(313) another corker
John Thomas Blackstage Re-Works (logistic). Mixes by Octave One, Rolando, DBX, Losoul, Tejada as well as Thomas & Cabanne. Quite nice. jeff
(313) Gemixt 2
Anyone else heard this (on Treibstoff)? I'm just into track 2 and it's pretty nice stuff. Deep, not quite microhouse (too melodic) with some BC overtones here and there (but too layered to be BC). If you want a nice mix, here it is. jeff
(313) OT/FA: Original Sealed Number of Names
For you hardcore collectors out there, I saw this original sealed copy of A Number of Names', "Shari Vari" on Capriccio listed on ebay. "Buy it Now" is priced at $400 and there is a reserve, however, the last time I saw one of these originals up, it went for $549. Matthew And no, its not my auction, so direct all flames elsewhere. mail2web - Check your email from the web at http://mail2web.com/ .
(313) playlist WNUR Chicago - 1 Nov. 2002
Clinically Inclined 1 November 2002 9:30 pm - 12:30 am CST live stream www.wnur.org during showtime / 89.3 FM in Chicago 9:30 - 11pm >> Selector: M. MacQueen Art of Noise - Legs [Inside Leg mix] (Chrysalis '85) ABC - Theme From Mantrap [Lounge Sequence] (Mercury '82) Double Helix - untitled #7 - Sync or Swing (unreleased CDR) Todd Sines & Natasha Labelle - Come Closer [Moonstar's Broken Dub] (Planet E) Kelley Polar Quartet - Astrid and Julia [Live from Comet Cabaret] - Audition EP (Environ) Peabo Bryson - Underground Music - Peabo (Bullet '76) Bobby Womack - I Can Understand - Understanding (UA '72) Level 42 - Micro Kid [12" Dub mix] (A&M '83) Tokyo Offshore Project - Hyperfunk (Balance) Robert Hood - 7. untitled - untitled 2x12 (Peacefrog 029) D. Ball - Slack (Ourtime) H & M - Sleep Chamber - Tranquilizer EP (Axis) Convextion - Spice Tea (Down Low) Jeff Mills - Aperture - At First Sight (Axis) Shake - ID Clones - Global Technological Innovations, unreleased II (New Electronica) Arne Weinberg - Beautiful Process of Living - Beauty in Decay (Down Low) Future Beat Alliance - FBA Theme - Headways EP (Emoticon) 11pm - 12:30am >> Selector: Dr. Siska arovane - tides - tides lp (city centre offices) bfc - how was the west was won (art) loscil - hydrogen - triplepoint (kranky) theorem - shift (th) soofle - how do you plead (fragile) parallel 9 - technique (generations) ken ishii - cocoa mousse - jelly tones (r&s) heiko laux - paused - sense fiction (kanzleramt) mannequin lung - silver state - art of travel (plug research) john tejada - speaker's dream - sonic life ep (ferox) dimension 5 - space travel - alien artform (delsin) convextion - ebullience (matrix) spacetime continuum - kairo (carl craig rmx) (astralwerks) rhythm & sound - never tell you (burial mix) --- peace
(313) twosim re-release
an exciting day for anyone who is interested, warp records is re-releasin twoism, startin with pre orders taken today via warpmart. i guess that means no more copies going for over 1000 dollars on ebay. and it also looks like theyre still goin to use the artwork, taken from outpost zeta. cant get enough of those cheesy 70s sci-fi flicks. regards, mike www.8bitpeoples.com www.fulcruminn.net _ Choose an Internet access plan right for you -- try MSN! http://resourcecenter.msn.com/access/plans/default.asp
(313) re:rosinthorpe
if i said dis record was drexcyian, would i b right?. the newest release. out. Get 25MB of email storage with Lycos Mail Plus! Sign up today -- http://www.mail.lycos.com/brandPage.shtml?pageId=plus
(313) rushhour site
a quick note that the catelogue of the rushhour shop is now online as well.. check at http://store.rushhour.nl/store.html
RE: (313) mos def & theo parrish
i believe there was only one version of that released, with the brilliant weldon irvine (check out "sinbad" if you ever get the chance) on vibraphone and piano. and it was all instrumental awesome tune. -Original Message- From: Maarten Baute [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 05, 2002 3:47 PM To: 313@hyperreal.org Subject: (313) mos def & theo parrish Hey guys, in the theo parrish mix "eclectic aesthetic part 1", theo plays a mos def track called "may december" wich appeared on the "black on both sides" LP. This version however has no vocals on it, and I wanted to know if their is a vocal verion or something, because I know there is an album containing instrumentals of the "black on both sides" double... Or I could put it like this ---> the track that theo plays: is it on the normal version, or the instrumental edition? Thanks, Maarten Do you know these tracks? http://www.morthenkiang.com/samples (sound samples taken from various mix tapes) -
RE: (313) Planet E
I read somewhere Urban Tribe's Covert Action is about to be re-released as well ! At 5-11-2002 -0600 12:19, you wrote: > Just wondered if anyone on the list had heard/seen/can confirm the supposed > 'limited edition' Carl craig mixes on a seperate 12"? > Thought they were due out soon.? Yes these are out now, but I didn't really think they were that limited... saw a few sitting in the bins, but white lables with stickers (not full 'artwork' as such). How many were released? I actually passed on it on first listen, but I definitely need to hear it again in a better environment... the originals are so great. Peace, Matt MacQueen .. . :: http://nomorewords.net
(313) mos def & theo parrish
Hey guys, in the theo parrish mix "eclectic aesthetic part 1", theo plays a mos def track called "may december" wich appeared on the "black on both sides" LP. This version however has no vocals on it, and I wanted to know if their is a vocal verion or something, because I know there is an album containing instrumentals of the "black on both sides" double... Or I could put it like this ---> the track that theo plays: is it on the normal version, or the instrumental edition? Thanks, Maarten Do you know these tracks? http://www.morthenkiang.com/samples (sound samples taken from various mix tapes) -
RE: (313) Planet E
The mixes are pretty good in my opinion. They aren't as good as Todd orginal tracks, but they work really well as mixing tools. Since carl's mixes are so stripped down, (1st mix is essentially an acapella with sparse percussion halfway through and the second mix lacking any drums) i've been having a lot of fun layering these tracks over many of the minimal jams (substatic,perlon, etc)I've been rocking lately. weather or not these mixes are "limitied" is of no concern to me, if you like buy it when it comes out. Jwan - Original Message - From: "Matthew MacQueen" <[EMAIL PROTECTED]> Date: Tue, 5 Nov 2002 12:19:35 -0600 To: <313@hyperreal.org> Subject: RE: (313) Planet E > > Just wondered if anyone on the list had heard/seen/can confirm the supposed > > 'limited edition' Carl craig mixes on a seperate 12"? > > Thought they were due out soon.? > > Yes these are out now, but I didn't really think they were that limited... > saw a few sitting in the bins, but white lables with stickers (not full > 'artwork' as such). How many were released? > > I actually passed on it on first listen, but I definitely need to hear it > again in a better environment... the originals are so great. > > Peace, > Matt MacQueen > > -- ___ Get your free email from http://www.ign.com Powered by Outblaze
(313) OT- Paging Aril Brikha
Please respond in private. Thanks! Misszak _ Choose an Internet access plan right for you -- try MSN! http://resourcecenter.msn.com/access/plans/default.asp
(313) new vinyl purchases
Hi, yesterday i received two excellent pieces of electronic art :-) the first is the Tom Churchill & Dennis Desantis - Spaces/Leisure 12" Headspace[HS011]. The tracks are grooving and full of crispy syncopated rhythms, sometimes broken and sometimes driving. The intricate although somewhat minimal drum programming is funkily juxtaposed to the warm stabs and sublime strings that drive underneath giving it all a sort physical experience while still keeping your head in the clouds and your heart open and warm. Which translated means that the tracks are perfect in both a club and you home. This is what one could easily call electronic house - to me this is what tech house really is. second up is Arne Weinberg - Beauty in Decay Downlow[DL008] A lovely slab of vinyl. Very dark and dramatic tracks but the driving beats underneath (it seems the emphasis is nont on the rhythm section but on the melodies) keep the music alive and energetic so the mood is deep and introspective without being moody or melancholic. The music sounds as if its searching frantically for something - there is almost a sense of longing. All in all a pretty emotional ride through dark techno soundscapes. Mature techno. Great work guys fab.
