterhouseCoopers
>>
>>  Start of message text
>> 
>>
>> I haven't I'm sorry.
>>
>> Just on this topic though, I've heard good things
>about
>> the exchange, has
>> anyone on the list done their mastering there before?
>> What do people think
>> of it?
>>
>> Thanks,
>>
>> Alex
>>
>>
>>
>>
>> "T.J.Johnson"
><[EMAIL PROTECTED]> on
>> 23/09/2002 14:24:05
>> To:313@hyperreal.org, [EMAIL PROTECTED]
>> cc:
>>
>>
>> Subject:(313) The Exchange?
>>
>> Anyone have contact info for Simon at The Exchange?
>THX
>>
>>
>> T!
>>
>> www.acidsonicresearch.com  <~~go here
>> www.mp313.com  <~~and here
>> 
>> PeoplePC:  It's for people. And it's just smart.
>> href="http://mail.peoplepc.com//jump/http://www.peoplepc.com";>http:
>//www.peoplepc.com
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>London
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>> available for
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>> are
>> authorised to conduct business as agents of, and all
>> contracts
>> for services to clients are with,
>> PricewaterhouseCoopers. The
>> UK firm of PricewaterhouseCoopers is authorised by the
>> Financial Services Authority for investment business
>> activities.
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>
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>
>PeoplePC:  It's for people. And it's just smart.
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>

Re: (313) The Exchange?

[stewart]

> I have always wondered what the exchange was, is it a record plant? And
> where is it?

The Exchange is in Randolph Street in London NW1. I used them for two releases 
and they certainly did the business. They encourage you to attend mastering 
sessions and everyone there knows there stuff. I had a good laugh with the 
engineer when I was there (which isn't actually something I'd neccesarily 
reccomend seeing as you are paying for all the time you spend chatting :) and, 
whilst I'm not totally savvy on the technical details, they used some machine 
in the EQing process that is the only one of its type in the UK. All I know is 
that it used air pressure cylinders to adjust its settings which is not done 
anymore. This didn't really mean anything to me, but if anyone else knows what 
they were on about please enlarge as it at least sounded quite impressive. 

What else is impressive is the huge cutting machine, plus they cut both 12s on 
copper and only charged me for laquer.

The cut sounded wicked, but they are expensive and about £20-30 quid an hour 
more pricey than the next cheapest studio I looked at. Basically if money is 
not an object I'd definatly them.

[EMAIL PROTECTED]



 Tel-0207 485 0530, Fax-0207 482 4588.



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Re: (313) The Exchange?

[T.J.Johnson]

Way OT but I don't give a hoot!

How do I call London from the US?  The number starts
with a 44, so what exactly do I dial on my phone before
the 44?

THX!

On Mon, 23 September 2002, Otto wrote:

> 
> The Exchange
> 42 Bruges Place
> Camden Town
> London NW1 0TL
> T: +44 (0)20 7485 0530
> 
> For pure dancefloor stuff, they're second to none IMO.
> I've had The 
> Moderator - 'Interstate 5' (Keynote 007, out most
> likely in Nov.) mastered 
> and cut there. They're not cheap by any standard, but
> what they did to the 
> main track blew me away, almost literally: it sounded
> absolutely massive, 
> like a wall of sound coming out of the speakers.
That's
> the sort of thing 
> that can lift a track from being very good to great,
so
> (hopefully) it's 
> money well spent.
> 
> Otto
> PS If the beats are less important in the track
> compared to the melodies in 
> the mid and high, you might consider asking them to
> compress it not as much 
> as they would normally do, otherwise you risk getting
a
> slightly muffled sound.

T!

www.acidsonicresearch.com  <~~go here
www.mp313.com  <~~and here

PeoplePC:  It's for people. And it's just smart. 
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Re: (313) The Exchange?

[Otto]

The Exchange
42 Bruges Place
Camden Town
London NW1 0TL
T: +44 (0)20 7485 0530

For pure dancefloor stuff, they're second to none IMO. I've had The 
Moderator - 'Interstate 5' (Keynote 007, out most likely in Nov.) mastered 
and cut there. They're not cheap by any standard, but what they did to the 
main track blew me away, almost literally: it sounded absolutely massive, 
like a wall of sound coming out of the speakers. That's the sort of thing 
that can lift a track from being very good to great, so (hopefully) it's 
money well spent.


Otto
PS If the beats are less important in the track compared to the melodies in 
the mid and high, you might consider asking them to compress it not as much 
as they would normally do, otherwise you risk getting a slightly muffled sound.

Re: (313) The Exchange?

[T.J.Johnson]

Let me just say that I've had bead experiencs with
other mastering services here in the states and would
like to get other mastering contacts.  His name (Simon)
is on alot of my great records and I'd like to see how
much he charges...



On Mon, 23 September 2002, [EMAIL PROTECTED]
wrote:

> 
> 
> Memo from Alex Bond of PricewaterhouseCoopers
> 
>  Start of message text
> 
> 
> I haven't I'm sorry.
> 
> Just on this topic though, I've heard good things
about
> the exchange, has
> anyone on the list done their mastering there before?
> What do people think
> of it?
> 
> Thanks,
> 
> Alex
> 
> 
> 
> 
> "T.J.Johnson"
<[EMAIL PROTECTED]> on
> 23/09/2002 14:24:05
> To:313@hyperreal.org, [EMAIL PROTECTED]
> cc:
> 
> 
> Subject:(313) The Exchange?
> 
> Anyone have contact info for Simon at The Exchange? 
THX
> 
> 
> T!
> 
> www.acidsonicresearch.com  <~~go here
> www.mp313.com  <~~and here
> 
> PeoplePC:  It's for people. And it's just smart.
> http://mail.peoplepc.com//jump/http://www.peoplepc.com";>http://www.peoplepc.com
> 
> 
> 
> - End of message text
> 
> 
> This e-mail is intended only for the person to whom it
> is
> addressed. If an addressing or transmission error has
> misdirected this e-mail, please notify the author by
> replying to
> this e-mail. If you are not the intended recipient you
> must not
> use, disclose, copy, print or rely on this e-mail.
> 
> The principal place of business of
> PricewaterhouseCoopers and
> its associate partnerships is 1 Embankment Place,
London
> WC2N 6RH where lists of the partners' names are
> available for
> inspection. All partners in the associate partnerships
> are
> authorised to conduct business as agents of, and all
> contracts
> for services to clients are with,
> PricewaterhouseCoopers. The
> UK firm of PricewaterhouseCoopers is authorised by the
> Financial Services Authority for investment business
> activities.
> PricewaterhouseCoopers is a member of the world-wide
> PricewaterhouseCoopers organisation.
> 
> PricewaterhouseCoopers may monitor outgoing and
incoming
> e-mails and other telecommunications on its e-mail and
> telecommunications systems. By replying to this e-mail
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> give your consent to such monitoring.
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> and/or privileged
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information
> by persons or
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> prohibited.   If you received
> this in error, please contact the sender and delete
the
> material from any
> computer.

