Re: (313) Timeline in Italy
So, what can i expect from these guys? fab > > I am suprised this is such a mystery to people.. > > Danny Caballero - DJ Dex > Raphael Merriweathers - MIA > Santiago Salazar - S2 > > Dj Dex and S2 are the youngest UR operatives.i saw MIA and Dex play > live with Chaos when we brought them out to play for us...great > guys...great show. Dj Dex is a really good dj as well, definatly a force > coming up to be reconed with > > Michael > www.renegaderhythms.com
Re: (313) 909s
Im experiencing some difficulties to find 'the perfect sample'. Does anyone here use software drum machines, like NI Battery, FXPansion DR008? DR008 have an emulated TR-909, I dont know it it's good as the 909 hardware, I supose that it isnt but Ive never worked with a 909. And there's a sample pack from NI called Synthetic Drums that's already compiled to work with battery or kontakt. What do they you use for drums? Samuel De Tomasi - Original Message - From: "Dennis DeSantis" <[EMAIL PROTECTED]> To: "Peteri, Jochem" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Tuesday, April 20, 2004 6:36 AM Subject: Re: (313) 909s > Peteri, Jochem wrote: > > > And the kick is essential, you cannot sample this baby. > > Can you elaborate on this? > > I'm not arguing with it. I'm just not clear on the idea of an > "unsampleable" sound. > > -- > Dennis DeSantis > www.dennisdesantis.com >
Re: (313) mojo
I'm never seen info about a Electrifying Mojo's cassette called "the Mental Machine" (a book opera) engineered by David Lee, any info Thanks in advance - Mensaje original - De: <[EMAIL PROTECTED]> Para: <313@hyperreal.org> Enviado: martes, 20 de abril de 2004 0:31 Asunto: (313) mojo > http://www.detroitbumps.com/audio/mojofull.rm > > and here you thought he just played Model 500
RE: (313) Timeline in Italy
> Who are these people: "Danny Caballero, Raphael Merriweathers and > Santiago Salazar"? I am suprised this is such a mystery to people.. Danny Caballero - DJ Dex Raphael Merriweathers - MIA Santiago Salazar - S2 Dj Dex and S2 are the youngest UR operatives.i saw MIA and Dex play live with Chaos when we brought them out to play for us...great guys...great show. Dj Dex is a really good dj as well, definatly a force coming up to be reconed with Michael www.renegaderhythms.com
Re: (313) Walter Jones is/is not Walt J?
- Original Message - From: <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Tuesday, April 20, 2004 11:46 AM Subject: Re: (313) Walter Jones is/is not Walt J? > I wondered that as well and feel the same about this record too. > > All three tracks are wwonderful. I asked this some time last year when a 12" of his with a Maurice Fulton remix came out. Turned out I prefered the original! At the time I was told they were indeed different people. Can't recall the source though. :/ Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: AW: (313) Loveparade 2004?
double post? my point is- the 'festival' that someone posted we're just large single events. Love Parade is a whole weekend of activity surrounding the actual parade itself. Same with Movement. Those sorts of weekends are rare. On Tue, 20 Apr 2004, Katrin Richter wrote: > To your information: The Love Parade is a parade which is only during the > day from 2 to ten pm. You are probably talking about all the other events > that take place during the whole weekend in numerous clubs around Berlin > > > > > -Ursprüngliche Nachricht- > Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Gesendet: Montag, 19. April 2004 20:40 > An: Blackman, Ryan (UKEKT) > Cc: Robert Taylor; Jari Tolkkinen; 313@hyperreal.org > Betreff: RE: (313) Loveparade 2004? > > but are the promarily dace events? > > we can debate the meanng of 'festival' all day to no avail. > > i was mearly pointing out the some of hat people call 'festivals' are just > big night long events- hardly the same a full weekend offered up by love > parade or movement > > On Mon, 19 Apr 2004, Blackman, Ryan (UKEKT) wrote: > > > I don't know about that - take Glastonbury Festival, or Reading, Isle Of > > Wight, all the Virgin rubbish they do here too - none of those are free, > but > > they're definately festivals. > > > > -Original Message- > > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > > Sent: 16 April 2004 6:04 > > To: Robert Taylor > > Cc: Jari Tolkkinen; 313@hyperreal.org > > Subject: RE: (313) Loveparade 2004? > > > > > > my point was- aren't awakenings just giant raves where you pay ticket and > > walk through security and have you 10-12 hours of technoy goodness and go > > home? > > > > as opposed to festivals like love parade and movement that arr free and > > open to the public. they take place in a public space as opposed to a > > 'venue' and encompass a whole weekends worth of happenings as opposed to > > just one long night out. > > > > On Fri, 16 Apr 2004, Robert Taylor wrote: > > > > > Eryes. That's what festivals are, Yussel! > > > > > > -Original Message- > > > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > > > Sent: Thursday, April 15, 2004 5:31 PM > > > To: Robert Taylor > > > Cc: Jari Tolkkinen; 313@hyperreal.org > > > Subject: RE: (313) Loveparade 2004? > > > > > > > > > am i wrong, or arent' these more just giant parties? > > > > > > > > > > > > > > > > > > On Thu, 15 Apr 2004, Robert Taylor wrote: > > > > > > > I can think of two off the top of my head. > > > > > > > > Primavera: http://www.primaverasound.com/ > > > > " !!! (SMOG) 12TWELVE 24 GRANA A TOUCH OF CLASS (DJ'S) ALEXANDER > > ROBOTNICK ASCII.DISKO ATOM RHUMBA