RE: (313) Planet E
> Just wondered if anyone on the list had heard/seen/can confirm the supposed > 'limited edition' Carl craig mixes on a seperate 12"? > Thought they were due out soon.? Yes these are out now, but I didn't really think they were that limited... saw a few sitting in the bins, but white lables with stickers (not full 'artwork' as such). How many were released? I actually passed on it on first listen, but I definitely need to hear it again in a better environment... the originals are so great. Peace, Matt MacQueen
Re: (313) to move or not to move.
>I think the original comment was made by someone that if you drop in a great track with a great mix and nobody dances you might be a upset. If you put it into a historical perspective - this happens to the best of them. Larry Levan playing the same track three or more times throughout a night - first time clears the floor, second time some people remain, last time it packs it! It comes down to your audience's familiarity with the track, how influenced they are by substances in their system (alcohol, coke, weed, etc), and generally how open a particular audience is with that sound (ie. dropping a drum&bass track on a house audience). As for what is dance music - you can dance to anything, just find your own way. MEK Michael Lees <[EMAIL PROTECTED]To: K> cc: 313@hyperreal.org Subject: Re: (313) to move or not to move. 11/05/02 10:51 AM I think this whole argument has gone on too long and is now completely undirected. I think the original comment was made by someone that if you drop in a great track with a great mix and nobody dances you might be a upset. Then it descended into a long debate about if you should dance to dance music. "Dance music" is a phrase that can refer to *a lot* of different types of music. Personally what some people would consider their dance music I would consider [EMAIL PROTECTED] and I certainly wouldn't dance to it. I think the original comment was a fair one, after all if nobody danced in a night club and instead stood watching the DJ it wouldn't be much fun (you may as well watch a live feed on groovetech). However, people are completely entitled to react in whatever way they feel appropriate, as long as it doesn't involve their elbows digging in my ribs ;) I think the result of this long debate will eventually be something particularly insightful like, everyone must accept people like different things. Some people like dancing and some don't. --Mike jurren baars wrote: > From: Anya Stang: > >> I realise there is a term "dance music", used by general consensus >> for music played in clubs/bars/... for people to dance to. Fine. >> I don't have any problems with that. The argument was rather about >> *having* to dance to dance music whether you actually like to dance >> or not. And my point is that call it what you like, you don't *have* >> to dance to it - in which case for *you* it's *not* dance music. > > > i think this whole argument, that you have to dance to dancemusic is > crap, why? > > just because you listen to jimi hendrix, doesn't mean you're made of > stone... or, do you have to smell funky, when you're into > parliament/funkadelic? > > jurren > > _ > Surf the Web without missing calls!Get MSN Broadband. > http://resourcecenter.msn.com/access/plans/freeactivation.asp >
(313) FW: Aril Brikha
Just got this and thought I would pass it along for the Toronto peeps. ben Just a reminder that this Friday November 8th is the next major Fukhouse instalment at System Soundbar here in Toronto. Thanks to everyone who came last time and we think this event will be even better than the last! We're quite pleased to present the major Transmat recording artist so loved by Derrick May that he signed him up for a full album on one listen, Aril Brikha (Sweden). Aril headlined the Detroit Electronic Music Festival a few years back and will be performing LIVE starting at midnight exactly. Also headlining is funky techno turntable wizard Christian Smith (also from Sweden coincidently, although now living in New York)! Here's the full line-up! :::Aril Brikha LIVE::: starting @ midnight! :::Christian Smith::: :::Jeremy P. Caulfield, LIVE Performance::: (of some of his brand new material and then merging into one of his main room epic DJ sets he became known for at the original Fukhouse at Industry) :::The Dukes::: :::Duplex 100::: (Minimal Dancin' Paris France - Deep Minimal House & Techno) :::Eric Downer::: :::Odd Myth (Todd Smith from Guelph ON)::: :::Ian Guthrie::: We've got two rooms, the main System room and a full on Minimal Funk room at the side of the club in the enclosed room (sometimes called the VIP room, but not tonight). Expect Fukhouse decor and attention to detail and System's wicked sound system tuned to perfection. Check out the website for more information, the full flyer and music clips www.fukhouse.ca System Soundbar is located at 117 Peter Street @ the corner of Richmond and Peter. $20 before 12:00. Thanks! Fukhouse/Building Blocks
Re: (313) to move or not to move
was just thinking - ok, "dance music" - got this one but what about so called: "intelligent dance music ?" ;) are we supposed to be extra-intelligent while dancing ? - and what about - house music, surf music, smurf music, underground music, industrial music ...
Re: (313) to move or not to move.
i think dancing is a beautiful means of self-expression... unless your a drunk aunt at a wedding. then it's just embarrassing and hurtful. :) peace lrh > > From: Klaas-Jan Jongsma <[EMAIL PROTECTED]> > Date: 2002/11/05 Tue AM 11:57:19 EST > To: Michael Lees <[EMAIL PROTECTED]> > CC: 313@hyperreal.org > Subject: Re: (313) to move or not to move. > > probably i am just to ignorant but: > If you want to dance: Dance if you want to listen: Listen... > > Just enjoy the music how you like it... period. > > At 16:51 + 05-11-2002, Michael Lees wrote: > >I think this whole argument has gone on too long and is now completely > >undirected. I think the original comment was made by someone that if you > >drop in a great track with a great mix and nobody dances you might be a > >upset. Then it descended into a long debate about if you should dance to > >dance music. "Dance music" is a phrase that can refer to *a lot* of > >different types of music. Personally what some people would consider > >their dance music I would consider [EMAIL PROTECTED] and I certainly > >wouldn't > >dance to it. > > > >I think the original comment was a fair one, after all if nobody > >danced in a night club and instead stood watching the DJ it wouldn't > >be much fun (you may as well watch a live feed on groovetech). > >However, people are completely entitled to react in whatever way > >they feel appropriate, as long as it doesn't involve their elbows > >digging in my ribs ;) > >I think the result of this long debate will eventually be something > >particularly insightful like, everyone must accept people like > >different things. Some people like dancing and some don't. > > > >--Mike > > > > > > > >jurren baars wrote: > >>From: Anya Stang: > >> > >>>I realise there is a term "dance music", used by general consensus > >>>for music played in clubs/bars/... for people to dance to. Fine. > >>>I don't have any problems with that. The argument was rather about > >>>*having* to dance to dance music whether you actually like to dance > >>>or not. And my point is that call it what you like, you don't *have* > >>>to dance to it - in which case for *you* it's *not* dance music. > >> > >> > >>i think this whole argument, that you have to dance to dancemusic > >>is crap, why? > >> > >>just because you listen to jimi hendrix, doesn't mean you're made > >>of stone... or, do you have to smell funky, when you're into > >>parliament/funkadelic? > >> > >>jurren > >> > >>_ > >>Surf the Web without missing calls!Get MSN Broadband. > >>http://resourcecenter.msn.com/access/plans/freeactivation.asp > > > -- > [EMAIL PROTECTED] >
Re: (313) to move or not to move.