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PeoplePC:  It's for people. And it's just smart. 
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(313) First Impressions of Jimmie Wilson, Blaktroniks and Prymer

[Tristan Watkins]

Just got Second Life feat. Jimmie Wilson - Inner Love (Give It Up) - Running
Back 001

Three mixes of the same track. The original on the A-side is a bit too
full-on with the vocal for my taste, but the flip sides, particularly the
Black Keys Rework settles it all down a bit. Nice deep house with a
melancholy Detroit-ish mood.

Also got the first two Blaktroniks EPs and the CD. The first EP contains a
couple of tracks from and is kinda similar to the album. The second has the
Mike Grant and Domu remixes. Of these, Mike Grant's is the one for me. It's
very, well 'Mike Grant', for lack of a better comparison. Really beautiful.
The Domu remix is nice, but I couldn't see myself playing it for a
dancefloor. I suppose that's true of most of this material except the Mike
Grant remix, but it *is* nice for listening. About to pop the CD in for the
first time and then gives these all a thorough second listening.

For the Seiji fans, I also found myself in possession of the first Gutbucket
record, Prymer's 'Tell Them Not Me', which includes a moody Seiji remix,
more towards the drum 'n bass side of things, but it rolls along really
nicely with some bad-ass bass work.

Tristan
=
Text/Mixes: http://phonopsia.tripod.com
Music: http://www.mp313.com
Contact: [EMAIL PROTECTED]

Re: (313) The Exchange?

[Remco . Doorewaard]

I have always wondered what the exchange was, is it a record plant? And
where is it?


Yeah, always Simon or Nilz, must be the 2 most credited ever. :-)

Re: (313) The Exchange?

[alex . bond]

Memo from Alex Bond of PricewaterhouseCoopers

 Start of message text 

I haven't I'm sorry.

Just on this topic though, I've heard good things about the exchange, has
anyone on the list done their mastering there before? What do people think
of it?

Thanks,

Alex




"T.J.Johnson" <[EMAIL PROTECTED]> on 23/09/2002 14:24:05
To:313@hyperreal.org, [EMAIL PROTECTED]
cc:


Subject:(313) The Exchange?

Anyone have contact info for Simon at The Exchange?  THX


T!

www.acidsonicresearch.com  <~~go here
www.mp313.com  <~~and here

PeoplePC:  It's for people. And it's just smart.
http://www.peoplepc.com



- End of message text 

This e-mail is intended only for the person to whom it is
addressed. If an addressing or transmission error has
misdirected this e-mail, please notify the author by replying to
this e-mail. If you are not the intended recipient you must not
use, disclose, copy, print or rely on this e-mail.

The principal place of business of PricewaterhouseCoopers and
its associate partnerships is 1 Embankment Place, London
WC2N 6RH where lists of the partners' names are available for
inspection. All partners in the associate partnerships are
authorised to conduct business as agents of, and all contracts
for services to clients are with, PricewaterhouseCoopers. The
UK firm of PricewaterhouseCoopers is authorised by the
Financial Services Authority for investment business activities.
PricewaterhouseCoopers is a member of the world-wide
PricewaterhouseCoopers organisation.

PricewaterhouseCoopers may monitor outgoing and incoming
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telecommunications systems. By replying to this e-mail you
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The information transmitted is intended only for the person or entity to
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taking of any action in reliance upon, this information by persons or
entities other than the intended recipient is prohibited.   If you received
this in error, please contact the sender and delete the material from any
computer.

Re: (313) The Exchange?

[Sakari Karipuro]

T.J.Johnson wrote on Mon, 23 Sep 2002 about following:

> Anyone have contact info for Simon at The Exchange?  THX

sorry no answer to your question but this truly made me laugh.. i mean, 
HALF of my collection must have been made at the exchange, by simon. :)

 
sakke
-- 
random rants and links at:
http://www.arabuusimiehet.com/sakke/

(313) The Exchange?

[T.J.Johnson]

Anyone have contact info for Simon at The Exchange?  THX

T!

www.acidsonicresearch.com  <~~go here
www.mp313.com  <~~and here

PeoplePC:  It's for people. And it's just smart. 
http://www.peoplepc.com 

RE: (313) Bleeping Saturday

[Odeluga, Ken]

>Sounds like a great party!
>I wonder if any sets will be put online?
>
>fab.

Alas no!!

Rob Euroh had to use a customized mixer and so it was decided that it would
be the only mixer installed on the night ... alas it didn't have enough outs
for a recording device!!

By the way, I dumbly forgot (HOW THE F COULD I?!?!) Emile Facey/Plant43's
live set! Sorry Emile!

Emile got more sounds out of a 505 in half an hour than I thought was
possible - all to pumping, fluttering, electro break beats, and not a single
slip - despite what he says! He's only trying to get out of playing live at
another SLICES, but we'll work on him!

k

RE: (313) Mururoa And Drexciya

[Jernej Marusic]

Original Message-
From: Otto [mailto:[EMAIL PROTECTED] 
Sent: Monday, September 23, 2002 10:28 AM
To: 313@hyperreal.org
Subject: Re: (313) Mururoa And Drexciya

>Ob313: Had a listen last week to fellow listmember Jernej Marusic's
debut 
>(?) EP on the Refill label. Funky, groovy, very danceable, I like! If
only 
>the copy I listened to hadn't been the last one and taken already :(

Wow thanks :) that actually came out a couple of years ago, and yes it
was my debut EP. I don't really like those tracks that much if I listen
to them now :). I think I still have an extra copy somewhere, so if you
send my you're address I might be able to send it to you.

Btw. Check out my new CD and EP that just came out on Tehnika label:
Octex - Idei Lahesna CD/Deflection EP, it's been getting some great
reviews.


Jernej
www.soundoflj.com/octex

RE: (313) favorite label art

[FC3 Richards]

i like the 11 Phase comp.