B. FLEISCHMANN BENJAMIN BIOLAY BLACK > > STROBE CASIOTONE FOR THE PAINFULLY ALONE CHICKS ON SPEED AND THE NO HEADS > > CHUCHO COLDER CRISTIAN VOGEL (DJ) DAVID HOLMES (DJ) DAYNA KURTZ DEVENDRA > > BANHART DIZZEE RASCAL DJ/RUPTURE DOMINIQUE A EDISON WOODS ELBOW > ELECTRELANE > > EROL ALKAN (DJ) FANNYPACK FERENC FERNANDO ALFARO & NACHO VEGAS FRANZ > > FERDINAND FUNK D'VOID (DJ) GINFERNO HUMBERT HUMBERT JAMES CHANCE & THE > > CONTORTIONS JAMES MURPHY (DJ) JASON FORREST/ DONNA SUMMER JULIE DELPY > JULIE > > DOIRON KID 606 LA BUENA VIDA LAS PERRAS DEL INFIERNO LIARS LLOYD COLE > LLUÍS > > LLACH LOVE OF LESBIAN LUKE SLATER (DJ) MARCO PASSARANI (DJ) MATMOS MICHAEL > > GIRA MISS KITTIN (DJ) MUDHONEY NINA NASTASIA NUMBERS PAT MacDONALD PIXIES > PJ > > HARVEY PLAID PREFUSE 73 PRETTY GIRLS MAKE GRAVES PRIMAL SCREAM REFREE > RHYTHM > > & SOUND featuring Paul St. Hilaire RUPER ORDORIKA SCISSOR SISTERS SUN KIL > > MOON TÉLÉFAX TECHNASIA (DJ) THE BUG THE DIVINE COMEDY THE FALL THE GLIMMER > > TWINS DJ'S THE HIDDEN CAMERAS THE LADYBUG TRANSISTOR THE MODERNIST THE > > RAVEONETTES THE RUSSIAN FUTURISTS VERACRUZ WILCO WILLARD GRANT CONSPIRACY > > XIU XIU" > > > > > > > > Awakenings: http://www.awakenings.nl/ > > > > > > > > LIVE: > > > > Alexander Kowalski > > > > Carlos Rios & Vincent de Wit > > > > Jacek Sienkiewics > > > > Joris Voorn > > > > Luciano > > > > Regis & James Ruskin > > > > > > > > DJ'S: > > > > Acid Maria & Electric Indigo > > > > Adam Beyer > > > > Bart Skils > > > > Cari Lekebusch > > > > Cristian Varela & Marco Bailey > > > > Chris Liebing > > > > Estroe & Shinedoe > > > > Gayle San > > > > Heiko Laux > > > > Herr ARTer & Terry Toner > > > > Koze > > > > Lars Klein & Jan Liefhebber > > > > Lucca > > > > Marco Remus > > > > Lauhaus & Melon > > > > Michel de Hey > > > > Miss Djax > > > > Misstress Barbara > > > > Monica Electronica > > > > Oscar Mulero > > > > PET Duo > > > > Petar Dundov & Steve Rachmad > > > > Phonopunk > > > > Ricardo Villalobos > > > > Rumenige & Loktibrada > > > > Steve Bug > > > > Tobi Neumann > > > > Vin-iLL > > > > Wighnomy Brothers > > > > > > > > I Love Techno: > > > > > > > > > > > > > > > > -Original Message- > > > > From: Jari Tolkkinen [mailto:[EMAIL PROTECTED] > > > > Sent: Thursday, April 15, 2004 9:53 AM > > > > To: 313@hyperreal.org > > > > S
RE: (313) London May 1 (Yeah ok, it's about 'Lost'!!)
why do i feel like no one is really in this conversation but me? and that's a stupid question. is an electric guitar old? depends on what you do with it. On Tue, 20 Apr 2004, Wibo Lammerts wrote: > Would you then consider an 909 drummachine to be oldschool, obsolete or ...? > > > -Oorspronkelijk bericht- > Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Verzonden: dinsdag 20 april 2004 0:20 > Aan: [EMAIL PROTECTED] > CC: 313 > Onderwerp: Re: (313) London May 1 (Yeah ok, it's about 'Lost'!!) > > case by case basis i suppose. ;) > > On Mon, 19 Apr 2004 [EMAIL PROTECTED] wrote: > > > > > > > > > > > Can the same be applied to producers who rehash old sounds? > > > > MEK > > > > > > > > [EMAIL PROTECTED] > > et To: Jason Brunton > <[EMAIL PROTECTED]> > >cc: 313 > <313@hyperreal.org> > > 04/19/04 04:17 PMSubject: Re: (313) London > May 1 (Yeah ok, it's about 'Lost'!!) > > > > > > > > > > > > > > no- play whatever you want. > > > > listen to whatever you want > > dance to whatever you want. > > > > just don't use a catch-phrase to act like you're on some 'next' sh*t by > > playing old records. > > > > > > > > > > On Mon, 19 Apr 2004, Jason Brunton wrote: > > > > > Does this mean I (or anyone else) shouldn't play a record that's "old" > > > even if I just heard it for the first time and it's "new" to me?? I > > > play records that are good- I really don't care how old or new they are > > > > > > Jason > > > > > > > > > On 16 Apr 2004, at 18:09, [EMAIL PROTECTED] wrote: > > > > > > >> > > > >> We're gonna go back in order to go > > > >> forward. > > > > > > > > > > > > > Attention all techno everyones!!! Please stop using this excuse to be > > > > retro. You are not going fowward by playing old records. You are being > > > > retro- which is fine. But stop faking it. > > > > > > > > > > > > > > > > > > > > > > > > > > >
RE: (313) 909s
"jomox xbase09 i think has this ability robin..." ... And the 313Techknow list has the ability to further handle this discussion. Before someone get's loud about this thread, join us there. It's been quiet lately. George Jones - Logic7 http://allways.nu http://www.geocities.com/labwerx --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.659 / Virus Database: 423 - Release Date: 4/15/2004
Re: (313) 909s
or use a 707/727 with a sampler at a fraction of the cost? The 707/727 only send MIDI note information when they're in song mode. What most people use these machines for is to fill them with patterns, and then switch patterns on the fly. Or they put them in step write or tap write mode, and change the pattern on the fly. Neither mode sends midi notes. i stand corrected...thanks kent All of the machines after the 606 are missing what I want -- to be able to switch patterns AND be able to edit patterns without stopping the sequencer. All the Rolands after the 606 want you stop the sequencer to switch patterns in write mode. This kind of petty annoyance is carried on with modern machines. The ER-1 at least will let you modify a pattern and switch patterns without stopping the sequencer, but it won't let you save a pattern without stopping the sequencer. WTF? jomox xbase09 i think has this ability robin...