probably i am just to ignorant but: If you want to dance: Dance if you want to listen: Listen... Just enjoy the music how you like it... period. At 16:51 + 05-11-2002, Michael Lees wrote: I think this whole argument has gone on too long and is now completely undirected. I think the original comment was made by someone that if you drop in a great track with a great mix and nobody dances you might be a upset. Then it descended into a long debate about if you should dance to dance music. "Dance music" is a phrase that can refer to *a lot* of different types of music. Personally what some people would consider their dance music I would consider [EMAIL PROTECTED] and I certainly wouldn't dance to it. I think the original comment was a fair one, after all if nobody danced in a night club and instead stood watching the DJ it wouldn't be much fun (you may as well watch a live feed on groovetech). However, people are completely entitled to react in whatever way they feel appropriate, as long as it doesn't involve their elbows digging in my ribs ;) I think the result of this long debate will eventually be something particularly insightful like, everyone must accept people like different things. Some people like dancing and some don't. --Mike jurren baars wrote: From: Anya Stang: I realise there is a term "dance music", used by general consensus for music played in clubs/bars/... for people to dance to. Fine. I don't have any problems with that. The argument was rather about *having* to dance to dance music whether you actually like to dance or not. And my point is that call it what you like, you don't *have* to dance to it - in which case for *you* it's *not* dance music. i think this whole argument, that you have to dance to dancemusic is crap, why? just because you listen to jimi hendrix, doesn't mean you're made of stone... or, do you have to smell funky, when you're into parliament/funkadelic? jurren _ Surf the Web without missing calls!Get MSN Broadband. http://resourcecenter.msn.com/access/plans/freeactivation.asp -- [EMAIL PROTECTED]
Re: (313) to move or not to move.
A However, people are completely entitled to react in whatever way they feel appropriate, as long as it doesn't involve their elbows digging in my ribs ;) Suddenly memories of Bookies Club 870 come flooding back from the late 70s jeff
Re: (313) to move or not to move.
I think this whole argument has gone on too long and is now completely undirected. I think the original comment was made by someone that if you drop in a great track with a great mix and nobody dances you might be a upset. Then it descended into a long debate about if you should dance to dance music. "Dance music" is a phrase that can refer to *a lot* of different types of music. Personally what some people would consider their dance music I would consider [EMAIL PROTECTED] and I certainly wouldn't dance to it. I think the original comment was a fair one, after all if nobody danced in a night club and instead stood watching the DJ it wouldn't be much fun (you may as well watch a live feed on groovetech). However, people are completely entitled to react in whatever way they feel appropriate, as long as it doesn't involve their elbows digging in my ribs ;) I think the result of this long debate will eventually be something particularly insightful like, everyone must accept people like different things. Some people like dancing and some don't. --Mike jurren baars wrote: From: Anya Stang: I realise there is a term "dance music", used by general consensus for music played in clubs/bars/... for people to dance to. Fine. I don't have any problems with that. The argument was rather about *having* to dance to dance music whether you actually like to dance or not. And my point is that call it what you like, you don't *have* to dance to it - in which case for *you* it's *not* dance music. i think this whole argument, that you have to dance to dancemusic is crap, why? just because you listen to jimi hendrix, doesn't mean you're made of stone... or, do you have to smell funky, when you're into parliament/funkadelic? jurren _ Surf the Web without missing calls!Get MSN Broadband. http://resourcecenter.msn.com/access/plans/freeactivation.asp
Re: (313) to move or not to move.
From: "jurren baars"
> i think this whole argument, that you have to dance to dancemusic is crap,
> why?
> just because you listen to jimi hendrix, doesn't mean you're made of
> stone... or, do you have to smell funky, when you're into
> parliament/funkadelic?
> jurren
hmmm, never met a funky *smelling* p-funkster...
is that an archetype that I missed? =)
oops, I take that back: some of that cheeba smelled
*mighty* funky! Skunky, too. ;)
.o0O}seeklektek{O0o.
Re: (313) to move or not to move.
From: Anya Stang: I realise there is a term "dance music", used by general consensus for music played in clubs/bars/... for people to dance to. Fine. I don't have any problems with that. The argument was rather about *having* to dance to dance music whether you actually like to dance or not. And my point is that call it what you like, you don't *have* to dance to it - in which case for *you* it's *not* dance music. i think this whole argument, that you have to dance to dancemusic is crap, why? just because you listen to jimi hendrix, doesn't mean you're made of stone... or, do you have to smell funky, when you're into parliament/funkadelic? jurren _ Surf the Web without missing calls! Get MSN Broadband. http://resourcecenter.msn.com/access/plans/freeactivation.asp
Re: (313) [313] bored at office.
- Original Message - From: "henrique casanova" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, November 05, 2002 3:39 PM Subject: Re: (313) [313] bored at office. > maybe this can help you bored guys. hehe if u are allound to use headphones > in the office.. > > http://www.rraurl.com/shared/smil_gen.php?clip=spiceee_03 Or if bootie is your thing: http://pbjdance.com Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED] New Mix in mp3, 'Live in Iowa City' available for a short time from http://phonopsia.isoprax.com
Re: (313) [313] bored at office.
maybe this can help you bored guys. hehe if u are allound to use headphones in the office.. http://www.rraurl.com/shared/smil_gen.php?clip=spiceee_03 short mixed set including maurizio, basic channel, theorem, rob hood, etc.. - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, November 05, 2002 1:00 PM Subject: (313) [313] bored at office. > hey folks. i'm bored too... but i just discovered that i can post from work. y'all are in trouble now. : ) > > peace > lrh > > >
Re: (313) Detroit clothing - sporty angle
- Original Message - From: "Rob Theakston" <[EMAIL PROTECTED]> To: "Jason Donnelly" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Tuesday, November 05, 2002 1:36 PM Subject: RE: (313) Detroit clothing - sporty angle > anyone else think of any? Have him pick you up a Planet E - 69 basketball jersey if they can still be found. My favorite team to support in tha 'D', and ever-so stylish. Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED] New Mix in mp3, 'Live in Iowa City' available for a short time from http://phonopsia.isoprax.com
Re: (313) to move or not to move.
- Original Message - From: "Robert Taylor" <[EMAIL PROTECTED]> To: "'Anya Stang'" <[EMAIL PROTECTED]>; "James Bucknell" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Tuesday, November 05, 2002 2:14 PM Subject: RE: (313) to move or not to move. > I think you have a point here but sometimes you really have to confront what > you percieve as bulls**t and pretension with strong language. A debate > should be lively and not preceded with endless disclaimers about each > person's respect for the other and their right to hold an opinion - isn't it > dishonest, after all, to say you respect someone elses point of view, when > you quite clearly hold it in contempt? I completely get where you're coming from, but if I'm reading Jeff correctly, I think the reason there were so many disclaimers is precisely to try and avoid as many disagreements as possible through a sometimes-ineffective medium. To talk to him in person these would not be necessary. If you get flamed most times you post, it seems reasonable to hedge your comments. I've been on a dancefloor next to Jeff and I really don't think if you saw him clearly responding to the music without dancing that you would think he wasn't feelin' it, or that he shouldn't be there grooving alongside you and I. I think the other side of this is that you can dance and look like a complete baffoon, even if you're feeling it completely, in a visceral uninhibited way, and maybe bring down the crowd a bit because you look too spastic (self-implication fully intended). I think the argument should be made that some people (me) should maybe dance a little bit less. Hopefully we can all agree that I should sit down and shut up, rather than shut up and dance, and not make another thread out of *that*. Any complaints can be directed off-list please. :) Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED] New Mix in mp3, 'Live in Iowa City' available for a short time from http://phonopsia.isoprax.com
Re: (313) [313] bored at office.
OH NO! first you bug me on slsk, now here j/k Lee ;-) - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, November 05, 2002 4:00 PM Subject: (313) [313] bored at office. > hey folks. i'm bored too... but i just discovered that i can post from work. y'all are in trouble now. : ) > > peace > lrh >
Re: (313) to move or not to move.
> i always thought Laibach should have recorded a christmas album.