-Original Message-
From: Sakari Karipuro [mailto:[EMAIL PROTECTED]
Sent: Monday, September 23, 2002 2:43 PM
To: 313
Subject: RE: (313) favorite label art


Lee Herrington IV wrote on Mon, 23 Sep 2002 about following:

>   i really like the artwork on "the origins" EP;  metamorphic METOP23.
it's
> a black and white illustration by kyle howard.  it reminds me of those
large

i like this also; i think the art really describes the music - which is 
pretty psychedelic - artwork isn't the only good thing on this one - i 
really like the music too.

sakke
-- 
random rants and links at:
http://www.arabuusimiehet.com/sakke/

Re: (313) Strand EP

[Mxyzptlk]

At 05:51 AM 9/23/2002, you wrote:

Does anyone know where I can pick up a copy of Strand's first EP on their
new label Tactile? I think it's called Pigeon Toed Orange Peel, or at least
one of the tracks is.


Record Time in Roseville had a stack of these on the wall last time I was 
there. Give 'em a call and ask for Frankie or the dance room. That NZ 
shipping will be a killer, though!


jeff

RE: (313) Out of Print...

[Sakari Karipuro]

Sakari Karipuro wrote on Mon, 23 Sep 2002 about following:

> > I always thought that H&M was Hood & Mills together...
> 
> true; but why is it then referred in many places as "robert hood - inner 
> sanctum"? someone who has the record, check this out.

even www.axisrecords.com says it's by rob hood.


sakke
-- 
random rants and links at:
http://www.arabuusimiehet.com/sakke/

RE: (313) Out of Print...

[Sakari Karipuro]

Wibo Lammerts wrote on Mon, 23 Sep 2002 about following:

> I always thought that H&M was Hood & Mills together...

true; but why is it then referred in many places as "robert hood - inner 
sanctum"? someone who has the record, check this out.

for example, http://ad.techno.org says following:

AX-001 H&M - Tranquilizer EP (12")
AX-003 Robert Hood - Inner Sanctum (12")  
AX-006 H&M - Drama EP (12")


sakke
-- 
random rants and links at:
http://www.arabuusimiehet.com/sakke/

Re: (313) Strand EP

[ear magazine]

Hello Andy,


About their new EP I don't know if it's out yet.

But if you're looking for some informations about them you can check

http://ear.d2b.org/strand.php

I've made this interview with them back in 1996 so it's a bit dated
considering their future projects.

I'm glad they finally get the exposure they deserve throught Keith Tucker
and Delsin's Marsel work.

Cheers


Jean-Francois

_

.. http://ear.d2b.org


> Does anyone know where I can pick up a copy of Strand's first EP on their
> new label Tactile? I think it's called Pigeon Toed Orange Peel, or at least
> one of the tracks is. A quick Google search could only find it in a few
> tracklistings, so I'm not sure if it's actually out yet...
> 
> Who are Strand anyways? They played at the DEMF this year, right?
> 
> Andy

RE: (313) Out of Print...

[Wibo Lammerts]

I always thought that H&M was Hood & Mills together...

-Original Message-
From:   Sakari Karipuro
[mailto:[EMAIL PROTECTED]
Sent:   zaterdag 21 september 2002 2:38
To: Max Duley / ARCart
Cc: 313
Subject:Re: (313) Out of Print...

Max Duley / ARCart wrote on Fri, 20 Sep 2002 about
following:

> I've never even knowingly heard the Inner Sanctum release.
Who did it? It
> wasn't Mills or Hood, was it? Or was it?

AFAIK it's rob hood. no, i haven't got the record/it's too
long when i 
last heard it to actually be 100% sure. but i'm 99.9% sure
its mr hood.


sakke
-- 
random rants and links at:
http://www.arabuusimiehet.com/sakke/

(313) San Fransisco

[Alice Smith]

Hi All

Am heading over to San Francisco on the 24th Sept to October 6th - can 
anyone give this little Londoner any 313 pointers.


Pls respond off list.
Thanks
Alice





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(313) Strand EP

[Andy Mitchell]

Does anyone know where I can pick up a copy of Strand's first EP on their
new label Tactile? I think it's called Pigeon Toed Orange Peel, or at least
one of the tracks is. A quick Google search could only find it in a few
tracklistings, so I'm not sure if it's actually out yet...

Who are Strand anyways? They played at the DEMF this year, right?

Andy

RE: (313) favorite label art

[marsel]

yeah, it's indeed
a great - great - great ep!!

the track 'out of sight+mind' is one of my personal faves
what a gorgeous thing

np.. ?
;)



At 23-9-2002 +0300 13:43, you wrote:

Lee Herrington IV wrote on Mon, 23 Sep 2002 about following:

>   i really like the artwork on "the origins" EP;  metamorphic 
METOP23.  it's
> a black and white illustration by kyle howard.  it reminds me of those 
large


i like this also; i think the art really describes the music - which is
pretty psychedelic - artwork isn't the only good thing on this one - i
really like the music too.



.. . :: http://nomorewords.net 

RE: (313) favorite label art

[Wibo Lammerts]

NAKED MUSIC.

W

-Original Message-
From:   Sakari Karipuro
[mailto:[EMAIL PROTECTED]
Sent:   maandag 23 september 2002 12:43
To: 313
Subject:RE: (313) favorite label art

Lee Herrington IV wrote on Mon, 23 Sep 2002 about following:

>   i really like the artwork on "the origins" EP;
metamorphic METOP23.  it's
> a black and white illustration by kyle howard.  it reminds
me of those large

i like this also; i think the art really describes the music
- which is 
pretty psychedelic - artwork isn't the only good thing on
this one - i 
really like the music too.

sakke
-- 
random rants and links at:
http://www.arabuusimiehet.com/sakke/

RE: (313) favorite label art

[Sakari Karipuro]

Lee Herrington IV wrote on Mon, 23 Sep 2002 about following:

>   i really like the artwork on "the origins" EP;  metamorphic METOP23.  it's
> a black and white illustration by kyle howard.  it reminds me of those large

i like this also; i think the art really describes the music - which is 
pretty psychedelic - artwork isn't the only good thing on this one - i 
really like the music too.

sakke
-- 
random rants and links at:
http://www.arabuusimiehet.com/sakke/

Re: (313) give it up, dance!

[Sakari Karipuro]

marsel wrote on Mon, 23 Sep 2002 about following:

> >i didn't know there was remixes of give it up.. the FFRR 12" only has
> >the hit version, named "give it up - batacuda refrescante" which is
> 
> this indeed is the remix where carl craig, simply red etc, took the samples 
> from.
> 
> on the original first pressing this remix 'batacuda' was on the 
> b-side,  track 1 side a comes with the track 'give it up' without any 
> mix mention, which is the 'real' original - but the remix became the 
> hit

yeah i figured this out from allmusic afterwards - there was info on 
both original 12" and remix 12" on fresh fruit. at the time when it was 
big nobody ever mentioned that the hit version was remix. funny.

sakke
-- 
random rants and links at:
http://www.arabuusimiehet.com/sakke/

Re: (313) favorite label art

[stewart]

Pretty much the Entire Djax catalogue - Alan Oldham's artwork was just made to 
go on 12s!