Re: (313) 909s
On Tue, 20 Apr 2004, robin wrote: > > or use a 707/727 with a sampler at a fraction of the cost? > The 707/727 only send MIDI note information when they're in song mode. What most people use these machines for is to fill them with patterns, and then switch patterns on the fly. Or they put them in step write or tap write mode, and change the pattern on the fly. Neither mode sends midi notes. All of the machines after the 606 are missing what I want -- to be able to switch patterns AND be able to edit patterns without stopping the sequencer. All the Rolands after the 606 want you stop the sequencer to switch patterns in write mode. This kind of petty annoyance is carried on with modern machines. The ER-1 at least will let you modify a pattern and switch patterns without stopping the sequencer, but it won't let you save a pattern without stopping the sequencer. WTF?
Re: (313) mojo
>or attended Maurizio's for some beauty school lessons? heh heh! you gotta love those crazy-ass americano's you're all bonkers "need a truck?" "come to lesters, just ninety nine ninety nine - drive it home today" ha ha, I'm loving this tape man, loving it. "midnight funk association aerobics" w/ Model 500 "Technicolour" straight after the luve hour!!! come on, someone somewhere must have more of this s**t, this is ACE alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) 909s
or use a 707/727 with a sampler at a fraction of the cost? robin... John Coleman wrote: i wont lie, sitting down and playing a 909 is almost as fun as playing a real drum set. but really what it came down to for me was that i didnt want to sound just like other people, so i sold it. true, a 909 sounds like a 909. not a huge variety of sounds there, though I love those sounds! i suppose the solution would be to unplug the audio and just use the 909 as a pattern sequencer. trigger sounds from a sampler or other drum machine or whatever off of the 909's MIDI out. you still have that 909 interface and it's nice swing, but with all-new sounds. :)
RE: (313) 909s
> i wont lie, sitting down and playing a 909 is almost as fun as > playing a real drum set. but really what it came down to for me > was that i didnt want to sound just like other people, so i sold > it. true, a 909 sounds like a 909. not a huge variety of sounds there, though I love those sounds! i suppose the solution would be to unplug the audio and just use the 909 as a pattern sequencer. trigger sounds from a sampler or other drum machine or whatever off of the 909's MIDI out. you still have that 909 interface and it's nice swing, but with all-new sounds. :)
Re: (313) mojo
[EMAIL PROTECTED] wrote: luve. it's what we're all about. anyone ever taken their girl on the "detroit moonlight cruise"? nope? or attended Maurizio's for some beauty school lessons? :) robin...
Re: (313) mojo
luve. it's what we're all about. anyone ever taken their girl on the "detroit moonlight cruise"? nope? sounds cool to me.. ; ) Alex p.s. anyone got any more mojo tapes? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) 909s
Madlib is the king of knowing what to do...there is a lil secret to the SP though, the marley marl trick It´s called hard-cut, and its a vitaliser patented by EMU built into the SP(and a lot of other EMU samplers). And ever touched the sequencer on the SP? I don´t know what they were thinking when they made it but that is the strangest machine i ever touched. You loop with a fader, its more LSD then a bob ross show i was reading an interview in wax poetics with madlib and mf doom recently. their LP together has alot of that old hiphop grittiness, no doubt. but madlib used nothing but the boss sp-303, a piece of crap recently made phrase sampler. he just knows what he is doing. tom The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
313@hyperreal.org
I think manufacturers should go back to making machines that do their intended job poorly. Like the 303 trying to replicate a real bass guitar. MEK "Ken Odeluga" <[EMAIL PROTECTED]To: "Peteri, Jochem" <[EMAIL PROTECTED]>, <313@hyperreal.org> ones.com>cc: Subject: RE: (313) 909s (&808) 04/20/04 04:47 AM >I know its weird, but ive been feeding it to the mpc and it wont >work...only if you loop it >its like those pedal hihats the dr rhythm makes if you double open >and closed hihats, everything goes all weird in the rhythm >section. Also, my compressor reacts totally different to an >original and a sampled 909 kick. I sample it straight from the >source(individual outs) and still the real kick kills anything >within sight.. > One of the reasons is the amount of imagination and energy that the original sound designers put into the sounds of the 909 and it's cousin, 808. Have you ever noticed for instance how the kicks - especially those ones with a long enough sustain to enable one to notice - *go marignally flat* towards the decay? That is such a distinct thing to observe and include. In fact, it is what a real kick drum does too. k
RE: (313) 909s
Musical styles have weaopons of choice to me a 909 is to techno as the rhodes to soul its not essential, but almost every soulrecord i pick up has one in it, and i dont do that on purpose.. i just think that you can really retain that old feeling without using the exact same pieces of gear. tom The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
RE: (313) 909s
- Original Message -- From: "Peteri, Jochem" <[EMAIL PROTECTED]> >a strange thing suddenly pops into my mind, the only time i got a kick which was as punchy as my 909 but still as deep was with my 12bit-sampler, a point proven by hiphop-productions on a daily bases(sp1200 anyone?)...strange but true > >Theo uses it, so there´s some 313 evidence of this as well, as did MK i believe. He looped the 909 in it, so the shuffle was 909 authentic stuff, but the boost came from the SP this is true, but its not even just the sp12 or 1200 in particular. if you downsample to 12 bit it makes kicks sound really really nice. it pretty much doesnt matter what sampler you use. you could even just convert the sample to 12 bit in soundforge and kick it out to a 16 bit sampler and itll still have that dusty TWOMP sound. i was reading an interview in wax poetics with madlib and mf doom recently. their LP together has alot of that old hiphop grittiness, no doubt. but madlib used nothing but the boss sp-303, a piece of crap recently made phrase sampler. he just knows what he is doing. tom andythepooh.com
RE: (313) 909s