>
> "A Very Special Laibach Christmas"
> With Nipsy Russell, Isaac Hayes, Mariah Carey, Willie Tyler and Lester,
and
> the Solid Gold Dancers
Tiny Tim too!
.o0O}seeklektek{O0o.
(313) [313] bored at office.
hey folks. i'm bored too... but i just discovered that i can post from work. y'all are in trouble now. : ) peace lrh
Re: (313) Detroit clothing - sporty angle
> Afternoon all!
> Good friend is flying to Detroit for a couple of days and asked if there
> was anything I would like. Looking for the less 'obvious' sporting team
> tops, i.e. not the Red Wings or Tigers.
> any suggestions??? are there any minor league ice hockey/ baseball teams
in
> the D??
> thanks
> jason
You're in for a Shock:
http://www.wnba.com/shock/
Swin Cash, #32, is the star:
http://www.wnba.com/playerfile/swin_cash/index.html?nav=page
You get yo'self a Shock shirt, you be stylin'.
.o0O}seeklektek{O0o.
(313) [313] testing.
testing.
RE: (313) Detroit clothing - sporty angle
Yep. it's early. -Original Message- From: Fabrizio Nahum [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 05, 2002 9:47 AM To: 313@hyperreal.org Subject: Re: (313) Detroit clothing - sporty angle Bored at the office eh guys? fab.
Re: (313) Detroit clothing - sporty angle
Bored at the office eh guys? fab.
Re: (313) Detroit clothing - sporty angle
> There was also the Detroit Rockers pro soccer team I quite like the sound of this, although it conjours images of Alice Cooper and the MC5 having a kick about Cheers Nick
Re: (313) Detroit clothing - sporty angle
I think there are actually some UK companies that make soccer jersey reproductions -- you might be able to find the old NASL team, the Detroit Express represented. -d On Tuesday, November 5, 2002, at 08:36 AM, Rob Theakston wrote: and just what the hell is wrong with the red wings?!? they're a fine team! they assembled one of the best hockey squads of all time last year! there's a couple minor league things going on, but the only one that comes to mind is the Whalers, and they're based in the comfy suburbian wasteland that's plymouth (about 20 miles outside of Detroit). There's the Detroit Shock, which is the women's basketball team, and I do believe the Detroit Drive is still playing arena football. anyone else think of any? - theakstonov -Original Message- From: Jason Donnelly [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 05, 2002 8:36 AM To: 313@hyperreal.org Subject: (313) Detroit clothing - sporty angle Afternoon all! Good friend is flying to Detroit for a couple of days and asked if there was anything I would like. Looking for the less 'obvious' sporting team tops, i.e. not the Red Wings or Tigers. any suggestions??? are there any minor league ice hockey/ baseball teams in the D?? thanks jason
RE: (313) to move or not to move.
dangit. that wasn't meant to be public. apologies. -Original Message- From: Rob Theakston [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 05, 2002 9:18 AM To: 313@hyperreal.org Subject: RE: (313) to move or not to move. i always thought Laibach should have recorded a christmas album. "A Very Special Laibach Christmas" With Nipsy Russell, Isaac Hayes, Mariah Carey, Willie Tyler and Lester, and the Solid Gold Dancers -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 05, 2002 9:14 AM To: 'Anya Stang'; James Bucknell; 313@hyperreal.org Subject: RE: (313) to move or not to move. I think you have a point here but sometimes you really have to confront what you percieve as bulls**t and pretension with strong language. A debate should be lively and not preceded with endless disclaimers about each person's respect for the other and their right to hold an opinion - isn't it dishonest, after all, to say you respect someone elses point of view, when you quite clearly hold it in contempt? [re Jeff's post again:] And that it shouldn't matter how they try to bring their point across, either. It's about respecting others. We don't have to be friends with everyone but at least show them respect, regardless of how much we might dislike their ways and opinions. If we were all the same then we wouldn't have all this beautiful music that this list is all about. > Anya : ) > From: James Bucknell <[EMAIL PROTECTED]> > Date: Tue 05/Nov/2002 16:39 GMT > To: Anya Stang <[EMAIL PROTECTED]>, > <313@hyperreal.org> > Subject: Re: (313) to move or not to move. > > when people find out that i dj, it's not uncommon that they say they don't > like dance music. i then ask where they've been dancing, what clubs, what > djs. they usually reply that they don't go dancing, they just listened to > dance music at a friends place, on the radio etc. > that's when i point out that it's called dance music, not 'sitting on your > ass at home' listening music. > sure you can listen to it at home, but the place it makes sense, and the > place to judge it, is on a dancefloor. you can send a dance floor into > convulsions with just an 808 rhythm track. put that on the home stereo and > most people will think it sounds dull repetitive and boring. > > and that's why i'm calling it dance music. just try shooting me. > > one of the major problems with comtemporary dance music is that a lot of it > is actually made for listening, not dancing. there's a bigger market for > record companies making listening music. i'm referring to all the crap mix > cds, like the global series etc. > james ___ Freeserve AnyTime, only £13.99 per month with one month's FREE trial! For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890 Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
RE: (313) to move or not to move.
i always thought Laibach should have recorded a christmas album. "A Very Special Laibach Christmas" With Nipsy Russell, Isaac Hayes, Mariah Carey, Willie Tyler and Lester, and the Solid Gold Dancers -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 05, 2002 9:14 AM To: 'Anya Stang'; James Bucknell; 313@hyperreal.org Subject: RE: (313) to move or not to move. I think you have a point here but sometimes you really have to confront what you percieve as bulls**t and pretension with strong language. A debate should be lively and not preceded with endless disclaimers about each person's respect for the other and their right to hold an opinion - isn't it dishonest, after all, to say you respect someone elses point of view, when you quite clearly hold it in contempt? [re Jeff's post again:] And that it shouldn't matter how they try to bring their point across, either. It's about respecting others. We don't have to be friends with everyone but at least show them respect, regardless of how much we might dislike their ways and opinions. If we were all the same then we wouldn't have all this beautiful music that this list is all about. > Anya : ) > From: James Bucknell <[EMAIL PROTECTED]> > Date: Tue 05/Nov/2002 16:39 GMT > To: Anya Stang <[EMAIL PROTECTED]>, > <313@hyperreal.org> > Subject: Re: (313) to move or not to move. > > when people find out that i dj, it's not uncommon that they say they don't > like dance music. i then ask where they've been dancing, what clubs, what > djs. they usually reply that they don't go dancing, they just listened to > dance music at a friends place, on the radio etc. > that's when i point out that it's called dance music, not 'sitting on your > ass at home' listening music. > sure you can listen to it at home, but the place it makes sense, and the > place to judge it, is on a dancefloor. you can send a dance floor into > convulsions with just an 808 rhythm track. put that on the home stereo and > most people will think it sounds dull repetitive and boring. > > and that's why i'm calling it dance music. just try shooting me. > > one of the major problems with comtemporary dance music is that a lot of it > is actually made for listening, not dancing. there's a bigger market for > record companies making listening music. i'm referring to all the crap mix > cds, like the global series etc. > james ___ Freeserve AnyTime, only £13.99 per month with one month's FREE trial! For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890 Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
RE: (313) to move or not to move.