Also the Shiver 12s look cool. I'd like to see more graf on techno records

I have to agree, it is nice to see a record that is somehow visually 
personalised, though I guess it is a compromise between that and achieving a 
strong sense of the labels branding. Most labels tend to stick to a standard 
design, but because of that you are going to possibly recognise and respond 
that much quicker upon seeing it in a store. Then again really creative labels 
like Djax, Delsin and certianly UR have managed to create a strong sense of 
branding and style, whilst allowing individual releases to be visually 
expressive and independent.

[EMAIL PROTECTED]


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RE: (313) favorite label art

[Lee Herrington IV]

  i really like the artwork on "the origins" EP;  metamorphic METOP23.  it's
a black and white illustration by kyle howard.  it reminds me of those large
posters that you would color with a dizzying selection of markers.  the
butterfly coming out of the computer is pretty cool too.

peace

-Original Message-
From: P dircon [mailto:[EMAIL PROTECTED]
Sent: Monday, September 23, 2002 2:00 PM
To: jurren baars; 313@hyperreal.org
Subject: Re: (313) favorite label art


K alexi - all for lee-sah  definitely.
For packaging  I think plastikman  sheet 1 with the sheet of acid tabs was
pretty good.. ;)
Open house  placid angles  (not the promo)  was excellent

Ps  did anyone ever get the plus 8 comic and flexi disk with all artwork by
alan oldham...


>
> to me, every record i own is like a little present. every time i've bought
> new records, i read the sleevenotes, looked at the artwork on the label,
> checked the record for little messages, etc.
>
> because i buy both new and old records, one thing strikes me everytime.
new
> records hardly ever have anything extra to offer to freaks like me! sure,
> the music is what it's about, but it wouldn't kill you to give the record
a
> little extra now would it?
>
> look at planet e releases: the only thing that sets one record apart from
> the other [visually!] is the name of the artist, and track titles. compare
> that to those lovely retroactive labels...
>
> there are exceptions, of course! ur pays close attention to how they
present
> their music [the 'warning' sign on the sleeves, the little messages edged
in
> the run out grooves.] but on the whole, most labels produce cost
effective,
> which means: uniform labels.
>
> this brings me to my question: what's your favorite [313] label artwork?
> [sleeve artwork is next weeks topic!]
>
> mine:
> k alexi shelbi - all for leesah [transmat]
> rhythim is rhythim - the beginning [transmat]
> sandor caron - zwpeg typis [delsin]
>
> and an honourable mention to the retroactive dedication art on:
> theo parrish - that day [archive]
>
> jurren
>
>
> _
> Send and receive Hotmail on your mobile device: http://mobile.msn.com
>

Re: (313) New Kirk De Giorgio - With Detroit Input

[tom churchill]

Yeah this feature is quite out of date - AFAIK Island Blue is no longer
active. The Offworld album did indeed come out through Far Out...

Cheers,

Tom

> if I'm correct this album came out last year, through Far Out.
> 
> The remix news isn't relevant anymore -
> Carl Craig did a remix for New Religion ..
> 
> 
> 
> At 13-2-2000 +0900 16:01, you wrote:
> 
>> There is a label profile of Island Blue on the Dotmusic site that contains
>> some interesting info on the new Kirk De Giorgio project.
>> 
>> http://www.dotmusic.com/dance/labels//January2000/labels15.asp
>> 
>> Here is an excerpt:
>> 
>> Kirk De Giorgio presents The Offworld Ensemble "Basically it's a live band
>> which operates in the studio and can be taken out live. There's some really
>> good players in it ­ the ex-drummer of Paul McCartney's band, Jimpster on
>> keyboards and I think Ian O'Brien's gonna do a little on it. We've got an EP
>> coming out this year and Carl Craig's gonna do a mix and Derrick May - which
>> will be the first thing that he's done in a long time."
> 
> 
> .. . :: http://nomorewords.net
> 
> 
> 

Re: (313) favorite label art

[P dircon]

K alexi - all for lee-sah  definitely.
For packaging  I think plastikman  sheet 1 with the sheet of acid tabs was
pretty good.. ;)
Open house  placid angles  (not the promo)  was excellent

Ps  did anyone ever get the plus 8 comic and flexi disk with all artwork by
alan oldham...


> 
> to me, every record i own is like a little present. every time i've bought
> new records, i read the sleevenotes, looked at the artwork on the label,
> checked the record for little messages, etc.
> 
> because i buy both new and old records, one thing strikes me everytime. new
> records hardly ever have anything extra to offer to freaks like me! sure,
> the music is what it's about, but it wouldn't kill you to give the record a
> little extra now would it?
> 
> look at planet e releases: the only thing that sets one record apart from
> the other [visually!] is the name of the artist, and track titles. compare
> that to those lovely retroactive labels...
> 
> there are exceptions, of course! ur pays close attention to how they present
> their music [the 'warning' sign on the sleeves, the little messages edged in
> the run out grooves.] but on the whole, most labels produce cost effective,
> which means: uniform labels.
> 
> this brings me to my question: what's your favorite [313] label artwork?
> [sleeve artwork is next weeks topic!]
> 
> mine:
> k alexi shelbi - all for leesah [transmat]
> rhythim is rhythim - the beginning [transmat]
> sandor caron - zwpeg typis [delsin]
> 
> and an honourable mention to the retroactive dedication art on:
> theo parrish - that day [archive]
> 
> jurren
> 
> 
> _
> Send and receive Hotmail on your mobile device: http://mobile.msn.com
> 

Re: (313) New Kirk De Giorgio - With Detroit Input

[marsel]

if I'm correct this album came out last year, through Far Out.

The remix news isn't relevant anymore -
Carl Craig did a remix for New Religion ..



At 13-2-2000 +0900 16:01, you wrote:


There is a label profile of Island Blue on the Dotmusic site that contains
some interesting info on the new Kirk De Giorgio project.

http://www.dotmusic.com/dance/labels//January2000/labels15.asp

Here is an excerpt:

Kirk De Giorgio presents The Offworld Ensemble "Basically it's a live band
which operates in the studio and can be taken out live. There's some really
good players in it ­ the ex-drummer of Paul McCartney's band, Jimpster on
keyboards and I think Ian O'Brien's gonna do a little on it. We've got an EP
coming out this year and Carl Craig's gonna do a mix and Derrick May - which
will be the first thing that he's done in a long time."