-- Original Message -- From: "John Coleman" <[EMAIL PROTECTED]> >I also find programming beats into the 909 to be very natural and easy. I >find there's just an intuitiveness and quickness to it, I just slap the >909 into step mode, hit play, and start entering in patterns. It just >*feels* right. :) i wont lie, sitting down and playing a 909 is almost as fun as playing a real drum set. but really what it came down to for me was that i didnt want to sound just like other people, so i sold it. with the exception of my 2 roland synths (101 and juno 106) i decided that i would rather have machines that dont have an extremely distinct sound so that i can get my stuff to sound unlike other things. even the 106 i think can sound pretty varied, its mainly the 101 that i use to get a very recognizeable sound. for my drums i got a relatively non-distinct sampler (s3000xl) and i feed it with samples i make combining stomper and sampled kicks from funk, rock, and jazz records. ive gotten some killer kicks that have my own sound. and i use a computer to sequence, which can be very cool for getting wild swing. all i do is NOT QUANTIZE my hi hats and other percussion. try doing that with a 909 ; P anyway, obviously i have no problem with people who are into the old standard sounds considering how many records made with them that i buy. i just think that you can really retain that old feeling without using the exact same pieces of gear. tom andythepooh.com
RE: (313) 909s
a strange thing suddenly pops into my mind, the only time i got a kick which was as punchy as my 909 but still as deep was with my 12bit-sampler, a point proven by hiphop-productions on a daily bases(sp1200 anyone?)...strange but true Theo uses it, so there´s some 313 evidence of this as well, as did MK i believe. He looped the 909 in it, so the shuffle was 909 authentic stuff, but the boost came from the SP The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
Re: (313) 909s
Date: Tue, 20 Apr 2004 11:42:05 +0200 To: <313@hyperreal.org> From: "Peteri, Jochem" <[EMAIL PROTECTED]> Subject: RE: (313) 909s Message-ID: <[EMAIL PROTECTED]> I know its weird, but ive been feeding it to the mpc and it wont = work...only if you loop it its like those pedal hihats the dr rhythm makes if you double open and = closed hihats, everything goes all weird in the rhythm section. Also, my = compressor reacts totally different to an original and a sampled 909 = kick. I sample it straight from the source(individual outs) and still = the real kick kills anything within sight.. not really a scientific explanation but enough to keep the 909 in the = setup and give it half my mixer instead of giving it to the MPC(which = has replaced all other drummachines in my setup) hope its of some use. ; ) And the kick is essential, you cannot sample this baby. =20 Can you elaborate on this? I'm not arguing with it. I'm just not clear on the idea of an=20 "unsampleable" sound. --=20 Dennis DeSantis www.dennisdesantis.com The best I heard it explained was this way:: (Thanks Discovery Channel) Think of Digital (sampled drum hits in this case) as a light switch, the light is either on or off, yes or no, 1's and 0's. Think of Analog (a bass kick from 808/909 or old synth sound) as a bunch of maybes. There is no clear on/off. Electricity triggered by hitting the switch on the machine turns into a voltage spike that tells the machine to make a sound. Here is the main concept why sampling a 909/808 kick sounds weak, with the sample you get a "snapshot" of that one kick you sampled, that kick will be the same every single time you play it (yes/no, on/off). Whereas an analog kick changes depending on how circuits transduce that electricity, it will be different ever single time you play it. An analog kick will always sound "bigger", cause it's a living, breathing, moving thing, it fills space. Maybe that's where the concept of it being "unsampleable" comes from. I think as technology & sample rates get better digital will come closer to filling the gaps and the maybes that analog has provided for us. Some people here believe we are very close with some machines (waldorf, access, some software) with synth sounds. But nothing yet can compare to that 808/909 kick. We can emulate the hi-hats (mute groups on the MPC or software)...but not yet the kick. An 808/909 kick is a beautiful thing, but so is a sampled kick, break whatever. Hope this helps explain and didn't confuse the hell out of anybody. -Kevin
RE: (313) 909s
the MPC has that same feel, and gives me the intuitive programming aproach for a full track. Beats the hell out of that ext. key blah on the 909...Seriously, i used that a lot before i got my MPC. Haunting functionality, built to aggrevate... The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
RE: (313) 909s
I also find programming beats into the 909 to be very natural and easy. I find there's just an intuitiveness and quickness to it, I just slap the 909 into step mode, hit play, and start entering in patterns. It just *feels* right. :) I can do the same thing with other drum machines (the Machinedrum, for example) but not of the other ones i've used have that same tactile feel to them. Back to it just feeling right. > yeah, looping works. it took me about ten years to get with the whole > resample program im a lazy bum, but it works like crazy. Do a tune, > sample the different tracks and multiply your gear. The downside is you > still need a real 909 to create the loops
Re: (313) mojo
ha! >http://www.detroitbumps.com/audio/mojofull.rm thanks so much for posting this!! does anyone know when this tape's from? I'm listening to it now at work, with one earphone on. got a big grin, checking out mojo's styles. giving the big "up yours" to the accountants. : P is this what he's like all the time?? it's like John Peel on some deep LSD vibe. buzzing off all the adverts even. top one, you made me very happy. alex p.s. bootlegs = booties innit 808's = mates _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) 909s
yeah, looping works. it took me about ten years to get with the whole resample program im a lazy bum, but it works like crazy. Do a tune, sample the different tracks and multiply your gear. The downside is you still need a real 909 to create the loops -Original Message- From: House of Suki [mailto:[EMAIL PROTECTED] Sent: dinsdag 20 april 2004 15:13 To: Peteri, Jochem; 313@hyperreal.org Subject: RE: (313) 909s You will have a hard time sampling a single sample from an 808 or 909. the trick is to sample a pattern (just kicks or hat or whatever etc) so you get that slight drift The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
RE: (313) 909s
You will have a hard time sampling a single sample from an 808 or 909. the trick is to sample a pattern (just kicks or hat or whatever etc) so you get that slight drift -Original Message- From: Peteri, Jochem [mailto:[EMAIL PROTECTED] Sent: Tuesday, April 20, 2004 7:28 AM To: 313@hyperreal.org Subject: RE: (313) 909s I´ve tried to fiddle about a bit with that human feel, but i found it utterly useless...Did I miss something?? The R8 is a nice machine, although it has heavy sync-problems and in case im getting too much gear and not enough techno everybody sing with me "Rock...Rohooohooohooockrock to the beat" techno karaoke The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
RE: (313) Timeline in Italy