I think you have a point here but sometimes you really have to confront what you percieve as bulls**t and pretension with strong language. A debate should be lively and not preceded with endless disclaimers about each person's respect for the other and their right to hold an opinion - isn't it dishonest, after all, to say you respect someone elses point of view, when you quite clearly hold it in contempt? [re Jeff's post again:] And that it shouldn't matter how they try to bring their point across, either. It's about respecting others. We don't have to be friends with everyone but at least show them respect, regardless of how much we might dislike their ways and opinions. If we were all the same then we wouldn't have all this beautiful music that this list is all about. > Anya : ) > From: James Bucknell <[EMAIL PROTECTED]> > Date: Tue 05/Nov/2002 16:39 GMT > To: Anya Stang <[EMAIL PROTECTED]>, > <313@hyperreal.org> > Subject: Re: (313) to move or not to move. > > when people find out that i dj, it's not uncommon that they say they don't > like dance music. i then ask where they've been dancing, what clubs, what > djs. they usually reply that they don't go dancing, they just listened to > dance music at a friends place, on the radio etc. > that's when i point out that it's called dance music, not 'sitting on your > ass at home' listening music. > sure you can listen to it at home, but the place it makes sense, and the > place to judge it, is on a dancefloor. you can send a dance floor into > convulsions with just an 808 rhythm track. put that on the home stereo and > most people will think it sounds dull repetitive and boring. > > and that's why i'm calling it dance music. just try shooting me. > > one of the major problems with comtemporary dance music is that a lot of it > is actually made for listening, not dancing. there's a bigger market for > record companies making listening music. i'm referring to all the crap mix > cds, like the global series etc. > james ___ Freeserve AnyTime, only £13.99 per month with one month's FREE trial! For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890 Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
RE: (313) Detroit clothing - sporty angle
The Drive changed their name to the Detroit Fury. Personally, I liked Detroit Drive better. There was also the Detroit Rockers pro soccer team (football if you're from anywhere else in the world). There's also the Detroit Vipers hockey team. -Original Message- From: Rob Theakston [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 05, 2002 8:37 AM To: Jason Donnelly; 313@hyperreal.org Subject: RE: (313) Detroit clothing - sporty angle and just what the hell is wrong with the red wings?!? they're a fine team! they assembled one of the best hockey squads of all time last year! there's a couple minor league things going on, but the only one that comes to mind is the Whalers, and they're based in the comfy suburbian wasteland that's plymouth (about 20 miles outside of Detroit). There's the Detroit Shock, which is the women's basketball team, and I do believe the Detroit Drive is still playing arena football. anyone else think of any? - theakstonov -Original Message- From: Jason Donnelly [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 05, 2002 8:36 AM To: 313@hyperreal.org Subject: (313) Detroit clothing - sporty angle Afternoon all! Good friend is flying to Detroit for a couple of days and asked if there was anything I would like. Looking for the less 'obvious' sporting team tops, i.e. not the Red Wings or Tigers. any suggestions??? are there any minor league ice hockey/ baseball teams in the D?? thanks jason
Re: (313) to move or not to move.
Thanks for your comments James, appreciated. Perhaps I should clarify... I realise there is a term "dance music", used by general consensus for music played in clubs/bars/... for people to dance to. Fine. I don't have any problems with that. The argument was rather about *having* to dance to dance music whether you actually like to dance or not. And my point is that call it what you like, you don't *have* to dance to it - in which case for *you* it's *not* dance music. See, I dance to all sorts of music if I feel like it, even ambient. So any music that makes me dance is at that moment dance music to *me* even if not by general consensus OK, I might be tying myself in a knot here but I think you get my drift. > sure you can listen to it at home, but the place it makes sense, and the > place to judge it, is on a dancefloor. you can send a dance floor into > convulsions with just an 808 rhythm track. put that on the home stereo and > most people will think it sounds dull repetitive and boring. I do listen to that kinda music at home, and it makes just as much sense there as it does on the dancefloor. Why should I just judge it on the dancefloor and not at home? Because that's where most people feel it? I know what you mean but sorry, then I'm just not "most people". Could we agree that people like that exist? : ) [re Jeff's post again:] And that it shouldn't matter how they try to bring their point across, either. It's about respecting others. We don't have to be friends with everyone but at least show them respect, regardless of how much we might dislike their ways and opinions. If we were all the same then we wouldn't have all this beautiful music that this list is all about. > and that's why i'm calling it dance music. just try shooting me. How about a pancake match? ; ) I have to try out Kent's recipe soon. No wait, I want to eat those...! Thanks for listening. Respect, Anya : ) > From: James Bucknell <[EMAIL PROTECTED]> > Date: Tue 05/Nov/2002 16:39 GMT > To: Anya Stang <[EMAIL PROTECTED]>, > <313@hyperreal.org> > Subject: Re: (313) to move or not to move. > > when people find out that i dj, it's not uncommon that they say they don't > like dance music. i then ask where they've been dancing, what clubs, what > djs. they usually reply that they don't go dancing, they just listened to > dance music at a friends place, on the radio etc. > that's when i point out that it's called dance music, not 'sitting on your > ass at home' listening music. > sure you can listen to it at home, but the place it makes sense, and the > place to judge it, is on a dancefloor. you can send a dance floor into > convulsions with just an 808 rhythm track. put that on the home stereo and > most people will think it sounds dull repetitive and boring. > > and that's why i'm calling it dance music. just try shooting me. > > one of the major problems with comtemporary dance music is that a lot of it > is actually made for listening, not dancing. there's a bigger market for > record companies making listening music. i'm referring to all the crap mix > cds, like the global series etc. > james ___ Freeserve AnyTime, only £13.99 per month with one month's FREE trial! For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890
RE: (313) Detroit clothing - sporty angle
and just what the hell is wrong with the red wings?!? they're a fine team! they assembled one of the best hockey squads of all time last year! there's a couple minor league things going on, but the only one that comes to mind is the Whalers, and they're based in the comfy suburbian wasteland that's plymouth (about 20 miles outside of Detroit). There's the Detroit Shock, which is the women's basketball team, and I do believe the Detroit Drive is still playing arena football. anyone else think of any? - theakstonov -Original Message- From: Jason Donnelly [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 05, 2002 8:36 AM To: 313@hyperreal.org Subject: (313) Detroit clothing - sporty angle Afternoon all! Good friend is flying to Detroit for a couple of days and asked if there was anything I would like. Looking for the less 'obvious' sporting team tops, i.e. not the Red Wings or Tigers. any suggestions??? are there any minor league ice hockey/ baseball teams in the D?? thanks jason
(313) Detroit clothing - sporty angle
Afternoon all! Good friend is flying to Detroit for a couple of days and asked if there was anything I would like. Looking for the less 'obvious' sporting team tops, i.e. not the Red Wings or Tigers. any suggestions??? are there any minor league ice hockey/ baseball teams in the D?? thanks jason
(313) re : deep house
anyone who is doubting the validity of the term 'deep house' in sydney should come across the border to Perth. we have a couple of nights one called Esoteric and the other Deep City. if deep house is not played at either of these I'll be damned! btw what is the name of the first track in that dandy jack set? I want it! http://careers.yahoo.com.au - Yahoo! Careers - 1,000's of jobs waiting online for you!
(313) Planet E
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Hello. Picked up the new Todd Sines record the other week - nice stuff. Just wondered if anyone on the list had heard/seen/can confirm the supposed 'limited edition' Carl craig mixes on a seperate 12"? Thought they were due out soon.? Also has anyone heard the new E-Dancer thing? Any good? Thanks, Alex - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
Re: (313) New Dance Show
On Tue, Nov 05, 2002 at 02:07:54AM -0500, Joseph Ross Lynn IV wrote: > Wondering if anyone out there has info on the New Dance Show. > Please reply in private. DJ OutKold, one of the original New Dance Show DJs, has been doing 'Deep Heat' nights with Waxmaster D Smooth, T. Linder, Todd Weston, and crew wednesday nights at the Lager House in detroit for the last couple years, up until a few months ago. It's since moved to Saturdays at Foran's Irish Pub, on Woodward and Congress, a couple blocks north of Jefferson. Cover is $3/$5. ...and if you're looking for VHS tapes of the episodes, complete with homegrown (...and MISSPELLED!) commercials, you'll have to talk to brian gillespie, or the man, RJ Watkins, himself. ;) -- --darkcube [ ethereal / subterrain / uberhax0r ] --email : [EMAIL PROTECTED] / AOL IM : el8haqr --#include
Re: (313) theo track id
> It's deffo James Mason, "Sweet Power Your Embrace" from the LP "Rhythm of > Life" (which got repressed about 18 months or so ago). Not sure if it > came out on a 12 or not... > > >pretty sure it's james mason It did come out on 12" fairly recently, i.e. about 2 or 3 years ago. One of those reissue series, I forget which label, but the kind of thing you pick up in Selectadisc/Fopp. Also track down his absolutely stunning "I Want Your Love" 12" from the mid 90s. I'm pretty sure Soul Brother reissued that too, but my copy's on Mighty Fine. It's essential.