.. . :: http://nomorewords.net 

Re: (313) give it up, dance!

[marsel]

At 21-9-2002 +0300 15:40, you wrote:

> does anyone know if it is the "batacuda" remix of "good men - give it up"
> that carl craig sampled for his good girls? I know it is not the original..
> because they don´t sound alike.
>
> Are there more remixes than these? more tribal ones? and are the mixes on
> FFRR the same as those on Fresh Fruit Recordings?

i didn't know there was remixes of give it up.. the FFRR 12" only has
the hit version, named "give it up - batacuda refrescante" which is
the only mix i've ever heard (uh, afaik it's the original). i haven't
even heard the C2 track.


this indeed is the remix where carl craig, simply red etc, took the samples 
from.


on the original first pressing this remix 'batacuda' was on the b-side, track 1
side a comes with the track 'give it up' without any mix mention, which is 
the 'real' original - but the remix became the hit

RE: (313) larry levan

[Wibo Lammerts]

Tramaine "Fall Down"?

W

-Original Message-
From:   Maarten Baute [mailto:[EMAIL PROTECTED]
Sent:   zaterdag 21 september 2002 15:55
To: 313@hyperreal.org
Subject:(313) larry levan

| essential track id |

Super deluxe funky disco cut played numerous times by Larry
Levan with the
following vocal snippet (sampled by dj pierre on "falling" -
strictly
rhythm).

- female vocal -
"hie hie
FALL DOWN ON ME
let your spirit of love fall down on me
fall down , fall down"

the "hie hie" part was used py dj pierre for "falling".

So this song might be titled "falling" or something like
that

you must know this one, please educate me!

Thanks,
Maarten

(313) favorite label art

[jurren baars]

to me, every record i own is like a little present. every time i've bought 
new records, i read the sleevenotes, looked at the artwork on the label, 
checked the record for little messages, etc.


because i buy both new and old records, one thing strikes me everytime. new 
records hardly ever have anything extra to offer to freaks like me! sure, 
the music is what it's about, but it wouldn't kill you to give the record a 
little extra now would it?


look at planet e releases: the only thing that sets one record apart from 
the other [visually!] is the name of the artist, and track titles. compare 
that to those lovely retroactive labels...


there are exceptions, of course! ur pays close attention to how they present 
their music [the 'warning' sign on the sleeves, the little messages edged in 
the run out grooves.] but on the whole, most labels produce cost effective, 
which means: uniform labels.


this brings me to my question: what's your favorite [313] label artwork? 
[sleeve artwork is next weeks topic!]


mine:
k alexi shelbi - all for leesah [transmat]
rhythim is rhythim - the beginning [transmat]
sandor caron - zwpeg typis [delsin]

and an honourable mention to the retroactive dedication art on:
theo parrish - that day [archive]

jurren


_
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Re: (313) Bleeping Saturday

[Toby Frith]

Yep, a massive thank you to all those on 313 who came down on Saturday. Rob
Euroh tore it up in a big way, why he doesn't play out more outside Brighton
is beyond me because he's an electro DJ of the highest order and I think
would put a lot of the more established guys in the scene to shame. Alas we
couldn't record anything because we didn't have enough outputs on the mixer
(due to Plant 43's live set) but hopefully this situation will be rectified
for forthcoming events.  Thanks also to those who gave us an email during my
set on Groovetech on Friday. I managed to get a shout out to you lot during
some Detroit trax (world of Deep I think) in the latter half of the set.






- Original Message -
From: Fabrizio Nahum <[EMAIL PROTECTED]>
To: Odeluga, Ken <[EMAIL PROTECTED]>; [EMAIL PROTECTED] Org
<313@hyperreal.org>
Sent: Monday, September 23, 2002 10:01 AM
Subject: Re: (313) Bleeping Saturday


> Sounds like a great party!
> I wonder if any sets will be put online?
>
> fab.
> - Original Message -
> From: "Odeluga, Ken" <[EMAIL PROTECTED]>
> To: "[EMAIL PROTECTED] Org" <313@hyperreal.org>
> Sent: Monday, September 23, 2002 10:34 AM
> Subject: (313) Bleeping Saturday
>
>
> > http://bleep43.com
> >
> > Thx to all who attended the first SLICES event on Saturday at Public
Life,
> > London. Resounding success is a fair phrase. As I had always cautioned,
> our
> > problem wasn't not filling the joint but of overcapacity - at about 10,
> the
> > doors where shut. A well-known London electro DJ (not on the line-up)
was
> > unfortunately turned away with scores of others.
> >
> > After starting with a rare treat of wall-to-wall Kraftwerk & Drexciya
from
> > Toby, things got funkier (and messier) with the alien sine waves and
> crunchy
> > beats of Rebel Intelligence and Spectraal crews. After about 10 o'clock,
> it
> > was dancing room only at the front but the flailing arms and whoops of
> > appreciation intensified when Rob Euroh came on. Think
> > DMC-contender-does-Electro. This mate of the Scratch Perverts proceeded
to
> > cut and scratch up UR, Drexciya, Rother, Radioactive Man, old school,
new
> > school, into new territory. The earliest electro mixes I ever heard
> sounded
> > like this: With rough edges as well as smooth grooves, long builds as
well
> > as short bursts. It's an art which has largely and sadly been lost. Plus
> > he's a well-sorted bloke who believes in the music, the scene and the
> > undepinning ethos 200%. Respect.
> >
> > Had great conversations with him and a host of others, from the 313 list
> and
> > beyond. I always underestimate how gratifying it is to talk with people
on
> a
> > similar wavelength.
> >
> > Thanks particularly to Brendan, Guy, Nicole, the three Robs (!)
including
> > Robert Taylor, Tristan, Counterpoint who's over from Detroit, Melody,
and
> > everybody else who came, grooved and schmoozed.
> >
> > The night's success means Public Life is encouraging us to keep up the
> > momentum. So please watch this space.
> >
> > Cheers,
> >
> > k
> >
>

Re: (313) Bleeping Saturday

[Fabrizio Nahum]

Sounds like a great party!
I wonder if any sets will be put online?

fab.
- Original Message -
From: "Odeluga, Ken" <[EMAIL PROTECTED]>
To: "[EMAIL PROTECTED] Org" <313@hyperreal.org>
Sent: Monday, September 23, 2002 10:34 AM
Subject: (313) Bleeping Saturday