Who are these people: "Danny Caballero, Raphael Merriweathers and Santiago Salazar"? -Original Message- From: Fabrizio Nahum [mailto:[EMAIL PROTECTED] Sent: Tuesday, April 20, 2004 12:15 PM To: 313@hyperreal.org Subject: (313) Timeline in Italy Hi i just got this in, it maybe of interest to some of you. > Subject: mess. from M.Passarani: Finalfrontier 10th > birthday feat. UR / > Timeline Show > > Dear friends, this is Marco Passarani on the other > side of the connection. > Hope you're doing well. > > I'm sending you this email to advice you that this > week we're celebrating > the first ten years of our production company > Finalfrontier. > This special occasion will be celebrated during the > upcoming weekend with > two parties in Rome and in Bologna. > I do apologize if this is a "collective" email, that > was the only chance I > had to talk to all the persons we think that have > been important for the > life of our company. > > > Both parties will feature performances from the > Finalfrontier people like > Raiders of the lost ARP, Andrea Benedetti, > Francisco, Mat101 and of course > me as well but the very exciting news is that > Underground Resistance > featuring Mike Banks, Gerald Mitchell, Danny > Caballero, > Raphael Merriweathers and Santiago Salazar are > performing as well the > show it's called Timeline and maybe you've heard > about it since they've > done that already in Tokyo and in Paris. > This unique occasion to see them playing live it's > happening in Rome the > 23rd at the Brancalone club and in Bologna the 24th > at the Link (where Jeff > Mills will also join the room with his current "The > Exhibitionist" show). > > We know it's a bit late to advice you about this > events, but we decided to > keep the word very quiet in order to do that more as > a real party rather > than a big event. > > If you don't have anything special to do in the > weekend, well I think this > is a very good chance to see what's going on > overhere. > Both clubs are the best at the moment, and you'll > see a huge crowd > attending the night that surely will show you a side > of the roman city > maybe you don't expect. > > In case you wanna come over, especially for the 23rd > in Roma, we suggest > you to get in touch with us in order to have a > reservation for the > entrance. The club is usually sold out around 1.00 > this time will be > even worse. > or in case you're thinking of coming over, please > send us an email and > we'll make sure you can get into the club. > > That's it. > I hope to see some of you over here. > > > > This is Remix Distribution the Finalfrontier. > the homebase of Nature records, Plasmek and Pigna. > NEW OFFICE DETAILS: > Via Perugia 22 - 00176 Roma. Italia. > ph/fax: +39 06 7017205 > email: [EMAIL PROTECTED] > web page: www.finalfrontier.it # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
(313) Timeline in Italy
Hi i just got this in, it maybe of interest to some of you. > Subject: mess. from M.Passarani: Finalfrontier 10th > birthday feat. UR / > Timeline Show > > Dear friends, this is Marco Passarani on the other > side of the connection. > Hope you're doing well. > > I'm sending you this email to advice you that this > week we're celebrating > the first ten years of our production company > Finalfrontier. > This special occasion will be celebrated during the > upcoming weekend with > two parties in Rome and in Bologna. > I do apologize if this is a "collective" email, that > was the only chance I > had to talk to all the persons we think that have > been important for the > life of our company. > > > Both parties will feature performances from the > Finalfrontier people like > Raiders of the lost ARP, Andrea Benedetti, > Francisco, Mat101 and of course > me as well but the very exciting news is that > Underground Resistance > featuring Mike Banks, Gerald Mitchell, Danny > Caballero, > Raphael Merriweathers and Santiago Salazar are > performing as well the > show it's called Timeline and maybe you've heard > about it since they've > done that already in Tokyo and in Paris. > This unique occasion to see them playing live it's > happening in Rome the > 23rd at the Brancalone club and in Bologna the 24th > at the Link (where Jeff > Mills will also join the room with his current "The > Exhibitionist" show). > > We know it's a bit late to advice you about this > events, but we decided to > keep the word very quiet in order to do that more as > a real party rather > than a big event. > > If you don't have anything special to do in the > weekend, well I think this > is a very good chance to see what's going on > overhere. > Both clubs are the best at the moment, and you'll > see a huge crowd > attending the night that surely will show you a side > of the roman city > maybe you don't expect. > > In case you wanna come over, especially for the 23rd > in Roma, we suggest > you to get in touch with us in order to have a > reservation for the > entrance. The club is usually sold out around 1.00 > this time will be > even worse. > or in case you're thinking of coming over, please > send us an email and > we'll make sure you can get into the club. > > That's it. > I hope to see some of you over here. > > > > This is Remix Distribution the Finalfrontier. > the homebase of Nature records, Plasmek and Pigna. > NEW OFFICE DETAILS: > Via Perugia 22 - 00176 Roma. Italia. > ph/fax: +39 06 7017205 > email: [EMAIL PROTECTED] > web page: www.finalfrontier.it
RE: (313) 909s
I´ve tried to fiddle about a bit with that human feel, but i found it utterly useless...Did I miss something?? The R8 is a nice machine, although it has heavy sync-problems and in case im getting too much gear and not enough techno everybody sing with me "Rock...Rohooohooohooockrock to the beat" techno karaoke The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
RE: (313) 909s
Peteri, Jochem wrote on Tue, 20 Apr 2004 about following: > and the 909 shuffle has bugs, which are great.try recording a groove in > q-base, you´ll see em > tiny irregularities they probably developed these irregularities to a feature called 'human feel' for R-8 & R-8MKII ;P (which is great box, but 909/808 sounds are weak) sakke -- Timing must be perfect now. Two-timing must be better than perfect. http://www.arabuusimiehet.com/sakke/
RE: (313) 909s
roger linn is going on, as far as the 60 and 3000 are concerned. the 2000xl shuffle is pretty average but flexible and the 909 shuffle has bugs, which are great.try recording a groove in q-base, you´ll see em tiny irregularities -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: dinsdag 20 april 2004 12:58 To: Andrew; 313@hyperreal.org Subject: Re: (313) 909s the 909 swing is unmistakable, same with the MPC swing - 62% baby! -- Agreed!! The MPC shuffle/swing quantizing is a viable enough reason to still get one even alongside today's best modern computer sequencers. It shouldn't really be the case, because at the end of the day its just maths! So what's going on here ? The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
Re: (313) Walter Jones is/is not Walt J?