(313) bbc radios with metro area
does any one have trouple pulling up METRO AREAS live set here it wont let me skip the MA show. is everyone else getting the screen where you can pull up hte show but hot the MA ryan burns music will live one forever! _ Unlimited Internet access -- and 2 months free! Try MSN. http://resourcecenter.msn.com/access/plans/2monthsfree.asp
(313) theo track id
Memo from Alex Bond of PricewaterhouseCoopers Start of message text It's deffo James Mason, "Sweet Power Your Embrace" from the LP "Rhythm of Life" (which got repressed about 18 months or so ago). Not sure if it came out on a 12 or not... >pretty sure it's james mason >Rc >on 5/11/02 6:20 PM, nathan goode at [EMAIL PROTECTED] wrote: > hi all > > on the "Detroit House & Classics" mix by Theo on Deephousepage, can anyone > one please tell me what the first track is? > > Has the lyrics: > > Sweet power, your embrace around me, i am saved, sweet power, your embrace. > > thanks in advance > > nath > - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
Re: (313) track id - theo mix
> on the "Detroit House & Classics" mix by Theo on Deephousepage, can anyone > one please tell me what the first track is? > > Has the lyrics: > > Sweet power, your embrace around me, i am saved, sweet power, your embrace. 'Sweet Power Your Embrace' by James Mason - it's the first track on the 'Rhythm of Life' album which was re-issued a couple of years ago on Soul Brother Records. Shouldn't be too hard to find... Cheers, Tom
RE: (313) stuff
Yeah, I think many dismissed this too quickly. Sometimes it's hard to tell what's likely to have been contributed by DM & what's come from Hillage & co, but again this matters little. I picked up the 2 bits of vinyl 2 months ago and have grown to like all of it. I'm after the cd now as it has more tracks. k >-Original Message- >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] >Sent: Monday, November 04, 2002 10:59 PM >To: 313@hyperreal.org >Subject: (313) stuff > > > >don't sleep on the system 7 & derrick may 'mysterious traveller'. finally a >great rhythm is rhythm album. the guitar is occasionally inappropriate, but >when the rest of it is so good it hardly matters. techno as it should be, >groovy, expressive, emotional, & funky. yep i like it. > >p >
Re: (313) track id - theo mix
pretty sure it's james mason Rc on 5/11/02 6:20 PM, nathan goode at [EMAIL PROTECTED] wrote: > hi all > > on the "Detroit House & Classics" mix by Theo on Deephousepage, can anyone > one please tell me what the first track is? > > Has the lyrics: > > Sweet power, your embrace around me, i am saved, sweet power, your embrace. > > thanks in advance > > nath >
(313) track id - theo mix
hi all on the "Detroit House & Classics" mix by Theo on Deephousepage, can anyone one please tell me what the first track is? Has the lyrics: Sweet power, your embrace around me, i am saved, sweet power, your embrace. thanks in advance nath
Re: (313) magic trax/ Fowlkes
> Tracklisting: > A1 Infiniti - Flash Flood > A2 Ron Cook - FFWD > B1 Drexciya - Positron Island > B2 Infiniti - Hardrive > > I am ordering it assuming that is right (and based on Jonny's info), > although Tresor does not confirm in their shop. yep, the above is correct and the loudness to me sounds fine. all tracks are great, apart from the drexciya, IMO, a bit too hard for me, but others might like it. cheers nath
(313) New Dance Show
Greetings, Wondering if anyone out there has info on the New Dance Show. Please reply in private. Thanks, J. -- Knecht P.S. I think the new Metro Area is the best album I've heard in years. Cheers to Morgan and Darshan.
Re: (313) deep house
try living in adelaide :-( i don't seem to be able to find anything cool to go to. i'm into deep house too, and would love to play out. the only hope i see is organising something myself. maybe i should move over to melb and experience honkytonks, which from patrick's email below, and other's reports, sounds great!! also i'd love to hear some of cyclone's 'sexy' dj sets when she plays!!! deep house = sexy!! nath np - callisto - the cimmerian. - Original Message - From: Patrick Wacher <[EMAIL PROTECTED]> To: 313 Detroit <313@hyperreal.org> Sent: Tuesday, November 05, 2002 11:34 AM Subject: RE: (313) deep house (was 100 BEST DJ IN THE WORLD (Mills) > I agree, it's pretty hard to find real deep house in Sydney. It may pop up > once in a while at a one off party or on the radio, but mostly it's pretty > weak off-shoots. > > After spending the weekend down in Melbourne, it's definately a great place > to hear deep house... and I gotta say Angela Maison really throws it down @ > Honkey Tonks on Saturday nights. Man, she was playing some great tracks. One > of Melbourne's best dj's! > > Peace, > Patrick. > > -Original Message- > From: James Bucknell [mailto:[EMAIL PROTECTED] > Sent: Wednesday, November 06, 2002 4:00 AM > To: Cyclone Wehner; 313 Detroit > Subject: Re: (313) deep house (was 100 BEST DJ IN THE WORLD (Mills) > > > i'm a deep house (among other genres) dj who moved (back) to sydney after 10 > years in new york. i can't get a booking playing deep house here. i get > booked to play techno and electro. > the stuff that people in sydney call deep house has nothing to do with the > stuff i play. > i go to nights billed as deep house here and they're playing progressive. > laylo and bushwacka are't deep house, and nor are peace division. > > i hope someone can prove me wrong and tell me where they're playing real > house in sydney, i realy really want to go dancing. > > maybe melbounre is better (i did get booked to play a house set in melbourne > at a club called honkytonks, but my records box never showed up). > james > > > From: "Cyclone Wehner" <[EMAIL PROTECTED]> > > Date: Tue, 05 Nov 2002 03:20:59 +1100 > > To: 313 Detroit <313@hyperreal.org> > > Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) > > > > I had a feeling my 'sleep house' would get me into trouble. > > > > ;) > > > > I am just so frustrated that here in Australia house promoters want to > book > > these new school house DJs who play so smooth you wanna bring a pillow and > > drink cocoa yet they don't wanna book great DJs from the US as they're not > > hip (well maybe West Coast). You just know that they were into Sasha, not > > Kevin Saunderson and Mayday, back in the day. They play great records (eg > > Classic) just very boringly. It's... nice. > > > > There's one particular don of sleep house from the UK but I don't wanna > get > > in trouble. > > > > If you're getting that kinda response then you're not playing sleep house. > > > > Sleep house DJs don't mess with the EQs much or anything much like that, > > it's all about The Mix. It's not a performance, it's not innovative, it's > > just immaculately boring. I can't think of any 313 sleep housers. > > > >> From: "Jonny McIntosh" <[EMAIL PROTECTED]> > >> Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) > >> Date: 05/11/2002 2:16:38 > >> To: "313 Detroit" <313@hyperreal.org> > >> > >> Personally, I like to get the dancers dancing and the 'spotters > 'spotting: I > >> like having the whooping, screaming, yelling, jacking, climbing the walls > >> AND the googly eyed "what's he doing?!? What's that record?!" You don't > have > >> to dance to recognise that it's a pretty similar achievement: everyone > comes > >> away saying, damn he/she banged it out - *that's* what I'm after. > >> > >> As to how you do it, do it any way you want to. I used to do tricks far > more > >> than I do now, I now never scratch beyond the odd second copy doubling > up, > >> and I pretty much conform to Cyclone's "sleep house" school of DJing. I > >> certainly *wouldn't* say that the mix supercedes the records - quite the > >> opposite - and in any case, it's just something that I have observed > works > >> better for the music I play. Some of the "sleep house" gang would say > that > >> mixing it up in the Mills style is mix over content, but they'd be > equally > >> wrong. It's horses for courses, and I suppose a good DJ will adapt > >> accordingly. In my case, it's certainly not lack of skill - I'm relying > on > >> some charity here :) - nor is it some deeper than thou homage to the > house > >> canon, it just works for me. Not to say there aren't style over content > DJs, > >> but they're the *real* boring ones. > >> > >> All just IMHO. > > >
(313) Sound Signature Website
Does anyone know what happened to it? I can't seem to get through to it anymore over at http://www.soundsignature.net -- dave.