> http://bleep43.com
>
> Thx to all who attended the first SLICES event on Saturday at Public Life,
> London. Resounding success is a fair phrase. As I had always cautioned,
our
> problem wasn't not filling the joint but of overcapacity - at about 10,
the
> doors where shut. A well-known London electro DJ (not on the line-up) was
> unfortunately turned away with scores of others.
>
> After starting with a rare treat of wall-to-wall Kraftwerk & Drexciya from
> Toby, things got funkier (and messier) with the alien sine waves and
crunchy
> beats of Rebel Intelligence and Spectraal crews. After about 10 o'clock,
it
> was dancing room only at the front but the flailing arms and whoops of
> appreciation intensified when Rob Euroh came on. Think
> DMC-contender-does-Electro. This mate of the Scratch Perverts proceeded to
> cut and scratch up UR, Drexciya, Rother, Radioactive Man, old school, new
> school, into new territory. The earliest electro mixes I ever heard
sounded
> like this: With rough edges as well as smooth grooves, long builds as well
> as short bursts. It's an art which has largely and sadly been lost. Plus
> he's a well-sorted bloke who believes in the music, the scene and the
> undepinning ethos 200%. Respect.
>
> Had great conversations with him and a host of others, from the 313 list
and
> beyond. I always underestimate how gratifying it is to talk with people on
a
> similar wavelength.
>
> Thanks particularly to Brendan, Guy, Nicole, the three Robs (!) including
> Robert Taylor, Tristan, Counterpoint who's over from Detroit, Melody, and
> everybody else who came, grooved and schmoozed.
>
> The night's success means Public Life is encouraging us to keep up the
> momentum. So please watch this space.
>
> Cheers,
>
> k
>

(313) Bleeping Saturday

[Odeluga, Ken]

http://bleep43.com

Thx to all who attended the first SLICES event on Saturday at Public Life,
London. Resounding success is a fair phrase. As I had always cautioned, our
problem wasn't not filling the joint but of overcapacity - at about 10, the
doors where shut. A well-known London electro DJ (not on the line-up) was
unfortunately turned away with scores of others.

After starting with a rare treat of wall-to-wall Kraftwerk & Drexciya from
Toby, things got funkier (and messier) with the alien sine waves and crunchy
beats of Rebel Intelligence and Spectraal crews. After about 10 o'clock, it
was dancing room only at the front but the flailing arms and whoops of
appreciation intensified when Rob Euroh came on. Think
DMC-contender-does-Electro. This mate of the Scratch Perverts proceeded to
cut and scratch up UR, Drexciya, Rother, Radioactive Man, old school, new
school, into new territory. The earliest electro mixes I ever heard sounded
like this: With rough edges as well as smooth grooves, long builds as well
as short bursts. It's an art which has largely and sadly been lost. Plus
he's a well-sorted bloke who believes in the music, the scene and the
undepinning ethos 200%. Respect.

Had great conversations with him and a host of others, from the 313 list and
beyond. I always underestimate how gratifying it is to talk with people on a
similar wavelength.

Thanks particularly to Brendan, Guy, Nicole, the three Robs (!) including
Robert Taylor, Tristan, Counterpoint who's over from Detroit, Melody, and
everybody else who came, grooved and schmoozed.

The night's success means Public Life is encouraging us to keep up the
momentum. So please watch this space.

Cheers,

k

AW: (313) Mururoa And Drexciya

[contact]

Tracks on that EP are by Cylob, I-F, Ectomorph and Marco Passarani.
the concept was conceived in rome by Passaerani, Ferenc and Andrea
Benedetti.
the profits went to greenpeace.
afterwards it was pressed by rephlex and for a little while they put it in
their catalogue and most of the shops were writing as a record made by
aphex twin and drexciya 

Derb

-Ursprüngliche Nachricht-
Von: Simon Walley [mailto:[EMAIL PROTECTED]
Gesendet: Montag, 23. September 2002 09:45
An: 313@hyperreal.org
Betreff: Re: (313) Mururoa And Drexciya


Tracks on that EP are by Cylob, I-F, Ectomorph and Marco Passarani.

The vinyl glows in the dark by the way!

Simon


>From: Otto <[EMAIL PROTECTED]>
>To: 313@hyperreal.org
>Subject: Re: (313) Mururoa And Drexciya
>Date: Mon, 23 Sep 2002 09:34:16 +0200
>
>At 02:01 23-9-02 -0400, you wrote:
> >I recently purchased the following EP:
> >
> >V/A "Mururoa" (Stop_1T UK 1996).
> >
> >I believe it was produced by Drexciya. It comes on milky white vinyl with
>no
> >info. Does anyone know the artists and track names on this record? Are
>any
> >of them by Drexciya?
>
>>From what I remember Drexicya wasn't involved, but Aphex Twin, Autechre,
>Ectomorph and Beverly Hills 808303 were. Don't know any track titles
>though.
>
>Cheers,
>
>Otto




|| [CiM]
|| [EMAIL PROTECTED]
|| http://www.warmdata.net/


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Re: (313) Mururoa And Drexciya

[Otto]

Simon wrote:

>Tracks on that EP are by Cylob, I-F, Ectomorph and Marco Passarani.

I wrote:

>>From what I remember Drexicya wasn't involved, but Aphex Twin, Autechre,
>>Ectomorph and Beverly Hills 808303 were. Don't know any track titles though.

Zoinks! That'll teach me to rely on my memory first thing Monday morning 
before I've had coffee %-)


Ob313: Had a listen last week to fellow listmember Jernej Marusic's debut 
(?) EP on the Refill label. Funky, groovy, very danceable, I like! If only 
the copy I listened to hadn't been the last one and taken already :(


Otto

Re: (313) Mururoa And Drexciya

[Simon Walley]

Tracks on that EP are by Cylob, I-F, Ectomorph and Marco Passarani.

The vinyl glows in the dark by the way!

Simon



From: Otto <[EMAIL PROTECTED]>
To: 313@hyperreal.org
Subject: Re: (313) Mururoa And Drexciya
Date: Mon, 23 Sep 2002 09:34:16 +0200

At 02:01 23-9-02 -0400, you wrote:
>I recently purchased the following EP:
>
>V/A "Mururoa" (Stop_1T UK 1996).
>
>I believe it was produced by Drexciya. It comes on milky white vinyl with 
no
>info. Does anyone know the artists and track names on this record? Are 
any

>of them by Drexciya?