I wondered that as well and feel the same about this record too. All three tracks are wwonderful. > > From: [EMAIL PROTECTED] > Date: 2004/04/19 Mon PM 11:37:24 GMT > To: 313@hyperreal.org > Subject: (313) Walter Jones is/is not Walt J? > > > > > > same person or different? > > is Walter Jones of Westbound records the same as Walt J of Dow records? > > Wax record shop says that Walter Jones is a native of New Orleans and newly > signed to the LA based Westbound Music label > > not that it matters much as the music is so good > just picked up "Fade Inn Moments" EP on the Westbound label > > MEK > > - Email provided by http://www.ntlhome.com/
Re: (313) 909s
the 909 swing is unmistakable, same with the MPC swing - 62% baby! -- Agreed!! The MPC shuffle/swing quantizing is a viable enough reason to still get one even alongside today's best modern computer sequencers. It shouldn't really be the case, because at the end of the day its just maths! So what's going on here ?
RE: (313) 909s
I dissagree Sakari, It´s the punch in the end which seems to be missing, specially in the 909 one. Its like the nail with which all this mad decaying stuff is hammered down with... The snare is difficult, because snappiness is more than tuning. The tuning is something else too, i tune my kit for every track differently and tuning a sample is different from tuning an analog sound. -Original Message- From: Sakari Karipuro [mailto:[EMAIL PROTECTED] Sent: dinsdag 20 april 2004 11:53 To: 313 Subject: RE: (313) 909s Peteri, Jochem wrote on Tue, 20 Apr 2004 about following: > And the kick is essential, you cannot sample this baby. It´s the then try sampling the 808 kick. you'll find out that 909 kick is actually really easy to sample. imo the 909 snare is more difficult than the kick. sample of it never sounds like what it should! sakke -- Timing must be perfect now. Two-timing must be better than perfect. http://www.arabuusimiehet.com/sakke/ The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
313@hyperreal.org
Ken Odeluga wrote: *go marignally flat* towards the decay? That is such a distinct thing to observe and include. In fact, it is what a real kick drum does too. Just to clarify - a real kick drum does this if the batter head is tuned tighter than the resonant head. Toms are often tuned this way as well. But it's not a product of the INSTRUMENT. It's a result of tuning conventions. -- Dennis DeSantis www.dennisdesantis.com
313@hyperreal.org
Ken has a great point, it doesnt just fade but dissolve. If before its gone it bumps into another analog sound the collision is just beautiful, and the decay of the sound it bumped into has changed considerably. I hope this gives a good picture of the power of a 909 One of the reasons is the amount of imagination and energy that the original sound designers put into the sounds of the 909 and it's cousin, 808. Have you ever noticed for instance how the kicks - especially those ones with a long enough sustain to enable one to notice - *go marignally flat* towards the decay? That is such a distinct thing to observe and include. In fact, it is what a real kick drum does too. k __ This inbound message to KPN has been checked for all known viruses by KPN MailScan (IV-Scan), powered by MessageLabs. For further information visit: http://www.veiliginternet.nl __ The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
RE: (313) 909s
Peteri, Jochem wrote on Tue, 20 Apr 2004 about following: > And the kick is essential, you cannot sample this baby. It´s the then try sampling the 808 kick. you'll find out that 909 kick is actually really easy to sample. imo the 909 snare is more difficult than the kick. sample of it never sounds like what it should! sakke -- Timing must be perfect now. Two-timing must be better than perfect. http://www.arabuusimiehet.com/sakke/
RE: (313) 909s
Hi, > And the kick is essential, you cannot sample this baby. Can you elaborate on this? I'm not arguing with it. I'm just not clear on the idea of an "unsampleable" sound. This can be explained by seeing that the 909 generates each kick tone on-the-fly - it's an analogue synth tuned to make that sound. The 808 is completely analogue, whereas the 909 has analogue generators for some sounds (bass drum, toms, hi-hats) and digital samples for other sounds (clap, rimshot). (I think that's right about those sounds, I still don't own one of these things! Seriously need one, and an 808. Unique instruments.) So, every time the bass drum fires off it is subtly different, and therefore any sample is more like a photograph than the real thing. Also, there's the timing engine to consider - the 909 swing is unmistakable, same with the MPC swing - 62% baby! Hope this helps, Andrew
313@hyperreal.org
>I know its weird, but ive been feeding it to the mpc and it wont >work...only if you loop it >its like those pedal hihats the dr rhythm makes if you double open >and closed hihats, everything goes all weird in the rhythm >section. Also, my compressor reacts totally different to an >original and a sampled 909 kick. I sample it straight from the >source(individual outs) and still the real kick kills anything >within sight.. > One of the reasons is the amount of imagination and energy that the original sound designers put into the sounds of the 909 and it's cousin, 808. Have you ever noticed for instance how the kicks - especially those ones with a long enough sustain to enable one to notice - *go marignally flat* towards the decay? That is such a distinct thing to observe and include. In fact, it is what a real kick drum does too. k
RE: (313) 909s
I know its weird, but ive been feeding it to the mpc and it wont work...only if you loop it its like those pedal hihats the dr rhythm makes if you double open and closed hihats, everything goes all weird in the rhythm section. Also, my compressor reacts totally different to an original and a sampled 909 kick. I sample it straight from the source(individual outs) and still the real kick kills anything within sight.. not really a scientific explanation but enough to keep the 909 in the setup and give it half my mixer instead of giving it to the MPC(which has replaced all other drummachines in my setup) hope its of some use. ; ) > And the kick is essential, you cannot sample this baby. Can you elaborate on this? I'm not arguing with it. I'm just not clear on the idea of an "unsampleable" sound. -- Dennis DeSantis www.dennisdesantis.com The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
Re: (313) 909s
Peteri, Jochem wrote: And the kick is essential, you cannot sample this baby. Can you elaborate on this? I'm not arguing with it. I'm just not clear on the idea of an "unsampleable" sound. -- Dennis DeSantis www.dennisdesantis.com
AW: (313) Loveparade 2004?