Re: (313) stuff
I listened to this for the first time in a chill in party here in Porto Alegre. i didnt even knew the records has been released and i could tell it was May just because of the unique drum programing. what a record!! i was expecting for something from him.. - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, November 04, 2002 8:59 PM Subject: (313) stuff > > don't sleep on the system 7 & derrick may 'mysterious traveller'. finally a > great rhythm is rhythm album. the guitar is occasionally inappropriate, but > when the rest of it is so good it hardly matters. techno as it should be, > groovy, expressive, emotional, & funky. yep i like it. > > p > >
RE: (313) deep house
Open up your favorite IRC client and log onto an Efnet server, join #313 and ask there. There's a good number of people there that are: 1. From Australia 2. Deep House DJ's or love deep house I'm there as logic7, Chris Gray from Deep4Life is there as "moona", DaRand Land and Sweet Abraham are also there from time to time. -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 05, 2002 12:00 PM To: Cyclone Wehner; 313 Detroit Subject: Re: (313) deep house (was 100 BEST DJ IN THE WORLD (Mills) i'm a deep house (among other genres) dj who moved (back) to sydney after 10 years in new york. i can't get a booking playing deep house here. i get booked to play techno and electro. the stuff that people in sydney call deep house has nothing to do with the stuff i play. i go to nights billed as deep house here and they're playing progressive. laylo and bushwacka are't deep house, and nor are peace division. i hope someone can prove me wrong and tell me where they're playing real house in sydney, i realy really want to go dancing. maybe melbounre is better (i did get booked to play a house set in melbourne at a club called honkytonks, but my records box never showed up). james
RE: (313) deep house (was 100 BEST DJ IN THE WORLD (Mills)
I agree, it's pretty hard to find real deep house in Sydney. It may pop up once in a while at a one off party or on the radio, but mostly it's pretty weak off-shoots. After spending the weekend down in Melbourne, it's definately a great place to hear deep house... and I gotta say Angela Maison really throws it down @ Honkey Tonks on Saturday nights. Man, she was playing some great tracks. One of Melbourne's best dj's! Peace, Patrick. -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: Wednesday, November 06, 2002 4:00 AM To: Cyclone Wehner; 313 Detroit Subject: Re: (313) deep house (was 100 BEST DJ IN THE WORLD (Mills) i'm a deep house (among other genres) dj who moved (back) to sydney after 10 years in new york. i can't get a booking playing deep house here. i get booked to play techno and electro. the stuff that people in sydney call deep house has nothing to do with the stuff i play. i go to nights billed as deep house here and they're playing progressive. laylo and bushwacka are't deep house, and nor are peace division. i hope someone can prove me wrong and tell me where they're playing real house in sydney, i realy really want to go dancing. maybe melbounre is better (i did get booked to play a house set in melbourne at a club called honkytonks, but my records box never showed up). james > From: "Cyclone Wehner" <[EMAIL PROTECTED]> > Date: Tue, 05 Nov 2002 03:20:59 +1100 > To: 313 Detroit <313@hyperreal.org> > Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) > > I had a feeling my 'sleep house' would get me into trouble. > > ;) > > I am just so frustrated that here in Australia house promoters want to book > these new school house DJs who play so smooth you wanna bring a pillow and > drink cocoa yet they don't wanna book great DJs from the US as they're not > hip (well maybe West Coast). You just know that they were into Sasha, not > Kevin Saunderson and Mayday, back in the day. They play great records (eg > Classic) just very boringly. It's... nice. > > There's one particular don of sleep house from the UK but I don't wanna get > in trouble. > > If you're getting that kinda response then you're not playing sleep house. > > Sleep house DJs don't mess with the EQs much or anything much like that, > it's all about The Mix. It's not a performance, it's not innovative, it's > just immaculately boring. I can't think of any 313 sleep housers. > >> From: "Jonny McIntosh" <[EMAIL PROTECTED]> >> Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) >> Date: 05/11/2002 2:16:38 >> To: "313 Detroit" <313@hyperreal.org> >> >> Personally, I like to get the dancers dancing and the 'spotters 'spotting: I >> like having the whooping, screaming, yelling, jacking, climbing the walls >> AND the googly eyed "what's he doing?!? What's that record?!" You don't have >> to dance to recognise that it's a pretty similar achievement: everyone comes >> away saying, damn he/she banged it out - *that's* what I'm after. >> >> As to how you do it, do it any way you want to. I used to do tricks far more >> than I do now, I now never scratch beyond the odd second copy doubling up, >> and I pretty much conform to Cyclone's "sleep house" school of DJing. I >> certainly *wouldn't* say that the mix supercedes the records - quite the >> opposite - and in any case, it's just something that I have observed works >> better for the music I play. Some of the "sleep house" gang would say that >> mixing it up in the Mills style is mix over content, but they'd be equally >> wrong. It's horses for courses, and I suppose a good DJ will adapt >> accordingly. In my case, it's certainly not lack of skill - I'm relying on >> some charity here :) - nor is it some deeper than thou homage to the house >> canon, it just works for me. Not to say there aren't style over content DJs, >> but they're the *real* boring ones. >> >> All just IMHO. >
RE: (313) deep house (was 100 BEST DJ IN THE WORLD (Mills)
Check out the Deep Space Parties in Sydney for some quality house like Theo Parish, Moody man etc. -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: Wednesday, 6 November 2002 4:00 AM To: Cyclone Wehner; 313 Detroit Subject: Re: (313) deep house (was 100 BEST DJ IN THE WORLD (Mills) i'm a deep house (among other genres) dj who moved (back) to sydney after 10 years in new york. i can't get a booking playing deep house here. i get booked to play techno and electro. the stuff that people in sydney call deep house has nothing to do with the stuff i play. i go to nights billed as deep house here and they're playing progressive. laylo and bushwacka are't deep house, and nor are peace division. i hope someone can prove me wrong and tell me where they're playing real house in sydney, i realy really want to go dancing. maybe melbounre is better (i did get booked to play a house set in melbourne at a club called honkytonks, but my records box never showed up). james > From: "Cyclone Wehner" <[EMAIL PROTECTED]> > Date: Tue, 05 Nov 2002 03:20:59 +1100 > To: 313 Detroit <313@hyperreal.org> > Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) > > I had a feeling my 'sleep house' would get me into trouble. > > ;) > > I am just so frustrated that here in Australia house promoters want to > book these new school house DJs who play so smooth you wanna bring a > pillow and drink cocoa yet they don't wanna book great DJs from the US > as they're not hip (well maybe West Coast). You just know that they > were into Sasha, not Kevin Saunderson and Mayday, back in the day. > They play great records (eg > Classic) just very boringly. It's... nice. > > There's one particular don of sleep house from the UK but I don't > wanna get in trouble. > > If you're getting that kinda response then you're not playing sleep > house. > > Sleep house DJs don't mess with the EQs much or anything much like > that, it's all about The Mix. It's not a performance, it's not > innovative, it's just immaculately boring. I can't think of any 313 > sleep housers. > >> From: "Jonny McIntosh" <[EMAIL PROTECTED]> >> Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) >> Date: 05/11/2002 2:16:38 >> To: "313 Detroit" <313@hyperreal.org> >> >> Personally, I like to get the dancers dancing and the 'spotters >> 'spotting: I like having the whooping, screaming, yelling, jacking, >> climbing the walls AND the googly eyed "what's he doing?!? What's >> that record?!" You don't have to dance to recognise that it's a >> pretty similar