From what I remember Drexicya wasn't involved, but Aphex Twin, Autechre, 
Ectomorph and Beverly Hills 808303 were. Don't know any track titles 
though.


Cheers,

Otto





|| [CiM]
|| [EMAIL PROTECTED]
|| http://www.warmdata.net/


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Re: (313) Mururoa And Drexciya

[Otto]

At 02:01 23-9-02 -0400, you wrote:
>I recently purchased the following EP:
>
>V/A "Mururoa" (Stop_1T UK 1996).
>
>I believe it was produced by Drexciya. It comes on milky white vinyl with no
>info. Does anyone know the artists and track names on this record? Are any
>of them by Drexciya?

From what I remember Drexicya wasn't involved, but Aphex Twin, Autechre, 
Ectomorph and Beverly Hills 808303 were. Don't know any track titles though.


Cheers,

Otto

RE: (313) Mururoa And Drexciya

[Odeluga, Ken]

Transllusion & OPP are more than likely, James Stinson - authorititative
sources on this list have said recently.

On this subject. I wonder how much we can assume a track by a
Drexciya-related 'name' has been influenced by Stinson?

I'm thinking about the Japanese Telecom LP. There are one or two tracks on
that where the similarity in style, structure, even theme, become almost
compelling ... but then, how can one know for sure?

k

>-Original Message-
>From: O.L. From The Basement [mailto:[EMAIL PROTECTED]
>Sent: Monday, September 23, 2002 7:02 AM
>To: 313 Mailing List
>Subject: (313) Mururoa And Drexciya
>
>
>I recently purchased the following EP:
>
>V/A "Mururoa" (Stop_1T UK 1996).
>
>I believe it was produced by Drexciya. It comes on milky white
>vinyl with no
>info. Does anyone know the artists and track names on this record? Are any
>of them by Drexciya?
>Also, were the Drexciya releases or any of the Drexciya related projects;
>i.e. Elecktroids, Glass Domain, L.A.M., Other People Place, and
>Transllusion, solo efforts of the late James Stinson or was everything done
>with Dopplereffekt (whoever he may be)?
>
> O.L.
>
>

RE: (313) [313] RE: Bleep

[Odeluga, Ken]

Methinks an anorak aside is called for here:

GMT is constant. What changes (in the UK at least) is daylight saving time.
In the summer the clocks go one hour forward. It's called British Summer
Time. Therefore, between late March and late October, 2300 GMT (i.e. 11pm)
is in the UK, already midnight - and so on.

So 1700 BST in the UK at that time was actually 1600 GMT! I hope nobody
missed the show 'cause of this!

More importantly, does anyone know if/where Gtech archive such sets?

k

>-Original Message-
>From: Michael Lees [mailto:[EMAIL PROTECTED]
>Sent: Friday, September 20, 2002 3:42 PM
>To: Odeluga, Ken
>Cc: Colette Lewis; [EMAIL PROTECTED] Org
>Subject: Re: (313) [313] RE: Bleep
>
>
>I'm watching listening now. It definitely starts at 16:00 GMT or 4pm
>GMT. It's now d&b.
>--
>Mike
>
>Odeluga, Ken wrote:
>> Hi Collette!
>>
>> 4pm is actually 1500 GMT (seeing as we are one hour ahead in the
>UK.) But no
>> harm done and this makes it three plugs!
>>
>> Cheers,
>>
>> Ken
>>
>>
>>>-Original Message-
>>>From: Colette Lewis [mailto:[EMAIL PROTECTED]
>>>Sent: Friday, September 20, 2002 3:26 PM
>>>To: Odeluga, Ken; [EMAIL PROTECTED] Org
>>>Subject: (313) [313] RE: Bleep
>>>
>>>
>>>It's actually 4 -6pm GMT.
>>>
>>>-Original Message-
>>>From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
>>>Sent: Friday, September 20, 2002 7:02 AM
>>>To: [EMAIL PROTECTED] Org
>>>Subject: Bleep
>>>
>>>
>>>Sorry in advance for the spam/repetition.
>>>
>>>It's a http://bleep43.com type of weekend.
>>>
>>>List member Toby Frith is on Groovetech between 1500-1700 GMT
>>>today (Friday)
>>>playing an electro set.
>>>
>>>http://www.groovetech.com/gtradio
>>>
>>>It's also the first SLICES event in London tomorrow.
>>>
>>>
>>>http://bleep43.com presents
>>>
>>>SLICES #1
>>>
>>>Rob Euroh (Remote Audio)
>>>Plant43 (Bleep43)
>>>Rebel Intelligence
>>>.spectraal (Outlet Collective)
>>>Squidbrik (Bleep43)
>>>
>>>Sat 21st September @ http://www.publiclife.org
>>>82a Commercial St (outside Spitalfields Church)
>>>5 mins walk from Liverpool St
>>>
>>>8 -2 am
>>>
>>>no tax
>>>
>>>This first F * R * E * E * slice will focus on all forms of electro.
>>>
>>>It's been a long time in the planning and we hope you like it:
>>>
>>>Rob Euroh (courtesy of www.electroempire.com )
>>>
>>>Rob was credited in 1999 with inventing a brand new scratching technique,
>>>'The Euroh Scratch'. This is 2 faders at the same time with one
>>>hand Scratch
>>>pattern that was used by Prime cuts of the Scratch Perverts to
>win both the
>>>DMC World Team DJ Championship 1999, and the ITF World
>Scratching Category
>>>Final the same year. This scratch appears for the 1st time on
>vinyl on Rob
>>>Euroh's single for Blue Juice , on a track entitled (funnily
>enough!) "The
>>>Euroh Scratch".
>>>
>>>A veteran of the UK Hip-Hop scene, Rob is a multifaceted Exponent of
>>>creative output. A 1st love of producing and DJ-ing electro, citing new
>>>school producers such as Anthony Rother, Drexciya, Cisco Ferreira (the
>>>Advent), Scape One, and Transparent Sound as current inspirations, then
>>>producers such as Aldo Marin, Jerry Calliste, Lon Alonzo, etc, as
>>>old school
>>>pioneers that most influenced him. Rob Euroh's sound is a mixture of the
>>>hard-driving rhythms of the old school Classics such as "Al-Naafiysh" and
>>>"We Come To Rock" with the pace of Miami Bass crossed with Detroit
>>>and early
>>>European techno. Throw into the mix some fast-paced contemporary
>scratching
>>>and you end up with a unique slant on modern-day Electro.
>>>
>>>
>>>
>>>PLANT43
>>>
>>>We are lucky that Bleep43.com's own technical lynchpin, and boss of web
>>>design firm Plant43.com, Emile Facey also happens to be an experienced
>>>musician, schooled in electronica. He will charge the evening up
>>>with a LIVE
>>>ELECTRO SET. Expect half-an hour of brain-food that you can dance to.
>>>
>>>Rebel Intelligence
>>>
>>>West London's Lawrence and Simon from www.rebel-intelligence.com
>have been
>>>putting on electro-orientated parties around the capital for over 4 years
>>>now and are well-schooled in laying down the full range of the
>>>electro sound
>>>on the dancefloor.
>>>
>>>.spectraal
>>>
>>>We are proud to welcome Rob G of the legendary East London-based Outlet
>>>Collective as he brings his own unique brand of electro to the night's
>>>proceedings.
>>>
>>>Sqidbrik starts off the evening with a double tribute to the late James
>>>Stinson and pioneers of electro, messrs Hutter and Schneider.
>>>
>>
>