To your information: The Love Parade is a parade which is only during the day from 2 to ten pm. You are probably talking about all the other events that take place during the whole weekend in numerous clubs around Berlin -Ursprüngliche Nachricht- Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Gesendet: Montag, 19. April 2004 20:40 An: Blackman, Ryan (UKEKT) Cc: Robert Taylor; Jari Tolkkinen; 313@hyperreal.org Betreff: RE: (313) Loveparade 2004? but are the promarily dace events? we can debate the meanng of 'festival' all day to no avail. i was mearly pointing out the some of hat people call 'festivals' are just big night long events- hardly the same a full weekend offered up by love parade or movement On Mon, 19 Apr 2004, Blackman, Ryan (UKEKT) wrote: > I don't know about that - take Glastonbury Festival, or Reading, Isle Of > Wight, all the Virgin rubbish they do here too - none of those are free, but > they're definately festivals. > > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: 16 April 2004 6:04 > To: Robert Taylor > Cc: Jari Tolkkinen; 313@hyperreal.org > Subject: RE: (313) Loveparade 2004? > > > my point was- aren't awakenings just giant raves where you pay ticket and > walk through security and have you 10-12 hours of technoy goodness and go > home? > > as opposed to festivals like love parade and movement that arr free and > open to the public. they take place in a public space as opposed to a > 'venue' and encompass a whole weekends worth of happenings as opposed to > just one long night out. > > On Fri, 16 Apr 2004, Robert Taylor wrote: > > > Eryes. That's what festivals are, Yussel! > > > > -Original Message- > > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > > Sent: Thursday, April 15, 2004 5:31 PM > > To: Robert Taylor > > Cc: Jari Tolkkinen; 313@hyperreal.org > > Subject: RE: (313) Loveparade 2004? > > > > > > am i wrong, or arent' these more just giant parties? > > > > > > > > > > > > On Thu, 15 Apr 2004, Robert Taylor wrote: > > > > > I can think of two off the top of my head. > > > > > > Primavera: http://www.primaverasound.com/ > > > " !!! (SMOG) 12TWELVE 24 GRANA A TOUCH OF CLASS (DJ'S) ALEXANDER > ROBOTNICK ASCII.DISKO ATOM RHUMBA B. FLEISCHMANN BENJAMIN BIOLAY BLACK > STROBE CASIOTONE FOR THE PAINFULLY ALONE CHICKS ON SPEED AND THE NO HEADS > CHUCHO COLDER CRISTIAN VOGEL (DJ) DAVID HOLMES (DJ) DAYNA KURTZ DEVENDRA > BANHART DIZZEE RASCAL DJ/RUPTURE DOMINIQUE A EDISON WOODS ELBOW ELECTRELANE > EROL ALKAN (DJ) FANNYPACK FERENC FERNANDO ALFARO & NACHO VEGAS FRANZ > FERDINAND FUNK D'VOID (DJ) GINFERNO HUMBERT HUMBERT JAMES CHANCE & THE > CONTORTIONS JAMES MURPHY (DJ) JASON FORREST/ DONNA SUMMER JULIE DELPY JULIE > DOIRON KID 606 LA BUENA VIDA LAS PERRAS DEL INFIERNO LIARS LLOYD COLE LLUÍS > LLACH LOVE OF LESBIAN LUKE SLATER (DJ) MARCO PASSARANI (DJ) MATMOS MICHAEL > GIRA MISS KITTIN (DJ) MUDHONEY NINA NASTASIA NUMBERS PAT MacDONALD PIXIES PJ > HARVEY PLAID PREFUSE 73 PRETTY GIRLS MAKE GRAVES PRIMAL SCREAM REFREE RHYTHM > & SOUND featuring Paul St. Hilaire RUPER ORDORIKA SCISSOR SISTERS SUN KIL > MOON TÉLÉFAX TECHNASIA (DJ) THE BUG THE DIVINE COMEDY THE FALL THE GLIMMER > TWINS DJ'S THE HIDDEN CAMERAS THE LADYBUG TRANSISTOR THE MODERNIST THE > RAVEONETTES THE RUSSIAN FUTURISTS VERACRUZ WILCO WILLARD GRANT CONSPIRACY > XIU XIU" > > > > > > Awakenings: http://www.awakenings.nl/ > > > > > > LIVE: > > > Alexander Kowalski > > > Carlos Rios & Vincent de Wit > > > Jacek Sienkiewics > > > Joris Voorn > > > Luciano > > > Regis & James Ruskin > > > > > > DJ'S: > > > Acid Maria & Electric Indigo > > > Adam Beyer > > > Bart Skils > > > Cari Lekebusch > > > Cristian Varela & Marco Bailey > > > Chris Liebing > > > Estroe & Shinedoe > > > Gayle San > > > Heiko Laux > > > Herr ARTer & Terry Toner > > > Koze > > > Lars Klein & Jan Liefhebber > > > Lucca > > > Marco Remus > > > Lauhaus & Melon > > > Michel de Hey > > > Miss Djax > > > Misstress Barbara > > > Monica Electronica > > > Oscar Mulero > > > PET Duo > > > Petar Dundov & Steve Rachmad > > > Phonopunk > > > Ricardo Villalobos > > > Rumenige & Loktibrada > > > Steve Bug > > > Tobi Neumann > > > Vin-iLL > > > Wighnomy Brothers > > > > > > I Love Techno: > > > > > > > > > > > > -Original Message- > > > From: Jari Tolkkinen [mailto:[EMAIL PROTECTED] > > > Sent: Thursday, April 15, 2004 9:53 AM > > > To: 313@hyperreal.org > > > Subject: (313) Loveparade 2004? > > > > > > > > > > > > I read from the local newspaper that this years Loveparade will be > > > cancelled. Does anybody here on the list have more information about > this? > > > > > > Any other festivals besides LP and Sonar that are taking place in Europe > > > this summer? > > > > > > Cheers, > > > > > > -- > > > Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net > > > -- > > > > > > >
Re: (313) mojo
>http://www.detroitbumps.com/audio/mojofull.rm arrrgghhh!!! I can't get this to work for some reason, is it a stream (I dont think my work allows streams) can anyone help me at all? I'd be really grateful and thanks to yussell for posting it. alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) 909s
I think the machine is a bit underrated strange as this might sound...you can mix it old school fashion, but you can mix this baby in so many ways. Its so much more than the sound we think of when we say 909. This machine can boost your mix like nothing else out there. And the kick is essential, you cannot sample this baby. It´s the most used kick and will remain so for a long time and not without reason.. The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
(313) 909s
>Would you then consider an 909 drummachine to be oldschool, >obsolete or ...? Consider a 909 like a blues-guitar. It represents a relatively old, traditional and certainly distinct 'discipline' of music. It's a specialist side which people adhere to, despite it being arguably outmoded, because they enjoy it. And like jazz and blues, people are constantly trying to breathe new life into the relatively confined and already defined form of music which it represents. So whilst I may agree with the idea that a 909 is 'oldschool' (an ironic term for a piece of kit which you could say used to be symbolic of futurism in music) I can't see it as obsolete, even whilst I recognize it as out of date. k
RE: (313) London May 1 (Yeah ok, it's about 'Lost'!!)