achievement: everyone comes away saying, damn he/she >> banged it out - *that's* what I'm after. >> >> As to how you do it, do it any way you want to. I used to do tricks >> far more than I do now, I now never scratch beyond the odd second >> copy doubling up, and I pretty much conform to Cyclone's "sleep >> house" school of DJing. I certainly *wouldn't* say that the mix >> supercedes the records - quite the opposite - and in any case, it's >> just something that I have observed works better for the music I >> play. Some of the "sleep house" gang would say that mixing it up in >> the Mills style is mix over content, but they'd be equally wrong. >> It's horses for courses, and I suppose a good DJ will adapt >> accordingly. In my case, it's certainly not lack of skill - I'm >> relying on some charity here :) - nor is it some deeper than thou >> homage to the house canon, it just works for me. Not to say there >> aren't style over content DJs, but they're the *real* boring ones. >> >> All just IMHO. > A Member of the Concorde International Travel Group. Over 50 years of travel experience, solutions and knowledge in servicing our customers. Please visit us at http://www.concorde.com.au == Legal Information This email and any files transmitted with it are confidential and intended solely for the use of the individual or entity to whom they are addressed. If you have received this email in error please notify us immediately and delete the e-mails and all copies. Concorde does not guarantee that this e-mail is virus or error free. The attached files are provided and may only be used on the basis that the user assumes all responsibility for any loss, damage or consequence resulting directly or indirectly from the use of the attached files, whether caused by the negligence of the sender or not. Concorde is not responsible for any changes made to a document other than those made by Concorde, or for the effect of any changes (not made by Concorde) on a documents meaning. The content and opinions in non-business e-mail are not necessarily those of Concorde. Thank you. ==
Re: (313) deep house (was 100 BEST DJ IN THE WORLD (Mills)
i'm a deep house (among other genres) dj who moved (back) to sydney after 10 years in new york. i can't get a booking playing deep house here. i get booked to play techno and electro. the stuff that people in sydney call deep house has nothing to do with the stuff i play. i go to nights billed as deep house here and they're playing progressive. laylo and bushwacka are't deep house, and nor are peace division. i hope someone can prove me wrong and tell me where they're playing real house in sydney, i realy really want to go dancing. maybe melbounre is better (i did get booked to play a house set in melbourne at a club called honkytonks, but my records box never showed up). james > From: "Cyclone Wehner" <[EMAIL PROTECTED]> > Date: Tue, 05 Nov 2002 03:20:59 +1100 > To: 313 Detroit <313@hyperreal.org> > Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) > > I had a feeling my 'sleep house' would get me into trouble. > > ;) > > I am just so frustrated that here in Australia house promoters want to book > these new school house DJs who play so smooth you wanna bring a pillow and > drink cocoa yet they don't wanna book great DJs from the US as they're not > hip (well maybe West Coast). You just know that they were into Sasha, not > Kevin Saunderson and Mayday, back in the day. They play great records (eg > Classic) just very boringly. It's... nice. > > There's one particular don of sleep house from the UK but I don't wanna get > in trouble. > > If you're getting that kinda response then you're not playing sleep house. > > Sleep house DJs don't mess with the EQs much or anything much like that, > it's all about The Mix. It's not a performance, it's not innovative, it's > just immaculately boring. I can't think of any 313 sleep housers. > >> From: "Jonny McIntosh" <[EMAIL PROTECTED]> >> Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) >> Date: 05/11/2002 2:16:38 >> To: "313 Detroit" <313@hyperreal.org> >> >> Personally, I like to get the dancers dancing and the 'spotters 'spotting: I >> like having the whooping, screaming, yelling, jacking, climbing the walls >> AND the googly eyed "what's he doing?!? What's that record?!" You don't have >> to dance to recognise that it's a pretty similar achievement: everyone comes >> away saying, damn he/she banged it out - *that's* what I'm after. >> >> As to how you do it, do it any way you want to. I used to do tricks far more >> than I do now, I now never scratch beyond the odd second copy doubling up, >> and I pretty much conform to Cyclone's "sleep house" school of DJing. I >> certainly *wouldn't* say that the mix supercedes the records - quite the >> opposite - and in any case, it's just something that I have observed works >> better for the music I play. Some of the "sleep house" gang would say that >> mixing it up in the Mills style is mix over content, but they'd be equally >> wrong. It's horses for courses, and I suppose a good DJ will adapt >> accordingly. In my case, it's certainly not lack of skill - I'm relying on >> some charity here :) - nor is it some deeper than thou homage to the house >> canon, it just works for me. Not to say there aren't style over content DJs, >> but they're the *real* boring ones. >> >> All just IMHO. >
Re: (313) to move or not to move.
when people find out that i dj, it's not uncommon that they say they don't like dance music. i then ask where they've been dancing, what clubs, what djs. they usually reply that they don't go dancing, they just listened to dance music at a friends place, on the radio etc. that's when i point out that it's called dance music, not 'sitting on your ass at home' listening music. sure you can listen to it at home, but the place it makes sense, and the place to judge it, is on a dancefloor. you can send a dance floor into convulsions with just an 808 rhythm track. put that on the home stereo and most people will think it sounds dull repetitive and boring. and that's why i'm calling it dance music. just try shooting me. one of the major problems with comtemporary dance music is that a lot of it is actually made for listening, not dancing. there's a bigger market for record companies making listening music. i'm referring to all the crap mix cds, like the global series etc. james > From: Anya Stang <[EMAIL PROTECTED]> > Date: Mon, 4 Nov 2002 16:09:05 + > To: 313@hyperreal.org > Subject: (313) to move or not to move. > > Whoever coined the term "dance music" should be shot. ; ) > > That a certain kind of music makes _you_ want to dance Robert, doesn't > necessarily mean that _every_body feels the same, has to dance to it. > For example, All who know me know that I totally love to dance, and > appreciate it when the music gets me going and I can lose myself on > the dancefloor. > But I can just as well spend the night at a club and hardly move > a foot - just cos I don't feel like it. Or whatever the reason might be. > In whatever mood I'm in, I don't expect others to feel the same way > as I do - as long as they don't jump on my feet when I just feel like > head-nodding, and don't get in my way when I wanna dance. It goes > without saying that the same applies to myself. > And I know that Jeff was not trying to be pretentious, it was simply > his way of getting his point across innit. : ) Which he did really > well imo. No need to jump on him like that. > Ah fekk Mondays... > > Has anyone seen that there's a new Clicks'n'Cuts out on Mille Plateaux? > What's it like? And Mike Shannon's album Slight Of Hand? > Cheers, > > Anya *dancing home now* ; ) > >> From: Robert Taylor <[EMAIL PROTECTED]> >> Date: Mon 04/Nov/2002 15:37 GMT >> To: "'Mxyzptlk'" <[EMAIL PROTECTED]>, >> Toby Frith >> <[EMAIL PROTECTED]>, >> Cyclone Wehner <[EMAIL PROTECTED]>, >> 313 Detroit <313@hyperreal.org> >> Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills) >> >> F*** ART, LET'S DANCE. I didn't get to the end of that piece I almost fell >> asleep trying to get to grips with its faux-intellectual weightiness. >> Don't be so pretentious ferchrisakes it's dance music! > > ___ > Freeserve AnyTime, only £13.99 per month with one month's FREE trial! > For more information visit http://www.freeserve.com/time/ or call free on 0800 > 970 8890 > > >