(313) Mururoa And Drexciya

[O.L. From The Basement]

I recently purchased the following EP:

V/A "Mururoa" (Stop_1T UK 1996).

I believe it was produced by Drexciya. It comes on milky white vinyl with no
info. Does anyone know the artists and track names on this record? Are any
of them by Drexciya?
Also, were the Drexciya releases or any of the Drexciya related projects;
i.e. Elecktroids, Glass Domain, L.A.M., Other People Place, and
Transllusion, solo efforts of the late James Stinson or was everything done
with Dopplereffekt (whoever he may be)?

 O.L.

(313) Stacey Pullen - Melbourne

[Cyclone Wehner]

Rare occasion to hear some inspirational Detroit music in Melbourne.


> SEVEN IN CONJUNCTION WITH GASP ENTERTAINMENT PRESENT
>
>
> "AN EVENING WITH  STACEY PULLEN"
>
>
> SIX HOUR SET
>
>
> WEDNESDAY SEPTEMBER 25 @ SEVEN NIGHTCLUB
>
>
>
>
> Detroit's Legendary Maestro returns to  Melbourne for the 7th Consecutive
Year.
>
> Exclusive to GASP Entertainment & Seven
>
>
>
> Under the influence of Kraftwerk, Derrick May, Juan Atkins, Jeff Mills,
> Chicago and Italian house music and the radio icons of the Electrifyin'
> Mojo and WBMX/Chicago, Stacey Pullen was nurtured in the rich musical soil
> of Detroit in the mid 80's.  Inspired by the mystical epicentre of the
> techno earthquake, the music institute, Stacey began spinning at local
> venues and underground parties only to chuck it for a short two years to
> pursue a collegiate career.
>
>
>
> Drawn back by what he knew was his destiny, Stacey followed the voice of
> his muse, releasing his ritual beating system under the alter ego known as
> Bango.  The full resonant tribal percussion of that release opened the
> musical minds of others who later followed with tribal dance tracks of
> their own.  So the legacy was passed on to the next generation.  Similar to
> the innovators that came before him, Stacey's first release was a big sound
> influencing others throughout the world.
>
>
>
> After working on remixing projects and accumulating releases on KMS
> Records, Eclipse Records, BMG/Ariola, Buzz, Pias/Belgium, R&S, Warner,
> Virgin, and Transmat Records, to name a few, Stacey has been in demand all
> over the world mixing magic on the dance floors to countless fans.  His
> exotic style has taken him all over North America, South America, Europe,
> Asia, New Zealand, Australia and the Caribbean.
>
>
>
> Essentially honorable and independent, Pullen is faithful to  his techno
> roots while blending in airy house and ethnic elements. His production work
> has hit fame once again with his latest album Today Is The  Tomorrow You
> Were Promised Yesterday, regrettably only available as an  import in
> Canada. In demand on all continents, this DJ transcends his mixes  on a
> host of dance-floors sending out inventive passionate rhythms for a state
> of total well-being.
>
>
>
> Stacey is currently following in the footsteps of his Detroit brothers by
> putting his energies into his own vision, Black Flag Recordings. Stacey's
> new label hopes to separate itself from the other Detroit labels by
> combining both music and art.  Black Flag holds no boundaries in the
> approach to music as an art form.  Each release will be a conceptual
> artistic endeavour, a concept influenced by famous 80's/90's art house
> labels.  The end result is to use god's gifts to be free, to destroy the
> enslavement of conformity.

> SEVEN IN CONJUNCTION WITH GASP ENTERTAINMENT PRESENT
>
>
> "AN EVENING WITH  STACEY PULLEN"
>
>
> SIX HOUR SET
>
>
> WEDNESDAY SEPTEMBER 25 @ SEVEN NIGHTCLUB
>
>
> 52 Albert Road, South Melbourne.
>  
> Doors open 10pm. 
> Presale Tickets $25 + bf   from selected outlets.  More on the door.
> See street press  and flier for ticket outlet details.

Re: (313) Carl Craig Remixes Avalanches

[Tristan Watkins]

- Original Message -
From: "Cyclone Wehner" <[EMAIL PROTECTED]>
To: "313 Detroit" <313@hyperreal.org>
Sent: Monday, September 23, 2002 1:13 AM
Subject: (313) Carl Craig Remixes Avalanches


> I have been promised one of these for ages by the Avalanchers' peepz, will
> report when/if I secure it!
>
> For Aussies, it's out this week through everyone's fave local distribution
> co, Inertia.
>
> Is this out os? Anyone?


It says 'Australian Debut'. Have these been released elsewhere? Every since
Rob first mentioned the C2 remix, I been itching to hear it.

Tristan
=
Text/Mixes: http://phonopsia.tripod.com
Music: http://www.mp313.com
Contact: [EMAIL PROTECTED]

(313) Carl Craig Remixes Avalanches

[Cyclone Wehner]

I have been promised one of these for ages by the Avalanchers' peepz, will
report when/if I secure it!

For Aussies, it's out this week through everyone's fave local distribution
co, Inertia.

Is this out os? Anyone?

>> SINGLE VINYL // SINGLE VINYL // SINGLE VINYL // SINGLE VINYL
>>
>> HOUSE
>>
>> THE AVALANCHES 'A DIFFERENT FEELING'
>> ==> These two remixes of "A Different Feeling" are making their Australian
>> debut. ==> ERNEST ST LAURENT's remix appeared on the UK 'Electricity EP'
>> and the Japanese Tour EP 'At Last Alone'. ==> PAPERCLIP PEOPLE is CARL CRAIG
>> in his most dancefloor friendly incarnation.
>> MODULAR IMPRINT
>> MODVL009
>> 12
>>
>>