Rolls Royce -Original Message- From: Fabrizio Nahum [mailto:[EMAIL PROTECTED] Sent: dinsdag 20 april 2004 11:03 To: 313 Subject: Re: (313) London May 1 (Yeah ok, it's about 'Lost'!!) classic - Original Message - From: "Wibo Lammerts" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]> Cc: "313" <313@hyperreal.org> Sent: Tuesday, April 20, 2004 10:58 AM Subject: RE: (313) London May 1 (Yeah ok, it's about 'Lost'!!) > Would you then consider an 909 drummachine to be oldschool, obsolete or ...? > > The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
Re: (313) London May 1 (Yeah ok, it's about 'Lost'!!)
classic - Original Message - From: "Wibo Lammerts" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]> Cc: "313" <313@hyperreal.org> Sent: Tuesday, April 20, 2004 10:58 AM Subject: RE: (313) London May 1 (Yeah ok, it's about 'Lost'!!) > Would you then consider an 909 drummachine to be oldschool, obsolete or ...? > >
RE: (313) London May 1 (Yeah ok, it's about 'Lost'!!)
Would you then consider an 909 drummachine to be oldschool, obsolete or ...? -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: dinsdag 20 april 2004 0:20 Aan: [EMAIL PROTECTED] CC: 313 Onderwerp: Re: (313) London May 1 (Yeah ok, it's about 'Lost'!!) case by case basis i suppose. ;) On Mon, 19 Apr 2004 [EMAIL PROTECTED] wrote: > > > > > Can the same be applied to producers who rehash old sounds? > > MEK > > > > [EMAIL PROTECTED] > et To: Jason Brunton <[EMAIL PROTECTED]> >cc: 313 <313@hyperreal.org> > 04/19/04 04:17 PMSubject: Re: (313) London May 1 (Yeah ok, it's about 'Lost'!!) > > > > > > > no- play whatever you want. > > listen to whatever you want > dance to whatever you want. > > just don't use a catch-phrase to act like you're on some 'next' sh*t by > playing old records. > > > > > On Mon, 19 Apr 2004, Jason Brunton wrote: > > > Does this mean I (or anyone else) shouldn't play a record that's "old" > > even if I just heard it for the first time and it's "new" to me?? I > > play records that are good- I really don't care how old or new they are > > > > Jason > > > > > > On 16 Apr 2004, at 18:09, [EMAIL PROTECTED] wrote: > > > > >> > > >> We're gonna go back in order to go > > >> forward. > > > > > > > > > > Attention all techno everyones!!! Please stop using this excuse to be > > > retro. You are not going fowward by playing old records. You are being > > > retro- which is fine. But stop faking it. > > > > > > > > > > > > > > > > >
(313) Nomorewords Shop
one time off - self promotion for those who yet didn't know / visited Nomorewords.Shop http://nomorewords.net/shop/ for all releases from the labels - Ann Aimee - BlackLabel - Delsin Records - Digital Soul - M>O>S - MOUT - NWAQ new items available: Dj Yoav B. - First Blood EP (Delsin, 45dsr) Lucky & Easy - Talent Hoover (Ann Aimee, ann-cd3) === Nomorewords.net IJplein 262, 1021 LR, Amsterdam The Netherlands http://nomorewords.net phn +31-20-494-5535 fax +31-20-494-5510
(313) FRI APR 23 GABE'S IC SHAWN RUDIMAN
Friday April 23, 2004 Gabe's 330 E Washington Iowa City, IA http://www.gabesoasis.com SHAWN RUDIMAN (Pittsburgh/Technoir/7th City) After several Industrial/EBM release on Cleopatra as THD (with Ed Vargo) Shawn Rudiman changed his musical direction in the mid-80s and started making soulful techno records. His tracks came to the attention of Dan Bell/DBX, and Shawn's debut 12" was release on Dan's 7th City Label. Since then Shawn has focused on his own label Technoir (http://www.technoiraudio.com) that have won praise from DJ's world wide. As if that wasn't enough, Shawn is one of the very few techno producers who have made a successful transition from the studio to playing live. Shawn does not press play on a laptop; he brings an array of drum machines, synths, and hardware sequencers together and composes deep, soulful techno on the spot, drawing upon the energy of the dancefloor, for a truly interactive experience. I'm bringing Shawn here because _I_ want to see him play, and I think that if you love dance music, you should NOT sleep on this event. I'm the guy who brought you Fred Giannelli in 2002, Stewart Walker in 2003, and Shawn Rudiman in 2004. This show friday completes the trio of the best live performers in dance music, world wide, end of story. Don't miss it. DJ Miche (Brothas & Sistas/IC) Michelle is one of the true pioneers of dance music in Iowa City. She's been DJing since the late 80s, helped found Rotation, and been a great friend to all in the scene since before there was a scene. There's no one here more O.G. than Miche' and she'll bring the funk again for you Friday night. DJ Herbert (IC) Mild-mannered computer tech by day, ferocious collector of the crucial vinyl by night, Dave is a DJ with great taste and technique. He's a nice guy to and it's a privelege to have him with us to set things off. April has been a great month for events in Iowa and I hope to see you all down for this one. It will be a night to remember!
Re: (313) Breaking it down windows style
On Apr 19, 2004, at 7:50 PM, Dan Kurzius wrote: Someone has a little too much time on their hands: http://www.ebaumsworld.com/windowsnoises.html Hmm, there's a little "radioboy" spirit there. Still, it's no GarageBand. ;-) -- Ian
